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Arthur's Knights: Tales of Chivalry | |
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Developer(s) | Cryo Interactive |
Publisher(s) |
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Platform(s) | Windows |
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Genre(s) | Role-playing, adventure |
Mode(s) | Single-player |
Arthur's Knights: Tales of Chivalry (French : Les Chevaliers d'Arthur: Chapitre 1 - Origines d'Excalibur) is an adventure role-playing video game developed by Cryo Interactive and released for Microsoft Windows in October 2000 in North America and November 2000 in Europe. The game's story revolves around the legendary King Arthur in medieval Britain. The player can choose to play the same main character, Bradwen, from either of two perspectives: as a Celt or as a Christian. In both storylines, Bradwen is the illegitimate son of the dying King Cadfanan, leader of the Atrebates tribe shortly following the Roman occupation. Bradwen's goal is to foil the attempts of his evil half-brother Morganor (heir to the throne) at securing a malevolent kingship for himself, through which enactment of his evil intentions will be made possible.
This section is empty. You can help by adding to it. (June 2015) |
Bradwen has two alternate paths that can be played through in Arthur's Knights: Tales of Chivalry. Prior to choosing which path shall be followed, the game opens with the player in control of a young page (newly a squire) who trots off to converse with a gentleman by the name of Master Foulque, who, it would appear, is a librarian and historiographer. After some discourse with Master Foulque, the player is presented with the choice of deciding between a red book and a white book (determining which story, Celtic or Christian, respectively, of Bradwen shall be told).
Both stories take place shortly after the departure of the Romans from Britain. This epoch marks a time in which Christianity has been somewhat imposed upon the native populace of Britain thus majorly extinguishing what in the game is described as "an age of Kings and Queens, Monsters and Magic" (not to mention fairies and otherwise traditionally Celtic and pagan concepts). Controversy erupts when the decampment of the Romans leaves the British tribes in conflict over political power (thus leaving them disunited and therefore vulnerable to their common enemies, the Saxons). The barbaric Saxons pose a particular threat to reestablishing a semblance of order in the land. Bradwen's role in all this is to embark on a series of missions when his half-brother informs him of the necessity for a cure for Cadfanan, their father and king.
Ultimately, both Bradwens encounter fairies, dragons, King Arthur, Merlin, and even the Devil during travels through Camelot, the mystical realm of Avalon, and a plethora of other lands. Bradwen also, regardless of the religion to which he cleaves, eventually seek justice against the treacherous actions of his half-brother which develop during gameplay. Throughout the game are interspersed some historical facts about Roman Britain, post-Roman Britain, tidbits on the legend of King Arthur, and several allusions to Marion Zimmer Bradley's novel The Mists of Avalon .
This section is empty. You can help by adding to it. (June 2019) |
This section is empty. You can help by adding to it. (June 2019) |
Arthur's Knights: Tales of Chivalry was followed in 2002 by Arthur's Knights II: The Secret of Merlin .
Merlin is a mythical figure prominently featured in the legend of King Arthur and best known as a magician, with several other main roles. The familiar depiction of Merlin, based on an amalgamation of historical and legendary figures, was introduced by the 12th-century British pseudo-historical author Geoffrey of Monmouth and then built on by the French poet Robert de Boron and prose successors in the 13th century.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Avalon is a mythical island featured in the Arthurian legend. It first appeared in Geoffrey of Monmouth's 1136 Historia Regum Britanniae as a place of magic where King Arthur's sword Excalibur was made and later where Arthur was taken to recover from being gravely wounded at the Battle of Camlann. Since then, the island has become a symbol of Arthurian mythology, similar to Arthur's castle of Camelot.
Uther Pendragon (Brittonic), also known as King Uther, was a legendary King of the Britons and father of King Arthur.
Mordred or Modred is a major figure in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in the pseudo-historical work Historia Regum Britanniae, which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised Mordred as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in the Historia and most other versions include Mordred's death at Camlann, typically in a final duel, during which he manages to mortally wound his own slayer, Arthur. Mordred is usually a brother or half-brother to Gawain; however, his other family relations, as well as his relationships with Arthur's wife Guinevere, vary greatly.
The Lady of the Lake is a name or a title used by several either fairy or fairy-like but human enchantresses in the Matter of Britain, the body of medieval literature and mythology associated with the legend of King Arthur. She plays several important roles in many stories, including providing Arthur with the sword Excalibur, eliminating Merlin, raising Lancelot after the death of his father, and helping to take the dying Arthur to Avalon. Different sorceresses known as the Lady of the Lake appear concurrently as separate characters in some versions of the legend since at least the Post-Vulgate Cycle and consequently the seminal Le Morte d'Arthur, with the latter describing them as a hierarchical group, while some texts also give this title to either Morgan or her sister.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
Le Morte d'Arthur is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
The Battle of Camlann is the legendary final battle of King Arthur, in which Arthur either died or was fatally wounded while fighting either alongside or against Mordred, who also perished. The original legend of Camlann, inspired by a purportedly historical event said to have taken place in the early 6th-century Britain, is only vaguely described in several medieval Welsh texts dating from around the 10th century. The battle's much more detailed depictions have emerged since the 12th century, generally based on that of a catastrophic conflict described in the pseudo-chronicle Historia Regum Britanniae. The further greatly embellished variants originate from the later French chivalric romance tradition, in which it became known as the Battle of Salisbury, and include the 15th-century telling in Le Morte d'Arthur that remains popular today.
King Arthur is a 2004 historical adventure film directed by Antoine Fuqua and written by David Franzoni. It features an ensemble cast with Clive Owen as the title character, Ioan Gruffudd as Lancelot and Keira Knightley as Guinevere, along with Mads Mikkelsen, Joel Edgerton, Hugh Dancy, Ray Winstone, Ray Stevenson, Stephen Dillane, Stellan Skarsgård and Til Schweiger.
Accolon is a character in Arthurian legends where he is a lover of Morgan le Fay who is killed by King Arthur in a duel during the plot involving the sword Excalibur. He appears in Arthurian prose romances since the Post-Vulgate Cycle, including as Accalon in the French original Huth Merlin and Acalón in the Spanish adaptation El Baladro del Sabe Merlin.
In Arthurian legend, Ywain, also known as Yvain and Owain among other spellings, is a Knight of the Round Table. Tradition often portrays him as the son of King Urien of Gorre and of either the enchantress Modron or the sorceress Morgan le Fay. The historical Owain mab Urien, the basis of the literary character, ruled as the king of Rheged in Britain during the late-6th century.
Arthur's Knights II: The Secret of Merlin is a 2001 adventure video game, developed by Cryo Interactive and published by Wanadoo Edition. Arthur's Knights II: The Secret of Merlin follows 2000's Arthur's Knights: Tales of Chivalry. The player takes the role of a knight of King Arthur.
Anne Berthelot is a French professor of Medieval French literature and studies. She is currently teaching at the University of Connecticut since 1990.
Sebile, alternatively written as Sedile, Sebille, Sibilla, Sibyl, Sybilla, and other similar names, is a mythical medieval queen or princess who is frequently portrayed as a fairy or an enchantress in the Arthurian legend and Italian folklore. She appears in a variety of roles, from the most faithful and noble lady to a wicked seductress, often in relation with or substituting for the character of Morgan le Fay. Some tales feature her as a wife of either King Charlemagne or Prince Lancelot, and even as an ancestor of King Arthur.
The Land of Maidens is a motif in Irish mythology and medieval literature, especially in the chivalric romance genre. The latter often also features a castle instead of an island, sometimes known as the Castle of Maidens.
Guiomar is the best known name of a character appearing in many medieval texts relating to the Arthurian legend, often in relationship with Morgan le Fay or a similar fairy queen type character.