Dune blends adventure with economic and military strategy. Loosely following the story of the novel, the game casts the player as Paul Atreides, with the ultimate goal of driving the House Harkonnen from the planet Arrakis, while managing spice extraction, military, and, later, ecology through the native Fremen tribes. As the player progresses, his troops are equipped with weapons from "crysknives" to atomics, tap into Paul's latent psychic powers, and get acquainted with such characters from the novel as Chani and Liet-Kynes.
Released for the Amiga and IBM PC compatibles, it was one of the first floppy games to be converted to CD format, which included footage of the David Lynchfilm, voice-acting for all speaking roles, and improved 3D-rendered traveling and location screens. This version, a mix of the Amiga graphics and the extras of the PC-CD version, was also released on the Sega CD / Mega CD console. The audio track, created by Stéphane Picq and Philip Ulrich, was released by Cryo (formerly Exxos) on the album Dune: Spice Opera.
It was followed the same year by Dune II, which ultimately set the standard for the genre of real-time strategy video games.[1][2]
The story is mostly based on the plot of the Dune novel: the player is Paul Atreides, son of Duke Leto Atreides and Lady Jessica. House Atreides was given an irresistible offer by the Emperor Shaddam IV – mine the spice from the desert planet Arrakis, formerly controlled by their ancient enemy: House Harkonnen. Duke Leto accepts the offer not only to gain the incredible wealth that comes from Spice trading, but also to utilize the native peoples of Arrakis - the fearsome tribal warriors known as the Fremen - against House Harkonnen.
The game, seen always through the eyes of Paul, is a mix between real-time strategy and an adventure game. While the basis of the game is the strategy component, dialog between characters and a linear plotline give the game more depth than most strategy games of the time. The player is also required to do some mini-quests involving talking to characters and traveling to locations, which adds a small adventure game element.
There must be a balance between military and spice mining power. While having a strong military force will provide fast response to the Harkonnen, if Spice is not mined fast enough to keep up with the Emperor's demands, the game will be lost. However, if there is too much focus on spice mining, Harkonnen troops can ambush a sietch, capturing the soldiers inside and reducing available military strength. Since the game is as much resource managing as military conquest, balancing both is the key for successful completion.
Dune consists of two interwoven gameplay layers: an adventure layer reminiscent of dungeon crawler games, and a top-down strategy layer more reminiscent of 4X games. The player may switch between these two layers at will, to carry out completely different sets of activities required to win the game.
The adventure layer allows the player to move about short distances, whether inside structures (e.g. the Arrakeen palace, or a sietch) or to walk out into the desert. The strategy layer shows the entire planet Arrakis and allows surveying (and later controlling) Paul's assets in the Spice-mining effort and the fight against the Harkonnen.
The game runs in real-time, measuring both the time of day (with corresponding changes to the in-game visuals) as well as the number of days elapsed since the beginning of the game. The flow of time is crucial and it passes at the same pace regardless of which layer is being viewed.
Gameplay evolves in a manner that responds to the evolution of the story itself. As the story progresses, more and more options become available, mirroring Paul's gradual growth as a leader to the Fremen and a danger to House Harkonnen and the Emperor.
The game begins with Paul at the Arrakeen palace, his family's new residence on Dune. The very early game involves moving around the palace to meet and have conversations with his family members and trusted advisors, introducing the player to the game's setting.
Conversations in Dune are interactive to a limited degree, with the player able to occasionally select responses in order to advance the plot – but most dialogue options simply command the other character to divulge pertinent strategic information, or to carry out some relevant action in the game world. For example, Duncan Idaho can be asked to give a detailed report on the current status of the Atreides Spice-mining operation, or to send a shipment of Spice to the Emperor. A few characters can be commanded to join Paul in his travels.
Gurney and a Fremen inside a sietch (Sega Mega-CD)
Soon enough, Paul is sent out by his father Duke Leto to contact the local Fremen tribes and attempt to convince them to work for House Atreides, which has no military or spice-mining forces of its own. Travel to those Fremen sietches must be done by Ornithopter, by selecting the destination or a general direction and flying there in a straight line. During flight, it is possible to spot certain points of interest from the air. Certain characters who are currently following Paul may increase the probability of spotting such locations. Every visited location (or one whose position had been reported by a character during dialogue with them) is shown on the "select destination" map. The travel sequence can be skipped, but the flight time is calculated and the in-game clock will be advanced accordingly once the destination is reached. Once a Fremen sietch is reached, Paul may converse with the local chieftain to attempt to convince the Fremen to join the Atreides. Though most chieftains will agree immediately, some require further convincing and Paul would need to perform some specific action or raise his reputation score before they will agree to work for him.
Once at least one tribe has been recruited, the strategy layer becomes unlocked. This layer allows Paul to direct his troops to move to any known location on the planet. It also provides a small interface to examine the availability of spice in each sector of the map (once Spice prospectors have been recruited as well). Finally, any Fremen tribe can be instructed to pick up spice-mining equipment (which increases their mining efficiency) if it is available at their current location, or even to search nearby sietches for such equipment. Tribe movement between sietches takes place in real-time. Tribes will automatically begin to mine Spice at their current location and will continue doing so until the Spice runs out. Spice is automatically moved to the Atreides' stores at Arrakeen, requiring no logistics for its transportation.
Once Spice begins to accumulate, the Emperor will begin to make demands for Spice shipments. These are received in a communications room at the palace and must be fulfilled within a certain period of time, otherwise the game will end with the Emperor invading Dune and destroying the Atreides. This adds a dimension of gameplay wherein the player must calculate how often they must return to Arrakeen (Atreides Palace), since each shipment requires manual confirmation. Duncan can be instructed to send more or less than the requested amount of Spice (assuming it is available), in order to preserve spice or delay the next request, respectively. Spice also serves as a currency that can be used to purchase additional mining (and later military) equipment from Smuggler camps, which will be marked on the map as the game progresses.
As the story develops, Paul will discover more sietches and gather more and more Spice-mining tribes. Eventually, the Harkonnen will attack one of the sietches and take one of the tribes prisoner, at which point Duke Leto will go on a retaliatory suicide mission and be killed. This scripted event pushes the game into the next stage: creating a military force to defend sietches and ultimately take the fight into Harkonnen territory. To start, Paul must complete certain plot objectives by traveling to specific destinations and conversing with certain characters, primarily Stilgar. Once the requirements are fulfilled, Paul can instruct tribes to switch from Spice-mining activity to military training. Such a tribe can then be equipped with any available weaponry, instead of mining equipment, to increase its combat efficiency. Military tribes can also train to increase their prowess and morale, more-so if Gurney Halleck is told to remain at the sietch where the military forces are training. Once ready, military tribes can be sent to scout out Harkonnen fortresses and attack them. Attacking tribes must outnumber and out-equip the Harkonnen defenders of a fortress in order to win, otherwise they might be destroyed and / or taken captive. Morale also plays a strong part in a military tribe's effectiveness and Paul himself can influence a battle's outcome by traveling to the site of a battle and issuing generalized combat orders (cautious vs. aggressive). This is very risky to Paul himself and can result in him being killed in that battle. If a battle is won, Paul might be able to interrogate to fortress' previous commander for more information and possibly release any tribes held captive there. Over time, a captured fortress will be turned into a new sietch.
An alternative (or complementary) option to direct combat is to start a terraforming project on Dune, setting certain tribes to work on ecology. This option becomes available only after completing a plot thread involving Liet-Kynes. Ecology tribes can construct a wind trap (or use an existing one) at a sietch to begin accumulating water and then be equipped with plant bulbs which they will automatically plant wherever they go. The bulbs will grow into vegetation (seen growing on both the strategy and adventure layers) and will expand northwards over time from the location where they are planted. Vegetation rapidly destroys any spice still left in the soil in any region it expands into. As such, if it ever reaches a Harkonnen fortress, the Harkonnen will lose interest in that region and abandon it without a fight. This method is very time-consuming and will destroy any potential spice-mining prospects in the affected areas, but in conjunction with the military campaign can nevertheless pay off strategically. An important side-benefit to terraforming is that it increases the morale of all Fremen tribes, thereby increasing their efficiency at whatever they are currently doing.
Early on in the scripted storyline, Paul will begin to have visions of events occurring far from his current location. As time passes and more plot events occur, Paul's telepathic ability will become more and more pronounced. At first, this ability will allow Paul to instantly know whenever a message has been received at the palace (including the all-important demands for Spice from the Emperor). Later on, Paul will be able to contact and command Fremen tribes a short distance from his position on the map. As the game progresses, the range of Paul's telepathic ability will increase, until it eventually spans the entire planet. Furthermore, the Fremen will eventually teach Paul to ride sandworms (as an alternative to Ornithopter flight), which can be used to approach Harkonnen fortresses more safely and further increase the odds of victory in battle.
The ultimate goal of the game is to destroy all or most of the Harkonnen fortresses, coming within striking distance of the Harkonnen palace, Arrakeen, which is near the north pole of Dune. Then, a massive army must be collected in order to make the final assault and win the game.
Development
Groundwork
Martin Alper, the founder of Mastertronic (later renamed Virgin Interactive), was fascinated by the novel Dune and had been trying to buy the interactiveadaptation rights since 1988.[3][4] He conducted a study to measure the viability of such an adaptation, estimating that there were between 3 and 4 million fans of the novel in the United States.[4] He found that Dino De Laurentiis, the producer of David Lynch's film Dune, held the adaptation rights.[5] Following the release of the film, the production company had gone bankrupt. After the death of Frank Herbert, there were several legal trials to determine who then owned the rights.[3] Martin Alper was finally able to buy the rights from Universal Pictures in the spring of 1990.[3][4]
The first links between the future French company Cryo Interactive, born out of the ashes of ERE Informatique and Virgin Interactive were forged when Philippe Ulrich met Jean-Martial Lefranc, recently appointed director of Virgin Loisirs by Patrick Zelnik.[3] Lefranc was an admirer of Ulrich's team, especially for its recent release of Captain Blood, for which Ulrich was scenario designer.[3] On 20 July 1990, he organized a meeting between Frank Herman, head of the group in London and Ulrich's team.[3] Herman promised them a meeting with Martin Alper, president of Virgin Games USA.[3]
Rémi Herbulot met with Martin Alper in Los Angeles to pitch three video games, all with strong science fiction elements. In response, Alper proposed to Herbulot the idea of adapting the Dune novel to a video game format, as he held those rights.[3] The rights agreement between the groups was finalized in August 1990, during a dinner at Fouquet's, in the presence of Philippe Ulrich and Frank Herman.[3]
Pre-production
A team of developers, mostly Frank Herbert fans, began to work on the project. The team worked for 6 months on paper and organized weekly meetings.[4] Ulrich met the game's producer, David Bishop, of whom he had heard conflicting reports in the past.[3] Bishop expressed his desire to design the game himself. In the first few months of development, the documents that the developers sent to the United States did not convince Virgin.[3][4] Communication was relayed through Bishop in London, who did not defend the project.[3] The Americans at Virgin Games criticized the game for its "French aesthetic" and too-prominent user interface. They also were not convinced that the proposed mixture of adventure and strategy gameplay elements would succeed.[3]
To give the development team a more defined framework, Philippe Ulrich created a new label within Virgin Interactive: Cryo Entertainment.
Trouble
On 19 September 1990, after a change in management, Virgin threatened to cancel the production.[3][5] No contract had yet been signed; the developers feared all their work would be lost.
Frank Herman managed to salvage the project, but the American backers, including Martin Alper, pulled out. Alper entrusted the electronic adaptation rights of Dune to an American studio, Westwood Studios, at a meeting in Las Vegas.[6]
The developers, working on the game practically in secret, ended up with a design document more than 100 pages long.[4]
The game was inspired by the novel by Frank Herbert, but also by David Lynch's film. Feyd-Rautha, for example, retained the likeness of Sting, but the majority of the characters were completely redesigned by Jean-Jacques Chaubin. Also adapted from the film is the "weirding module", a weapon that does not exist in the novel. The graphics were created for VGA 256 color mode.[7] In early 1991, the Gulf War seemed to echo the themes of Dune and Ulrich was inspired to integrate images recalling the night bombing of Baghdad into the game.[3]
In April 1991, Sega bought Virgin's European operations and Cryo lost Jean-Martial Lefranc, its intermediary with the publisher's general management. Their new manager, Christian Brecheteau, discovered that Virgin Entertainment had financed Cryo in secret, but fortunately expressed interest in the project.[3] An audit of the accounts of Sega France, which absorbed Virgin Loisirs, was carried out. Management now realized that the development of Dune in France was still being funded, while Sega had not obtained the Dune license.
Members of the Cryo team rushed to London to meet with Martin Alper to present their work samples and hopefully save the project.[3] Alper and Bishop were excited by the early prototypes and they reversed their cancellation decision, despite still having another Dune project under development. They gave Cryo five weeks to present a prototype able to satisfy the American public.
The plot was modified from the novel and the developers chose to start the game with the arrival of Paul on Arrakis.[3] A few weeks later, they sent a prototype to the United States. Alper was impressed not only by the game but also by the soundtrack, which he wanted to release on CD. In September 1991, he signed the game Dune and a second game, KGB, which Ulrich had proposed to him at the European Computer Trade Show in London in 1990.[3][5] In October, the game was in pre-beta, with a demo version planned.[7] On 27 September, Virgin Games USA signed an agreement with Sega for an adaptation of Dune for Mega-CD.[3]
Aftermath
In January 1992, after this comeback, Ulrich, Herbulot and Lefranc spun off Cryo Interactive as an independent company. Cryo's Dune arrived in stores before Westwood's game, which was eventually renamed Dune II. The development of Dune cost 3 million francs, of which 800,000 was used by Cryo.[3] With the signing of the distribution contract, Cryo was granted a budget of 600,000 francs.[3]
Cryo planned a number of ports, to Atari ST, Amiga, CD32, Super NES and possibly the NES and Master System.[7] Most never saw the light of day, although the game was successfully ported to the Amiga and Sega CD. Philippe Ulrich also planned a sequel to the game, which this time would place the player on the side of the Harkonnens.[4]
Dune was one of the first floppy disk games to be ported to the new CD format. This was thanks to Ulrich's willingness to exploit this new medium, despite initial opposition from David Bishop.[3][8] The Sega Mega-CD version had graphics close to the Amiga version's, but offered the extras of the DOS CD-ROM version: snippets from Lynch's film, voice acting and new travelling animations.
Mega placed the game at No. 10 in their Top Mega CD Games of All Time.[9]
Audio
Sound track
Dune: Spice Opera was released by Virgin Records in 1992. The tracks were composed by Stéphane Picq and Philippe Ulrich. Virgin Records was later sold to EMI, which then became the new holders of the copyright. Picq wished to have the rights in order to re-release the album, though they were not granted.[10][11]
In 2023, Stéphane Picq announced a remaster and re-release of the game's original soundtrack, in digital lossless .FLAC format, to be titled Dune Spice Opera 2024.[12]
Track list
No.
Title
Length
1.
"Spice Opera"
4:47
2.
"Emotion Control"
4:19
3.
"Ecolove"
5:01
4.
"Water"
3:05
5.
"Revelation"
6:00
6.
"Free Men"
6:37
7.
"Wake Up"
5:15
8.
"Dune Theme"
5:07
9.
"Chani's Eyes"
5:03
10.
"Sign of the Worm"
3:15
11.
"Too"
4:35
12.
"Dune Variation"
6:20
13.
"Cryogenia"
4:46
Total length:
64:10
Reception
Dune was commercially successful, with sales of 20,000 units in its first week alone. By 1997, it had sold 300,000 units.[13] Cryo Interactive's Philippe Ulrich later noted that the company had "bet a lot on the explosion of the PC and the CD-ROM" with Dune, and that the game's hit status was heavily responsible for Cryo's quick growth.[14]
Maxwell Eden for Computer Gaming World wrote in September 1992 that the developer "had succeeded in distilling the book's complex plot into a game that involves the player in the outcome". It praised the graphics and animation, and concluded that the game was "a light and interesting challenge" easy enough for most players to finish.[15] In April 1994 the magazine said of the CD version that "many of the actors come off better on the PC screen than they fared in the real cinema, and the addition of digitized speech spices up many of the dull parts of the game".[16]QuestBusters wrote: "I really enjoyed this game, a high quality product with many surprisingly entertaining aspects". Because of the strategic aspects it recommended the game to those who enjoyed both strategy games and graphic adventures.[17]Electronic Gaming Monthly gave the Sega CD version an 8 out of 10, describing it as "involving", and praising the digitized graphics and flight sequences.[18]
Jim Trunzo reviewed Dune in White Wolf #34 (Jan./Feb., 1993), rating it a 3 out of 5 and stated that "Dune, from Virgin Games, should please fans of Frank Herbert's classic; the game brings the book's characters and places to life. However, for those who believe that 'the game's the thing,' you might end up feeling like someone who's had the appetizer and is left waiting for the main course."[19]
Children of Dune is a 1976 science fiction novel by Frank Herbert, the third in his Dune series of six novels. Originally serialized in Analog Science Fiction and Fact in 1976, it was the last Dune novel to be serialized before book publication.
Paul Atreides is a fictional character in the Dune universe created by Frank Herbert. He is a main character in the first two novels in the series, Dune (1965) and Dune Messiah (1969), and returns in Children of Dune (1976). The character is brought back as two different gholas in the Brian Herbert and Kevin J. Anderson novels which conclude the original series, Hunters of Dune (2006) and Sandworms of Dune (2007), and appears in the prequels Paul of Dune (2008) and The Winds of Dune (2009). According to Brian Herbert, Frank Herbert's son and biographer, House Atreides was based on the heroic but ill-fated Greek mythological house of Atreus.
Dune is a 1984 American epic space opera film written and directed by David Lynch, and based on the 1965 Frank Herbert novel of the same name. It was filmed at the Churubusco Studios in Mexico City. The soundtrack was composed by the rock band Toto, with a contribution from Brian Eno. Its large ensemble cast includes Kyle MacLachlan's film debut as young nobleman Paul Atreides, Patrick Stewart, Brad Dourif, Dean Stockwell, Virginia Madsen, José Ferrer, Sean Young, Sting, Linda Hunt, and Max von Sydow.
Dune is a 1965 epic science fiction novel by American author Frank Herbert, originally published as two separate serials in Analog magazine. It tied with Roger Zelazny's This Immortal for the Hugo Award for Best Novel and won the inaugural Nebula Award for Best Novel in 1966. It is the first installment of the Dune Chronicles. It is one of the world's best-selling science fiction novels.
Gurney Halleck is a fictional character in the Dune universe created by Frank Herbert. He is a major character in Herbert's Dune (1965) and Children of Dune (1976) as the War Master of House Atreides, acting as mentor, friend, and advisor to Paul Atreides. He also appears in some of the prequel/sequel novels by Brian Herbert and Kevin J. Anderson.
The Fremen are a group of people in the fictional Dune universe created by Frank Herbert. First appearing in the 1965 novel Dune, the Fremen inhabit the desert planet Arrakis, which is the sole known source in the universe of the all-important spice melange. Long overlooked by the rest of the Imperium and considered backward savages, they are an extremely hardy people and exist in large numbers. The Fremen had come to the planet thousands of years before the events of the novel as the Zensunni Wanderers, a religious sect in retreat. As humans in extremis, over time they adapted their culture and way of life to survive and thrive in the incredibly harsh conditions of Arrakis. The Fremen are distinguished by their fierce fighting abilities and adeptness at survival in these conditions. With water being a rare commodity on the planet, their culture revolves around its preservation and conservation. Herbert based Fremen culture, in part, on the desert-dwelling Bedouin and San People.
Arrakis —informally known as Dune and later called Rakis—is a fictional desert planet featured in the Dune series of novels by Frank Herbert. Herbert's first novel in the series, 1965's Dune, is considered one of the greatest science fiction novels of all time, and it is sometimes cited as the best-selling science fiction novel in history.
Alia Atreides is a fictional character in the Dune universe created by Frank Herbert. She was introduced in the first novel of the series, 1965's Dune, and was originally killed in Herbert's first version of the manuscript. At the suggestion of Analog magazine editor John Campbell, Herbert kept her alive in the final draft. Alia would next appear as a main character in both Dune Messiah (1969) and Children of Dune (1976). The character is brought back as a ghola in the Brian Herbert/Kevin J. Anderson conclusion to the original series, Sandworms of Dune (2007).
Dune is an American science fiction media franchise that originated with the 1965 novel Dune by Frank Herbert and has continued to add new publications. Dune is frequently described as the best-selling science fiction novel in history. It won the inaugural Nebula Award for Best Novel and the Hugo Award in 1966 and was later adapted into a 1984 film, a 2000 television miniseries, and a two-part film series with the first film in 2021 and a sequel in 2024. Herbert wrote five sequels, the first two of which were concomitantly adapted as a 2003 miniseries. Dune has also inspired tabletop games and a series of video games. Since 2009, the names of planets from the Dune novels have been adopted for the real-world nomenclature of plains and other features on Saturn's moon Titan.
Dune 2000 is a real-time strategy video game, developed by Intelligent Games and published by Westwood Studios in 1998 for Microsoft Windows. It was later ported to the PlayStation in 1999. It is a partial remake of Dune II, which is loosely based on Frank Herbert's Dune universe. The story of the game is similar to Dune II, and is continued in Emperor: Battle for Dune.
Frank Herbert's Children of Dune is a three-part science fiction television miniseries written by John Harrison and directed by Greg Yaitanes, based on Frank Herbert's novels Dune Messiah (1969) and Children of Dune (1976). First broadcast in the United States on March 16, 2003, Children of Dune is the sequel to the 2000 miniseries Frank Herbert's Dune, and was produced by the Sci Fi Channel. Children of Dune and its predecessor are among the highest-rated programs ever to be broadcast on the Sci-Fi Channel. In 2003, Children of Dune won a Primetime Emmy Award for Outstanding Special Visual Effects, and was nominated for three additional Emmys.
Emperor: Battle for Dune is a real-time strategy video game, released by Westwood Studios in June 2001. It is based in Frank Herbert's science fiction Dune universe. It follows its predecessors, Dune II and Dune 2000. While Dune II was a distinct story to that of Dune, and Dune 2000 was a remake of Dune II, Emperor: Battle for Dune is a direct sequel to the previous games. In particular, it is a sequel to Dune 2000, carrying on from where it left off, with several of the characters and actors returning. Like Dune 2000 and many of the other Westwood games that came before it, Emperor features live action cut scenes filmed with actors.
The Road to Dune is a collection of science fiction works and related material by American writers Frank Herbert, Brian Herbert and Kevin J. Anderson. A companion book to the Dune novels, the book was released in September 2005.
Dune II: The Building of a Dynasty is a 1992 real-time strategy game developed by Westwood Studios and published by Virgin Games. It serves as the sequel to Dune, which came out earlier that same year.
Frank Herbert's Dune is a 2001 Adventure video game based on the 2000 Sci Fi Channel miniseries of the same name. The game was not a commercial or critical success, and was one of the last games by Cryo Interactive, which went bankrupt shortly after the game's failure.
Dune is a strategy board game set in Frank Herbert's Dune universe, published by Avalon Hill in 1979. The game was designed by Bill Eberle, Jack Kittredge and Peter Olotka. After many years out of print, the game was reissued by Gale Force Nine in 2019 in advance of the 2021 Dune film adaptation.
This is a list of terminology used in the fictional Dune universe created by Frank Herbert, the primary source being "Terminology of the Imperium", the glossary contained in the novel Dune (1965).
Dune: Spice Wars is a 4X real-time strategy video game developed by Shiro Games and published by Funcom. In the game, the player tries to dominate the planet of Arrakis diplomatically or militarily. The title is set in the Dune universe, it was released in early access in April 2022 and was fully released in September 2023.
1 2 3 (in French)"Micro Kid's – Dune" by Jean-Loup Jovanovic, Tilt n°94, October 1991, pages 38–40.
↑ "Nous allons pouvoir inventer des univers. Les petits jeux des débuts de l’informatique n’avaient aucune pérennité car la technique était trop pauvre. Grâce au CD-ROM, nous allons réaliser des classiques, des œuvres que nos enfants pourront toujours apprécier dans dix ou quinze ans." (in French)"Bâtisseurs de rêves: Enquête sur le nouvel eldorado des jeux vidéo" by Daniel Ichbiah, First, 5 February 1997, 430 pages, section "Dune – Traversée du désert"ISBN2876913372.
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