The Mists of Avalon

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The Mists of Avalon
Mists of Avalon-1st ed.jpg
Cover of the American first edition
Author Marion Zimmer Bradley
Audio read by Davina Porter
CountryUnited States
LanguageEnglish
Series Avalon
Genre Historical fantasy
Publisher Alfred A. Knopf
Publication date
January 1983
Media typePrint (hardcover and paperback) and audio-CD
Pages876
Award Locus Award for Best Fantasy Novel (1984)
ISBN 0-394-52406-3
OCLC 8473972
813/.54 19
LC Class PS3552.R228 M5 1982
Followed by The Forest House  

The Mists of Avalon is a 1983 historical fantasy novel by American writer Marion Zimmer Bradley, in which the author relates the Arthurian legends from the perspective of the female characters. The book follows the trajectory of Morgaine (Morgan le Fay), a priestess fighting to save her Celtic religion in a country where Christianity threatens to destroy the pagan way of life. [1] The epic is focused on the lives of Morgaine, Gwenhwyfar (Guinevere), Viviane, Morgause, Igraine and other women of the Arthurian legend.

Contents

The Mists of Avalon is in stark contrast to most other retellings of the Arthurian tales, which consistently cast Morgan le Fay as a distant, one-dimensional evil sorceress, with little or no explanation given for her antagonism to the Round Table. In this case, Morgaine is presented as a woman with unique gifts and responsibilities at a time of enormous political and spiritual upheaval who is called upon to defend her indigenous heritage against impossible odds.

The story is told in four large parts: "Book One: Mistress of Magic", "Book Two: The High Queen", "Book Three: The King Stag", and "Book Four: The Prisoner in the Oak". The novel was a best-seller upon its publication and remains popular to this day. Bradley and Diana L. Paxson later expanded the book into the Avalon series.

Plot

The Mists of Avalon is a generations-spanning retelling of the Arthurian legend that brings it back to its Brythonic Celtic roots (see Matter of Britain). The plot tells the story of the women who influence King Arthur, High King of Britain, and those around him.

The book's protagonist is Morgaine, priestess of Avalon, who is King Arthur's half-sister. Their mother, Igraine, married king Uther Pendragon after Morgaine's father, Gorlois, was killed in battle. Rumors spread in Avalon that, before Igraine knew that Gorlois was killed, Uther consulted with the Merlin, who used magic to transform Uther into the likeness of Gorlois and, thus, gain access to Igraine at Tintagel. He spent the night with her and they conceived a son, Arthur. Morgaine witnesses Uther Pendragon's accession to the throne of Caerleon after his predecessor, Ambrosius, dies of old age. Uther becomes her step-father, and he and Igraine have a son, Arthur, Morgaine's half-brother.

When Morgaine is eleven years old and Arthur six, there is an attempt to murder Arthur. Their maternal aunt, the high priestess Viviane, arrives in Caerleon and advises Uther to have Arthur fostered far away from the court for his own safety. Uther agrees, and also allows Viviane to take Morgaine to Avalon, where she is trained as a priestess of the Mother Goddess. During this period, Morgaine becomes aware of the rising tension between the old Pagan and the new Christian religions. After seven years of training, Morgaine is initiated as a priestess of the Mother, and Viviane begins grooming her as the next Lady of Avalon.

Some months after her initiation, Morgaine is given in a fertility rite to the future high king of Britain. Their union is not meant to be personal, but rather a symbolic wedding between the future high king and the land he is to defend. They have sex, and the following morning, they talk and each reveal themselves as Morgaine and Arthur. They recognize each other and are horrified to realize what they have done. Two months later, Morgaine is devastated to find that she is pregnant.

After Uther dies in battle against the Saxon invaders, Arthur claims the throne of Britain despite questions about his legitimacy (he had been conceived within days of Igraine's marriage to Uther Pendragon). Since Arthur must now defend Britain against the Saxons, Viviane has Morgaine make him an enchanted scabbard that will prevent him from losing blood and gives him the sacred sword Excalibur. With the combined force of Avalon and Caerleon, Arthur repels the invaders and marries Gwenhwyfar.

As Morgaine's unborn child grows within her, so do her feelings of anger and betrayal toward Viviane, who she believes tricked her into bearing a child to her own half-brother. Unable to stay in Avalon any longer, she leaves for the court of her aunt Morgause, queen of Lothian, where she gives birth to her son, naming him Gwydion. Spurred by her husband Lot's ambition and her own, Morgause tricks Morgaine into allowing her to rear her son. To escape Lot's unwanted advances, Morgaine leaves Lothian and returns to Arthur's court as a lady-in-waiting to the his queen, Gwenhwyfar. She does not see Gwydion again until he is grown and a Druid priest.

When Gwenhwyfar fails to produce an heir, she is convinced that God is punishing her for her sins. She considers her greatest sins to be her failure to persuade Arthur to outlaw pagan religious practice in Britain and her forbidden love for Galahad, Arthur's cousin and finest knight, who is also known as Lancelet. Although Lancelet reciprocates Gwenhwyfar's love, he is also Arthur's friend and an honorable man. This situation causes terrible suffering to both Lancelet and Gwenhwyfar. Meanwhile, Morgaine also falls in love with Lancelet.

On the eve of a decisive battle against the Saxons, Gwenhwyfar prevails upon Arthur to put aside his father's Pendragon banner and replace it with her own Christian banner. As her religious fanaticism grows, relations between Avalon and Caerleon grow strained. Still, in her desperation over her failure to carry a child to term, she asks Morgaine for help, threatening to have an extramarital affair so she can become pregnant. In an attempt to keep Gwenhwyfar from doing so, Morgaine reveals to Gwenhwyfar that Arthur already has a son, though he does not know it. Later, Arthur even asks Lancelet to join him and his wife in his bed to conceive a child, stating that the child would be conceived on his bed, and to satisfy the suffering of both Gwenhwyfar and Lancelet. Lancelet at first refuses, but is finally convinced; however, no child is conceived even from this.

After the battle, Arthur moves his court to Camelot, which is more easily defended than Caerleon had been. Seeking to free both Lancelet and Gwenhwyfar from the forbidden love that traps them both, Morgaine tricks Lancelet into marrying Gwenhwyfar's cousin, Elaine. Some time later, during a heated argument with Arthur over their lack of an heir, Gwenhwyfar breaks Morgaine's confidence and tells Arthur he has a son. In growing suspicion and horror, Arthur summons Morgaine and orders her to tell him the truth and Morgaine obeys. Now believing that the lack of a royal heir is God's punishment for Arthur's union, however unwitting, with his own half-sister, Gwenhwyfar urges Arthur to confess the encounter to the bishop, who imposes strict penance upon him. Then she and Arthur arrange for Morgaine to marry into Wales, far from Camelot. But because of a misunderstanding, Morgaine, who had thought she would be marrying the king's younger son Accolon, a Druid priest and warrior, finds herself betrothed to King Uriens of North Wales, who is old enough to be her grandfather. Arthur yearns to meet his son Gwydion and perhaps foster him at Camelot, but each time he brings up the subject with Gwenhwyfar, she refuses to discuss it. Meanwhile, Gwydion is taken by Viviane to Avalon.

Morgaine marries Uriens and moves to North Wales as its queen, and over time, enjoys a good friendship with her husband, and his youngest son, Uwaine, whom she starts considering as her own son. After a few years, she begins an affair with Accolon. The "old people" of the hills, who keep to the old pagan ways, regard Accolon and Morgaine as their king and queen. King Uriens suspects nothing, but Accolon's older brother, Avalloch, begins to; at one point, he confronts Morgaine in private and tries to blackmail her into sleeping with him as well. Morgaine sends Avalloch out on a boar hunt and magically has him killed by the boar. In his grief for his eldest son and heir, Uriens abstains from pork for the rest of his life.

Gwydion, now grown, goes to the Saxon courts to learn warfare far from Arthur's eye. Impressed by his cleverness, the Saxons name him Mordred ("Evil Counsel"). Years later, at a Pentecost feast at Camelot, he introduces himself as Queen Morgaine's son and Queen Morgause's foster son, though he calls Queen Morgause "Mother" and Morgaine by her name. Because of his close resemblance to Lancelet, he must often tell people that Lancelet is not his father. To earn his knighthood with no suspicion of preferential treatment, Gwydion challenges Lancelet to single combat during a tourney and they fight. As they start to fight in earnest, Gwenhwyfar, who has warmed to Gwydion in the meantime, protests and Arthur interrupts the match. Lancelet makes Gwydion a knight of the Round Table, naming him Mordred.

Morgaine tells Accolon, who is now Uriens's heir, of the sacred marriage she made with Arthur years before. She adds that they must take the kingdom back from Arthur and the Christians and bring it back under the sway of Avalon. Meanwhile, Morgaine gets pregnant and is not sure if the child is Uriens' or Accolon's, but has an abortion because she is too old to give birth safely. The attempted coup fails and Arthur kills Accolon in single combat, sending a warning to Morgaine. As Uriens recovers from the shock of losing a second son and his wife's betrayal, Morgaine leaves Wales forever and goes back to Avalon.

Morgaine returns to Camelot after a few years, disguised, with another sister of Avalon, during the Pentecost festival. At the start of the holy rites, the Sacred Regalia of Avalon, the sword, the spear, the dish, and the cup, are presented to the church as an offering, having been stolen from Avalon. Enraged and wielding great magic, Morgaine invokes the Great Mother Goddess to take them back. The assembled court sees the manifestation of the Grail as a holy revelation and Morgaine as the Virgin Mary. When the knights of the Round Table leave to search for the Holy Grail, Mordred attempts to usurp the throne. In a climactic battle, the armies of Arthur and Mordred fight but in the end, Mordred dies and Arthur is mortally wounded. Morgaine takes the dying Arthur through the mists to Avalon, reassuring him that he did not fail in his attempt to save Britain from the approaching dark times. Arthur dies in her arms as the shoreline comes into view. Morgaine buries him in Avalon and remains there to tell the tale of Camelot.

Characters

Writing

Marion Zimmer Bradley stated about her book:

About the time I began work on the Morgan le Fay story that later became Mists, a religious search of many years culminated in my accepting ordination in one of the Gnostic Catholic churches as a priest. Since the appearance of the novel, many women have consulted me about this, feeling that the awareness of the Goddess has expanded their own religious consciousness, and ask me if it can be reconciled with Christianity. I do feel very strongly, not only that it can, but that it must... So when women today insist on speaking of Goddess rather than God, they are simply rejecting the old man with the white beard, who commanded the Hebrews to commit genocide on the Philistines and required his worshippers daily to thank God that He had not made them women... And, I suppose, a little, the purpose of the book was to express my dismay at the way in which religion lets itself become the slave of politics and the state. (Malory's problem ... that God may not be on the side of the right, but that organized religion always professes itself to be on the side of the bigger guns.) ... I think the neo-pagan movement offers a very viable alternative for people, especially for women, who have been turned off by the abuses of Judeo-Christian organized religions. [5]

Reception

The Mists of Avalon is lauded as one of the most original and emotional retellings of the familiar Arthurian legend. Bradley received much praise for her convincing portrayal of the main protagonists, respectful handling of the Pagan ways of Avalon and for telling a story in which there is neither black and white nor good and evil, but several truths. Isaac Asimov called it "the best retelling of the Arthurian Saga I have ever read", and Jean Auel noted "I loved this book so much I went out and bought it for a friend, and have told many people about it." [6] [ better source needed ] The Encyclopedia of Science Fiction calls the book "a convincing revision of the Arthurian cycle," and said that the victory of Christianity over the "sane but dying paganism" of Avalon "ensures eons of repression for women and the vital principles they espouse." It won the 1984 Locus Award for Best Fantasy Novel and spent four months on the New York Times best seller list in hardcover.[ citation needed ] The trade paperback edition of Mists of Avalon has ranked among the top five trade paperbacks on the monthly Locus bestseller lists for almost four years. [7]

TV series adaptation

The Mists of Avalon was adapted for television into a TNT miniseries in 2001, directed by Uli Edel.

Extended series

Bradley, along with Diana L. Paxson, later expanded the book into a series, including The Fall of Atlantis , Ancestors of Avalon , Sword of Avalon , Ravens of Avalon , The Forest House , Lady of Avalon , and Priestess of Avalon . J.S. Morgane's The Spirituality of Avalon discusses the religious aspects of the Avalon series and gives insights into a modern Western understanding of spirituality and its construction in epic fantasy fiction. [8]

Release details

See also

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References

  1. "Book review of The Mists of Avalon (video)". BlueRectangle.com/Pacific Book Exchange, LLC. 2007. Archived from the original on 2008-11-03. Retrieved 2010-06-24.
  2. Bradley, Marion Zimmer (1982). The Mists of Avalon . New York: Ballantine Books. p.  19. ISBN   0-345-31452-2.
  3. Bradley, Marion Zimmer (1982). The Mists of Avalon . New York: Ballantine Books. p.  11. ISBN   0-345-31452-2.
  4. Bradley, Marion Zimmer (1982). The Mists of Avalon . New York: Ballantine Books. p.  11. ISBN   0-345-31452-2.
  5. Bradley, Marion Zimmer (1986). "Thoughts on Avalon". Marion Zimmer Bradley Literary Works Trust.
  6. Critical praise ~ ReadingGroupGuides.com
  7. Arthur Through Women's Eyes: The Mists of Avalon ~ Space.com
  8. Morgane, Judith S (2010), The spirituality of Avalon the religion of the Great Goddess in Marion Zimmer Bradley's Avalon cycle, München AVM, ISBN   978-3-89975-768-2