Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments, but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Let's Take It to the Stage is the seventh album by American funk rock band Funkadelic. It was released on April 21, 1975 on Westbound Records. The album charted at number 102 on the Billboard 200 and number 14 on the R&B Albums.
William Earl "Bootsy" Collins is an American bass guitarist, singer, and songwriter. Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadelic collective, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as 'Bootsy's Rubber Band'. He was a frequent collaborator with other musicians from a variety of genres, including dance music, electronic big beat, and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, Rolling Stone magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time.
Rare groove is music that is very hard to source or relatively obscure. Rare groove is primarily associated with funk, R&B and jazz funk, but is also connected to subgenres including jazz rock, reggae, Latin jazz, soul, rock music, northern soul, and disco. Vinyl records that fall into this category generally have high re-sale prices. Rare groove records have been sought by not only collectors and lovers of this type of music, but also by hip hop artists and producers.
James Walter Castor was an American funk, R&B and soul musician. He is credited with vocals, saxophone and composition. He is best known for songs such as "It's Just Begun", "The Bertha Butt Boogie", and his biggest hit single, the million-seller "Troglodyte ." Castor has been described as "one of the most sampled artists in music history" by the BBC.
Skin Tight is the fifth studio album by the Ohio Players, released in April 1974. It is their first album released through the Mercury label, and considered to be their commercial breakthrough.
Honey is the seventh studio album by American band the Ohio Players. Released on August 16, 1975, by Mercury Records. It is generally regarded as a classic, the band's best album, and the last great full-length release of their dominant era in the mid-1970s.
Angel is the ninth studio album by the Ohio Players, and the sixth album recorded for Mercury. The band grew from seven to eight members with the addition of Clarence "Chet" Willis on rhythm guitar.
Mr. Mean is the 13th album by the Ohio Players, and the 7th album recorded for Mercury. It is the soundtrack to the eponymous 1977 film. The band's roster grew, this time from eight to nine members with the entrance of Robert "C.D." Jones on congas.
Jass-Ay-Lay-Dee is the eleventh studio album by the Ohio Players. It was the 8th and last album they would record for Mercury. The title is a unique spelling of the term "jazzy lady." Unlike their last two efforts, the group remained with the nine-man roster that they had with Mr. Mean.
Domino is the debut studio album by American rapper Domino. It was released on December 7, 1993, through Outburst Records with distribution via Rush Associated Labels/Chaos Recordings. The recording sessions took place at Skip Saylor Recording in Hollywood. The album was produced by DJ Battlecat, as well as AMG and Domino, with Anthony "Anti" Lewis, Greedy Greg and Big Bass Brian Walker served as executive producers. It features guest appearances from AMG and Laquan.
The Revival is the second studio album by American R&B band Tony! Toni! Toné!, released on May 8, 1990, by Wing Records. It was produced and arranged primarily by the band, although they were assisted on a few songs by the production duo Foster & McElroy, who had produced their first album, Who? (1988). The band recorded at several studios in California with the assistance of the Synclavier, an early music workstation.
Sons of Soul is the third album by American R&B band Tony! Toni! Toné!, released on June 22, 1993, by Wing Records and Mercury Records. It follows the success of their 1990 album The Revival, which had extended their popularity beyond R&B audiences and into the mainstream.
Ohio Players are an American funk band, most popular in the 1970s. They are best known for their songs "Fire" and "Love Rollercoaster", and for their erotic album covers that featured nude or nearly nude women. Many of the women were models featured in Playboy.
Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.
Leroy Roosevelt "Sugarfoot" Bonner was a musician, vocalist, and producer.
Retro soul, sometimes written as retro-soul, is a post-modern and contemporary popular music genre that emerged years after the golden era of soul music. In style of singing, arrangement and recording techniques, this music attempts to offer new music in the tradition of soul music from the United States from the 1950s to the 1970s. This differs from soul music, Contemporary R&B and neo soul as it is intentionally produced in a vintage recording sound and style years after the original era.
Spin the World is an album by the American band Royal Crescent Mob, released in 1989. It was the band's major label debut. They supported the album with a North American tour.
Tragic Magic, also stylized as tragicmagic, is an album by the American band Madder Rose, released in 1997. The band promoted the album by touring with Junior Cottonmouth.
