Mr. Mean | ||||
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Soundtrack album by | ||||
Released | December 1977 | |||
Recorded | The Record Plant (Los Angeles), Paragon Recording Studios (Chicago), The Sound Factory (Los Angeles) | |||
Genre | Soul, funk | |||
Label | Mercury | |||
Producer | Ohio Players | |||
Ohio Players chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Mr. Mean is the 13th album by the Ohio Players, and the 7th album recorded for Mercury. It is the soundtrack to the eponymous 1977 film. The band's roster grew, this time from eight to nine members with the entrance of Robert "C.D." Jones on congas.
With the band's popularity higher than ever, the Ohio Players were asked by actor Fred Williamson to create music for a movie of the same name he was writing and directing. Some sessions for the album were recorded, like previous albums, at Paragon Recording Studio in Chicago, but this project brought them into Los Angeles for the first time to record music. The songs were a departure from the mid-tempo funk and soul they were becoming known for, especially compared to the album they released months before, Angel. The group placed a greater emphasis in incorporating more ballads and jazz of the quiet storm variety.
The music was made for the sole purpose of it being used for the eponymous 1977 film, perhaps the reason why it felt like a departure from their previous work, but fans and critics reacted to it with mixed opinions.
Mr. Mean was also the first time the entire band were seen on the cover posing with their model.
All tracks composed by Billy Beck, James "Diamond" Williams, Marshall Jones, Marvin "Merv" Pierce, Ralph "Pee Wee" Middlebrooks, Clarence Satchell and Leroy "Sugarfoot" Bonner
Chart (1977) | Peak [2] |
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U.S. Billboard Top LPs | 68 |
U.S. Billboard Top Soul LPs | 11 |
Year | Single | Peak chart positions | |
---|---|---|---|
US [2] | US R&B [2] | ||
1977 | "Good Luck Charm (Part 1)" | 101 | 51 |
1978 | "Magic Trick" | — | 93 |
Live at the Jazz Cafe is a live album by American R&B and neo soul musician D'Angelo, released on June 30, 1998, on EMI Records. It was later released in Japan on December 7, 1999, with a bonus track. The live recordings are taken from D'Angelo's appearance at the Jazz Café in London, England, on September 14, 1995. The album was subsequently re-issued in 2014 with a recording of the complete show, including previously unreleased tracks.
Ol' School is a live album by Ohio Players. It was recorded on 2 December 1995 at the Fox Theater, Atlanta, Georgia.
Feel The Spirit is the fourth solo album by Leroy Hutson. It was released February 1976 on Curtom Records. Feel The Spirit was the second album released during Hutson's creative peak, and widely considered to be his best.
Fire is the sixth studio album by the Ohio Players and the second released through the Mercury label.
Skin Tight is the fifth studio album by the Ohio Players and the first album released through the Mercury label. It is considered to be their commercial breakthrough.
Honey is the seventh studio album by American band the Ohio Players. Released on August 16, 1975, by Mercury Records. It is generally regarded as a classic, the band's best album, and the last great full-length release of their dominant era in the mid-1970s.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970).
Observations in Time is the 1969 debut album recorded by the Ohio Players and released on the Capitol label. The album was a regional hit in and around the group's home city of Dayton, Ohio. David Bowie included "Here Today and Gone Tomorrow" into his 1974 live sets for the Philadelphia dates of the Year of the Diamond Dogs tour that resulted in the David Live album.
Pain is the second studio album by The Ohio Players, and their debut for the Westbound label.
Ecstasy is the fourth studio album by the Ohio Players and the third released through the Westbound label. The album was produced by the band, and arranged by Walter "Junie" Morrison. The cover photo was taken by Joel Brodsky.
Bobby Miller is a neo-soul/rock musician from Chicago, Illinois.
Contradiction is the eighth studio album by The Ohio Players, and the fourth album recorded for Mercury.
Angel is the ninth studio album by The Ohio Players, and the sixth album recorded for Mercury. The band grew from seven to eight members with the addition of Clarence "Chet" Willis on rhythm guitar.
Jass-Ay-Lay-Dee is the 14th album by the Ohio Players. It was the 8th and last album they would record for Mercury. The title is a unique spelling of the term "jazzy lady." Unlike their last two efforts, the group remained with the nine-man roster that they had with Mr. Mean.
Ohio Players is an American funk band, most popular in the 1970s. They are best known for their songs "Fire" and "Love Rollercoaster", and for their erotic album covers that featured nude or nearly nude women. Many of the women were models featured in Playboy.
Good Thang is the second album by American funk band Faze-O, released in 1978.
Time is Running Out is the second and final album by American jazz/R&B group Brass Fever recorded in 1976 and released on the Impulse! label.
Love Oh Love is the debut solo album by Leroy Hutson, who had been the lead singer of The Impressions after he replaced former lead singer Curtis Mayfield, who left the group to embark on his own solo recording career in 1970. The photography was by Joel Brodsky. The album was the first release by Hutson on Mayfield's Curtom record label.
Marshall Eugene "Rock" Jones, professionally known as Rock Jones, was an American bass player. He is best known as a founding member and bassist of the funk, soul music and R&B band Ohio Players.
Light'n Up, Please! is an album by saxophonist David Liebman which was recorded in California and New York in 1976 and released on the Horizon label.