Back Door | |
---|---|
Origin | Blakey, Yorkshire |
Genres | Jazz fusion, blues |
Years active | 1971–2003 |
Labels | Warner Bros. Records Cultural Foundation |
Past members | Colin Hodgkinson Ron Aspery (deceased) Tony Hicks (deceased) Adrian Tilbrook Dave McRae |
Back Door were a British jazz-rock trio, formed in 1971.
Colin Hodgkinson first met Ron Aspery whilst the two were playing in Eric Delaney's Showband. The two began to talk about forming their own band around 1969, and eventually Back Door came to fruition in 1971, with Tony Hicks joining on drums. Hodgkinson made an innovative use of the electric bass, making it a lead instrument rather than a part of a rhythm section. [3]
Their unique brand of jazz-rock and Hodgkinson's original playing was a hit at their regular venue; the Lion Inn on Blakey Ridge, Yorkshire. However, record labels were not keen and the band were repeatedly told "No singer, no contract". Ever the innovators, the band decided to record their first album themselves. It was recorded on a 4-track Ampex mixing console in eight hours, and mixed in four hours the next day. Around 1,000 copies were first printed by RCA. The album was sold over the bar at The Lion Inn, and at a few record shops in the local area. [4]
A copy of the record somehow made its way to the NME headquarters [1] in London, and a superb review by Charles Shaar Murray was printed. After a few more reviews, the band passed an interview, and began playing a regular slot at The Senate in Peterlee, despite Aspery snapping a key off his saxophone moments before the audition. The band's popularity increased when they were asked to play a two-week stint at Ronnie Scott's club in London, opening for Chick Corea, a run that was eventually lengthened to three weeks. The record companies changed their tune, and after receiving many offers, the trio decided to sign with Warner Brothers. The band rejected an offer from Richard Branson (who was just starting up Virgin Records at the time) because, according to Hodgkinson, "they were successful – this other guy seemed really nice, but he had no track record". Warner Brothers then re-released their debut album. They were featured several times on John Peel's influential radio show during the early 1970s, [5] bringing them to a much wider audience.
In 1973, the trio went to New York City to record their second album, 8th Street Nites . The album was produced by former Cream producer, Felix Pappalardi. This was their first album to feature vocals, provided by Hodgkinson because "we needed a singer, and I was the least bad out of us." Pappalardi himself also played electric piano on one track and percussion on three others. Warner Brothers duly released the record, and a tour of the United States supporting Emerson, Lake & Palmer followed. Subsequent tours (usually as the support act) included one with Alexis Korner in Germany, which led to a long-lasting collaboration between Korner and Hodgkinson, and The J. Geils Band in the US, and a few as headliners on the university circuit in the UK.
By the time they recorded their third LP, Another Fine Mess , Dave MacRae had joined the band on piano, although he is only credited as a guest on the sleeve notes. He was a friend that Hicks made while in Australia. The band shifted style slightly on this album, and more effects, processing, and electronic sounds were used, although they were still defined as jazz-rock. McRae's stint in the band only lasted about a year, however, and by the time they recorded Activate in 1976 he had departed the band, as had longtime drummer, Tony Hicks. The band hired Adrian Tilbrook as a replacement on drums, [2] claiming they needed "a more hard-hitting drummer." The album was produced by Carl Palmer.
After the release of Activate , the band played less and less together, and eventually broke up around 1977. Aspery went on to do work as a session musician, and Hodgkinson worked in a string of projects including The Spencer Davis Group, a stint playing live with Alexis Korner, as did Aspery, and a few outfits alongside Jan Hammer, then of The Mahavishnu Orchestra.
The original line-up briefly reunited for what was initially one night at the Ronnie Scott's 1986, although this was subsequently followed by a short tour of the UK.
In 2003, the original line-up reunited once again to record a new album. Askin' the Way consists of eight re-workings of favourite old songs, and 11 new recordings. Hicks also played accordion on this album on a couple of tracks. [6] The official launch took place in The Lion at Blakey Ridge, where the band had first started out back in 1971. The band then played a few more shows but Aspery had been suffering from an illness for quite some time, and decided that the rigours of the road were no longer for him. On 10 December that year, Ron Aspery died at his home in Saltdean, Sussex.
The band played a few more concerts in 2005 with Rod Mason on saxophone, including the Guildhall venue at the Brecon Jazz Festival, Hull Jazz Festival, and further sold–out Blakey concerts in 2005.
Tony Hicks died in Sydney, Australia, on 13 August 2006.
In 2003, Bonfire Records released "The Impulse Session". This album contained 13 tracks recorded at Impulse Studio in Wallsend and was recorded in 1971, the year before their debut album was recorded. 8 of the 13 tracks are early versions of tracks subsequently released on Back Door's first two albums whilst 4 of the remaining five are previously unreleased original tracks. The 5th is a cover of Robert Johnson's Sweet Home Chicago. Colin Hodgkinson wrote the sleeve notes.
In 2007, Colin Hodgkinson formed a new trio under the name Colin Hodgkinson Group with Rod Mason (sax) and Paul Robinson (drums). In 2008, they released Back Door Too!, a mixture of old Back Door numbers and new material.
|
Alexis Andrew Nicholas Koerner, known professionally as Alexis Korner, was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues". A major influence on the sound of the British music scene in the 1960s, he was instrumental in the formation of several notable British bands including The Rolling Stones and Free. Korner was inducted into the Rock and Roll Hall of Fame in the musical influence category in 2024.
Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
Henry Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as a founding member of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including Traffic Continues and Freedom in Fragments. Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics.
John Douglas Surman is an English jazz saxophone, clarinet, and synthesizer player, and composer of free jazz and modal jazz, often using themes from folk music. He has composed and performed music for dance performances and film soundtracks.
Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958, and released on Blue Note later that year.
John Josephus Hicks Jr. was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300.
Richard Edwin Morrissey was a British jazz musician and composer. He played the tenor saxophone, soprano saxophone and flute.
Indestructible is a jazz album by drummer Art Blakey and his Jazz Messengers. It was recorded in 1964 but not released until 1966, and was Blakey's last recording for Blue Note. The bonus track featured on the CD reissue was originally issued on Pisces.
Colin Hodgkinson is a British rock, jazz and blues bassist, who has been active since the 1960s.
Genius of Modern Music, Vols. One & Two are a pair of separate but related 12" compilation albums (LPs) by American jazz pianist Thelonious Monk released on Blue Note in 1956. Later re-issues on CD include more material recorded at the same sessions but not released on the original LPs.
James Williams was an American jazz pianist.
Ritual is a studio album by the Jazz Messengers featuring Art Blakey. Three years after being recorded, it was first released on the Pacific Jazz Records label as PJM-402, and reissued by them in 1962, with an Elmo Hope session, as Art Blakey & The Jazz Messengers/The Elmo Hope Quintet* Featuring Harold Land as PJ-33. It has been reissued on CD.
Child's Dance is an album by drummer Art Blakey and The Jazz Messengers recorded in 1972 and released on the Prestige label.
In This Korner is a live album by drummer Art Blakey and the Jazz Messengers recorded at the Keystone Korner in San Francisco in 1978 and released on the Concord Jazz label.
Back Door is the eponymously titled debut studio album of Back Door, released independently in 1972 by Blakey Records. It received wider distribution when it was adopted by Warner Bros. the following year. It introduced the group's virtuoso approach to jazz, funk, soul, blues and hard rock music. In 2005, the album was listed on JazzTimes' top fifty albums released between 1970 and 2005. In 2014 it was re-released on CD, compiled with 8th Street Nites and Another Fine Mess, by BGO Records.
Another Fine Mess is the third studio album by Back Door, released in 1975 by Warner Bros. Records. "Blakey Jones" is a tribute to Brian Jones, landlord of the Lion Inn on Blakey Ridge, an early supporter of the band who helped finance the recording of their first album. A display case of Back Door memorabilia still exists in the Lion Inn.
Activate is the fourth studio album by Back Door, released in 1976 by Warner Bros. Records. It was produced by Carl Palmer, known for his drumming in the bands Atomic Rooster and ELP. Original member Tony Hicks had left the band before recording the album and had been replaced by Adrian Tilbrook on drums. After the release of Activate, the band played less and less together, and eventually broke up around 1977.
The Human Bed is a live album by Back Door, released on 3 June 2002 by Hux Records and compiled from three sessions for BBC Radio 1. It takes its name from the composition "The Human Bed", first released on 1972's Back Door. The album, made between 1 March 1973 and 12 May 1974 at the BBC, includes four previously unreleased tracks.
Askin' the Way is the fifth studio album by Back Door, released in 2003 by Cultural Foundation. Featuring the original line-up of Ron Aspery, Tony Hicks and Colin Hodgkinson, the album comprises re-recordings of previously released songs and newly recorded compositions. It is the Back Door's first new material since 1976's Activate. John Fordham of The Guardian called the album "a guffawing, raw-edge cruise over a boogie bassline that makes you feel you're right there with them in the crowded pubs in which they honed this style."