| Back and Forth Series Two | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by | ||||
| Released | 13 October 1992 | |||
| Recorded | 1983-1984 | |||
| Genre | Industrial | |||
| Length | 71:20 | |||
| Label | Nettwerk | |||
| Producer | cEvin Key | |||
| Skinny Puppy chronology | ||||
| ||||
Back and Forth Series Two is a compilation album by industrial band Skinny Puppy. It consists of the entire Back and Forth release remixed from the original four-track tapes, including raw live recordings and studio rarities.
| No. | Title | Length |
|---|---|---|
| 1. | "Intro" (Live in Winnipeg) | 2:06 |
| 2. | "Sleeping Beast" | 5:57 |
| 3. | "K-9" | 3:40 |
| 4. | "Monster Radio Man" | 2:22 |
| 5. | "Quiet Solitude" | 4:44 |
| 6. | "The Pit" | 5:18 |
| 7. | "Sore in a Masterpiece / Dead of Winter" | 13:44 |
| 8. | "Unovis on a Stick" | 2:40 |
| 9. | "To a Baser Nature" | 2:51 |
| 10. | "A.M. / Meat Flavour" | 1:47 |
| 11. | "My Voice Sounds Like Shit" | 2:28 |
| 12. | "Smothered Hope" (Demo) | 7:21 |
| 13. | "Explode the P.A." (Live Brap) | 10:06 |
| 14. | "Assimilate" (Original Inst. Demo) | 3:04 |
| 15. | "Edge of Insanity" | 4:48 |
There is an untitled improvisational piece that appears before "Smothered Hope (demo)", and lasts just over two minutes long.
cEvin Key - keyboard, drumbox, tape, effekt, voice. Nivek Ogre - voice, lyrik. Guitar on K-9 by Greg Monk (uncredited).
Skinny Puppy is a Canadian industrial music group formed in Vancouver, British Columbia in 1982. The group is widely considered to be one of the founders of the industrial rock and electro-industrial genres. Initially envisioned as an experimental side project by cEvin Key while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre.
Kevin William Crompton, known professionally as cEvin Key, is a Canadian musician, songwriter, producer, and composer. He is best known as a member of the industrial music group Skinny Puppy, which he co-founded in 1982 with singer Nivek Ogre. Initially a side project while he was with the new wave band Images in Vogue, Skinny Puppy quickly became his primary musical outlet after landing a record deal with Nettwerk Records in 1984.
Remission is a 1984 EP by Canadian electro-industrial band Skinny Puppy, their record label debut and first release with Nettwerk. The 12-inch EP originally featured with six tracks, then, a year later in 1985, it was released on cassette with five additional songs that lengthened the release to a full album. This expansion became the default version of Remission.
Bites is the first full-length studio album by Canadian industrial band Skinny Puppy, released as an LP through Nettwerk in 1985. It was reissued in 1993 on CD with additional material compiled from cassette releases, international releases, and previously undistributed tracks. The cover art was designed by Steven R. Gilmore.
Ain't it Dead Yet? is a recording of Canadian electronic group Skinny Puppy's performance at the Toronto Concert Hall on May 31, 1987, during their Cleanse Fold and Manipulate Tour. It was released as an album in 1989. The film was showcased at the South by Southwest festival on March 18, 1989.
Back & Forth is the self-published debut EP by Skinny Puppy, released in 1984. It was supposed to be a limited edition of 50 copies but only 35 were actually made. The first 15 copies were dubbed at a normal speed, while the remaining 20 were dubbed at a high speed, making them slightly inferior to the first 15. This album was remastered and rereleased in 1992 as Back and Forth Series Two, with additional tracks.
Doomsday is a live CD from the band, Skinny Puppy. The album was recorded at an August 20, 2000 performance at the Doomsday Festival in Dresden, Germany. This performance marked the reunion of former bandmates, cEvin Key and Nivek Ogre. It was the first Skinny Puppy concert since 1992, first in Europe since 1988, and first ever in the former East Germany. Skinny Puppy resumed touring in 2004 with The Greater Wrong of the Right Tour.
Back and Forth 06Six is an album of previously unavailable Skinny Puppy material released through cEvin Key's Subconscious Communications in early 2003. The CD had two releases, each with different artwork and cases though the audio content was the same. Both releases were limited to 1500 copies.
Brap: Back & Forth Series 3 & 4 is a compilation album by industrial band Skinny Puppy. It was released as a double-CD in 1996. This album reached to #9 in Billboard chart's Top Heatseekers. Disc one is largely instrumental demos whereas Disc two is composed mainly of live cuts. The cover art was created by Dave McKean. The CD also features enhanced CD content including a 3D style VR interface based on the Too Dark Park album and a virtual walk through the art of the Spasmolytic single.
Bites and Remission is a compilation by Skinny Puppy released on Nettwerk in 1987. The release of this compilation coincides with that of Remission & Bites and contains many of the same songs, albeit in a different context. This compilation culls songs from the assorted releases of Skinny Puppy's first two albums, Remission and Bites, and features remixes of two songs in place of their original versions.
Twelve Inch Anthology is a compilation album by Skinny Puppy. It contains most of the band's early singles and B-sides. The CD is currently out of print but still available for download. The cover design is a collage of previous Steven R Gilmore covers.
The Canadian electro-industrial band Skinny Puppy has released twelve studio albums and two extended plays along with a number of live albums, compilations, and singles. The group formed in 1982 and released its debut EP, Back & Forth, in 1984. Later that year, Skinny Puppy was picked up by Nettwerk and released another EP, Remission, in December 1984. The band's first studio album, 1985's Bites, was its last with the original lineup of vocalist Nivek Ogre and producer / multi-instrumentalist cEvin Key; Dwayne Goettel joined in 1986, and the band released its next two albums, Mind: The Perpetual Intercourse and Cleanse Fold and Manipulate, in 1986 and 1987 respectively.
The Singles Collect is a compilation album by Canadian electro-industrial band Skinny Puppy, released in 1999. The release serves as a collection of singles along with a few assorted promotional singles and alternate mixes. The compilation represents all of the singles released by Nettwerk before the band's move to American Recordings and subsequent break-up.
"Censor" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in the same year. "Censor's" original title was "Dogshit", which was changed for this release's marketability.
Chainsaw is a single by the band Skinny Puppy. It contains new material, as well as additional material taken from their albums Bites and Mind: The Perpetual Intercourse.
"Addiction" is a song by the band Skinny Puppy, taken from their 1987 album Cleanse Fold and Manipulate. It was released on vinyl in 1987 and released on CD in 1991 (Canada) and 1997. The lyrics of the song quote the 19th century Gothic novel Melmoth the Wanderer by Charles Maturin.
"Testure" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in 1989. "Testure" was the group's first and last song to chart on Billboards's Dance Club Songs, and it was accompanied with a controversial music video.
"Track 10", originally titled "Left Handshake", is a song by Canadian electro-industrial band Skinny Puppy created for its 1992 album Last Rights. The track was meant to close Last Rights, but it was ultimately cut due to threatened legal action from the owner of a sample that appears in the song. "Track 10" did not see individual release until August 20, 2000, when it was sold at Skinny Puppy's reunion performance in Germany.
Back & Forth Vol7 is an album by industrial music group Skinny Puppy, consisting of outtakes from Last Rights and The Process. It was released through cEvin Key's Subconscious Communications in 2007. It was the only Vault release issued during the Mythrus tour.
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