Mind: The Perpetual Intercourse | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 5, 1986 | |||
Recorded | 1986 | |||
Genre | ||||
Length | 43:18 | |||
Label | Nettwerk (Canada, U.S.) Play It Again Sam (Europe) | |||
Producer | ||||
Skinny Puppy chronology | ||||
| ||||
Singles from Mind: The Perpetual Intercourse | ||||
|
Mind: The Perpetual Intercourse is the second studio album by Skinny Puppy, released on September 5, 1986. [1] It contained the single "Dig It", which inspired several industrial music contemporaries, including Nine Inch Nails. [2] "Dig It" received extensive airplay on MTV [3] and was listed by Billboard as a recommended dance track. [4] The song "Stairs and Flowers" was also released as a single. [5]
The cover photo, taken by Steven R. Gilmore, was from a pornographic film that happened to come on the TV in a hotel in New York City. [1] The cover caused Tipper Gore to place it on one of her lists for the Parents Music Resource Center as an example of why there should be parental advisory stickers on albums. [1]
When it became clear to band leader cEvin Key that Bill Leeb was uninterested in staying with Skinny Puppy, he hired Dwayne Goettel. [6] The two had met when Goettel's band, Water, opened for a Skinny Puppy show in 1985. [7] Key and Goettel got on well and quickly began jamming together. [8] Goettel was a classically trained pianist and had extensive technical knowledge, including experience with the Ensoniq Mirage which became vital to Skinny Puppy's sound. [9] [10] The inclusion of Goettel helped the band to escape their synth-pop roots and take on a more industrial sound. [11]
The album was the first new Skinny Puppy release to be overseen by Capitol Records. The band's deal with Capitol dramatically increased the number of stores their records were sold in, from 200 to 1,700 across Canada. [12] The release of their first single, "Dig It", also bolstered the band's image in America, where the song's music video was played regularly on MTV. [13] [14] The album's artwork was created by frequent collaborator Steven R. Gilmore, who used an image he had snapped of a porn actress he saw writhing on TV. [15] The cover won the award for Best Album Art at the 1987 CASBY Awards. [16]
Coinciding with the release of the album, the band embarked on a 66-date tour of North America and Europe alongside Australian act Severed Heads. [17] [18] During the tour, singer Nivek Ogre said that he dedicated the album to "those who make up their own minds", going on that he hoped the imagery employed on stage would not shock people, but make them think. [19] The Royal Winnipeg Ballet used Skinny Puppy's music for portions of its show during their 1986 tour. [20]
Review scores | |
---|---|
Source | Rating |
AllMusic | [21] |
Orlando Sentinel | [22] |
Tim DiGravina of AllMusic awarded the album three out of five stars and said that it did not represent the band at their best, but served as a prelude to the "chaotic future masterworks". [21] Erine Welch of The Boston Globe wrote that the album had intrigue, but was generally too unintelligible to understand. "Provocative? Disturbing? Ridiculous? Skinny Puppy is probably all three. Is Skinny Puppy worth taking home for a listen? Let me put it this way: I'll be reimbursed for my copy". [23] Billboard magazine recommended the album, but said that it had little chance of exposure outside of college radio. [24]
Bill Henderson of the Orlando Sentinel said that the album was "void of human feeling or emotion", but shined with its use of synthesizers and samples. [22] Diana Valois from The Morning Call neither recommended or rejected the album, saying that it was "thoughtfully engineered - like a toxic dump reclamation project". [25] Frances Litman of the Times Colonist panned the album, apologizing to Skinny Puppy fans before saying "how this noise can be classified as music is beyond me". [26]
In 1987, Melody Maker named the album the 11th best album of the year, describing the album as a "desolate, crackling chunk of rust encrusted machinery tacked with bolts, deflecting radio waves and colliding with lost junk". [27]
All tracks are written by Ogre/Key
No. | Title | Sample(s) [28] [29] | Length |
---|---|---|---|
1. | "One Time One Place" | 5:41 | |
2. | "God's Gift (Maggot)" | 4:46 | |
3. | "Three Blind Mice" | 3:08 | |
4. | "Love" | Contains samples of:
| 1:43 |
5. | "Stairs and Flowers" | Contains samples of:
| 5:17 |
6. | "Antagonism" | 5:03 | |
7. | "200 Years" | Contains samples of:
| 4:45 |
8. | "Dig It" | Contains samples of:
| 6:03 |
9. | "Burnt with Water" | Contains samples of:
| 7:41 |
Total length: | 43:18 |
No. | Title | Sample(s) [28] | Length |
---|---|---|---|
10. | "Chainsaw" | Contains samples of:
| 5:55 |
11. | "Addiction" (Second Dose) | 6:01 | |
12. | "Stairs and Flowers" (Too Far Gone) | 6:35 | |
13. | "Deep Down Trauma Hounds" (Remix) | Contains samples of:
| 7:32 |
Total length: | 70:10 |
Notes
Personnel adapted from liner notes. [31]
Skinny Puppy was a Canadian electro-industrial band formed in Vancouver in 1982. The group was among the founders of the industrial rock and electro-industrial genres. Initially envisioned as an experimental side-project by cEvin Key while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre. Over the course of 13 studio albums and many live tours, Key and Ogre were the only constant members. Other members have included Dwayne Goettel, Dave "Rave" Ogilvie, Bill Leeb, Mark Walk (2003–2023), and a number of guests, including Al Jourgensen (1989), Danny Carey (2004), and many others.
Dwayne Rudolph Goettel was a Canadian electronic musician, best known for his work in the industrial music group Skinny Puppy. Starting his career playing for a variety of acts around Edmonton, he joined Skinny Puppy in 1986 following the departure of keyboardist Bill Leeb. A classically trained pianist, he helped to broaden Skinny Puppy's sound with his extensive knowledge of equipment and sampling. He assisted bandmate cEvin Key on a number of side projects such as The Tear Garden and Doubting Thomas, and helped form the experimental electronic group Download. He also created the independent record label Subconscious Communications with friend and colleague Phil Western as a means to release his solo work.
Kevin William Crompton, known professionally as cEvin Key, is a Canadian musician, songwriter, producer, and composer. He is best known as a member of the industrial music group Skinny Puppy, which he co-founded in 1982 with singer Nivek Ogre. Initially a side project while he was with the new wave band Images in Vogue, Skinny Puppy quickly became his primary musical outlet after landing a record deal with Nettwerk Records in 1984.
Cleanse Fold and Manipulate is the third studio album by Canadian electro-industrial group Skinny Puppy. The album was released in 1987 and was supported by a single, "Addiction". The album was further supported by the Head Trauma tour, which spanned across North America and Europe. Ain't it Dead Yet?, a recording of the group performing in Toronto, Ontario, Canada, was released on video in 1989 and CD in 1991.
VIVIsectVI is the fourth studio album by Canadian electro-industrial band Skinny Puppy. It was released on September 12, 1988 through Nettwerk. Despite tackling controversial topics like animal rights, chemical warfare, and environmental waste, VIVIsectVI was well-received. It spawned two singles, "Censor", which was released on the album as "Dogshit", and "Testure", which was Skinny Puppy's only song to chart on Billboard's Dance Club Songs. VIVIsectVI was followed by a theatrically involved tour with Nine Inch Nails as the opening act.
Remission is a 1984 EP by Canadian electro-industrial band Skinny Puppy, their record label debut and first release with Nettwerk. The 12-inch EP originally featured six tracks, then, a year later in 1985, it was released on cassette with five additional songs that lengthened the release to a full album. This expansion became the default version of Remission.
Too Dark Park is the sixth studio album by the industrial music group Skinny Puppy. The album cover features the debut appearance of the band's "SP" logo. The cover art was created by Vancouver based artist Jim Cummins. The artwork for this album and its associated singles was inspired by cosmic horror stories such as the Cthulhu Mythos. Lyrical themes include collapse of society due to destruction of nature, drug addiction, and psychological issues.
The Process is the eighth studio album by Canadian industrial band Skinny Puppy. Released by American Recordings on February 27, 1996, The Process was the band's final album before it reformed in 2000 and released The Greater Wrong of the Right in 2004. Skinny Puppy's keyboardist, Dwayne Goettel, died near the end of The Process' recording, and the album experienced difficult production and record-label intrusion.
The Canadian electro-industrial band Skinny Puppy has released twelve studio albums and two extended plays along with a number of live albums, compilations, and singles. The group formed in 1982 and released its debut EP, Back & Forth, in 1984. Later that year, Skinny Puppy was picked up by Nettwerk and released another EP, Remission, in December 1984. The band's first studio album, 1985's Bites, was its last with the original lineup of vocalist Nivek Ogre and producer / multi-instrumentalist cEvin Key; Dwayne Goettel joined in 1986, and the band released its next two albums, Mind: The Perpetual Intercourse and Cleanse Fold and Manipulate, in 1986 and 1987 respectively.
B-Sides Collect is a compilation album by Canadian electro-industrial band Skinny Puppy, released in 1999. The album serves as a collection of several B-sides from earlier singles that were out of print by the time of the collection's release. With the exception of "Serpents", this release complements one of the band's earlier compilations, Twelve Inch Anthology.
"Censor" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in the same year. "Censor's" original title was "Dogshit", which was changed for this release's marketability.
Worlock is a single by the band Skinny Puppy from the album Rabies. The song uses a sample of the guitars in "Helter Skelter" by The Beatles, as well as a vocal sample of Charles Manson singing the song. Vocalist Nivek Ogre considered it one of the band's better songs.
"Dig It" is a single by industrial rock band Skinny Puppy, off their 1986 album Mind: The Perpetual Intercourse. Nine Inch Nails frontman Trent Reznor said "Dig It" was a primary influence for the first Nine Inch Nails song, "Down in It".
Chainsaw is a single by the band Skinny Puppy. It contains new material, as well as additional material taken from their albums Bites and Mind: The Perpetual Intercourse.
"Addiction" is a song by the band Skinny Puppy, taken from their 1987 album Cleanse Fold and Manipulate. It was released on vinyl in 1987 and released on CD in 1991 (Canada) and 1997. The lyrics of the song quote the 19th century Gothic novel Melmoth the Wanderer by Charles Maturin.
"Tin Omen" is a single by the band Skinny Puppy, taken from their 1989 album Rabies. The song name is a reference to the 1989 Tiananmen Square protests and massacre. The song also refers to the My Lai massacre of 1968 and the Kent State shootings of 1970.
"Tormentor" is a single by the band Skinny Puppy. It is the first single from their album Too Dark Park, released in 1990.
Candle is a single by the band Skinny Puppy, taken from their 1996 album The Process. The song was atypical of the band's normal output in that it was built around acoustic guitar.
Spasmolytic is a single by the band Skinny Puppy from the album Too Dark Park. Deftones created a remix of the song that was included on Remix dystemper and the Saw IV soundtrack. At a running time of 31:22, "Spasmolytic" is Skinny Puppy's longest 12-inch single.