Cleanse Fold and Manipulate | ||||
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Studio album by | ||||
Released | June 25, 1987 | |||
Recorded | 1987, Vancouver | |||
Genre | Electro-industrial | |||
Length | 42:13 | |||
Label | Nettwerk | |||
Producer | Dave Ogilvie, cEvin Key [1] | |||
Skinny Puppy chronology | ||||
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Singles from Cleanse Fold and Manipulate | ||||
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Cleanse Fold and Manipulate is the third studio album by Canadian electro-industrial group Skinny Puppy. The album was released in 1987 and was supported by a single, "Addiction". [2] The album was further supported by the Head Trauma tour, which spanned across North America and Europe. Ain't it Dead Yet? , a recording of the group performing in Toronto, Ontario, Canada, was released on video in 1989 and CD in 1991. [2]
Cleanse Fold and Manipulate explores a number of different topics concerning medicine, society, and politics. The song "First Aid" addresses what was the growing AIDS epidemic of the 1980s, while "Second Tooth" concerns with the struggles faced by Vietnam War veterans, namely post-traumatic stress. [3] The song "Deep Down Trauma Hounds" was written following a string of teenage suicides in the United States. [4] Nivek Ogre, the group's vocalist and songwriter, said of the suicides:
It seemed very scary to me that all these kids had such a bleak prospect on their future. I was on the tail-end of the generation that grew up with Walt Disney and Fantasia and Bambi and all those things that were so beautiful and important to grow up with. You need those things to perpetuate [yourself] through the years when you become cynical, instead kids are just growing up into this dark world. [4]
Other songs on the album pay homage to horror films. The song "The Mourn" is based on the Japanese extreme horror movie Flower of Flesh and Blood from the Guinea Pig film series. According to the group, the film was the closest they had ever come to seeing what they felt was a real snuff movie. [4] Footage from the film has since been used in their live shows.
Cleanse Fold and Manipulate was released on June 25, 1987. Eyeball paperweights were distributed by Capitol Records to help promote the album. [2] The record sold 80,000 copies by October 1988, with 90 percent of sales being outside Canada. [5]
Review scores | |
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Source | Rating |
AllMusic | [6] |
New Musical Express | 9/10 [7] |
Times Colonist | [8] |
Tim DiGravina of AllMusic said the album was "hard to recommend". He went on to say while it did contain one of the band's best songs, "Deep Down Trauma Hounds", much of the album was ambient and fragmentary. Still, he added, "fans of industrial music will appreciate the album's formidable beats and coarse sound samples that seem to be generated from warping the sounds of heavy machinery. Perhaps more than other any place in Skinny Puppy's discography, Ogre's vocals work like spoken-word stream-of-conscious dementia, with more emphasis on evil tones than on any relation to their music". He concluded by saying the album was primarily recommendable to die hard fans. [9] Evelyn Erskine from the Ottawa Citizen gave the album a favorable review, saying the album was "dark and frightening", and described the flow of its songs as "cinematic". Erskine remarked that the album was weakened by the band's overreliance on gothic horror elements. [10] Billboard magazine recommended the album, calling it "the right combination of gloom-and-doom lyrics and throbbing, metallic music". [11]
People magazine said listening to the album was "like stepping into a nightmare being experienced by the Phantom of the Opera" and concluded that the band was "too garish for extended exposure but, in small doses, they are extremely powerful". [12] Mike Saunders of the Sun-Sentinel thought the album was an intriguing accomplishment, but that the initial "voyeuristic thrill" received from listening wears off before the album ends. [13] Frances Litman from the Times Colonist thought the album was tamer than the band's previous work and only recommended it to club-goers. [8]
All music is composed by Skinny Puppy
No. | Title | Sample(s) [14] | Length |
---|---|---|---|
1. | "First Aid" | 4:29 | |
2. | "Addiction" | Contains samples of:
| 6:01 |
3. | "Shadow Cast" | Contains samples of:
| 4:18 |
4. | "Draining Faces" | Contains samples of:
| 5:12 |
5. | "The Mourn" | Contains samples of:
| 2:41 |
6. | "Second Tooth" | Contains samples of:
| 4:06 |
7. | "Tear or Beat" | Contains samples of:
| 4:42 |
8. | "Deep Down Trauma Hounds" | Contains samples of:
| 4:41 |
9. | "Anger" | 4:53 | |
10. | "Epilogue" | 1:10 | |
Total length: | 42:13 |
All information from AllMusic. [1]
Chart (2024) | Peak position |
---|---|
Swedish Albums (Sverigetopplistan) [16] | 55 |
Skinny Puppy was a Canadian electro-industrial band formed in Vancouver in 1982. The group was among the founders of the industrial rock and electro-industrial genres. Initially envisioned as an experimental side-project by cEvin Key while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre. Over the course of 13 studio albums and many live tours, Key and Ogre were the only constant members. Other members have included Dwayne Goettel, Dave "Rave" Ogilvie, Bill Leeb, Mark Walk (2003–2023), and a number of guests, including Al Jourgensen (1989), Danny Carey (2004), and many others.
Kevin Graham Ogilvie, known professionally as Nivek Ogre, is a Canadian musician, performance artist and actor, best known for his work with the industrial music group Skinny Puppy, which he co-founded with cEvin Key. Since 1982, he has served as Skinny Puppy's primary lyricist and vocalist, occasionally providing instrumentation and samples. Ogre's charismatic personality, guttural vocals and use of costumes, props, and fake blood on stage helped widen Skinny Puppy's fanbase and has inspired numerous other musicians.
Dwayne Rudolph Goettel was a Canadian electronic musician, best known for his work in the industrial music group Skinny Puppy. Starting his career playing for a variety of acts around Edmonton, he joined Skinny Puppy in 1986 following the departure of keyboardist Bill Leeb. A classically trained pianist, he helped to broaden Skinny Puppy's sound with his extensive knowledge of equipment and sampling. He assisted bandmate cEvin Key on a number of side projects such as The Tear Garden and Doubting Thomas, and helped form the experimental electronic group Download. He also created the independent record label Subconscious Communications with friend and colleague Phil Western as a means to release his solo work.
Rabies is the fifth studio album by Skinny Puppy. It was released on November 21, 1989 through Nettwerk. The album notably features Ministry frontman Al Jourgensen who performed electric guitar and vocals on several songs. The album spawned two singles, "Tin Omen" and "Worlock", the latter of which becoming one of the band's most recognizable songs. The cover art was made by longtime Skinny Puppy collaborator Steven R. Gilmore. In 1993 the CD edition was reissued by Nettwerk to correct mastering errors in the original release.
VIVIsectVI is the fourth studio album by Canadian electro-industrial band Skinny Puppy. It was released on September 12, 1988 through Nettwerk. Despite tackling controversial topics like animal rights, chemical warfare, and environmental waste, VIVIsectVI was well-received. It spawned two singles, "Censor", which was released on the album as "Dogshit", and "Testure", which was Skinny Puppy's only song to chart on Billboard's Dance Club Songs. VIVIsectVI was followed by a theatrically involved tour with Nine Inch Nails as the opening act.
Remission is a 1984 EP by Canadian electro-industrial band Skinny Puppy, their record label debut and first release with Nettwerk. The 12-inch EP originally featured six tracks, then, a year later in 1985, it was released on cassette with five additional songs that lengthened the release to a full album. This expansion became the default version of Remission.
Mind: The Perpetual Intercourse is the second studio album by Skinny Puppy, released on September 5, 1986. It contained the single "Dig It", which inspired several industrial music contemporaries, including Nine Inch Nails. "Dig It" received extensive airplay on MTV and was listed by Billboard as a recommended dance track. The song "Stairs and Flowers" was also released as a single.
Too Dark Park is the sixth studio album by the industrial music group Skinny Puppy. The album cover features the debut appearance of the band's "SP" logo. The cover art was created by Vancouver based artist Jim Cummins. The artwork for this album and its associated singles was inspired by cosmic horror stories such as the Cthulhu Mythos. Lyrical themes include collapse of society due to destruction of nature, drug addiction, and psychological issues.
Last Rights is the seventh studio album by Canadian electro-industrial band Skinny Puppy. It was released in March 1992 as the group's final record distributed through Nettwerk. Last Rights saw the band experimenting with two opposite extremes: cacophonous heavy music and gloomy melodies, resulting in moments of industrial weight as well as moments of uncharacteristic softness. Along with containing some of the band's most impenetrable walls of sound and an eleven-minute track composed almost entirely of manipulated and distorted samples, Last Rights also features Skinny Puppy's first ballad.
The Process is the eighth studio album by Canadian industrial band Skinny Puppy. Released by American Recordings on February 27, 1996, The Process was the band's final album before it reformed in 2000 and released The Greater Wrong of the Right in 2004. Skinny Puppy's keyboardist, Dwayne Goettel, died near the end of The Process' recording, and the album experienced difficult production and record-label intrusion.
The Canadian electro-industrial band Skinny Puppy has released twelve studio albums and two extended plays along with a number of live albums, compilations, and singles. The group formed in 1982 and released its debut EP, Back & Forth, in 1984. Later that year, Skinny Puppy was picked up by Nettwerk and released another EP, Remission, in December 1984. The band's first studio album, 1985's Bites, was its last with the original lineup of vocalist Nivek Ogre and producer / multi-instrumentalist cEvin Key; Dwayne Goettel joined in 1986, and the band released its next two albums, Mind: The Perpetual Intercourse and Cleanse Fold and Manipulate, in 1986 and 1987 respectively.
The Singles Collect is a compilation album by Canadian electro-industrial band Skinny Puppy, released in 1999. The release serves as a collection of singles along with a few assorted promotional singles and alternate mixes. The compilation represents all of the singles released by Nettwerk before the band's move to American Recordings and subsequent break-up.
"Censor" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in the same year. "Censor's" original title was "Dogshit", which was changed for this release's marketability.
Worlock is a single by the band Skinny Puppy from the album Rabies. The song uses a sample of the guitars in "Helter Skelter" by The Beatles, as well as a vocal sample of Charles Manson singing the song. Vocalist Nivek Ogre considered it one of the band's better songs.
"Dig It" is a single by industrial rock band Skinny Puppy, off their 1986 album Mind: The Perpetual Intercourse. Nine Inch Nails frontman Trent Reznor said "Dig It" was a primary influence for the first Nine Inch Nails song, "Down in It".
"Addiction" is a song by the band Skinny Puppy, taken from their 1987 album Cleanse Fold and Manipulate. It was released on vinyl in 1987 and released on CD in 1991 (Canada) and 1997. The lyrics of the song quote the 19th century Gothic novel Melmoth the Wanderer by Charles Maturin.
"Testure" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in 1989. "Testure" was the group's first and last song to chart on Billboards's Dance Club Songs, and it was accompanied with a controversial music video.
Mythmaker is the tenth studio album by Canadian electro-industrial band Skinny Puppy. It was released on January 30, 2007 by Synthetic Symphony. Lead vocalist Nivek Ogre said the band took a simplified approach, but that it was a difficult record to make. It charted on a number of billboard charts, and received mostly positive reviews, with critics focusing on whether it was stylistically similar to previous albums.
"Track 10", originally titled "Left Handshake", is a song by Canadian electro-industrial band Skinny Puppy created for its 1992 album Last Rights. The track was meant to close Last Rights, but it was ultimately cut due to threatened legal action from the owner of a sample that appears in the song. "Track 10" did not see individual release until August 20, 2000, when it was sold at Skinny Puppy's reunion performance in Germany.