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Banners are a significant part of the Culture of Northern Ireland, particularly for the Protestant/unionist community, and one of the region's most prominent types of folk art. They are typically carried in parades such as those held on the Twelfth of July, Saint Patrick's Day and other times throughout the year. Generally these are organised by societies such as the Orange Order, the Ancient Order of Hibernians, the Royal Black Institution and the Apprentice Boys of Derry, and the banners are typically commissioned by, and represent, a lodge within one of these societies. Banners are also carried by trade unions and church groups, and by marching bands. Most banners are painted by professionals and executed on silk, although canvas was a more popular material in the past. Most have a painting on each side, usually depicting different subjects, and the name and number of the lodge. Most banners have one subject per side, surrounded by flourishes, scrolls, and other decoration. Despite being in many ways a sectarian art form, Catholic and Protestant banners are usually very similar in terms of style and composition. Apart from subject matter, the main difference is colour: Orange Order banners make heavy use of the colour orange and to a lesser extent red, white, blue and purple, while Catholic banners tend to feature a lot of green.
Possibly because of the significance of banners in Northern Irish culture,[ citation needed ] the operational name of the British Army campaign in Northern Ireland during the Troubles was Operation Banner.
The banners of the Institution (better known as the Orange Order) depict a range of subjects, which can best be grouped into: historical, religious, memorial, local, and British. Some banners fit into more than one category.
By far the most common subject of Orange banner art is William III of England, whose victory in the Battle of the Boyne is celebrated on the Twelfth of July, the biggest Orange celebration. William is shown on at least one side of most Orange banners, usually crossing the Boyne River but sometimes in battle, arriving in England or Ireland, or in Belfast, or in head and shoulders portrait form. On Junior Orange Lodge banners he is sometimes shown as a child. Banner paintings of William crossing the Boyne are often based directly or indirectly on a painting by Benjamin West.
Other scenes from the Williamite War and Glorious Revolution may also be depicted. These include the Siege of Derry, particularly the shutting of the gates and the relief of the city, or portraits of Williamite commanders such as the Duke of Schomberg.
Some banners relate to the history of the Order. Subjects include Dan Winter's cottage, where the Order was founded, and William Johnston of Ballykilbeg, who in the nineteenth century defied a law against Orange marches. Others relate to the home rule crisis and depict scenes such as the signing of the Ulster Covenant or have portraits of Unionist leaders such as Edward Carson. Another popular period is World War I and in particular the Battle of the Somme in which many Ulster men lost their lives.
Miscellaneous historical topics depicted on Orange banners include World War II, the B Specials and Oliver Cromwell.
Religious topics are much less common on Orange banners than those of many other societies. The most common religious banner type, and the second most common type overall, is the Crown and Bible. This expresses the commitment of the Order to the British monarch with the strict condition that the monarch is Protestant, or more exactly, not Catholic. Under British law the monarch cannot be Catholic or married to a Catholic; this is the result of the 'Glorious Revolution' in which William III took over the Crown from the Catholic James II. Orangemen tend to see their patriotism and their commitment to Protestantism as inextricably interlinked.
Biblical stories are sometimes depicted on Orange banners, as is a figure clinging to a large cross, often on a tiny island in a raging sea. Some historical banners are also religious, and depict Protestant martyrs such as the Scottish Solway Firth martyrs or key figures in the Reformation such as Martin Luther and John Calvin.
Banners are sometimes used to commemorate deceased lodge members, often men who were little known outside lodge circles, and particularly those killed in the 'Troubles'. If a member was particularly well regarded the name of the lodge may be changed to commemorate them. The member will typically be shown in their marching gear; the banner thus provides a way for him to continue marching with his lodge.
A number of historical banners also act as memorials, for example to Carson, Queen Victoria, important figures in Orange or Ulster history, or figures from the Williamite War. Occasionally recently deceased non-members are depicted, such as Earl Mountbatten of Burma, who was killed by the Provisional Irish Republican Army in 1979. A number of banners depicting the Battle of the Somme act as memorials, especially those banners belonging to war memorial lodges. Others show war memorials in Northern Ireland or elsewhere.
The laws of the Order forbid the depiction of any living person other than the British monarch on lodge banners.
A less common banner theme is the purely local subject, such as a map of Northern Ireland, a local landmark or scene from local industry, or a symbol of Northern Ireland, such as the Red Hand of Ulster. Landmarks depicted often have religious or historical connotations, for example a church or the site of a historical event. Industrial scenes often seem not to mean anything other than a connection with members of the lodge, although they may be symbolic of the Protestant work ethic. Ulster symbols such as flags are more commonly found on bannerettes or in the decoration around the main subject than as banner subjects in their own right.
A small number of banners show British or imperial subjects. The two most popular of these are probably Britannia (an allegorical figure representing Britain) and Queen Victoria handing a Bible to a non-white (usually Indian) prince or chieftain. The second scene is sometimes captioned 'the Secret of Britain's Greatness' or 'The Secret of Britain's Might' and the image is intended to convey that the might of the British Empire was based on its Protestant faith. British scenes are much less common now than in the past, due partly to the decline of the British Empire but mostly because of a widespread sense of betrayal over recent British government policies on Northern Ireland. However Union Flags are still commonly found in the decoration around the main subject, and crowns are a common motif.
The majority of the Institution's banners depict Biblical stories, although a significant minority show deceased members of the lodge, with the banner acting as a memorial. 'Craft' symbols with little meaning to those outside the Institution are occasionally the subject of Black banners, as are local landmarks, historical figures, and more accessible symbols such as the Crown and Cross. According to Anthony D. Buckley, the majority of Bible stories shown on Black banners are from the Old Testament and most have one or both of the following themes: a Godly person or people living amongst strangers or sinners, or in a foreign land; and the rewards of faithfulness. The stories act as an analogy for the history and position of Protestants in Ireland. New Testament themes such as loving one's enemies are rarely expressed. Bible stories shown on the banners include: Adam and Eve, Noah's Ark, Elijah, Ruth and Naomi, and scenes from the life of Jesus. [1]
The Apprentice Boys organisation exists to remember the Siege of Derry, and consequently most of its banners show scenes from the Siege, or portraits of its heroes. However some of the topics shown on Orange banners also appear on Apprentice banners, particularly memorial portraits of deceased members.
The Ancient Order of Hibernians are a conservative Catholic and nationalist organisation. Most of their banners feature religious images of saints (especially Saint Patrick and the Virgin Mary) and popes (especially John Paul II, the first Pope to visit Ireland). Other banners feature symbols of Irish nationalism (such as Hibernia, Irish round towers and the Cláirseach) or historical advocates of constitutional nationalism (such as Daniel O'Connell).
The Irish National Foresters are a constitutional nationalist organisation open to Irish people of any denomination. Forester banners typically depict various Irish symbols and famous nationalists.
Banners do not exist merely to add colour to parades, but rather have several levels of meaning. At the most basic level, the topics show the allegiance of the person carrying them. A banner depicting Daniel O'Connell expresses a belief in Irish nationalism, while one of Queen Victoria or Edward Carson shows a desire to remain part of the United Kingdom. Likewise, banners of the Virgin Mary and Martin Luther signify Catholicism and Protestantism.
Many banners relate to the division in Northern Irish society between Protestants/Ulster Scots/Unionists/Loyalists on one side and Catholics/Irish/Nationalists and Republicans on the other. For example, William III's victory over James II in the Williamite wars led to two centuries of Protestant ascendency in Ireland; depictions of William, the Siege of Derry and so forth thus express the belief that this was a good thing. While many banners are ostensibly pro one group rather than anti the other, they are generally taken to mean – and often do mean – opposition to the other side. For example, a Bible on a Protestant banner is usually not simply an assertion that the Bible is a good thing, but also an attack on Catholicism, which is seen as overly dependent on priests and ignorant of the word of God.[ citation needed ]
Many banners are also allegorical. Several members of the Orange Order have argued that their historical banners are actually metaphors for religious principles. Former Grand Master W. Martin Smyth has said that the Siege of Derry can be seen as symbolising the eternal conflict between good and evil. In the same way that the apprentices of Derry shut the gates of the city against James' army despite the possible dire consequences, so righteous people should do God's bidding even if this is dangerous, and trust that God will save them. The relief of Derry is seen as symbolic of God's mercy and willingness to save all sinners if they trust in Him. [2] Likewise, depictions of Britannia are not merely assertions of Britishness but also a statement that Britain was great because of its strong Protestantism, and has fallen in recent decades because of its godlessness. [3]
Banners of the type carried in Northern Irish parades were once much more common in other parts of the United Kingdom. In particular, trade union banners were very similar. Due perhaps to the decline of British heavy industry and the general fading of many working class traditions, such banners are commonly seen only at events such as the Durham Miner's Gala.
Ulster is one of the four traditional or historic Irish provinces. It is made up of nine counties: six of these constitute Northern Ireland ; the remaining three are in the Republic of Ireland. It is the northernmost province of Ireland.
The Battle of the Boyne took place in 1690 between the forces of the deposed King James II, and those of King William III who, with his wife Queen Mary II, had acceded to the Crowns of England and Scotland in 1689. The battle was fought across the River Boyne close to the town of Drogheda in the Kingdom of Ireland, modern-day Republic of Ireland, and resulted in a victory for William. This turned the tide in James's failed attempt to regain the British crown and ultimately aided in ensuring the continued Protestant ascendancy in Ireland.
The Ulster Scots people are an ethnic group descended largely from Scottish and English settlers who moved to the north of Ireland during the 17th century. There is an Ulster Scots dialect of the Scots language.
The Williamite War in Ireland took place from March 1689 to October 1691. Fought by Jacobite supporters of James II and his successor, William III, it resulted in a Williamite victory. It is generally viewed as a related conflict of the 1688 to 1697 Nine Years' War.
The Apprentice Boys of Derry is a Protestant fraternal society with a worldwide membership of over 10,000, founded in 1814 and based in the city of Derry, Northern Ireland. There are branches in Ulster and elsewhere in Ireland, Scotland, England, Australia and Toronto, Canada. The society aims to commemorate the 1689 Siege of Derry when Catholic James II of England and Ireland and VII of Scotland laid siege to the walled city, which was at the time a Protestant stronghold. Apprentice Boys parades once regularly led to virulent opposition from the city's Irish nationalist majority, but recently a more conciliatory approach has taken place and now the parades are virtually trouble-free. The 2014 'Shutting of the Gates' parade was described as "the biggest in years" and was violence-free.
The Twelfth is a primarily Ulster Protestant celebration held on 12 July. It began in the late 18th century in Ulster. It celebrates the Glorious Revolution (1688) and victory of Protestant King William of Orange over Catholic King James II at the Battle of the Boyne (1690), which ensured a Whig political party and Anglican Ascendancy in Ireland and the passing of the Penal Laws to disenfranchise and persecute the nation's Catholic majority, and to a lesser extent Protestant Dissenters, until Catholic Emancipation in 1829.
Ireland during the period of 1536–1691 saw the first full conquest of the island by England and its colonisation with mostly Protestant settlers from Great Britain. This would eventually establish two central themes in future Irish history: subordination of the country to London-based governments and sectarian animosity between Catholics and Protestants. The period saw Irish society outside of the Pale transform from a locally driven, intertribal, clan-based Gaelic structure to a centralised, monarchical, state-governed society, similar to those found elsewhere in Europe. The period is bounded by the dates 1536, when King Henry VIII deposed the FitzGerald dynasty as Lords Deputies of Ireland, and 1691, when the Catholic Jacobites surrendered at Limerick, thus confirming Protestant dominance in Ireland. This is sometimes called the early modern period.
A Williamite was a follower of King William III of England who deposed King James II and VII in the Glorious Revolution. William, the Stadtholder of the Dutch Republic, replaced James with the support of English Whigs.
The Loyal Orange Institution, commonly known as the Orange Order, is an international Protestant fraternal order based in Northern Ireland and primarily associated with Ulster Protestants. It also has lodges in England, Scotland, Wales and the Republic of Ireland, as well as in parts of the Commonwealth of Nations and the United States.
Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
The Grand Orange Lodge of Scotland, or Loyal Orange Institution of Scotland, Orange Order in Scotland, The Orange Order is the oldest and biggest Protestant fraternity in Scotland. The Loyal Orange Institution was an official participant in the 2014 independence referendum. Its headquarters are in Motherwell, having previously been in Bridgeton, Glasgow with 15,000 members in the Scottish Lowlands.
The Break of Dromore took place on 14 March 1689 near Dromore, County Down in the early stages of the Williamite War in Ireland. It featured Catholic Jacobite troops under Richard Hamilton and Protestant Williamite militia led by Hugh Montgomery and Arthur Rawdon.
The culture of Belfast, much like the city, is a microcosm of the culture of Northern Ireland. Hilary McGrady, chief executive of Imagine Belfast, claimed that "Belfast has begun a social, economic and cultural transformation that has the potential to reverberate across Europe." Belfast is split between two rarely-overlapping vibrant cultural communities, a high-culture of opera, professional theatre, filmmaking and the visual arts and a more popular or commercial culture. Throughout the short years of troubles, Belfast tried to express itself through art and music. In the second decade of the twenty-first century, the city has a growing international cultural reputation
Parades are a prominent cultural feature of Northern Ireland. The overwhelming majority of parades are held by Ulster Protestant, unionist or Ulster loyalist groups, but some Irish nationalist, republican and non-political groups also parade. Due to longstanding controversy surrounding the contentious nature of some parades, a quasi-judicial public body, the Parades Commission, exists to place conditions and settle disputes. Although not all parading groups recognise the Commission's authority, its decisions are legally binding.
The Loyal Orange Institution, better known as the Orange Order, is a Protestant fraternal order based in Northern Ireland. It has been a strong supporter of Irish unionism and has had close links with the Ulster Unionist Party, which governed Northern Ireland from 1922 to 1972. The Orange Order has lodges throughout Ireland, although it is strongest in the North. There are also branches throughout the Commonwealth, and in the United States. In the 20th century, the organisation went into sharp decline outside Northern Ireland and County Donegal. McGarry, John; O'Leary, Brendan (1995). Explaining Northern Ireland: Broken Images. Blackwell Publishers. p. 180. ISBN 978-0-631-18349-5.; The Orange marches</ref> The Order has a substantial fraternal and benevolent component.
The Party Processions Act was an 1850 Act of Parliament in the United Kingdom which prohibited open marching, organised parades and sectarian meetings in Ireland in order to outlaw provocative movements in the wake of the Dolly's Brae fighting of 1849. Written on 8 February, the Act was assembled against people "in the practice of assembling and marching together in procession in Ireland in a manner calculated to create and perpetuate animosities between different classes of Her Majesty's Subjects, and to endanger the public peace." Actions such as using banners, emblems and flags constituted an offence, as did music "calculated or tend to provoke animosity". Violation of the Act was classed as a misdemeanor. The Act was strongly supported by Sir Robert Peel however opposed by other politicians such as Lord Claude Hamilton who argued that religious parades would also be outlawed, yet posed no threat. The Party Emblems Act was passed in 1860 to further support this measure following further riots at Derrymacash. The Act was "grudgingly" accepted by the Orangemen, however both the Irish Republican Brotherhood, the Young Ireland movement, and related Fenian movements were less placated. William Johnston of Ballykilbeg led a radical Orangemen group in defiance of the act during the 1860s, and was imprisoned – prompting strong demand for its repeal in 1867, which succeeded in 1872. The issue and repeal of the Act is viewed as an important milestone by nationalist historians of Ireland, and is said to be an example of Irish suppression by the "English" government. Peel, however, was one of a number of Members of Parliament who viewed the Act as a necessity to prevent Catholic and Protestant in-fighting rather than Irish nationalism as a whole. Traditional, revisionist and post-revisionist historians have subsequently supported either viewpoint and the Act remains a controversial one.
Orange walks, or Orange marches, are a series of parades by members of the Orange Order and other Protestant fraternal societies, held during the summer months in various Commonwealth nations, and most notably across Northern Ireland. The parades typically build up to 12 July celebrations marking Prince William of Orange's victory over King James II and VII at the Battle of the Boyne in 1690.
Ulster Protestants are an ethnoreligious group in the Irish province of Ulster, where they make up about 43.5% of the population. Most Ulster Protestants are descendants of settlers who arrived from Britain in the early 17th century Ulster Plantation. This was the settlement of the Gaelic, Catholic province of Ulster by Scots and English speaking Protestants, mostly from the Scottish Lowlands and Northern England. Many more Scottish Protestant migrants arrived in Ulster in the late 17th century. Those who came from Scotland were mostly Presbyterians, while those from England were mostly Anglicans. There is also a small Methodist community and the Methodist Church in Ireland dates to John Wesley's visit to Ulster in 1752. Although most Ulster Protestants descend from Lowland Scottish people, many descend from English, and to a lesser extent, from Irish, Welsh and Huguenots.
The Battle of the Boyne is a 1778 historical painting by the Anglo-American artist Benjamin West. It portrays the Battle of the Boyne which took place in Ireland in 1690. West's depiction of William of Orange on his white horse became the iconic image of liberation from Catholic Ireland; the painting was widely copied and distributed throughout the nineteenth century. The painting itself is at Mount Stewart, Newtownards, Northern Ireland, and is the property of the National Trust.