Bali is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller offshore islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s. Tourism-related business makes up 80% of its economy.
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.
The Balinese people are an Austronesian ethnic group native to the Indonesian island of Bali. The Balinese population of 4.2 million live mostly on the island of Bali, making up 89% of the island's population. There are also significant populations on the island of Lombok and in the easternmost regions of Java.
Ubud is a town on the Indonesian island of Bali in Ubud District, located amongst rice paddies and steep ravines in the central foothills of the Gianyar regency. Promoted as an arts and culture centre, it has developed a large tourism industry. It forms a northern part of the Greater Denpasar metropolitan area.
Besakih Temple is a pura complex in the village of Besakih on the slopes of Mount Agung in eastern Bali, Indonesia. It is the most important, largest, and holiest temple of Balinese Hinduism, and one of a series of Balinese temples. Perched nearly 1000 meters up the side of Gunung Agung, it is an extensive complex of 23 separate but related temples with the largest and most important being Pura Penataran Agung. The temple is built on six levels, terraced up the slope. The entrance is marked by a candi bentar, and beyond it, the Kori Agung is the gateway to the second courtyard.
Balinese art is an art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung, was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art.
Museum Rudana or Rudana Art Museum is an art museum in Peliatan, Gianyar Regency, Bali, Indonesia. It was built by Nyoman Rudana, following the concept of the Bali humanist philosophy of Tri Hita Karana, where art makes a contribution to public wellbeing.
Sanur is a coastal stretch of beach east of Denpasar in southeast Bali, which has grown into a little town in its own right. A 5.1 km (3.2 mi) area of Sanur's coastline, from Matahari Terbit Beach to Mertasari Beach, was reclaimed in 2008.
Anak Agung Gde Sobrat (1912–1992) was a painter in Indonesia.
Ida Bagus Made Togog (1913–1989) was born into a noble Brahmana clan in the center of Batuan. Together with I Ngendon, he was one of the foremost painters from Batuan. Unlike Ngendon, Togog was not particularly interested in Western ideas. He was comfortable with the Balinese way of life and adhered closely to the Balinese belief system. As a member of the high priest family, Togog was very familiar with Balinese lontar and Balinese myths and folklore. His works were primarily drawn from religion and local myths from an insider's view point and he narrates them through his drawings, just like in the Wayang tradition. The strength of his drawings was neither his draftsmanship nor composition, but his narration of complex religious beliefs and the united life in Bali as a balance between the macrocosm and microcosm, between the benevolent and good spirits. According to Wim Bakker, it was the Dutch painter Rudolf Bonnet, who inspired him to translate images in Balinese lontars into drawings. During 1936 to 1938, he was befriended by Gregory Bateson and Margaret Mead and produced 83 paintings for them. As Bateson and Mead went to Bali to do research on Balinese character, they requested Togog to give an expression of his dreams. He produced a large number of drawings on dreams and his own interpretation in the context of Balinese beliefs as he understood it.
The Puri Lukisan Ratna Wartha Museum is the oldest art museum in Bali which specialize in modern traditional Balinese paintings and wood carvings. The museum is located in Ubud, Bali, Indonesia. It is home to the finest collection of modern traditional Balinese painting and wood carving on the island, spanning from the pre-Independence war (1930–1945) to the post-Independence war era. The collection includes important examples of all of the artistic styles in Bali including the Sanur, Batuan, Ubud, Young Artist and Keliki schools.
The Neka Art Museum is a museum located in Ubud on Bali, Indonesia, It was established in 1982 by Pande Wayan Suteja Neka, better known as JMK Suteja Neka, a Balinese art dealer who had begun collecting Balinese art with the advice and help of painters Rudolf Bonnet and Arie Smit among others.
Pura Ulun Danu Beratan, or Pura Bratan, is a major Hindu Shaivite temple in Bali, Indonesia. The temple complex is on the shores of Lake Bratan in the mountains near Bedugul. The water from the lake serves the entire region in the outflow area; downstream there are many smaller water temples that are specific to each irrigation association (subak).
Cristina Wistari Formaggia was an Italian actress, performer and artist who came to be a key participant in the preservation and dissemination of Balinese dance – particularly the Topeng and Gambuh traditions; she was also a student of the Indian Kathakali school of sacred performance art. She was heavily involved in contemporary trans-cultural theatre being both an active participant in the ISTA in collaboration with Eugenio Barba and the Odin Teatret and with the Magdalena Project.
Gambuh is an ancient form of Balinese dance-drama. It is accompanied by musicians in a gamelan gambuh ensemble.
Negara: The Theatre State in Nineteenth-Century Bali is a 1980 book written by anthropologist Clifford Geertz. Geertz argues that the pre-colonial Balinese state was not a "hydraulic bureaucracy" nor an oriental despotism, but rather, an organized spectacle. The noble rulers of the island were less interested in administering the lives of the Balinese than in dramatizing their rank and hence political superiority through large public rituals and ceremonies. These cultural processes did not support the state, he argues, but were the state.
It is perhaps most clear in what was, after all, the master image of political life: kingship. The whole of the negara - court life, the traditions that organized it, the extractions that supported it, the privileges that accompanied it - was essentially directed toward defining what power was; and what power was what kings were. Particular kings came and went, 'poor passing facts' anonymized in titles, immobilized in ritual, and annihilated in bonfires. But what they represented, the model-and-copy conception of order, remained unaltered, at least over the period we know much about. The driving aim of higher politics was to construct a state by constructing a king. The more consummate the king, the more exemplary the centre. The more exemplary the centre, the more actual the realm.
It is quite difficult to define Indonesian art, since the country is immensely diverse. The sprawling archipelago nation consists of 17.000 islands. Around 922 of those permanently inhabited, by over 1,300 ethnic groups, which speak more than 700 living languages.
A wantilan is a Balinese pavilion (bale) used for activities involving large crowds. A wantilan is the largest type of bale in Balinese architecture. A wantilan is basically a large wall-less hall placed under a large multi-tiered roof. A wantilan as a public building is usually located at a village's main square or main junction and functions as an open hall to hold large community activities such as meeting halls or a public musical gamelan performance. A wantilan is also a religious building, an integral part of Balinese temples used to hold the Balinese cockfighting ceremony.
Pura Taman Saraswati, officially Pura Taman Kemuda Saraswati, also known as the Ubud Water Palace, is a Balinese Hindu temple in Ubud, Bali, Indonesia. The pura is dedicated to the goddess Sarasvati. Pura Taman Saraswati is notable for its lotus pond.
Hildred Storey Geertz was an American anthropologist who studied Balinese and Javanese kinship practices and Balinese art in Indonesia.
