Beach Boys' Party! | ||||
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Studio album by | ||||
Released | November 8, 1965 | |||
Recorded | September 8–27, 1965 | |||
Studio | Western, Hollywood | |||
Genre | ||||
Length | 31:10 | |||
Label | Capitol | |||
Producer | Brian Wilson | |||
The Beach Boys chronology | ||||
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The Beach Boys UK chronology | ||||
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Singles from Beach Boys' Party! | ||||
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Beach Boys' Party! is the tenth studio album by the American rock band the Beach Boys,and their third in 1965,consisting mostly of cover songs played with acoustic instruments. It reached No. 6 in the US and No. 3 in the UK. The album spawned one single,a cover of the Regents' "Barbara Ann",which reached No. 2 in the US and No. 3 in the UK,and was their highest-charting British single to that point.
Party! was recorded in a music studio and presented as an impromptu live recording of a party,with informal chatter by friends and family overdubbed later. [2] The record company,Capitol,wanted an album for the holiday season,but as there was no new material ready,several options were considered,including a greatest hits album and a live album,before the band decided on the party theme. [3] [4] The Beach Boys covered songs by the Beatles,several doo-wop groups,Bob Dylan,and the Everly Brothers,as well as two of their own earlier hits performed in a tongue-in-cheek style. While the "beach party" atmospherics fit into the Beach Boys style to that point,the varied musical influences presaged the change of direction that would occur over the next several years beginning with Pet Sounds (1966).
Because of its stripped-down approach,Party! is considered to be the first "unplugged" type album. [5] In 2015,Capitol issued Beach Boys' Party! Uncovered and Unplugged ,an 81-track expansion and remix of the album.
In August,after the release of Summer Days (And Summer Nights!!) ,the Beach Boys' leader Brian Wilson was contemplating his next studio effort,which would turn out to be Pet Sounds . Capitol Records requested a new album for the holiday season. Since The Beach Boys' Christmas Album had been released the previous year,as had a live performance via Beach Boys Concert ,the "live party" idea was selected to reflect the togetherness of the holiday spirit. Sporadically during September,the band and their friends rehearsed current and older hits (including revisiting the Rivingtons' "Papa-Oom-Mow-Mow"). Although presented as an impromptu live recording of a continuous set of songs played at a small party,the songs were recorded and mixed individually in a sound studio as any regular studio album,and laughter and background chatter was mixed in during post-production. [6]
The album included versions of the Beatles' "Tell Me Why","You've Got to Hide Your Love Away" and "I Should Have Known Better";"Devoted to You" by the Everly Brothers;the Phil Spector produced "There's No Other (Like My Baby)" and a send-up of their own "I Get Around" and "Little Deuce Coupe". [6] David Leaf noted:"In an era when rock stars were beginning to take themselves more seriously,the Beach Boys showed how natural it was to make fun of themselves." [6]
Author Geoffrey Himes wrote that the party theme was created to justify the casual arrangements. [7] Music theorist Daniel Harrison wrote:"Party was an exercise in minimalistic production. ... The performances seem unrehearsed,the instrumental support is minimal (acoustical [sic] guitar,bongo drums,tambourine),and fooling around (laughing,affected singing,background conversation) pervades every track." [8] It was Wilson's first exploration in "party tracks",a form of music which includes the sounds of people shouting and making noises as if at a party. [nb 1] He would continue this approach with Smiley Smile in 1967. [9]
Several other songs were also recorded,but not put on the album. This included renditions of the Drifters' "Ruby Baby", [nb 2] the Beatles' song "Ticket to Ride",the Rolling Stones' "(I Can't Get No) Satisfaction",Bob Dylan's "Blowin' in the Wind" and the Robins' "Riot In Cell Block #9". [nb 3]
The original release of Party! included a sheet of photographs which depicted the band at a party. [6] In order to promote the album,Capitol distributed to dealers a million bags of potato chips which bore the album's cover art,intended to be given away to record buyers for free. The label also coordinated a motion floor merchandiser containing five Beach Boys LPs,full-color streamers for window displays,and full-scale radio and newspaper advertising. [10]
Retrospective reviews | |
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Review scores | |
Source | Rating |
AllMusic | [11] |
Blender | [12] |
Encyclopedia of Popular Music | [13] |
Popmatters | [14] |
Record Mirror | [15] |
The Rolling Stone Album Guide | [16] |
Billboard evaluated that Party! would have strong sales potential:"The boys have a ball performing in this intimate,ad-lib program of hot material. ... [an] exciting,discotheque package." [17]
In November 1965,the Beach Boys released the non-album single "The Little Girl I Once Knew" which repeatedly used a measure of silence in the arrangement and was reportedly disliked by radio programmers owing to their avoidance of having "dead air"; [18] this has been cited as being partially responsible for the single stalling at US number 20. Still wanting to play new material by the band,radio disc jockeys around the United States began playing the last track of Party! straight off the LP,a cover of The Regents' "Barbara Ann". It received good listener response and was issued as a single by Capitol when they started hearing from radio programmers;it became a number 2 hit in early 1966. [6]
Richie Unterberger wrote:"In recent years,this album has gone up a few notches in critical esteem,praised for its loose,casual feel and insight into the group's influences. Realistically,though,its present-day appeal lies mostly with dedicated fans of the group,as fun and engaging as it is. Others will find the material shopworn in places,and the presentation too corny." [11] Writer Jim Fusilli said:"This Beach Boys Party! really blows. ... They mock 'I Get Around' and 'Little Deuce Coupe.' Imagine doing that—mocking your own work,music some people cherish." [19] Mitchell Cohen of the publication Best Classic Bands wrote that Party! is more reminiscent of the Beatles' Get Back sessions than the first "unplugged" album,observing:"Brian is there,but he doesn't do very much,... [His production] credit seems almost insulting,because for the most part it's Mike's show,even more so on the naked sessions ... Carl and Dennis grab on to the Beatles tunes like a life raft,and Brian is in the corner. This isn't his party,but he'll have to clean up when it's over." [20]
In 1990,Beach Boys' Party! was paired on CD with Stack-o-Tracks ,a 1968 album of instrumental mixes of Beach Boys tracks. The bonus tracks for this CD were instrumental mixes of "Help Me,Rhonda","California Girls",and "Our Car Club". [6] The Party! / Stack-o-Tracks CD was reissued in 2001. In 2012,the first stereo mix of Beach Boys' Party! was released. [21]
On November 20,2015,Capitol issued an 81-track expanded remix, Beach Boys' Party! Uncovered and Unplugged ,containing the original album without overdubs followed by a selection of outtakes culled from the album's original five recording sessions. [21]
No. | Title | Writer(s) | Lead vocal(s) | Length |
---|---|---|---|---|
1. | "Hully Gully" (The Olympics) |
| Mike Love | 2:22 |
2. | "I Should Have Known Better" (The Beatles) | 1:40 | ||
3. | "Tell Me Why" (The Beatles) |
|
| 1:46 |
4. | "Papa-Oom-Mow-Mow" (The Rivingtons) |
|
| 2:18 |
5. | "Mountain of Love" (Harold Dorman) | Dorman | Love | 2:51 |
6. | "You've Got to Hide Your Love Away" (The Beatles) |
| Dennis Wilson | 2:56 |
7. | "Devoted to You" (The Everly Brothers) | Felice and Boudleaux Bryant |
| 2:13 |
No. | Title | Writer(s) | Lead vocal(s) | Length |
---|---|---|---|---|
1. | "Alley Oop" (The Hollywood Argyles) | Dallas Frazier | Love | 2:56 |
2. | "There's No Other (Like My Baby)" (The Crystals) |
| B. Wilson | 3:05 |
3. | "Medley" ("I Get Around"/"Little Deuce Coupe") |
| Love | 3:12 |
4. | "The Times They Are a-Changin'" (Bob Dylan) | Dylan | Jardine | 2:23 |
5. | "Barbara Ann" (The Regents) | Fred Fassert |
| 3:27 |
Credits from band archivist Craig Slowinski. [22]
The Beach Boys
Guests
Year | Chart | Position |
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1965 | German Albums Chart [23] | 4 |
1966 | UK Top 40 Albums | 3 |
1966 | US Billboard 200 | 6 |
Chart information courtesy of Allmusic and other music databases. [24] [ failed verification ]
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
Smiley Smile is the 12th studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point.
Sunflower is the 16th studio album by the American rock band the Beach Boys, released on August 31, 1970 on Reprise Records, their first for the label. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29.
Surfin' U.S.A. is the second studio album by the American rock band the Beach Boys, released March 25, 1963 on Capitol Records. It reached number 2 in the US during a chart stay of 78 weeks, eventually being certified gold by the RIAA, and brought the group newfound national success. It was led by one single, its title track with the B-side "Shut Down". In the UK, the album was released in late 1965 and reached number 17.
Surfer Girl is the third studio album by the American rock band the Beach Boys, released September 16, 1963 on Capitol Records. It is largely a collection of surf songs. The LP reached number 7 in the U.S. and number 13 in the UK. Lead single "Surfer Girl", backed with "Little Deuce Coupe", was also a top 10 hit.
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965, by Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record established the group as album artists rather than just a singles band. It has since become regarded as one of the greatest albums of all time.
Wild Honey is the 13th studio album by the American rock band the Beach Boys, released on December 18, 1967, by Capitol Records. It was the group's first foray into soul music and was heavily influenced by the R&B of Motown and Stax Records. The album was the band's worst-selling at that point, charting at number 24 in the US. Lead single "Wild Honey" peaked at number 31, while its follow-up "Darlin'" reached number 19. In the UK, the album peaked at number seven.
Friends is the 14th studio album by the American rock band the Beach Boys, released on June 24, 1968, through Capitol Records. The album is characterized by its calm and peaceful atmosphere, which contrasted the prevailing music trends of the time, and by its brevity, with five of its 12 tracks running less than two minutes long. It sold poorly, peaking at number 126 on the Billboard charts, the group's lowest U.S. chart performance to date, although it reached number 13 in the UK. Fans generally came to regard the album as one of the band's finest.
20/20 is the 15th studio album by the American rock band the Beach Boys, released February 10, 1969 on Capitol Records. The LP was named for being their 20th overall release when factoring in live albums and compilations. Much of 20/20 consists of outtakes from earlier albums. It reached number 3 on UK record charts and number 68 in the U.S. Brian Wilson was absent during most of the album's recording after admitting himself into a psychiatric hospital, requiring brothers Carl and Dennis to retrieve several outtakes he had recorded years earlier. While Brian does not appear on the front cover, the inner gatefold of the original vinyl release features him alone, behind an eye examination chart.
Live in London is a live album by American rock band the Beach Boys released by EMI in the UK in May 1970. When released in the US on November 15, 1976, the album was renamed Beach Boys '69 (The Beach Boys In London) via Capitol Records.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
All Summer Long is the sixth album by the American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
"That's Not Me" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is distinguished for its sophisticated harmonic structure and its sudden shifts in mood and instrumental textures. Owing to its relatively sparse orchestration, it is the track on Pet Sounds that most closely resembles a conventional rock song.
"You're So Good to Me" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys, released on July 5, 1965, on their ninth studio album Summer Days . It was later included as the B-side of the group's single "Sloop John B", which was released on March 21, 1966. Mojo later wrote that the song was the closest the group had come to northern soul.
"Wild Honey" is a song recorded by the American rock band the Beach Boys. Written by Brian Wilson and Mike Love, it was released as the lead single from their 1967 album Wild Honey, with the B-side of the single being "Wind Chimes". The single peaked at number 31 in the U.S. and number 29 in the U.K.
"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".
"Good Time" is a song by American pop music duo American Spring from their 1972 album Spring. It was written by Brian Wilson and Al Jardine originally for the Beach Boys' album Sunflower (1970). In 1972, Spring released "Good Time" as their second single, recording their voices atop the Beach Boys' instrumental track. In 1977, the Beach Boys released their original version of the song on the album The Beach Boys Love You.
Summer Days is the ninth studio album by the American rock band the Beach Boys, released on July 5, 1965, on Capitol. The band's previous album, The Beach Boys Today!, represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling.
Beach Boys' Party! Uncovered and Unplugged is a compilation and remix album released by Capitol Records on November 20, 2015. It is an 81-track expansion of Beach Boys' Party!, presenting it without informal chatter overdubs followed by a selection of outtakes collected from the album's original five recording sessions.