Beautiful Thing (play)

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Beautiful Thing
Written by Jonathan Harvey
Date premiered1993
Genre Comedy
SettingCouncil estate, South London

Beautiful Thing is a 1993 British play written by Jonathan Harvey. A screen adaptation of the play was released in 1996 by Channel 4 Films, [1] with a revised screenplay also by Harvey.

Contents

Plot of the Screen Version

The story is set in Thamesmead, a working class area of South East London dominated by post-war council estates. [2] [3]

Jamie, a teen who is infatuated with his classmate, Ste, has to deal with his single mother Sandra, who is pre-occupied with ambitious plans to run her own pub and with an ever-changing string of lovers, the latest of whom is Tony, a neo-hippie. Sandra finds herself at odds with Leah, a sassy and rude neighbour who has been expelled from school, does several drugs, and constantly listens and sings along to her mother's Cass Elliot records. While Jamie's homosexuality remains concealed, his introvert nature and dislike of football are reason enough for his classmates to bully him at every opportunity.

Ste, who is living together with his drug-dealing brother and abusive, alcoholic father in the flat next door, is one night beaten by his father so badly that Sandra takes pity and lets him sleep over. In the absence of a third bed, Ste has to make do with sleeping 'top-to-toe' with Jamie. On the second night they share a bed: after a massage and a minor conversation, the boys soon change sleeping arrangements and Jamie kisses Ste for the first time.

The next morning, Ste panics and leaves before Jamie awakens, avoiding him for days. Jamie works up the nerve to steal a Gay Times from a newsagent, apparently starting to accept his sexuality and affection for Ste. Jamie finally spots Ste at a nearby party and confronts him; they prepare to leave together. The party ends badly, with Sandra taking vengeance on Leah for gossiping, who then threatens to 'spill the beans' about Ste and Jamie and confesses to having covered up for Ste in front of his father and brother. Ste reacts poorly, angrily rejecting Jamie and running away.

Slowly, Ste accepts Jamie's love and their relationship begins to develop as they visit a gay pub together. Sandra follows them and discovers their secret, and the story reaches its climax as a bad trip by Leah (on an unnamed drug) precipitates Sandra's breakup with Tony; the news of Sandra's new job comes out; and Sandra confronts Ste and Jamie. Sandra comes to accept her son's relationship.

The play ends with the two boys slow-dancing in the courtyard of their council flats to the Cass Elliot song "Dream a Little Dream of Me", while a guarding Sandra dances defiantly at their side with Leah as the local residents look on; some of them shocked, some of them enjoying the moment themselves.

Theatrical productions

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References

  1. Derek Elley (10 March 1996). "Beautiful Thing". Variety. p. 77. Pic, which also unspools at this year's AFM, had buyers scrambling for their cell phones in the Berlin market and is rumored to be a contender for a spot in the sun at Cannes. Its world preem is set for March 28 in the London Lesbian & Gay Film Festival.
  2. Benedict Nightingale (3 August 1993). "If only things were so simple". The Times. Into the Bush we go and what strikes our eager eyes? Concrete paving, grey stucco walls, drab doors with 368, 369 and 370 embossed on them, and, as a feeble protest against the gloom, a few flowerpots and plaster dwarfs. This is the third floor of a council estate in Thamesmead, and as unlikely a setting for a play called Beautiful Thing as Buckingham Palace's gardens would be for Les Miserables.
  3. "The council cries foul play". Evening Standard. 24 November 1994. p. 43. Jonathan Harvey's West End hit Beautiful Thing is 'sickening' – that's official – as far as Bexley Borough Council is concerned. Harvey's play, about gay love is, of course, set in Thamesmead, part of which falls under the council's aegis. You might think fame for the borough would fill the breast of Bexley Tory councillor Graham R Holland, but no. The Duke of York's Theatre last week received a very severe letter from him on the council's headed paper. It criticises the billing of Harvey's gay love story as a comedy, and says the Holland family were 'intimidated' by gays in the bar and that they found 'the sight of older men with young lads was sickening, if legal'. He goes on to complain about the play's 'sordid' language: 'It was gratuitous, foul and offensive and was neither relevant nor, with my experience of Thamesmead ... in any way typical of the young people with whom I am in contact.' The shocked family group left after 20 minutes.
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