Berrydown Court | |
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![]() The Grade I-listed boundary wall to Berrydown Court. The house itself is not visible from the public highway | |
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Location | between Ashe and Overton, Hampshire |
Coordinates | 51°14′32″N1°14′52″W / 51.2421°N 1.2478°W |
Area | Southern England |
Built | 1897-8 |
Architect | Edwin Lutyens |
Architectural style(s) | Surrey vernacular |
Governing body | Private |
Listed Building – Grade I | |
Official name | Berrydown Court House |
Designated | 10 January 1977 |
Reference no. | 1302517 |
Listed Building – Grade I | |
Official name | Entrance Lodge to Berrydown Court |
Designated | 10 January 1977 |
Reference no. | 1302479 |
Listed Building – Grade I | |
Official name | Walls to kitchen garden, forecourt, and roadside boundary, with garden store buildings, Berrydown Court |
Designated | 12 April 1984 |
Reference no. | 1092705 |
Berrydown Court is a late 19th-century country house, on the B3400 road between the villages of Ashe and Overton in Hampshire, England. The house was built in 1897-1898 and was designed by Edwin Lutyens. Berrydown is a Grade I listed building, and its entrance lodge and boundary walls are also listed at Grade I.
Berrydown Court was built for Archibald Grove (1855-1920), founder-editor of the New Review magazine, and member of parliament for West Ham North (1892-95) and South Northamptonshire (1906-10). [a] [2] Grove was a personal friend of Edwin Lutyens and began discussions regarding the construction of a house in Hampshire in around 1890, when Grove had bought land in the Overton area and was attempting to find a parliamentary seat in the county. Disagreements between client and architect delayed the commencement of building until 1897, but the house was complete by 1898. [b] [c] [4] The construction saw further friction between Grove and Lutyens, particularly in relation to the garden, which the latter had planned in conjunction with Gertrude Jekyll. Jane Brown, in her study of the Lutyens/Jekyll partnership, Gardens of a Golden Afternoon, suggests that the couple failed fully to appreciate the challenges of the site, without a view and immediately adjacent to a road, and also misunderstood the underlying soil, such that, in 1899, William Robinson, a friend of both, was called in to suggest solutions. [11] Grove sold the estate in 1904 to Edward Cooper, an underwriter and partner in Hartley, Cooper and Co. [12] The estate was resold on a number of occasions in the 20th and 21st centuries, until bought by the present owners in 2001. [d] During their tenure, a major restoration of the house and gardens has been undertaken. [3] Berrydown remains a private house and is not open to the public. [12]
Berrydown is of two-storeys with an attic floor. [13] It is shielded from the road by a long boundary wall, [14] which also forms the northern wall of the kitchen garden and is pierced by a gate lodge. [15] Colin Amery, Margaret Richardson and Gavin Stamp, in the catalogue published to accompany the 1981 Hayward Gallery exhibition, Lutyens - The work of the English architect Sir Edwin Lutyens (1869-1944), describe the entrance front as "Tudor" in style. [e] [17] The garden front, which Roderick Gradidge considered "surprisingly complex", [18] has massive gables, is tile-hung and the roof carries three large chimney stacks. [13] The interior plan is simple, [19] has seen little change since its construction, and was subject to a full restoration, supported by the Lutyens Trust, in the early 21st century. [3] During the restoration wall murals by Lutyens, depicting birds and figures and including one considered to be a depiction of his daughter Barbara, were uncovered. [19]
Michael Bullen, James Crook and Rodney Hubbuck, in their Hampshire: Winchester and the North volume in the Pevsner Buildings of England series, revised and published in 2010, note that Berrydown is among the least studied of all of Lutyens' larger houses. [19] Lawrence Weaver, in his monumental study, Lutyens Houses and Gardens, published in 1921 did not mention the house at all. [20] It is also one of the less appreciated of his early designs; Christopher Hussey, in his biography of Lutyens, described it as "undistinguished", although he was more complimentary of the stables, gatehouse lodge and boundary wall, which he thought reminiscent of Randolph Caldecott's paintings of Surrey farms. [21] In the later 20th, and 21st centuries, the house has been the subject of some reappraisal. Gradidge described the road frontage as "bland", but considered the garden front of much greater interest, with early evidence of Arts and Crafts and Art Deco inspirations. [22] [19] Bullen, Crook and Hubbuck consider the house an "extraordinary composition". [19]
Berrydown is a Grade I listed building, [13] and its entrance lodge and boundary walls are also listed at Grade I. [15] [14]
Sir Edwin Landseer Lutyens was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth century".
Castle Drogo is a country house and mixed-revivalist castle near Drewsteignton, Devon, England. Constructed between 1911 and 1930, it was the last castle to be built in England. The client was Julius Drewe, the hugely successful founder of the Home and Colonial Stores. Drewe chose the site in the belief that it formed part of the lands of his supposed medieval ancestor, Drogo de Teigne. The architect he chose to realise his dream was Edwin Lutyens, then at the height of his career. Lutyens lamented Drewe's determination to have a castle but nevertheless produced one of his finest buildings. The architectural critic Christopher Hussey described the result: "The ultimate justification of Drogo is that it does not pretend to be a castle. It is a castle, as a castle is built, of granite, on a mountain, in the twentieth century".
Goddards is a Grade II*-listed house in Abinger Common, Surrey, England, completed in 1900. It was designed by Edwin Lutyens in the ideals of the Arts and Crafts movement and the west-facing courtyard garden was designed by Gertrude Jekyll. The house uses local building materials, including Horsham stone tiles, and the two wings are spayed at an angle towards the late-afternoon sun. The design is influenced by vernacular hall houses and almshouses, as well as the architectural ideas of the late-19th century and the Tudor period.
Thomas Newcomen Archibald Grove, commonly known as Archibald Grove, was a British magazine editor and Liberal Party politician.
Little Thakeham is an Arts and Crafts style, Grade I listed private house in the parish of Thakeham, near the village of Storrington, in the Horsham district of West Sussex, England. Designed by architect Edwin Lutyens in 1902, the house was one of the first in which Lutyens mixed neoclassical architecture into his previously vernacular style. The exterior of the house is vernacular, but the interior has classical features, particularly in its large hall. The gardens, also designed by Lutyens, are Grade II* listed in the National Register of Historic Parks and Gardens.
Munstead Wood is a Grade I listed house and garden in Munstead Heath, Busbridge, on the boundary of the town of Godalming in Surrey, England, 1 mile (1.6 km) south-east of the town centre. The garden was created by garden designer Gertrude Jekyll, and became widely known through her books and prolific articles in magazines such as Country Life. The Arts and Crafts style house, in which Jekyll lived from 1897 to 1932, was designed by architect Edwin Lutyens to complement the garden.
Orchards is an Arts and Crafts style house in Bramley in Surrey, England. It is on Bramley's boundary with Busbridge and 1 mile (1.6 km) south-east of Godalming town centre. Described by English Heritage as the first major work of architect Edwin Lutyens, it is a Grade I listed building. The gardens are Grade II* listed in the National Register of Historic Parks and Gardens. The property is privately owned.
Heathcote is a Neoclassical-style villa in Ilkley, West Yorkshire, England. Designed by architect Edwin Lutyens, it was his first comprehensive use of that style, making it the precursor of his later public buildings in Edwardian Baroque style and those of New Delhi. It was completed in 1908.
Tigbourne Court is an Arts and Crafts style country house in Wormley, Surrey, England, 1 mile (1.6 km) south of Witley. It was designed by architect Edwin Lutyens, using a mixture of 17th-century style vernacular architecture and classical elements, and has been called "probably his best" building, for its architectural geometry, wit and texture. It was completed in 1901. English Heritage have designated it a Grade I listed building.
Marshcourt, also spelled Marsh Court, is an Arts and Crafts style country house in Marsh Court, near Stockbridge, Hampshire, England. It is constructed from quarried chalk. Designed and built by architect Edwin Lutyens between 1901 and 1905, it is a Grade I listed building. The gardens, designed by Lutyens and Gertrude Jekyll, are Grade II* listed in the National Register of Historic Parks and Gardens.
Homewood is an Arts and Crafts style country house in Knebworth, Hertfordshire, England. Designed and built by architect Edwin Lutyens around 1900–3, using a mixture of vernacular and Neo-Georgian architecture, it is a Grade II* listed building. The house was one of Lutyens' first experiments in the addition of classical features to his previously vernacular style, and the introduction of symmetry into his plans. The gardens, also designed by Lutyens, are Grade II listed in the National Register of Historic Parks and Gardens.
Folly Farm is an Arts and Crafts style country house in Sulhamstead, West Berkshire, England. Built around a small farmhouse dating to c. 1650, the house was substantially extended in William and Mary style by architect Edwin Lutyens c. 1906, and further extended by him in vernacular style c. 1912. It is a Grade I listed building. The gardens, designed by Lutyens and Gertrude Jekyll, are Grade II* listed in the National Register of Historic Parks and Gardens. They are among the best-known gardens of the Lutyens/Jekyll partnership.
Mells War Memorial is a First World War memorial by Sir Edwin Lutyens in the village of Mells in the Mendip Hills of Somerset, south-western England. Unveiled in 1921, the memorial is one of multiple buildings and structures Lutyens designed in Mells. His friendship with two prominent families in the area, the Horners and the Asquiths, led to a series of commissions; among his other works in the village are memorials to two sons—one from each family—killed in the war. Lutyens toured the village with local dignitaries in search of a suitable site for the war memorial, after which he was prompted to remark "all their young men were killed".
New Place, Shirrell Heath, Shedfield, Hampshire, England, is a former country house, now a hotel, designed by Edwin Lutyens. It is a Grade I listed building.
The Jekyll Memorial, Busbridge, Surrey, England, commemorates the gardener Gertrude Jekyll and members of her family. Designed by Jekyll's friend and collaborator, Edwin Lutyens and constructed in 1932, it is a Grade II listed structure.
Norman Adolphus Evill FRIBA was an English architect and draughtsman, apprenticed to Edwin Lutyens.
Costelloe Lodge is an early 20th century building in Casla, County Galway, Ireland. It was designed by Edwin Lutyens for J. Bruce Ismay, chairman of the White Star Line, after Ismay's original fishing lodge was burnt out in an IRA attack in 1922. Ismay had bought the house a year after the Titanic disaster and, largely ostracised by society, spent much time at the lodge until his death in 1937. After the attack on the house Ismay engaged Lutyens to undertake a major reconstruction. The garden was laid out by Lutyens’ long-time collaborator Gertrude Jekyll. Little documented and unreferenced in the major studies of Lutyens, the lodge remains privately owned and is a protected structure.
Heywood House Gardens, generally Heywood Gardens, form the grounds of a now-vanished house in County Laois, Ireland. The estate was developed in the late 18th century by Michael Frederick Trench, a politician, landowner and architect. He built a substantial house and laid out an extensive park, under the direction of James Gandon. In the early 20th century, Heywood was owned by Sir Hutcheson Poë who commissioned Edwin Lutyens to develop the gardens immediately surrounding the house. Lutyens engaged his long-time collaborator Gertrude Jekyll to undertake the planting. The house was demolished after a fire in 1950 and the gardens are now in the care of the Office of Public Works.
Mulberry House, Number 36, Smith Square, is located in the City of Westminster, London. It was built in 1911 as a private house for Reginald McKenna, a politician and later Chairman of the Midland Bank. The architect was Edwin Lutyens. In 1930 the house was bought by Henry Mond, 2nd Baron Melchett. In conjunction with his wife, Gwen, Melchett employed the architect Darcy Braddell to undertake a major internal remodeling and redecoration. Braddell engaged a number of painters and sculptors, including Charles Sargeant Jagger to create what has been described as "one of the most important Art Deco interiors in London." After a period of institutional use in the post-war period, the house was reconverted to a private residence in the early 21st century.