Berthold Possemeyer | |
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Born | Berthold Klemens Possemeyer 20 May 1951 Gladbeck, German |
Education | Hochschule für Musik und Tanz Köln |
Occupation |
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Berthold Klemens Possemeyer (born 20 May 1951) is a German baritone in opera and concert, and a voice teacher at the University of Music and Performing Arts in Frankfurt am Main.
Possemeyer was born in Gladbeck the son of a master baker. After graduating from the Bottrop gymnasium (today's Heinrich Heine Gymnasium ), he studied education and church music, conducting and musicology, as well as singing at the Musikhochschule Köln with Franz Müller-Heuser and Josef Metternich. [1] [2] He has won prizes in singing competitions in Berlin, 's-Hertogenbosch and the International Bach Competition in Leipzig. He also received in 1981 a prize of North Rhine-Westphalia for young artists (de). This was followed by master classes and private studies with Elisabeth Schwarzkopf. [1]
Possemeyer's debut as a singer was Papageno in Mozart's Die Zauberflöte at the Staatstheater Oldenburg. Later he worked with such orchestras as the Berlin Philharmonic, the Radio Symphony Orchestras Frankfurt and Stuttgart, the San Francisco Symphony Orchestra, the St. Petersburg Philharmonic and the Academy of Ancient Music in London with conductors such as Herbert Blomstedt, Christopher Hogwood, Neville Marriner, Yehudi Menuhin and Krzysztof Penderecki. [1] In 1998 he was a soloist at the Mainz Cathedral in the premiere of Volker David Kirchner's Passion music Aus den 53 Tagen with the Mainzer Domchor, conducted by Mathias Breitschaft, as part of the 93. Deutscher Katholikentag . [3] He performed the part of Elijah in Mendelssohn's oratorio in the Marktkirche, Wiesbaden, with the Schiersteiner Kantorei, conducted by Martin Lutz. [4]
Since 1988, Possemeyer has taught at the University of Music and Performing Arts in Frankfurt am Main, since 1990 as a professor. [5] Until 2003, he took over the singing training of choir directors, voice teachers, church musicians and school musicians. From 2003, he has been training singers for opera and oratorio. Among his students are Sabine Fischmann, Markus Flaig, and Georg Poplutz . [1]
Possemeyer has performed in collaboration with actor Till Krabbe and others in the field of musical comedy. They appeared for the Rheingau Musik Festival, but also in charity events. In 2007 they performed with singer Sabine Fischmann and pianist Marcus Neumeyer the chamber musical Die fromme Helene based on Wilhelm Busch. [6] Called "Holzhausen‑Quartett", they staged in 2011 at the Holzhausenschlösschen the chamber musical "Ein Sommernachtstraum" Durchtriebenes Kammermusical nach William Shakespeare, playing all 26 parts of Shakespeare's A Midsummer Night's Dream in a parody, including songs of Shakespeare's time by John Dowland, Gerald Finzi and Thomas Morley. [7] In 2012, they performed Und wenn sie nicht gestorben sind ... – alle Märchen der Brüder Grimm in einem Kammermusical ("And if They Haven't Died Yet ..., a Chamber Musical of all of Grimms' Fairy Tales"), [8] with songs by Schubert, Schumann and Brahms. [9] The program was performed in Frankfurt at the Goethe House [9] and in Wiesbaden as a charity event for the africa action (de). [10]
In 1977, Possemeyer performed in a recording of Marco da Gagliano's La Dafne , with Barbara Schlick, Ian Partridge and others, of the Monteverdi-Chor and Camerata Accademica, conducted by Jürgen Jürgens. In 1990, he sang the bass part in a recording of Handel's Utrecht Te Deum and Jubilate with the Münchner Mottenchor and the Münchner Philharmoniker, conducted by Hans Rudolf Zöbeley. He participated in a recording of the Carus-Verlag of the complete sacred choral music by Felix Mendelssohn, performing the Christmas cantata Vom Himmel hoch (From Heaven above) for soprano and baritone soloists, SSATB choir and orchestra (1831). A review noted: "In his short devout aria Es ist der Herr Christ, unser Gott the German baritone Berthold Possemeyer sensitively conveys appropriately restrained expression. Especially affecting are his closing lines Er bringt euch alle Seligkeit .... Possemeyer is elegantly toned in his brief arioso Das also hat gefallen dir". [11]
In 2003, he performed the words of Jesus in Georg Philipp Telemann's Passion oratorio Das selige Erwägen des bittern Leiden und Sterbens Jesu Christi (The blessed contemplation of the bitter suffering and dying of Jesus Christ) with the Freiburger Vokalensemble and the orchestra L'arpa festante, conducted by Wolfgang Schäfer. [12]
Kindertotenlieder is a song cycle (1904) for voice and orchestra by Gustav Mahler. The words of the songs are poems by Friedrich Rückert.
St. Paul, Op. 36, is an oratorio by Felix Mendelssohn. The composer oversaw versions and performances in both German and English within months of completing the music in early 1836.
Lobet Gott in seinen Reichen, BWV 11, known as the Ascension Oratorio, is an oratorio by Johann Sebastian Bach, marked by him as Oratorium In Festo Ascensionis Xsti, probably composed in 1735 for the service for Ascension and first performed on 19 May 1735.
Johannes Wolfgang Zender was a German conductor and composer. He was the chief conductor of several opera houses, and his compositions, many of them vocal music, have been performed at international festivals.
The Children of Golzow is a documentary by the German filmmaker Winfried Junge that was started in 1961 and lasted until 2007, when the series concluded. The film is a prolonged observation of the lives of several people in the Brandenburg town of Golzow.
Between 1716 and 1767, Georg Philipp Telemann wrote a series of Passions, musical compositions reflecting on Christ's Passion – the physical, spiritual and mental suffering of Jesus from the hours prior to his trial through to his crucifixion. The works were written for performance in German churches in the days before Easter. A prolific composer, Telemann wrote over 40 Passions for the churches of Hamburg alone, of which 22 have survived according to the present state of research. He also wrote several Passion oratorios. Unlike the Passions intended for liturgical performance, they were not closely set to the literal text of the Gospels.
The Rheingau Musik Festival (RMF) is an international summer music festival in Germany, founded in 1987. It is mostly for classical music, but includes other genres. Concerts take place at culturally important locations, such as Eberbach Abbey and Schloss Johannisberg, in the wine-growing Rheingau region between Wiesbaden and Lorch.
Georg Christoph Biller was a German choral conductor. He conducted the Thomanerchor as the sixteenth Thomaskantor since Johann Sebastian Bach from 1992 to 2015. He was also a baritone, an academic teacher, and a composer. Active as Thomaskantor after the German reunification, Biller returned the Thomanerchor to its original focus on church music. He was instrumental in the new buildings for the choir's boarding school, the Forum Thomanum, and in the celebration of its 800th anniversary in 2012.
Hans-Joachim Rotzsch was a German choral conductor, conducting the Thomanerchor from 1972 until 1991 as the fifteenth Thomaskantor since Johann Sebastian Bach. He was also a tenor and an academic teacher.
Max Reger's 1915 Requiem, Op. 144b, is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden.
Wolfgang Schäfer is a German choral conductor and academic. He founded the Freiburger Vokalensemble, the BosArt Trio, and the Frankfurter Kammerchor.
Marktkirche is the main Protestant church in Wiesbaden, the state capital of Hesse, Germany. The neo-Gothic church on the central Schlossplatz was designed by Carl Boos and built between 1853 and 1862. At the time it was the largest brick building of the Duchy of Nassau. It is also called Nassauer Landesdom.
Schiersteiner Kantorei is a German concert choir, founded in 1962 at the Christophoruskirche in Wiesbaden-Schierstein. The choir performs regularly in the Marktkirche, Wiesbaden, and in Eberbach Abbey. It is known internationally through its tours and recordings. The choir was awarded the Culture Prize of the City of Wiesbaden in 1990.
Siegfried Köhler was a German conductor and composer of classical music. He worked as general music director of opera houses such as Hessisches Staatstheater Wiesbaden and the Royal Swedish Opera. Köhler conducted premieres of works by Hans Werner Henze and Volker David Kirchner, among others, and revived rarely performed operas. He also composed music for the stage and taught at universities of music in Cologne and Saarbrücken.
Othmar Mága was a German conductor, who was chief conductor internationally, including the Odense Symphony Orchestra in Denmark and the KBS Symphony Orchestra in Korea. Among his many recordings are several rarely played concertos for instruments such as horn and double bass, including works of the 20th century.
Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz.
Erich Wenk was a German bass-baritone singer in opera and especially in concert. He was a professor of voice at the Musikhochschule Köln.
Klesie Kelly, or Klesie Kelly-Moog, is an American soprano and voice teacher at the Musikhochschule Köln and for international master classes.
Franz Schubert's best-known music for the theatre is his incidental music for Rosamunde. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre.
Anne Bierwirth is a German contralto, focused on concerts and recordings of sacred music, appearing internationally. Besides the standard repertoire such as Bach's Christmas Oratorio, she has explored rarely performed Baroque music such as Bach's St Mark Passion and Reinhard Keiser's Passion oratorio Der blutige und sterbende Christus.