SATB is an initialism that describes the scoring of compositions for choirs, and also choirs of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass.
The Missa in angustiis or Nelson Mass, is one of fourteen masses written by Joseph Haydn. It is one of the six masses written near the end of his life which are, together, now seen as a culmination of Haydn's liturgical composition.
Václav Nelhýbel was a Czech American composer, mainly of works for student performers.
David John Briggs is an English organist and composer. He started his career as a cathedral organist as Assistant Organist at Hereford Cathedral before becoming the organist of Truro and Gloucester Cathedrals. Heavily influenced by Jean Langlais and Pierre Cochereau, Briggs is regarded as one of the world's finest improvisors, and now works as a concert organist. He is also a composer of choral and organ music, and has transcribed many orchestral works for solo organ, as well as many of Cochereau's recorded improvisations.
L'Allegro, il Penseroso ed il Moderato, HWV 55, is a pastoral ode by George Frideric Handel based on the poetry of John Milton.
Alexander's Feast is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode Alexander's Feast, or the Power of Music (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke set the original ode to music.
Antonín Dvořák's Requiem in B♭ minor, Op. 89, B. 165, is a funeral Mass scored for soloists, choir and orchestra. It was composed in 1890 and performed for the first time on 9 October 1891, in Birmingham, England, with the composer conducting.
Marc-Antoine Charpentier composed six Te Deum settings, although only four of them have survived. Largely because of the great popularity of its prelude, the best known is the Te Deum in D major, H.146, written as a grand motet for soloists, choir, and instrumental accompaniment probably between 1688 and 1698, during Charpentier's stay at the Jesuit Church of Saint-Louis in Paris, where he held the position of musical director.
The Te Deum for the Victory at the Battle of Dettingen in D major, HWV 283, is the fifth and last setting by George Frideric Handel of the 4th-century Ambrosian hymn, Te Deum, or We Praise Thee, O God. He wrote it in 1743, only a month after the battle itself, during which Britain and its allies Hannover and Austria soundly routed the French.
As pants the hart is an anthem composed by George Frideric Handel for the Chapel Royal of Queen Anne and subsequently revised. There are five versions of the work, the first being completed in 1713, and the final in 1738. HWV 251a was the first anthem Handel composed for the Chapel Royal.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts, listed here in tables for their musical setting and biblical sources.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. The wordbook was supplied by Charles Jennens. This article covers Part I and describes the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his virgin birth by several prophets, namely Isaiah. His birth is still rendered in words by Isaiah, followed by the annunciation to the shepherds as the only scene from a Gospel in the oratorio, and reflections on the Messiah's deeds. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the Hallelujah chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
George Frideric Handel's Gloria is a sacred solo cantata, a setting of the Gloria, the liturgical part of the Mass, for soprano and strings. Handel may have composed it in Germany before departing for Italy in 1706. The composition was lost for many years and was attributed to Handel again only in 2001.
The Te Deum in D major, "Queen Caroline" is a canticle Te Deum in D major composed by George Frideric Handel in 1714.
Chandos Jubilate, HWV246, is a common name for a choral composition by George Frideric Handel. It was published as the first of the Chandos Anthems, and is known also as Chandos Anthem No. 1 and as Jubilate in D Major. A setting of Psalm 100, "O, be joyful in the Lord", it is the first in a series of church anthems that Handel composed between 1717 and 1718, when he was composer in residence to James Brydges, later 1st Duke of Chandos. The anthem was probably first performed at St. Lawrence's church, Whitchurch, near Brydges' country house. The work is written for a small ensemble of instrumentalists, solo singers and choir, and is approximately twenty minutes in length.
The Te Deum in C is a sacred choral composition by Benjamin Britten, a setting of the Te Deum on the English text from the Book of Common Prayer. Britten wrote it in 1934 between 11 July and 17 September, scored for treble solo, four-part choir (SATB) and organ.
Julian Podger is an English tenor who has appeared mostly in concert in historically informed performance. He took part in the 2000 Bach Cantata Pilgrimage. He also sings in vocal ensembles, and directs his own ensemble, Trinity Baroque.
Chandos Anthems, HWV 246–256, is the common name of a set of anthems written by George Frideric Handel. These sacred choral compositions number eleven with the authorship of No. 12 being debated. The texts are psalms and combined psalm verses in English. Handel wrote the anthems as composer in residence at Cannons, the court of James Brydges, who became the First Duke of Chandos in 1719. His chapel was not yet finished, and services were therefore held at St Lawrence in Whitchurch. The scoring is intimate, in keeping with the possibilities there. Some of the anthems rely on earlier works, and some were later revised for other purposes.
