Related Research Articles
George FridericHandel was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Rinaldo is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem Gerusalemme liberata, and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.
Samson is a three-act oratorio by George Frideric Handel, considered to be one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera. The well-known arias "Let the bright Seraphim", "Total eclipse" and "Let their celestial concerts" are often performed separately in concert.
Agrippina is an opera seria in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the 1709–10 Venice Carnevale season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI.
Giustino is an opera seria in three acts by George Frideric Handel. The opera was first given at the Covent Garden Theatre in London on 16 February 1737. The Italian-language libretto was adapted from Charles VI's court poet Pietro Pariati's libretto for Giustino (1711), after the much older original libretto of Nicolò Beregan (1682). The libretto had already been adapted by many composers including Vivaldi's Giustino of 1724 and Tomaso Albinoni's lost opera of 1711.
Saul is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the First Book of Samuel, the story of Saul focuses on the first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan following their deaths in the Battle of Mount Gilboa at the hands of the Philistines, and some of the composer's most dramatic choral pieces. Saul premiered successfully at the King's Theatre in London on 16 January 1739, and was revived by Handel in subsequent seasons. Notable modern-day performances of Saul include that at Glyndebourne in 2015.
Judas Maccabaeus is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden. Other catalogues of Handel's music have referred to the work as HG xxii; and HHA 1/24.
Esther is an oratorio by George Frideric Handel. It is generally acknowledged to be the first English oratorio. Handel set a libretto after the Old Testament drama by Jean Racine. The work was originally composed in 1718, but was heavily revised into a full oratorio in 1732.
Solomon, HWV 67, is an oratorio by George Frideric Handel. The anonymous libretto – currently thought to have been penned by the English Jewish poet/playwright Moses Mendes (d.1758) – is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles, with additional material from Antiquities of the Jews by ancient historian Flavius Josephus. The music was composed between 5 May and 13 June 1748, and the first performance took place on 17 March 1749, with Caterina Galli in the title role at the Covent Garden Theatre in London, where it had two further performances. Handel revived the work in 1759.
John Christopher Smith was an English composer who, following in his father's footsteps, became George Frideric Handel's secretary and amanuensis.
Dame Sarah Patricia Connolly is an English mezzo-soprano. Although best known for her baroque and classical roles, Connolly has a wide-ranging repertoire which has included works by Wagner as well as various 20th-century composers. She was appointed a Commander of the Order of the British Empire (CBE) in the 2010 New Year Honours and a Dame Commander of the Order of the British Empire (DBE) in the 2017 Birthday Honours for services to music.
John Beard was an English tenor of the 18th century. He is best remembered for creating an extensive number of roles in the operas and oratorios of George Frideric Handel.
Ero e Leandro, also known after its first line as Qual ti reveggio, oh Dio, is a 1707 Italian-language cantata by George Frideric Handel, composed during his stay in Rome to a libretto believed to be written by Cardinal Pietro Ottoboni. It is a reworking of the Greek myth of Hero and Leander, with the soprano soloist taking the role of Hero. In it, Hero finds her love, Leander, drowned, tears out her hair, thus symbolically rejecting the beauty which had led to Leander's fascination with her, then drowns herself. It is composed for a soprano solo, and a small orchestra consisting of two oboes, and two string sections: a concertino of solo violin and violoncello, and a concerto grosso made up of two violins, a viola, and continuo. In Ero e Leandro, Recitatives alternate with arias, as was normal at the period for not only cantatas, but oratorios and operas as well; however, unusually, Ero e Leandro ends with a recitative, instead of an aria.
The Handel organ concertos, Op. 4, HWV 289–294, are six organ concertos for chamber organ and orchestra composed by George Frideric Handel in London between 1735 and 1736 and published in 1738 by the printing company of John Walsh. Written as interludes in performances of oratorios in Covent Garden, they were the first works of their kind for this combination of instruments and served as a model for later composers.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts, listed here in tables for their musical setting and biblical sources.
Parnasso in festa, per li sponsali di Teti e Peleo, by George Frideric Handel, is a festa teatrale, a form also called a "serenata", a type of Italian opera intended as entertainment to celebrate a festive royal or state occasion. The work was written to celebrate the marriage of Anne, Princess Royal and Prince William of Orange. Parnasso in festa had its first performance in London at the King's Theatre on 13 March 1734 and was repeated five times. The operatic entertainment, to an anonymous libretto, was such a success at its London premiere that although it was intended as a one-off production for a royal wedding, Parnasso in festa was revived by Handel in several subsequent seasons.
The Wedding anthem for Princess Anne, HWV 262, This is the day which the Lord hath made, is an anthem for vocal soloists, chorus and orchestra by George Frideric Handel. It was written for the wedding of Anne, Princess Royal and Prince William of Orange and was first performed during their marriage at the French Chapel in St James's Palace, London, on 14 March 1734. The music is set to English texts chosen from the biblical books of Psalms, Proverbs and Ecclesiasticus.
Der Messias, K. 572, is Wolfgang Amadeus Mozart's 1789 German-language version of Messiah, George Frideric Handel's 1741 oratorio. On the initiative of Gottfried van Swieten, Mozart adapted Handel's work for performances in Vienna.
References
- Hicks, Anthony (1992), 'Handel, George Frideric' in The New Grove Dictionary of Opera , ed. Stanley Sadie (London) ISBN 0-333-73432-7
- Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
- Some of the information in this article is taken from the related Dutch Wikipedia article.
