George FridericHandel was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
The Thomas Coram Foundation for Children is a large children's charity in London which uses the working name Coram.
The Foundling Museum in Brunswick Square, London, tells the story of the Foundling Hospital, Britain's first home for children at risk of abandonment. The museum houses the nationally important Foundling Hospital Collection as well as the Gerald Coke Handel Collection, an internationally important collection of material relating to Handel and his contemporaries. After a major building refurbishment, the museum was reopened to the public in June 2004.
The Foundling Hospital was a children’s home in London, England, founded in 1739 by the philanthropic sea captain Thomas Coram. It was established for the "education and maintenance of exposed and deserted young children." The word "hospital" was used in a more general sense than it is in the 21st century, simply indicating the institution's "hospitality" to those less fortunate. Nevertheless, one of the top priorities of the committee at the Foundling Hospital was children's health, as they combated smallpox, fevers, consumption, dysentery and even infections from everyday activities like teething that drove up mortality rates and risked epidemics. With their energies focused on maintaining a disinfected environment, providing simple clothing and fare, the committee paid less attention to and spent less on developing children's education. As a result, financial problems would hound the institution for years to come, despite the growing "fashionableness" of charities like the hospital.
Captain Thomas Coram was an English sea captain and philanthropist who created the London Foundling Hospital in Lamb's Conduit Fields, Bloomsbury, to look after abandoned children on the streets of London. It is said to be the world's first incorporated charity.
A Scratch Messiah, People's Messiah, Come Sing Messiah, Sing-it-yourself Messiah, Do-it-yourself Messiah, or Sing along Messiah is an informal performance of Handel's Messiah in which the audience serves as the unrehearsed chorus, often supported by a carefully prepared core group. Orchestra and soloists are usually professionals, though their services are often donated for charity benefits. The "scratch" name derives from the idea of cooking or building from scratch.
The Handel and Haydn Society is an American chorus and period instrument orchestra based in Boston, Massachusetts. Known colloquially as 'H+H', the organization has been in continual performance since its founding in 1815, the longest-serving such performing arts organization in the United States.
Michael Wise (1648–1687) was an English organist and composer. He sang as a child in the choir of the Chapel Royal and served as a countertenor in St George's Chapel, Windsor, from 1666 until, in 1668, he was appointed organist and choirmaster at Salisbury Cathedral. In 1676 he became a Gentleman of the Chapel Royal, and in the last year of his life was Master of the Children at St Paul's Cathedral.
Israel in Egypt, HWV 54, is a biblical oratorio by the composer George Frideric Handel. Most scholars believe the libretto was prepared by Charles Jennens, who also compiled the biblical texts for Handel's Messiah. It is composed entirely of selected passages from the Old Testament, mainly from Exodus and the Psalms.
Ashlyns School is a mixed secondary school and sixth form located in Berkhamsted, Hertfordshire, England. The school was established in 1935 as the final location of the Foundling Hospital, a children's charity founded in London in 1739. The Berkhamsted building converted into a school in 1955. Ashlyns School is noted as an example of neo-Georgian architecture and is a Grade II listed building.
Saint Peter's Singers (SPS) is a chamber choir associated with Leeds Minster, Leeds, West Yorkshire, England that celebrated during the Season 2017/2018 the fortieth anniversary of the choir's formation by Harry Fearnley in 1977. An anniversary concert took place at Leeds Minster on Sunday 25 June 2017 with the National Festival Orchestra and soloists Kristina James, Joanna Gamble, Paul Dutton and Quentin Brown. Further anniversary year events included Bach Cantatas and Music for Christmas at Fulneck Church in August and December respectively, Handel Coronation Anthems at Holy Trinity, Boar Lane as part of the Leeds Handel Festival in September and a tour of East Anglia in October. In November at Leeds Town Hall, the Singers participated in Herbert Howells's masterpiece Hymnus Paradisi with Leeds Philharmonic Chorus and Leeds College of Music Chorale under the direction of Dr David Hill with the Orchestra of Opera North. 2018 began with a concert of Sacred Choral Masterworks at Leeds Town Hall in February and Bach's Mass in B minor at Leeds Minster on Good Friday 2018 in memory of long-serving member Jan Holdstock. The final concert of the current season takes place at Leeds Minster on Sunday 24 June at Leeds Minster at 5.30. At this event will be presented the first performance of a new work from composer Philip Moore commissioned for the Singers' 40th anniversary – the motet Tu es Petrus – along with music by E W Naylor, Arvo Part, Sir Hubert Parry, Judith Bingham and Maurice Durufle.
Psalm 41 is the 41st psalm of the Book of Psalms, beginning in English in the King James Version: "Blessed is he that considereth the poor". In the slightly different numbering system used in the Greek Septuagint version of the bible, and generally in its Latin translations, this psalm is Psalm 40. In the Vulgate, it begins "Beatus qui intellegit super egenum et pauperem". The final psalm in Book One of the collection, it is attributed to King David.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts, listed here in tables for their musical setting and biblical sources.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. The wordbook was supplied by Charles Jennens. This article covers Part I and describes the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his virgin birth by several prophets, namely Isaiah. His birth is still rendered in words by Isaiah, followed by the annunciation to the shepherds as the only scene from a Gospel in the oratorio, and reflections on the Messiah's deeds. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the Hallelujah chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Sing Unto God, is an anthem composed by George Frideric Handel. It was performed for the royal wedding on 27 April 1736 at the Chapel Royal in St James's Palace, London with Francesca Cuzzoni-Sandoni, Carlo Broschi "Farinelli", and Francesco Bernardi "Senesino". The text was adapted from verses of Psalms 68, 106 and 128.
The Wedding anthem for Princess Anne, HWV 262, This is the day which the Lord hath made, is an anthem for vocal soloists, chorus and orchestra by George Frideric Handel. It was written for the wedding of Anne, Princess Royal and Prince William of Orange and was first performed during their marriage at the French Chapel in St James's Palace, London, on 14 March 1734. The music is set to English texts chosen from the biblical books of Psalms, Proverbs and Ecclesiasticus.
Neale's Musick Hall, also known as Mr. Neal's New Musick Hall, Mr. Neale's Great Room, Neal's Musick Room, the Great Musick Hall, Neale's Great Musick Hall or the Fishamble Street Music Hall was a purpose-built music hall that existed on Fishamble Street in Dublin city centre. It was built using subscriptions from a charitable organisation named 'The Charitable and Musical Society', and operated from 1741 until the mid-19th century. William Neale, a local musical instrument-maker and music publisher, was the secretary/treasurer of the society during the conception and construction phase of the project. The building is most notable for the premiere of Handel's Messiah which took place within it on the afternoon of 13 April 1742.
