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Fitzwilliam Sonatas is the name first given by Thurston Dart to an arrangement he made, based on two recorder sonatas by George Frideric Handel, which he recast as a group of three sonatas. The term was applied by later editors to the original two sonatas as Handel wrote them, and was also expanded to encompass several other sonatas for various instruments included in the Handel autograph manuscripts held by the Fitzwilliam Museum in Cambridge.
The Flute sonata in G major was composed by George Frideric Handel in F major for the oboe, and was transposed by an unknown hand to G major, for flute and basso continuo. The work is also referred to as Opus 1 No. 5, as it was first published in 1726 or slightly later by the London publisher Walsh, in an edition falsely attributed to Jeanne Roger of Amsterdam. Other catalogues of Handel's music have referred to the work as HG xxvii, 19; and HHA iv/3,28. The sonata was originally composed as an oboe sonata in F major.
The Flute sonata in E minor was composed by George Frideric Handel for flute and basso continuo. The work is also referred to as Opus 1 No. 1b, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,6; and HHA iv/3,10.
The Flute sonata in E minor was composed by George Frideric Handel for flute and basso continuo. The work is also referred to as Opus 1 No. 1a, and was first published in 1879 by Chrysander. Other catalogues of Handel's music have referred to the work as HG xxvii,2; and HHA iv/3,2.
The Flute sonata in B minor is a work for flute and basso continuo, however the sonata was originally composed by George Frideric Handel as a Recorder sonata in D minor . Other catalogues of Handel's music have referred to the work as HG xxvii, 32; and HHA iv/3,42.
The Sonata in D minor was composed, circa 1709–15, by George Frideric Handel for recorder and basso continuo. The work is also referred to as Opus 1 No. 9a. Another catalogue of Handel's music refers to the work as HHA iv/18,19,45.
The Flute sonata in A minor is thought to have been composed by George Frideric Handel, for flute and basso continuo. The date of composition of the work is unknown, but it was first published in 1730. Other catalogues of Handel's music have referred to the work as HG xlviii, 130; and HHA iv/3,57.
The Flute sonata in E minor is thought to have been composed by George Frideric Handel, for flute and basso continuo. The date of composition of the work is unknown, but it was first published in 1730. Other catalogues of Handel's music have referred to the work as HG xlviii, 134; and HHA iv/3,63.
The Flute sonata in B minor is thought to have been composed by George Frideric Handel, for flute and basso continuo. The date of composition of the work is unknown, but it was first published in 1730. Other catalogues of Handel's music have referred to the work as HG xlviii, 137; and HHA iv/3,68.
The Oboe sonata in C minor was composed by George Frideric Handel for oboe and basso continuo. The work is also referred to as Opus 1 No. 8, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii, 29; and HHA iv/18,32.
The Sonata in G minor was composed by George Frideric Handel for recorder and basso continuo. The work is also referred to as Opus 1 No. 2, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,9; and HHA iv/3,16.
The Violin sonata in A major was composed by George Frideric Handel for violin and basso continuo. The work is also referred to as Opus 1 No. 3, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,12; and HHA iv/4,2.
The Sonata in C major, for recorder and basso continuo, was composed by George Frideric Handel. The work is also referred to as Opus 1 No. 7, and was first published in or shortly after 1726—in a collection of twelve sonatas titled Sonates pour un Traversiere un Violon ou Hautbois Con Basso Continuo Composées par G. F. Handel—purportedly in Amsterdam by Jeanne Roger, but now shown to have been a forgery by the London publisher John Walsh. Walsh republished this sonata in 1731 or 1732 under his own imprint in a similar collection, containing ten of the earlier sonatas and two new ones, with the new title Solos for a German Flute a Hoboy or Violin With a Thorough Bass for the Harpsichord or Bass Violin Compos'd by Mr. Handel. Other catalogues of Handel's music have referred to the work as HG xxvii, 15; and HHA iv/3,33.
Solos for a German Flute a Hoboy or Violin with a Thorough Bass for the Harpsichord or Bass Violin Compos'd by Mr. Handel was published by John Walsh in 1732. It contains a set of twelve sonatas, for various instruments, composed by George Frideric Handel. The 63 page publication includes the sonatas that are generally known as Handel's Opus 1.
The Violin sonata in G minor is a work for violin and basso continuo that was originally thought to have been composed by George Frideric Handel. Modern scholars however believe it doubtful that the work was composed by Handel, and have labelled it as "spurious". The work is also referred to as Opus 1 No. 10, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,37; and HHA iv/4,28.
The Sonata in F major was composed by George Frideric Handel for recorder and basso continuo. The work is also referred to as Opus 1 No. 11, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii, 40; and HHA iv/3,52.
The Violin sonata in F major is a work for violin and basso continuo that was originally thought to have been composed by George Frideric Handel. Modern scholars however believe it doubtful that the work was composed by Handel, and have labelled it as "spurious". The work is also referred to as Opus 1 No. 12, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,42; and HHA iv/4,40.
The Violin sonata in G minor was composed by George Frideric Handel for violin and basso continuo. The work is also referred to as Opus 1 No. 6, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,22; and HHA iv/18,6. Also published in HG xlviii,118.
The Violin sonata in A major is a work for violin and basso continuo that was originally thought to have been composed by George Frideric Handel. Modern scholars however believe it doubtful that the work was composed by Handel, and have labelled it as "spurious". The work was first published in 1730 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,51; and HHA iv/4,46.
The Violin sonata in E major is a work for violin and basso continuo that was originally thought to have been composed by George Frideric Handel. Modern scholars however believe it doubtful that the work was composed by Handel, and have labelled it as "spurious". The work was first published in 1730 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii,54; and HHA iv/4,55.
References
- ↑ David Lasocki and Walter Bergmann, "Critical Report", in G. F. Handel, The Complete Sonatas for Treble (Alto) Recorder and Basso Continuo / Die gesamten Sonaten für Altblockflöte und Basso Continuo, edited by David Lasocki and Walter Bergmann, 67–79 (London: Faber Music Limited; New York: G. Schirmer, Inc.; Australia & Canada: Boosey & Hawkes; Kassel: Bärenreiter-Verlag; Tokyo: Zen-On Music Co. Ltd., 1979): 69 and 74n23.
- ↑ Anthony Hicks, "Handel, George Frideric", The New Grove Dictionary of Music and Musicians , second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001): 10:801.
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