Originally conceived by Tim Rice during his collaboration with Andrew Lloyd Webber, the project was originally titled "Come Back, Richard, Your Country Needs You" and a single of the same title was recorded in 1969. The project was shelved until Rice met Stephen Oliver in the 1970s, and the pair began working on a musical centering on King Richard I of England; as it developed, the project shifted its focus to a minstrel in the King's court, vying for pop-stardom, and his 'progressive' girlfriend.
Though the musical is largely a comic romp, it does tackle some serious issues. Historically, Blondel lays out the basic goings-on of the Third Crusade as told through the eyes of the English political environment. Although the musical frequently mentions the Crusade, it is never actually shown, excepting Richard's imprisonment in Austria upon his return trip. The play also deals with one of the many assassination attempts made on Richard, and an attempt by Prince John to steal the throne of England from his brother. As the Monks say at the end of Act One, 'Who said this piece wasn't educational?'
Blondel opened in London on 2 November 1983 and played in two different theatres in the West End, eventually closing after less than two years. After more than twenty years away from a professional London stage, it returned at the Pleasance Theatre in Islington. The new production starred Abi Finley, semi finalist of the hit BBC1 show How Do You Solve A Problem Like Maria?, and Chris Grierson, a regular from the teen soap, Hollyoaks. Produced by Pete Shaw, and directed by Patrick Wilde, the revived version of Blondel appeared for a limited season of six weeks.
Rice continued to develop the script and has recently created a new version of the show. This re-worked version (now titled Lute!) had its world premiere at the University of Texas at El Paso Dinner Theater from 27 January 2012 until 12 February 2012.[1][2]
Although many productions have been staged worldwide, Blondel has never appeared on Broadway.
Synopsis
Act I
The opening words of the musical (above) as sung by a group of Monks explain the situation ("Monks' Introduction"). Blondel is an unappreciated musician trying to make his big break by writing a song for the King, Richard the Lionheart. Fiona, his girlfriend, feels that it's a waste of time to write for the King as the monarchy can't possibly be around for much longer. Even though she does enjoy the tune, she suggests he get a real job to help support her. Blondel explains that he can't. He says that he "nearly hit big with 'Send in the Jesters'" and feels a breakthrough coming and to give up now would be impossible. Fiona leaves Blondel and decides to take her well-being into her own hands. ("Blondel and Fiona/I'm a Monarchist")
The Monks open the Ministry of Feudal Affairs ("incorporating the Departments of Unemployment, the Environment, Social Security, and Gratuitous Executions"), which is "presided over by HRH Prince John" at which Fiona promptly shows to ask for her freedom. Unwilling and unable to pay the fee, Fiona is first denied her request by Prince John and later denied it by the King who explains that "running this joint's not as cheap as it looks". Fiona is swept aside in order for the King to announce that he will be embarking on the Crusade and that John will be in charge while the King is away. Fiona is enraged by this notion as it will expend more money to go on the Crusade than it would to grant her freedom and she leaves the court. ("The Ministry of Feudal Affairs") Fiona and Blondel soon find themselves together again. He manages to convince her that his song for the King will grant them all their wishes and she agrees to help him. ("The Least of My Troubles")
"Thus reunited, what a touching scene" the Monks proclaim as Fiona and Blondel set off to meet the King at Dover before he embarks on his journey. Once there Blondel is unable to present his song to Richard as the King is anxious to leave and doesn't have time for such things. Richard suggests Blondel should take it up with John instead and the Crusaders leave for the Holy Land. ("Lionheart") Back at the Ministry of Feudal Affairs, Blondel and Fiona present the song to John who promptly throws the song away and proclaims that all songs should from now on be dedicated to him and not Richard. ("No Rhyme for Richard") John then tasks Blondel to write a song about him but Blondel refuses, saying it's an important job but that his heart's just not in it. Fiona is outraged by Blondel's refusal of work saying that this is the break he's been waiting for. As Blondel lists his reasons for not wanting to write a song dedicated to his Prince, both John and Fiona grow increasingly angered. The scene culminates in John banishing Blondel to the Continent and declaring "snub a prince but realize you've sunk a singing career". ("Trio")
Promptly realizing he's made a mistake by sending Blondel after Richard, John's mood becomes depressed. A mysterious man appears by John's side and offers to take care of the problem for him, for a price, but misidentifies the target as Blondel and can't identify the real target, the King, at all.
Once all is set straight, the Assassin sets off on Richard's trail. ("Assassin's Song") The act closes with Fiona, realizing that Blondel doesn't love her as much as he loves his music and that she'll never get the kind of social change she wants. Even through her realizations, Fiona decides to chase after Blondel, unsure of what she's actually looking for. ("Running Back for More")
Act II
Act Two opens on the Continent, Blondel in hot pursuit of King Richard. Blondel journeys through France, Spain, and Italy wowing crowds of natives with his music and searching high and low for his King ("Have you seen my King?" "NO!") but to no avail. As the trek continues, Blondel begins to lose hope that he'll ever find Richard. Meanwhile, the Assassin chases after Blondel, his patience with the troubadour's music thinning. At the point of giving up on the chase, Blondel runs into Fiona who tells him that Richard is being held prisoner in Austria by Duke Leopold and the pair take off to find the King together. ("Blondel in Europe")
While sitting in prison, Richard laments about his situation and longs for the days of the Crusade when he was free to do as he pleased. Back in London, John, pleased with his own cleverness and handiwork, prepares himself for becoming King of England. ("Saladin Days/I Can't Wait to be King") Arriving in Salzburg, the pursuers come to rest in an inn just before completing the last leg of the journey to the King's cell. The Assassin admits that he's becoming extremely discouraged by the whole situation and that the "job is killing me". Blondel, on the other hand, has a renewed sense of ambition and refuses to give up declaring that the King will soon be found. Fiona suggests that lingering would not behoove anyone at this point and they should press on before time has run out though she is still unsure whether or not she really wants to help. The Assassin decides that he'd "rather murder Prince John" but will soldier on while John announces that Richard has died on his Crusade and that he will be assuming the throne of England. ("The Inn at Salzburg/Blondel's Search")
Having found the King in his prison, Fiona decides to speak with the Duke of Austria about letting Richard go and the Assassin nears his victim, poised for the murder. The Duke dictates a letter to Prince John, demanding a million-crown ransom. Fiona sweet-talks and flatters the Duke in order to get him to release Richard, which the Duke agrees to. ("The Duke of Austria's Quarter") Ready to give up the search, Blondel, quite by accident, runs into Richard. With Richard now released, the Duke's English visitors make their way out of the castle but just as they're about to walk out the door, the Duke has a sudden change of heart and decides that he's not going to let them go after all. The Duke will only let Blondel and Richard go if Fiona will stay with him in Austria. Unwilling to stay with Leopold, Fiona tricks him into walking outside toward someone she says is better-suited for him at which point the Assassin, seeing the crown on the Duke's head, attacks, killing him. Richard, Blondel, and Fiona declare it to be "a most important day" and decide it's time to go back to England. However, before they leave, Fiona demands a pardon and her freedom from the King in exchange for keeping her mouth shut about the monarchy to which the King agrees reluctantly. Meanwhile, the Assassin, having killed the wrong man, laments about his "first failure" and wonders if he can make a comeback. However he goes on to discover that he didn't even really kill the Duke ("Leopold is a-okay") and the two men find comfort in the other's mistakes. ("The Cell")
Blondel, Fiona, and Richard make their way back to England where John is proceeding with his plans to become King. Having declared Richard dead, John impatiently awaits his coronation. At the moment before the crown is placed on John's head, Richard bursts through the doors and puts a swift end to the illegal ceremony. ("Westminster Abbey") Having stopped his brother's coronation, Richard declares Blondel the "country's foremost composer" and at last allows him to perform his song. With the help of the Blondettes, Blondel becomes the pop sensation he'd been waiting to become. ("I'm a Monarchist (Reprise)") Having been absolved their indiscretions and declared friends and heroes of the monarchy, Blondel and Fiona renew their relationship and declare their love for each other. ("Running Back for More (Reprise)")
Production history
The London Stage
Tim Rice and Patrick Wilde (Matt Harrop in foreground) at rehearsals for London revival of Blondel
Blondel opened in Bath on 12 September 1983 and soon moved to Manchester where it stayed for two weeks before moving to the newly refurbished Old Vic on 2 November. Lord Olivier spoke the prologue at a Gala performance on 8 November.[3] The show remained at the Old Vic for eleven months before moving to the Aldwych on London's West End. Because of high production costs and decreasing revenues, Blondel closed in the Aldwych after only eight months.
The Monks – Cantabile (group) – Richard Bryan, Nicholas Ibbotson, Stewart Collins & Michael Steffan
The London revival of the show opened at the Pleasance Theatre on 23 November 2006. The production saw the show revamped and rearranged by Tim Rice and director Patrick Wilde. Young composer Mathew Pritchard took Stephen Oliver's original score and completely rearranged the work, also adding new material. The story was sharpened, particularly in the second act, to produce a punchier (and funnier) version particularly well suited for an ensemble production.[citation needed]
Monks – James Durrant, Gavin James, Charlie Tighe, Nick Trumble
The Blondettes – Zoe Harrison, Polli Redston, Rebecca Seale
Blondel in the United States
The first production of Blondel in the United States was staged at the University of Texas in El Paso by the Union Dinner Theatre. It opened on 11 April 1985. Blondel was again produced in the United States by Farmingdale High School in Long Island, New York during May 1985. Both productions were attended by Tim Rice. Since the mid-1980s, Blondel has been produced by theaters and amateur groups all around the world but has yet to take its place on the Broadway stage.
Characters
Blondel – A monarchist and unappreciated musician waiting, rather frustratedly, for his big break.
Fiona – His girlfriend, a serf of the English court and English activist eight centuries ahead of her time.
The Monks – A group serving as narrators and commentators.
The Blondettes – Blondel's backing singers.
Musical numbers
Note: Several Numbers are actually combinations of shorter songs that fit cohesively into one larger "super-number" and are sometimes broken down and titled as such. These numbers are indicated and the alternate titles given.
Act I
Monks' Introduction – The Monks
Blondel and Fiona/I'm a Monarchist – Blondel, Fiona, the Blondettes^
The Creative Process – Blondel (not in 2006 revival)
How Long Can Someone Wait – Fiona
I'm a Monarchist – Blondel, the Blondettes
Artistes Are Tragic and Sensitive Souls – Blondel, Fiona, the Blondettes
The Ministry of Feudal Affairs – Fiona, Richard, John, the Monks^
The Ministry of Feudal Affairs – The Monks
Fiona's Plea to John – Fiona, John
Richard's Intervention – Richard (not in 2006 revival)
Economic Acrostic – Fiona, Richard, John (not in 2006 revival)
Crusade Rally – Fiona, Richard, John
The Least of My Troubles – Blondel, Fiona
Lionheart – Richard, the Monks
No Rhyme for Richard – John
Trio – Blondel, Fiona, John (not in 2006 revival)
Assassin's Song – John, the Assassin
Running Back for More – Fiona, the Monks, the Blondettes
Act II
Blondel in Europe – Blondel, Fiona, the Assassin, the Monks, the Blondettes
Saladin Days/I Can't Wait to be King – Richard, John, the Monks^
Saladin Days – Richard, the Monks
I Can't Wait to be King – John
The Inn at Salzburg/Blondel's Search – Blondel, Fiona, Richard, John, the Assassin, the Monks^
The Inn at Salzburg – Blondel, Fiona, the Assassin, the Monks
Blondel's Search – Blondel, Fiona, Richard, John, the Assassin, the Monks
The Duke of Austria's Quarters – Fiona, the Assassin, the Duke, the Monks
The Cell – Blondel, Fiona, Richard, the Assassin, the Duke^
Reunion – Blondel, Fiona, Richard
Death of a Statesman – Blondel, Fiona, Richard, the Assassin, the Duke
Tribute to a Statesman – Blondel, Fiona, Richard
A Royal Pardon – Blondel, Fiona, Richard
The Wrong Train – The Assassin, the Duke
Westminster Abbey – Richard, John, the Monks^
John's Coronation – John, the Monks
Richard's Return – Richard
I'm a Monarchist (Reprise) – Blondel, the Blondettes
Running Back for More (Reprise) – Blondel, Fiona
"The English Stage"
Although it did not appear on the record album or in the Libretto, the London run of the show later added a final song, "The English Stage," sung by the whole cast at the end of the show.
Richard I was King of England from 1189 until his death in 1199. He also ruled as Duke of Normandy, Aquitaine and Gascony; Lord of Cyprus; Count of Poitiers, Anjou, Maine, and Nantes; and was overlord of Brittany at various times during the same period. He was the third of five sons of Henry II of England and Eleanor of Aquitaine and seemed unlikely to become king, but his two elder brothers predeceased their father. Richard is known as Richard Cœur de Lion or Richard the Lionheart because of his reputation as a great military leader and warrior. The troubadour Bertran de Born also called him Richard Oc-e-Non, possibly from a reputation for terseness.
The 1190s was a decade of the Julian Calendar which began on January 1, 1190, and ended on December 31, 1199.
The Life and Death of King John, a history play by William Shakespeare, dramatises the reign of John, King of England, the son of Henry II of England and Eleanor of Aquitaine and the father of Henry III of England. It is believed to have been written in the mid-1590s, but it was not published until 1623, when it appeared in the First Folio.
The Third Crusade (1189–1192) was an attempt led by three European monarchs of Western Christianity to reconquer the Holy Land following the capture of Jerusalem by the Ayyubid sultan Saladin in 1187. For this reason, the Third Crusade is also known as the Kings' Crusade.
Conrad of Montferrat was a nobleman, one of the major participants in the Third Crusade. He was the de facto King of Jerusalem by virtue of his marriage to Isabella I of Jerusalem from 24 November 1190, but officially elected only in 1192, days before his death. He was also the eighth Marquess of Montferrat from 1191.
Blondel de Nesle – either Jean I of Nesle or his son Jean II of Nesle – was a French trouvère.
Isaac Doukas Komnenos was a claimant to the Byzantine Empire and the ruler of Cyprus from 1184 to 1191. Contemporary sources commonly refer to him as the emperor of Cyprus. He lost the island to King Richard I of England during the Third Crusade.
Leopold V, known as the Virtuous was a member of the House of Babenberg who reigned as Duke of Austria from 1177 and Duke of Styria within the Holy Roman Empire from 1192 until his death. The Georgenberg Pact resulted in Leopold being enfeoffed with Styria by Roman-German Emperor Frederick Barbarossa in 1193, which would lead to the eventual creation of modern Austria. Leopold was also known for his involvement in the Third Crusade where he fought in the Siege of Acre in 1191 and of his imprisonment of King Richard I in 1193 at Dürnstein Castle.
Dürnstein is a small town on the Danube river in the Krems-Land district, in the Austrian state of Lower Austria. It is one of the most-visited tourist destinations in the Wachau region and also a well-known wine growing area. The municipality consists of the Katastralgemeinden of Dürnstein, Oberloiben, and Unterloiben.
Frederick I, known as Frederick the Catholic, was the Duke of Austria from 1195 to 1198. He was a member of the House of Babenberg.
The Talisman is one of the Waverley novels by Sir Walter Scott. Published in 1825 as the second of his Tales of the Crusaders, it is set during the Third Crusade and centres on the relationship between Richard I of England and Saladin.
Princess of Thieves is a romantic adventure television film starring Keira Knightley, produced by Granada Productions, and premiered on ABC's The Wonderful World of Disney in the United States in 2001. Co-starring in the film are Malcolm McDowell as the Sheriff, Jonathan Hyde as Prince John, Stuart Wilson as Robin Hood, Del Synnott as Froderick, and Stephen Moyer as Philip. The movie was directed by Peter Hewitt and filmed in Romania. The film's plotline draws inspiration from the classic Robin Hood legend, which has been adapted many times for screen.
The Crusades is a 1935 American historical adventure film produced and directed by Cecil B. DeMille, and originally released by Paramount Pictures. It stars Loretta Young as Berengaria of Navarre and Henry Wilcoxon as Richard I of England. It was nominated for an Academy Award for Best Cinematography as well as for Best Foreign Film at the Venice Film Festival in 1935.
Ivanhoe is a 1952 British-American historical adventure epic film directed by Richard Thorpe and produced by Pandro S. Berman for Metro-Goldwyn-Mayer. The film was shot in Technicolor, with a cast featuring Robert Taylor, Elizabeth Taylor, Joan Fontaine, George Sanders, Emlyn Williams, Finlay Currie, and Felix Aylmer. The screenplay is written by Æneas MacKenzie, Marguerite Roberts, and Noel Langley, based on the 1819 historical novel Ivanhoe by Sir Walter Scott.
The Duchy of Austria was a medieval principality of the Holy Roman Empire, established in 1156 by the Privilegium Minus, when the Margraviate of Austria (Ostarrîchi) was detached from Bavaria and elevated to a duchy in its own right. After the ruling dukes of the House of Babenberg became extinct in male line, there was as much as three decades of rivalry on inheritance and rulership, until the German king Rudolf I took over the dominion as the first monarch of the Habsburg dynasty in 1276. Thereafter, Austria became the patrimony and ancestral homeland of the dynasty and the nucleus of the Habsburg monarchy. In 1453, the archducal title of the Austrian rulers, invented by Duke Rudolf IV in the forged Privilegium Maius of 1359, was officially acknowledged by the Habsburg emperor Frederick III.
Rashid al-Din Sinan also known as the Old Man of the Mountain, was a da'i (missionary) and leader of the Syrian branch of the Nizari Isma'ili state from 1162 until his death in 1193. He was also a prominent figure in the history of the Crusades.
Richard Cœur-de-lion is an opéra comique, described as a comédie mise en musique, by the Belgian composer André Grétry. The French text was by Michel-Jean Sedaine. The work is generally recognised as Grétry's masterpiece and one of the most important French opéras comiques. It is based on a legend about King Richard I of England's captivity in Austria and his rescue by the troubadour Blondel de Nesle.
Richard I of England has been depicted many times in romantic fiction and popular culture.
Dark Knight is a 2000 TV series, based on Sir Walter Scott's novel Ivanhoe. This joint New Zealand/England production attempted to capitalize on the same sword and sorcery market successfully mined by Xena: Warrior Princess.
Richard the Lionheart was a British ITV television series which ran from 1961 to 1963, aimed at younger audiences.
References
↑ El Paso Times, "Tim Rice, of 'The Lion King' fame, will be in El Paso next week" [permanent dead link]
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