Brass Construction II | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 29, 1976 | |||
Recorded | September 1976 | |||
Studio | Ultra-Sonic Recording Studios, Hempstead, New York | |||
Genre | ||||
Length | 38:39 | |||
Label | United Artists | |||
Producer | Jeff Lane | |||
Brass Construction chronology | ||||
| ||||
Singles from Brass Construction | ||||
|
Brass Construction II is the second album by American funk-disco band Brass Construction, released in October 1976 by United Artists Records. Recorded with producer Jeff Lane, it followed the success of the group's self-titled 1975 album. Band leader Randy Muller sought to diversify the group's sound, aiming for a "multi-dimensional" approach with disparate musical influences, including styles of Latin, reggae and Afro-Cuban music, and more specific lyrical topics, with each of the songs featuring a subtitle that Muller said defined each track.
Released to a positive reception from music critics, who hailed the album's upbeat sound, Brass Construction II reached number 26 on the Billboard Top LPs & Tape chart and was certified Gold for selling 500,000 copies in the United States. The single "Hot Cha Cha (Funktion)" was a hit in the US and UK. While Muller initially was pleased with the album's sales, he later expressed how he felt the album under-performed commercially due to the album's diverse style. The album has since been credited for helping inspire the acid jazz movement, while retrospective reviews of the album have been favourable. In 2009, Brass Construction II was re-released by Soul Brother Records.
Funk/disco group Brass Construction, led by vocalist/instrumentalist Randy Muller, achieved Platinum success with their self-titled 1975 album, while the songs "Movin' " and "Changin'" became popular in nightclubs. [1] They followed the release of the album with a lengthy tour, which delayed recording of Brass Construction II. Muller explained that while the material was "ready ahead of time," the group's busy schedule meant they had to wait until September 1976 to record it. [2] The band debuted the song "Ha Cha Cha (Funktion)" in concert long before it was recorded. Wishing to diversify the band's sound, Muller included a Spanish-language chant in the song, "Vamanos, ha-cha-cha!", having been inspired by different ethnic music while growing up in Guyana. Finding that audiences enjoyed the song due to the "little theme that they could shout," the group recorded the song for the album with the chant included. [3]
The group's manager Jeff Lane produced the album, [4] which was recorded in Ultra-Sonic Recording Studios in New York City, [5] while Muller wrote and arranged all the songs, [2] although the group operated democratically with all members having a say in the execution. [6] Some of the songs used were originally recorded for the first album but went unused, and were "dusted off a bit" for the new record. [6] According to Muller, Brass Construction II was a "positive step towards fulfilling our goals". Having gained "the attention of people" with their debut record, the second album "was particularly important for us because we had to prove ourselves, show that we could maintain what we'd done with the first one and yet still expand." [2] The Irving Spice Boys perform the strings on the album, while trombone was provided by Curtis Fowlkes. [5]
"All of our songs were statement songs. Basically we only had to chant something like six words and then you read between the lines. You could take it to whatever was happening in your life at that time. [...] A song like 'What's on Your Mind,' that could mean saying what's on your mind to your woman, to your boss, one of your friends who you have to say something to. We left it open for a person to use it for whatever he wanted it to do."
—Morris Price [6]
For Brass Construction II, Muller stirred the band into a wider musical direction. [7] Similarly to their first album, it features a funk-oriented disco sound with prominent horns, [7] driving rhythms and hand-clapping, with songs retaining their upbeat nature by avoiding quiet moments, [8] but it departs from the group's earlier record by adopting more musical styles, including the rhythms of Latin and Afro-Cuban music, and incorporating some mellow songs. [7] Music critic Davitt Sigerson felt the album moved the band closer to the "rock-soul" of the Commodores, Ohio Players and Earth, Wind & Fire, and described the band's performance as a "heavy duty rhythm section," avoiding horn solos. [9]
The group sought a "multi-dimensional" approach, fusing disparate musical styles throughout the record, with Muller writing each song with a specific meaning and message. [2] While the lyrics of the first Brass Construction album centred on the repetition of simple words, leaving audiences to interpret the songs as they wished, Brass Construction II features more lyrical work; Muller felt the album "gets closer to what we want to say" and said: "I tend to write in a simple way so that we can get over to the maximum number of people with our work." [2] Each of the song names features a word in parentheses; Muller explained that these words "define each song," adding that he chose the name "Funktion" – suffixing "Ha Cha Cha" on side one – as a way to "bring out the humorous aspects of life. But the songs on that side are more serious." [2]
"Ha Cha Cha" is a largely instrumental piece with a double-time tempo and a more layered sound than the group's previous material, densely weaving horn and string lines. [9] "Get to the Point" features deep vocalising reminiscent of B.T. Express. [9] A heavy funk song with a tempo that matches "Changin'," [9] "Sambo" was described by Muller as "more or less about the black struggle" and how black people have "come a long, long way through it all." [2] While Muller conceded that "Screwed" carries a sexual connotation, he said the song itself regards "the way we get disappointed and messed around with," citing "when we elect a government that says they'll do one thing and turn around and do something else." [2] Featuring themes of social awareness, [6] "The Message" was compared by writer Davitt Sigerson to Earth, Wind & Fire's "Reasons", and highlights an archaic piano part from Muller with Joseph Arthur Wong's varied guitar licks. [9] An example of the group's genre fusions, "Blame It On Me" mixes reggae and country, [2] and has been highlighted for its Caribbean style and jazz stylings. [9] "Now Is Tomorrow" warns of procrastination and urges listeners to avoid it, [2] and features a pulsating rhythm played with a Fender Rhodes organ, interplaying guitars and flute, and plucked strings. [9]
Brass Construction II was released by United Artists Records on October 29, 1976. [4] Hoping to achieve crossover success, the label promoted the album with heavy merchandising while the band continued their continuous touring. [4] In the United States, the album reached number 26 on the Billboard Top LPs & Tapes chart and number nine on the Top Soul Albums chart, [10] but did not reach the UK Albums Chart. [11] The record was certified Gold by the Recording Industry Association of America (RIAA) for 500,000 sales. [12] In 1977, "Ha Cha Cha (Funktion)" reached number 51 on the Billboard Hot 100 [13] and number 37 on the UK Singles Chart, [11] while "The Message (Inspirational)" and "What's on Your Mind (Expression)", released together as a single, [6] charted separately at numbers 42 and 69 respectively on the Hot Soul Singles. [10] [13] Author Marc Taylor said that despite "the relatively poor chart performance" of the two songs, this "was not a true indicator of the band's popularity. Brass Construction focused on being a good album group as opposed to concentrating on three-minute singles." [6]
Upon release, the record saw competition with Mass Production's debut album, Welcome to Our World, which—according to journalist James Hamilton—rivalled Brass Construction II for "DJs' affections", with many funk fans preferring the Mass Production album for it sounding "more the way they thought the new Brass Construction set would." [14] The two albums also have similar covers, [14] [15] depicting the groups in custom-tailored "funk wear", with each member in leather outfits of different colours adorned with appliqués. [15] Muller said of Mass Production's sound: "Sure, it might be a kind of rip off but we take that as a compliment. It means that we created something new and others are now following and that makes us innovators." [16]
To celebrate Brass Construction's success, a party was held at the St. Moritz nightclub in New York City in January 1977; boxer and singer Joe Frazier, wearing a shimmering robe, sang at the event. [17] In an interview with Blues & Soul conduced a month earlier, Muller said he felt that the album's sales proved the public had accepted the record regardless of it being more varied than the first Brass Construction album. [2] However, by May 1977 he changed his stance, telling an interviewer of the same publication that, while the group were pleased with Brass Construction II, the album "did not sell so well" because it "didn't have the drive, the power of side one on the first album. It wasn't that insistent beat pounding out throughout and that's what the people seem to want," expressing reservations that the album was too varied for audiences and vowing to appease audiences with their third record. [16]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Black Music | [9] |
Funk (Dave Thompson) | 6/10 [18] |
Funk (Rickey Vincent) | [19] |
The Virgin Encyclopedia of Seventies Music | [20] |
In a contemporary review, Billboard highlighted Brass Construction II as a "Top Album Pick", and praised the group for balancing their "funky and raunchy" sound with "smooth and mellow" moments, saying that the album "offers equal parts vocals and instrumentals and both are of high quality." [8] Reviewing it alongside the Mass Production album, James Hamilton of Record Mirror said that only two songs on Brass Construction II are "dancers" that maintain the intensity of their debut – "Ha Cha Cha", which he compared to "Movin'", and "Sambo" – but conceded that both albums "are equally good and funky." [14] Davitt Sigerson of Black Music considered Brass Construction II superior to their previous album, and while feeling the group would benefit from "a more consistent vocal personality," he praised the "bass-guitar keyboard triumvirate" as "the equal of any band around" and hailed Wong's rhythm guitar work for being as compulsive as that of fellow funk guitarists Claydes Smith and Bobby Eli. [9]
Reviewing the album retrospectively, Ed Hogan of AllMusic praised the "swirling, almost tipsy feel" to the Irving Spice strings on "Screwed," while feeling "The Message" is "almost inspirational in its theme." [7] In their books on funk music, Rickey Vincent praised the album for being "even more surprisingly diverse and original" than the first Brass Construction record, [21] while Dave Thompson praised "Ha Cha Cha (Funktion)", which he called a "delirious" funk chant reminiscent of "Movin'", but believed that elsewhere, Brass Construction II "sags like the morning after a really great party, which, in a way, it was." He contended that the album was never likely to "eclipse the majesty" of the band's debut record. [18]
The album influenced the acid jazz genre of the 1990s. [7] Furthermore, "What's on Your Mind (Expression)" became sample material for numerous hip hop producers in the 1980s and 1990s. [7] Brass Construction II was re-released by Soul Brother Records in 2009, alongside the group's first and fifth albums. In a review of the reissues, Micahel de Koningh of Blues & Soul writes that although the record "did not have the slap-bang impact" of the group's innovative debut album, it nonetheless retained the group's energetic groove, with "Ha Cha Cha" being "a particularly fine dancer." [22] On 17 September 2014, Trevor Nelson made Brass Construction II the "Album of the Week" on his BBC Radio 2 show. [23]
All tracks written by Randy Muller except where noted
Adapted from the liner notes to Brass Construction II [5]
Weekly charts
| Year-end charts
|
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
Earth, Wind & Fire is an American musical group. Their style and sound span various music genres such as jazz, R&B, soul, funk, disco, pop, Latin, and Afro-pop. They are among the best-selling music artists of all time, with sales of over 90 million records worldwide.
Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response.
Galactic is an American funk band from New Orleans, Louisiana.
Faith is the debut solo studio album by the English singer George Michael, released on 30 October 1987 by Columbia Records and Epic Records. In addition to playing various instruments on the album, Michael wrote and produced every track on the recording except for one, "Look at Your Hands", which he co-wrote with David Austin. A pop album with influences of R&B, funk and soul music, Faith's songs include introspective lyrics, which generated controversies about Michael's personal relationships at that time.
The Gap Band was an American R&B and funk band that rose to fame during the 1970s and 1980s. The band consisted of three brothers: Charlie, Ronnie, and Robert Wilson, along with other members; it was named after streets in the historic Greenwood neighborhood in the brothers' hometown of Tulsa, Oklahoma.
Maurice White was an American musician, best known as the founder, leader, main songwriter and chief producer of the band Earth, Wind & Fire, also serving as the band's co-lead singer with Philip Bailey.
Mandrill is an American funk band from Brooklyn, New York, formed in 1968 by brothers Carlos, Lou, and Ric Wilson. AllMusic called them "One of funk's most progressive outfits... [with an] expansive, eclectic vision."
The Bar-Kays are an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" in 1967, "Son of Shaft" in 1972, and "Boogie Body Land" in 1980.
"Eternal Flame" is a song by American pop rock group the Bangles for their third studio album, Everything (1988). The power ballad was written by group member Susanna Hoffs with the established hit songwriting team of Billy Steinberg and Tom Kelly. Upon its 1989 single release, "Eternal Flame" became a number-one hit in nine countries, including Australia, Sweden, the United Kingdom, and the United States. Since its release, it has been covered by many musical artists, including Australian boy band Human Nature, who reached the Australian top 10 with their version, and British girl group Atomic Kitten, who topped four national charts with their rendition.
Brass Construction was an American funk group formed in Brooklyn, New York, United States, in 1968. They were originally known as Dynamic Soul, and went on to record a string of hit singles and albums through 1985.
Garnet Mimms is an American singer, influential in soul music and rhythm and blues. He first achieved success as the lead singer of Garnet Mimms & The Enchanters and is best known for the 1963 hit "Cry Baby", later recorded by Janis Joplin. According to Steve Huey at AllMusic, his "pleading, gospel-derived intensity made him one of the earliest true soul singers [and] his legacy remains criminally underappreciated."
"Watermelon Man" is a jazz standard written by Herbie Hancock for his debut album, Takin' Off (1962).
"Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including the Grateful Dead, who made it part of their concert repertoire.
Con Funk Shun is an American R&B and funk band from Vallejo, California, formed in 1969. They were influenced by funk progenitors James Brown and Sly and the Family Stone. Signed to Mercury Records in 1976, the band had numerous successful national and overseas tours, eleven albums, and a number of hit singles. The group formally disbanded in 1986.
"A Heart Is a House for Love" is a 1991 hit soul and R&B song composed by Tristin Sigerson, Davitt Sigerson, and Bob Thiele and recorded by The Dells. It was originally featured in the movie and soundtrack album The Five Heartbeats. The song originally only climbed to number 94 on the R&B/Hip Hop section of the Billboard American charts, but peaked at number thirteen after the release of the movie. It was The Dells' most successful hit of the 1990s. It was also their last hit single to reach the top 20 of any Billboard Chart.
The Revival is the second studio album by American R&B band Tony! Toni! Toné!, released on May 8, 1990, by Wing Records. It was produced and arranged primarily by the band, although they were assisted on a few songs by the production duo Foster & McElroy, who had produced their first album, Who? (1988). The band recorded at several studios in California with the assistance of the Synclavier, an early music workstation.
British soul, Brit soul, or the British soul invasion, is soul music performed by British artists. Soul has been a major influence on British popular music since the 1960s, and American soul was extremely popular among some youth subcultures, such as mods, skinheads, and the Northern soul movement. In the 1970s, soul gained more mainstream popularity in the UK during the disco era.
"Do Me!" is a song by American musical group Bell Biv DeVoe. The song was released in 1990 as the second single from the group's debut album, Poison (1990). A remix is included on the group's WBBD-Bootcity!: The Remix Album, released in 1991. "Do Me!" peaked at number three on the US Billboard Hot 100 chart and number eight in New Zealand while also charting in Australia, Canada, and the United Kingdom.
Brass Construction is the self-titled debut album by the American funk band Brass Construction, released in autumn 1975 by United Artists Records. Recorded with producer Jeff Lane, the album weaves different influences, including Latin music and jazz, into the band's rhythmic funk style, and emphasises the group's brass section. The album's songs, all of which are named using a single verb, feature simplistic, repetitive lyrics, reflecting the group's desire for audiences to interpret the songs as they wish. Critics noted themes of social awareness in the lyrics.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)