| BAFTA Television Craft Award | |
|---|---|
| Country | United Kingdom |
| Presented by | British Academy of Film and Television Arts |
| First awarded | 1978 |
| Currently held by | Jane Petrie for The Essex Serpent (2023) |
| Website | http://www.bafta.org/ |
The BAFTA Television Craft Award for Best Costume Design is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. It was first awarded in 1978. According to the BAFTA website, for a programme to be eligible to this category, it "should contain a significant amount of original design." [1]
| Year | Title | Recipient(s) |
|---|---|---|
| 1978 | Hard Times | Esther Dean |
| The Duchess of Duke Street | Betty Aldiss | |
| She Fell Among Thieves | John Bloomfield | |
| Raffles/Sister Dora | Brian Castle | |
| Anna Karenina | Joan Ellacott | |
| Jesus of Nazareth | Marcel Escoffieri, Enrico Sabbatini | |
| Machbeth | Raymond Hughes | |
| Eustace and Hilda | Barbara Lane | |
| Poldark | Penny Lowe | |
| Rock Follies of '77 | Caroline Middleton, Jennie Tate | |
| Holding On | Alyson Ritchie | |
| Love for Lydia | May Tapley, Angie Harrison | |
| Three Weeks | Diana Thurley | |
| The Ambassadors | Juanita Waterson | |
| 1979 | Edward & Mrs. Simpson | Diana Thurley, Jennie Tate |
| The One and Only Phyllis Dixey | Martin Baugh | |
| Pennies from Heaven | John Peacock | |
| Lillie | Frances Tempest, Linda Mattock | |
| Year | Title | Recipient(s) |
|---|---|---|
| 1980 | Testament of Youth | Prue Handley |
| Prince Regent | Raymond Hughes | |
| Tinker Tailor Soldier Spy | Joyce Mortlock | |
| Stanley Baxter on Television | Clive Stuart | |
| 1981 | Thérèse Raquin | Reg Samuel |
| Worzel Gummidge | Michael Baldwin | |
| Pride and Prejudice | Joan Ellacott | |
| Cream in My Coffee | Sue Formston | |
| 1982 | Brideshead Revisited | Jane Robinson |
| The Borgias | Mike Burdle | |
| Winston Churchill: The Wilderness Years | Evangeline Harrison | |
| Pygmalion | Liz Waller | |
| 1983 | Nicholas Nickleby | John Napier |
| The Woman in White | Barbara Kronig | |
| Nancy Astor | Joyce Mortlock | |
| Barchester Chronicles | Juanita Waterson | |
| 1984 | An Englishman Abroad/The Tale of Beatrix Potter | Amy Roberts |
| Mansfield Park | Ian Adley | |
| King Lear | Tanya Moiseiwitsch | |
| Reilly, Ace of Spies | Elizabeth Waller | |
| 1985 | The Jewel in the Crown | Esther Dean, Diane Holmes |
| The Far Pavilions | Raymond Hughes | |
| Threads | Sally Nieper | |
| Tenko | Andrew Rose | |
| 1986 | Bleak House | Michael Burdle |
| Tender is the Night | Barbara Kidd | |
| Silas Marner | Anushia Nieradzik | |
| Mapp and Lucia | Frances Tempest | |
| 1987 | Bluebell | Verity Lewis, Janet Powell |
| Lost Empires | Michael Cocks | |
| The Monocled Mutineer | Charlotte Holdich | |
| The Life and Loves of a She-Devil | Joyce Mortlock | |
| The Singing Detective | Hazel Pethig, John Peacock | |
| Hotel Du Lac | Rita Reekie | |
| 1988 | Fortunes of War | Christine Rawlins |
| Vanity Fair | Joyce Hawkins | |
| Porterhouse Blue | Lindy Hemming | |
| Tutti Frutti | Delphine Roche-Gordon | |
| 1989 | The Storyteller | Ann Hollowood |
| Tumbledown | Michael Burdle | |
| Christabel | Anushia Nieradzik | |
| The Chronicles of Narnia | Judy Pepperdine | |
| Year | Title | Recipient(s) | Broadcaster |
|---|---|---|---|
| 2020 [5] [6] | Chernobyl | Odile Dicks-Mireaux | Sky Atlantic |
| His Dark Materials | Caroline McCall | BBC One | |
| Beecham House | Joanna Eatwell | ITV | |
| Game of Thrones | Michele Clapton | HBO/Sky Atlantic | |
| 2021 [7] | Small Axe | Jacqueline Durran | BBC One |
| Sex Education | Rosa Dias | Netflix | |
| Belgravia | James Keast | Epix/ITV | |
| The Crown | Amy Roberts | Netflix | |
| 2022 [8] [9] | We Are Lady Parts | PC Williams | Channel 4 |
| The Serpent (for "Episode 1") | Adam Howe | BBC One | |
| The Pursuit of Love | Sinéad Kidao | ||
| A Very British Scandal | Ian Fulcher | ||
| 2023 [10] [11] | The Essex Serpent | Jane Petrie | Apple TV+ |
| The Crown | Amy Roberts | Netflix | |
| Don't Hug Me I'm Scared | Becky Sloan, Joe Pelling | Channel 4 | |
| The English | Phoebe De Gaye | BBC Two | |
| 2024 [12] | The Crown (for "Ritz") | Amy Roberts | Netflix |
| Black Mirror : "Demon 79" | Matthew Price | ||
| Silo | Charlotte Morris | Apple TV+ | |
| The Great | Sharon Long | Lionsgate+ | |
The British Academy Television Craft Award for Best Writer: Drama is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Writer: Comedy is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Director: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Director: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Director: Multi-Camera is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Scripted Casting is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Entertainment Craft Team is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Production Design is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for a programme to be eligible to this category it "should contain a significant amount of original design."
The British Academy Television Craft Award for Best Make-Up & Hair Design is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, the eligibility of this category is "limited to artists directly responsible for the make up and hair design in the programme."
The British Academy Television Craft Award for Best Original Music is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. It was first awarded in 1981, according to the BAFTA website, a programme will be eligible to this category if "more than 50% of its music is original composition created specifically for it."
The British Academy Television Craft Award for Best Special, Visual & Graphic Effects is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, this category is "for special, visual and graphic effects and recognises achievement in all of these crafts."
The British Academy Television Craft Award for Best Titles & Graphic Identity is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, this category is "to recognise originality and excellence within the title sequence and graphic identity of a programme.", also stating that "the same title sequence may not be entered more than once. The same programme may be entered in consecutive years, but only if it has new titles."
The British Academy Television Craft Award for Best Sound: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Photography & Lighting: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography."
The British Academy Television Craft Award for Best Editing: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Sound: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Photography: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography."
The British Academy Television Craft Award for Best Editing: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Emerging Talent: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, the category is "designed to recognise potential, awarding those who have begun to capture the attention of their peers through demonstrating exceptional talent and ambition within their craft for the first time in factual programming."
The British Academy Television Craft Award for Best Emerging Talent: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, the category is "designed to recognise potential, awarding those who have begun to capture the attention of their peers through demonstrating exceptional talent and ambition within their craft for the first time in scripted programming."