| British Academy Television Craft Award | |
|---|---|
| Country | United Kingdom |
| Presented by | British Academy of Film and Television Arts |
| First awarded | 1966 |
| Currently held by | Becky Sloan, Joe Pelling for Don't Hug Me I'm Scared (2023) |
| Website | http://www.bafta.org/ |
The British Academy Television Craft Award for Best Production Design is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for a programme to be eligible to this category it "should contain a significant amount of original design." [1]
The category was gone through some name changes:
Best Designer
| Year | Recipient(s) | Title |
|---|---|---|
| 1955 | Michael Yates | |
| 1956 | Bruce Angrave | |
| 1957 | Reece Pemberton | |
| 1958 | Stephen Taylor | |
| 1959 | Stephen Bundy | |
Best Designer
| Year | Recipient(s) | Title |
|---|---|---|
| 1960 | Clifford Hatts | |
| 1961 | Frederick Pusey | |
| 1962 | Voytek | |
| 1963 | Eileen Diss | |
| 1964 | Richard Henry | |
| 1965 | Richard Wilmot | |
Best Design
| Year | Title | Recipient(s) |
|---|---|---|
| 1966 | The Tea Party Progress To The Park Summer Of The 17th Doll The Tap On The Shoulder Ashes To Ashes Auto Stop | Eileen Diss |
| The Bachelors Giants on Saturday No Baby, No Baby At All The Rules of the Game | John Clements | |
| The Incident The Importance of Being Earnest Hothouse The Gaming Book The Hunter Time and Mr Maddingly | Assheton Gorton | |
| Parade's End (Trilogy) Sherlock Holmes (1 Episode) The Navigators No Trams to Lime Street The Kidders | Richard Wilmot | |
| 1967 | Tony Abbott | |
| 1968 | Julia Trevelyan Oman | |
| 1969 | The Portrait of a Lady | Roy Oxley |
| Year | Title | Recipient(s) |
|---|---|---|
| 1970 | Otello Rembrandt The Vortex | Tony Abbott |
| The Borderers | Colin Shaw | |
| Louise Better Dead Charley's Aunt The Marquise | Eileen Diss | |
| This Is Tom Jones | Brian Bartholomew | |
| 1971 | The Six Wives Of Henry VIII Biography: Beethoven Biography: I Measured The Skies - Kepler Put Out More Flags | Peter Seddon |
| Germinal | Don Homfray | |
| The Roads to Freedom | Spencer Chapman | |
| Uncle Vanya | Eileen Diss | |
| 1972 | The Rivals of Sherlock Holmes | Design Team |
| Die Fledermaus Cider With Rosie | Eileen Diss | |
| The Onedin Line | Oliver Bayldon | |
| Tartuffe | Fanny Taylor | |
| 1973 | War and Peace | Don Homfray |
| The Onedin Line | Oliver Bayldon and the Design Team | |
| Upstairs, Downstairs | John Clements | |
| 1974 | An Afternoon At The Festival Now She Lies There Pygmalion Alice Through The Looking Glass Trouble In Tahiti | Eileen Diss |
| The Bröntes of Haworth | Alan Pickford | |
| Country Matters | Design Team | |
| Vienna 1900 | Don Homfray | |
| 1975 | The Stanley Baxter Big Picture Show | Bill McPherson |
| Jennie | Frederick Pusey, Mike Hall | |
| Jane Robinson, Jill Silverside | ||
| The Pallisers | Raymond Cusick, Tim Harvey | |
| 1976 | Edward VII | Henry Graveney, Anthony Waller |
| Days of Hope | Martin Johnson | |
| The Stanley Baxter Moving Picture Show Part III | Bill McPherson | |
| Upstairs, Downstairs | Sheila Jackson | |
| 1977 | I, Claudius | Tim Harvey |
| The Duchess of Duke Street | Raymond Cusick, Paul Joel | |
| Rock Follies | Rod Stratford, Alex Clarke | |
| When the Boat Comes In | Richard Morris, Bernard Lloyd-Jones, Sue Spence, Oliver Bayldon, Peter Brachacki | |
| 1978 | Hard Times | Roy Stonehouse |
| The Duchess of Duke Street | Raymond Cusick, Victor Meredith, Tony Thorpe | |
| Love for Lydia | John Clements, Frank Nerini | |
| The Muppet Show | David Chandler, Bryan Holgate | |
| 1979 | Edward & Mrs. Simpson | Allan Cameron, Martyn Hebert |
| Lillie | Bryan Bagge, Richard Dunn, Roger Hall | |
| Pennies from Heaven | Tim Harvey, Bruce Macadie | |
| The Voyage of Charles Darwin | Colin Shaw | |
| Year | Title | Recipient(s) |
|---|---|---|
| 1980 | Testament of Youth | Sally Hulke |
| Crime and Punishment | Tony Abbott | |
| Prince Regent | Barry Newbury, Barrie Dobbins | |
| Tinker Tailor Soldier Spy | Austen Spriggs | |
| 1981 | Thérèse Raquin | David Myerscough-Jones |
| Blade on the Feather | Andrew Drummond | |
| Cream in My Coffee | John Emery | |
| Love in a Cold Climate | David Marshall, Robert Ide | |
| 1982 | Brideshead Revisited | Peter Phillips |
| Pygmalion Miss Morison’s Ghosts The Potting Shed | Eileen Diss | |
| The Borgias | Tim Harvey | |
| Winston Churchill: The Wilderness Years | Roger Murray-Leach | |
| 1983 | Barchester Chronicles The Bell | Chris Pemsel |
| The Red Signal The Agatha Christie Hour: The Girl in the Train A Voyage Round My Father | David Marshall | |
| Nicholas Nickleby | John Napier | |
| Smiley's People | Austen Spriggs | |
| 1984 | An Englishman Abroad | Stuart Walker |
| Reilly, Ace of Spies | Roger Hall | |
| Saigon: Year of the Cat | David Marshall, Robin Parker | |
| Waters of the Moon The Blue Dress Farmers Arms | Geoff Powell | |
| 1985 | Threads | Christopher Robilliard |
| The Far Pavilions | Robert Laing | |
| Tenko | Ken Ledsham | |
| The Jewel in the Crown | Alan Pickford, Vic Symonds | |
| Doctor Fischer Of Geneva | Austen Spriggs | |
| 1986 | Bleak House | Tim Harvey |
| Tender is the Night | Derek Dodd | |
| Silas Marner | Gerry Scott | |
| Edge of Darkness | Graeme Thomson | |
| 1987 | The Insurance Man | Geoff Powell |
| The Singing Detective | Jim Clay | |
| Hotel Du Lac | Barbara Gosnold | |
| The Monocled Mutineer | Christopher Robilliard | |
| Lost Empires | Roy Stonehouse, David Buxton | |
| The Return of Sherlock Holmes | Tim Wilding | |
| 1988 | Fortunes of War | Tim Harvey |
| Vanity Fair | Gavin Davies | |
| Porterhouse Blue | Eileen Diss | |
| Tutti Frutti | Bob Smart | |
| Blackadder the Third | Antony Thorpe | |
| 1989 | Christabel | Jim Clay |
| Talking Heads | Tony Burrough | |
| A Very British Coup | Grant Hicks | |
| Tumbledown | Geoff Powell | |
Best Design
| Year | Title | Recipient(s) | Broadcaster |
|---|---|---|---|
| 2000 | Wives and Daughters | Gerry Scott | BBC One |
| Hornblower | Rob Harris | ITV | |
| Great Expectations | Alice Normington | BBC Two | |
| Warriors | Phil Roberson | BBC One | |
Best Production Design
| Year | Title | Recipient(s) | Broadcaster |
|---|---|---|---|
| 2020 [5] [6] | Chernobyl | Luke Hull, Claire Levinson-Gendler | Sky Atlantic |
| Killing Eve | Laurence Dorman, Linda Wilson | BBC One | |
| The Crown | Martin Childs, Alison Harvey | Netflix | |
| Sex Education | Samantha Harley, Miri Katz | ||
| 2021 [7] | Small Axe | Helen Scott | BBC One |
| Gangs of London | Matt Gant and Megan Bosaw | Sky Atlantic | |
| Sex Education | Samantha Harley and Alexandra Slade | Netflix | |
| His Dark Materials | Joel Collins | BBC One | |
| 2022 [8] [9] | Landscapers | Cristina Casali | Sky Atlantic |
| Vigil | Tom Sayer | BBC One | |
| The Pursuit of Love | Cristina Casali | ||
| The Serpent | François-Renaud Labarthe | ||
| 2023 [10] [11] | Don't Hug Me I'm Scared | Becky Sloan, Joe Pelling | Channel 4 |
| The Essex Serpent | Alice Normington | Apple TV+ | |
| The English | Chris Roope | BBC Two | |
| Pistol | Kave Quinn, Tim Blake, Stella Fox, Penny Crawfold, Emily Norris | Disney+ | |
| 2024 [12] | The Long Shadow | Anna Higginson | ITV |
| Nolly | Ben Smith | ITVX | |
| Silo | Gavin Bocquet, Amanda Bernstein | Apple TV+ | |
| Black Mirror : "Demon 79" | Udo Kramer | Netflix | |
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The British Academy Television Craft Award for Best Sound: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Photography: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography."
The British Academy Television Craft Award for Best Editing: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Emerging Talent: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, the category is "designed to recognise potential, awarding those who have begun to capture the attention of their peers through demonstrating exceptional talent and ambition within their craft for the first time in factual programming."
The British Academy Television Craft Award for Best Emerging Talent: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, the category is "designed to recognise potential, awarding those who have begun to capture the attention of their peers through demonstrating exceptional talent and ambition within their craft for the first time in scripted programming."