Alice through the Looking Glass | |
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Based on | Through the Looking-Glass by Lewis Carroll |
Screenplay by | Nick Vivian [1] |
Directed by | John Henderson [2] |
Starring | Kate Beckinsale Ian Holm Siân Phillips Geoffrey Palmer |
Theme music composer | Dominik Scherrer [1] |
Country of origin | United Kingdom |
Original language | English |
Production | |
Producers | Trevor Eve, [3] Simon Johnson, and Paul Frift [1] |
Cinematography | John Ignatius [1] |
Editor | David Yardley [1] |
Running time | 83 minutes |
Production companies |
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Original release | |
Network | Channel 4 |
Release | 26 December 1998 |
Alice through the Looking Glass is a 1998 British fantasy television film, based on Lewis Carroll's 1871 book Through the Looking-Glass , and starring Kate Beckinsale.
The film opens with a mother (Kate Beckinsale) reading Through the Looking Glass to her daughter Alice (Charlotte Curley). The mother then finds herself travelling through the bedroom mirror into Looking-Glass Land and becoming Alice, but remains an adult. [2]
Alice finds a book containing "Jabberwocky", in mirror writing, and sees chess pieces coming to life. She goes out into a garden with talking flowers. There, she meets the Red Queen from the chess board (Sian Phillips), who shows her that the landscape is laid out like a gigantic chessboard. She will make Alice a queen if she can get as far as the eighth row. Alice becomes one of the White Queen 's pawns, and gets into a train that takes her directly to the fourth row. In a wood, the Gnat (Steve Coogan) teaches her about the looking-glass insects. In crossing the wood where things have no names, she forgets her own name, but it comes back on the other side. Next she meets Tweedledum and Tweedledee (Gary Olsen and Marc Warren), who recite the poem "The Walrus and the Carpenter", with the Red King (Michael Medwin) asleep under a tree. The brothers get ready to fight but run away, frightened by a giant crow.
The White Queen (Penelope Wilton) arrives and shows her powers of precognition. With her, Alice goes forward into the fifth row by crossing a stream in a rowing boat, but the Queen is then turned into the Sheep.
Alice enters the sixth row of the chess board by crossing another stream and meets Humpty Dumpty (Desmond Barrit) on his unbirthday, who teaches Alice about portmanteau words before falling off his wall. The White King (Geoffrey Palmer), the king's horses, and the king's men try to help Humpty.
Alice, still a white pawn, crosses yet another stream to enter the seventh row and finds herself in the land of the Red Knight (Greg Wise), who tries to capture her, but the White Knight (Ian Holm) fights him off and leads her through a forest to the last stream, falling off his horse and reciting the poem Haddocks' Eyes. This stream is not much more than a ditch, and Alice can step across it into the eighth row, when a queen's crown appears on her head. She is joined by both the Red and White Queens, who use word play to baffle her. They issue invitations to a coronation party to be hosted by Alice, but the party is chaotic, and Alice finds herself shaking the Red Queen to calm her down.
Alice wakes up safe at home with her daughter, little Alice.
Apart from the innovation that Alice is played by an adult (she answers “seven and a half” when asked her age), the screenplay follows the text of the book closely, preserving Carroll's dialogue almost word for word. However, in another new element, Alice's hair style and her dress change throughout the film. [4]
Unusually, the "Wasp in a Wig" episode, which Carroll wrote but did not leave in the book as published, is included in the film, with the Wasp played by Ian Richardson. [4] [6]
Critics Jaques and Giddens commented that "The genial rendition overall makes for a pleasant film aimed at children, with a strong sense that Alice has a fun time in her adventure." [2] Film scholar Thomas Leitch, comparing John Tenniel's influence on popular images of Alice with Carroll's own, comments that "The stars who least resemble Tenniel's Alice are Kate Beckinsale, ... and dark-haired, plump-faced Tina Majorino in Nick Willing's 1999 adaptation for NBC television." [7]
"Jabberwocky" is a nonsense poem written by Lewis Carroll about the killing of a creature named "the Jabberwock". It was included in his 1871 novel Through the Looking-Glass, the sequel to Alice's Adventures in Wonderland (1865). The book tells of Alice's adventures within the back-to-front world of the Looking-Glass world.
Through the Looking-Glass, and What Alice Found There is a novel published on 27 December 1871 by Lewis Carroll, a mathematics lecturer at Christ Church, University of Oxford, and the sequel to Alice's Adventures in Wonderland (1865). Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. There she finds that, just like a reflection, everything is reversed, including logic.
Alice in Wonderland is a 1933 American pre-Code fantasy film adapted from the novels by Lewis Carroll. The film was produced by Paramount Pictures, featuring an all-star cast. It is all live action, except for the Walrus and The Carpenter sequence, which was animated by Harman-Ising Studio.
Alice is a fictional character and the main protagonist of Lewis Carroll's children's novel Alice's Adventures in Wonderland (1865) and its sequel, Through the Looking-Glass (1871). A child in the mid-Victorian era, Alice unintentionally goes on an underground adventure after falling down a rabbit hole into Wonderland; in the sequel, she steps through a mirror into an alternative world.
Alice in Wonderland is a 1985 American two-part made-for-television adventure family fantasy musical film of Lewis Carroll's books Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871). An Irwin Allen production, it used a huge all-star cast of notable actors and actresses. The title role was played by Natalie Gregory, who wore a blonde wig for this miniseries. Alice in Wonderland was first telecast December 9, 1985, and December 10, 1985, at 8:00pm EST on CBS.
Tweedledum and Tweedledee are characters in an English nursery rhyme and in Lewis Carroll's 1871 book Through the Looking-Glass, and What Alice Found There. Their names may have originally come from an epigram written by poet John Byrom. The nursery rhyme has a Roud Folk Song Index number of 19800. The names have since become synonymous in western popular culture slang for any two people whose appearances and actions are identical.
Adventures in Wonderland is a 1992–1995 American live-action/puppet musical television series based on the novels Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871) by Lewis Carroll as well as the 1951 animated film. In the series, Alice, is portrayed as a girl who can come and go from Wonderland simply by walking through her mirror.
An unbirthday is an event celebrated on all days of the year which are not a person's birthday. It is a neologism which first appeared in Lewis Carroll's 1871 novel Through the Looking-Glass. The concept gave rise to "The Unbirthday Song" in the 1951 animated feature film Alice in Wonderland.
The Looking Glass Wars is a series of three novels by Frank Beddor, heavily inspired by Lewis Carroll's 1865 novel Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass. The premise is that the two books written by Lewis Carroll are a distortion of the "true story".
Alice in Wonderland is a musical by Henry Savile Clarke and Walter Slaughter (music), based on Lewis Carroll's books Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871). It debuted at the Prince of Wales's Theatre in the West End on 23 December 1886. Aubrey Hopwood (lyrics) and Walter Slaughter (music) wrote additional songs which were first used for the 1900 revival.
The Knave of Hearts is a character from the 1865 book Alice's Adventures in Wonderland by Lewis Carroll.
The Red Queen is a fictional character and the main antagonist in Lewis Carroll's fantasy 1871 novel Through the Looking-Glass. She is often confused with the Queen of Hearts from the previous book Alice's Adventures in Wonderland (1865), although the two are very different.
The Red King is a character who appears in Lewis Carroll's 1871 fantasy novel Through the Looking-Glass.
The White King is a fictional character who appears in Lewis Carroll's 1871 fantasy novel Through the Looking-Glass. Aside from Alice herself, he is one of the earliest chesspieces that are introduced into the story. Although he does not interact with Alice as much as the White Queen does, because Alice becomes a pawn on his side of the Chess-game, he is, on some levels, the most important character within the story at least as far as the game is concerned. He is not to be confused with the King of Hearts from Alice's Adventures in Wonderland.
The White Queen is a fictional character who appears in Lewis Carroll's 1871 fantasy novel Through the Looking-Glass.
Through the Looking Glass is a chamber opera by the Australian composer Alan John to a libretto by Andrew Upton, based on Lewis Carroll's 1871 book and on the life of Alice Liddell, the girl for whom Carroll wrote the story's 1865 prequel, Alice's Adventures in Wonderland.
The White Knight is a fictional character in Lewis Carroll's 1871 book Through the Looking-Glass. He represents the chess piece of the same name. As imagined in John Tenniel's illustrations for the Alice stories, he is inspired by Albrecht Dürer's 1513 engraving "Knight, Death and the Devil."
The Westminster Alice is the name of a collection of vignettes written by Hector Hugh Munro (Saki) in 1902 and published by The Westminster Gazette of London. It is a political parody of Lewis Carroll's two books, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871).
Alice in Wonderland and Through the Looking-Glass is a 2001 stage adaptation of Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, and the 1871 novel Through the Looking-Glass. It was written by Adrian Mitchell. A 2 hour adaptation of both of Carroll's novels, it holds the distinction for currently being the most comprehensive stage adaptation of the books yet made, with the endings of both novels intact and only minor changes made for theatrical staging reasons.