White King | |
---|---|
Alice character | |
First appearance | Through the Looking-Glass |
Created by | Lewis Carroll |
Portrayed by | Michael Socha ( Once Upon a Time in Wonderland ) |
In-universe information | |
Species | Human |
Gender | Male |
Occupation | King |
Spouse | White Queen |
Children | Lily (a pawn) |
Nationality | Looking-glass world |
The White King is a fictional character who appears in Lewis Carroll's 1871 fantasy novel Through the Looking-Glass . Aside from Alice herself, he is one of the earliest chesspieces that are introduced into the story. Although he does not interact with Alice as much as the White Queen does, because Alice becomes a pawn on his side of the Chess-game, he is, on some levels, the most important character within the story at least as far as the game is concerned. He is not to be confused with the King of Hearts from Alice's Adventures in Wonderland .
When Alice first sees the White King, having passed through the eponymous looking glass, he is a chesspiece of normal size, but animate, and, for whatever reason, cannot hear or see Alice at this stage. Alice, not realising this, picks both him and the White Queen off the floor and places them on a table, leading them to believe that some unseen volcano blew them up there. Afterwards, however, she has some mischievous fun by manipulating the King's handwriting from behind while he writes so that he comes out with nonsense in his memorandum book ("the White Knight is sliding down the poker. He balances very badly"). She soon leaves him alone, however, when she sees the poetry-book in which "Jabberwocky" is written.
When Alice sees the White King next, in a later chapter, he is, along with many other characters in the story, the size of a normal adult. Humpty Dumpty, as a chesspiece, is "taken" (symbolised by his notorious fall from where he sits) and the White King appears with his soldiers, presumably in hopes of putting him back together. He and Alice begin characteristic Wonderland/Looking-Glass banter, as well as the usual Carrollian word play ("I only wish I had such eyes...to be able to see Nobody"). [1] His imperial status as a king, as well as his tendency to take things literally, is reflected in such statements as "it isn't respectable to beg" when Alice simply says "I beg your pardon" and he also remarks that he needs his two messengers Hatta and Haigha: "one to come and one to go... one to fetch and one to carry". When Haigha arrives he claims, in all seriousness, that there is "nothing like eating hay when you're feeling faint", and having eaten two ham sandwiches consumes some hay just as casually. He expresses mixed feelings about two other characters, the Lion and the Unicorn: amusement at the fact that they are "fighting for the crown" even though it is his own crown they are fighting over, but at the same time nervousness when the "two great creatures" stand on either side of him. However, given that they, as chesspieces, are protecting him from danger from the red side, there is, as Carroll tells us, "nothing to be done about it".
His identity as a king in a game of Chess is revealed all the more when he admits that he can never quite catch up with his spouse, because, like all chess-queens, she moves too fast and for too many squares ahead of him for him to overtake her. Indeed, a more extreme version of this relationship can be seen on the opposite side of the game, in which the Red King remains asleep throughout the whole story, and the Red Queen runs her famous race.
Although we do not see the White King again, he is placed into check by the Red Knight before the clumsy soldier is defeated by the even-clumsier White Knight. Gardner, in The Annotated Alice has observed that he is also later put into check by the Red Queen, without either side showing any acknowledgment of it. The White Queen, with characteristic stupidity, performs a completely pointless move on her turn. After Alice "takes" the Red Queen and checkmates the inanimate Red King, any potential danger is removed and the game, as well as her dream, comes to an end.
Through the Looking-Glass, and What Alice Found There is a novel published on 27 December 1871 by Lewis Carroll, a mathematics professor at the University of Oxford, and the sequel to Alice's Adventures in Wonderland (1865). Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. There she finds that, just like a reflection, everything is reversed, including logic.
Alice in Wonderland is a 1985 American two-part made-for-television adventure family fantasy musical film of Lewis Carroll's books Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871). An Irwin Allen production, it used a huge all-star cast of notable actors and actresses. The title role was played by Natalie Gregory, who wore a blonde wig for this miniseries. Alice in Wonderland was first telecast December 9, 1985, and December 10, 1985, at 8:00pm EST on CBS.
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The Queen of Hearts is a fictional character and the main antagonist in the 1865 book Alice's Adventures in Wonderland by Lewis Carroll. She is a childish, foul-tempered monarch whom Carroll himself describes as "a blind fury", and who is quick to give death sentences at even the slightest of offenses. One of her most famous lines is the oft-repeated "Off with his/her head!" / "Off with their heads!"
The White Rabbit is a fictional and anthropomorphic character in Lewis Carroll's 1865 book Alice's Adventures in Wonderland. He appears at the very beginning of the book, in chapter one, wearing a waistcoat, and muttering "Oh dear! Oh dear! I shall be too late!" Alice follows him down the rabbit hole into Wonderland. Alice encounters him again when he mistakes her for his housemaid Mary Ann and she becomes trapped in his house after growing too large. The Rabbit shows up again in the last few chapters, as a herald-like servant of the King and Queen of Hearts.
Vernon Rylands Parton was an English chess enthusiast and prolific chess variant inventor, his most renowned variants being Alice chess and Racing Kings. Many of Parton's variants were inspired by the fictional characters and stories in the works of Lewis Carroll. Parton's formal education background, like Lewis Carroll's, was in mathematics. Parton's interests were wide and he was a great believer in Esperanto.
Lewis Carroll's books Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871) have been highly popular in their original forms, and have served as the basis for many subsequent works since they were published. They have been adapted directly into other media, their characters and situations have been appropriated into other works, and these elements have been referenced innumerable times as familiar elements of shared culture. Simple references to the two books are too numerous to list; this list of works based on Alice in Wonderland focuses on works based specifically and substantially on Carroll's two books about the character of Alice.
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The Red King is a character who appears in Lewis Carroll's 1871 fantasy novel Through the Looking-Glass.
The White Queen is a fictional character who appears in Lewis Carroll's 1871 fantasy novel Through the Looking-Glass.
Through the Looking Glass is a chamber opera by the Australian composer Alan John to a libretto by Andrew Upton, based on Lewis Carroll's 1871 book and on the life of Alice Liddell, the girl for whom Carroll wrote the story's 1865 prequel, Alice's Adventures in Wonderland.
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