| Can't Get No Grindin' | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | August 1973 | |||
| Recorded | March 1972 | |||
| Studio | Ter-Mar Recording Studios, Chicago, IL | |||
| Genre | Blues | |||
| Length | 35:26 | |||
| Label | Chess CH 50023 | |||
| Producer | Ralph Bass | |||
| Muddy Waters chronology | ||||
| ||||
Can't Get No Grindin' is an album by blues musician Muddy Waters released by the Chess label in 1973. [1] [2] [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
The album was inducted into the Blues Hall of Fame in 1991 as a Classic of Blues Recording [5]
Rolling Stone said "Muddy Waters has caught up to his legend and made an album of straight Chicago blues, sounding as fiery and nasty as he managed to 20 years ago. His unjustly ignored guitar acts as a fine counterpoint to the lyrics, as well as providing extra energy in its own right. ... Muddy can still choose and demand the utmost from the cream of Chicago’s bluesman crop. No superstars or electronic gimmickry invade the blues club mood that Muddy conjures with ease on Can't Get No Grinding" [6] AllMusic reviewer Bruce Eder stated "Muddy's next-to-last Chess album, Can't Get No Grindin' marked a return to working with a band of his own after several experimental line-ups and recordings ... The music is raw, hard-edged, and sharp (the guitars slash and cut), more like a successor to Muddy's classic 1950s sides (he rethinks a bunch '50s numbers here) than to the London Sessions, Super Blues, brass blow-outs, and psychedelic albums that he'd been doing. It's also easy to hear Muddy's heart in this release -- he fairly oozes soul out of every note he sings". [4] The Blues Foundation's Jim O'Neil noted "Most of Muddy’s working band, joined by alumnus James Cotton on harp, backed him on a quickly recorded session (Bass preferred live spontaneity to perfected multiple takes when producing blues) that found the master and his crew in fine form, delivering the kind of blues that made Muddy famous back in the 1950s. Chess had tried to take him in more contemporary directions on other albums of the ’60s and ’70s but ended up with a classic by just letting Muddy cut a straight-ahead, no-frills, no-rock-stars album". [7]
All compositions by McKinley Morganfield except where noted
William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but is performed in an urban style. It developed alongside the Great Migration of African Americans of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive.
Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Joe Willie "Pinetop" Perkins was an American blues pianist. He played with some of the most influential blues and rock-and-roll performers of his time and received numerous honors, including a Grammy Lifetime Achievement Award and induction into the Blues Hall of Fame.
James Henry Cotton was an American blues harmonica player, singer and songwriter, who performed and recorded with many fellow blues artists and with his own band. He also played drums early in his career.
At Newport 1960 is a live album by Muddy Waters recorded during his performance at the Newport Jazz Festival on July 3, 1960. With his longtime backup band, Muddy Waters plays a mix of his older popular tunes and some newer compositions. Chess Records released the album in the United States on November 15, 1960.
"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a variety of artists.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called mojo, which are associated with hoodoo, an early African-American folk-magic belief system.
Hard Again is a studio album by American blues singer Muddy Waters. Released on January 10, 1977, it was the first of his albums produced by Johnny Winter. Hard Again was Waters's first album on Blue Sky Records after leaving Chess Records and was well received by critics.
I Am the Blues is the sixth studio Chicago blues album released in 1970 by the well-known bluesman Willie Dixon. It is also the title of Dixon's autobiography, edited by Don Snowden.
The Best of Muddy Waters is a greatest hits album by Muddy Waters released by Chess Records in April 1958. The twelve songs were originally issued as singles between 1948 and 1954 and most appeared in Billboard magazine's top 10 Rhythm & Blues Records charts.
Sammy David Lawhorn was an American Chicago blues guitarist, best known as a member of Muddy Waters's band. He also accompanied many other blues musicians, including Otis Spann, Willie Cobbs, Eddie Boyd, Roy Brown, Big Mama Thornton, John Lee Hooker, James Cotton and Junior Wells.
James "Pee Wee" Madison was an American left-handed blues guitar player.
Calvin "Fuzz" Jones was an American electric blues bassist and singer. He worked with many blues musicians, including Muddy Waters, Howlin' Wolf, the Legendary Blues Band, Mississippi Heat, James Cotton, Luther "Guitar Junior" Johnson, Little Walter and Elmore James.
Muddy, Brass & the Blues, sometimes referred to as Brass and the Blues, is an album by the blues musician Muddy Waters, released by Chess Records in 1966.
The Muddy Waters Woodstock Album is an album by blues musician Muddy Waters released by the Chess label in 1975. The album features Levon Helm and Garth Hudson from The Band and Paul Butterfield.
Live at Mister Kelly's, often stylized as "Live" , is a live album by blues musician Muddy Waters released by the Chess label in 1971.
McKinley Morganfield A.K.A. Muddy Waters is a compilation album by blues musician Muddy Waters featuring tracks recorded between 1948 and 1953 released by the Chess label in 1971.
