Carrie (2002 film)

Last updated

Carrie
CARRIE2002.JPG
Promotional poster
Genre
Based on Carrie
by Stephen King
Screenplay by Bryan Fuller
Directed by David Carson
Starring
Music by Laura Karpman
Country of origin
  • Canada [3]
  • United States
Original languageEnglish
Production
Executive producers
Producers
  • David Carson
  • Stephen Geaghan
Production locations Vancouver, British Columbia, Canada
CinematographyVictor Goss
EditorJeremy Presner
Running time132 minutes
Production companies Trilogy Entertainment Group
MGM Television
Original release
Network NBC
ReleaseNovember 4, 2002 (2002-11-04)

Carrie is a 2002 supernatural horror television film, based on the 1974 novel of the same name by Stephen King. It is the second film adaptation and a re-imagining of the novel, and the third film in the Carrie franchise. The film was written by Bryan Fuller, directed by David Carson, and stars Angela Bettis in the leading role. In the story, Carrie White, a shy girl who is harassed by her schoolmates, disappears and a series of flashbacks reveal what has happened to her.

Contents

An international co-production between Canada and the United States, Carrie was produced by Trilogy Entertainment Group and MGM Television at the request of television network NBC. Filmed in Vancouver, it was commissioned as a stand-alone feature by the network but the studios intended it as a backdoor pilot for a potential television series. The ending of the novel was changed accordingly, but no follow-up series was ever produced.

The film premiered on NBC on November 4, 2002, when it was viewed by 12.21 million people. Despite receiving two award nominations (a Saturn Award and ASC Award), the film was panned by critics. It was criticized for poor special effects, lack of a horror atmosphere, and long runtime; however, the performances from the cast, particularly Bettis and Patricia Clarkson, were heavily acclaimed.

Plot

Police interview several people, including high-school student Sue Snell and gym teacher Ms Desjarden. Detective John Mulcahey is currently investigating the disappearance of a high-school student and suspect of arson, Carrie White. These interviews reveal the preceding events.

One week before the prom at Ewen High School, Carrie White is a lonely, shy girl who is bullied by the popular girls, most notably Chris Hargensen and Tina Blake. After gym class, Carrie has her first period while taking a shower, the girls assault and humiliate her until Ms. Desjarden intervenes and comforts Carrie. Principal Morton decides to send Carrie home but addresses her by the wrong name. An infuriated Carrie yells out, causing Morton's desk to move several inches. Making her way home, Carrie is accosted by a boy on a bicycle, whose joke goes wrong when he inexplicably flies off his bike and crashes into a tree. On arrival at her house, Carrie has a flashback of her childhood. Her fanatically religious mother, Margaret White, who considers menstruation a sign of sexual sin, locks Carrie in her "prayer closet" as punishment.

The next day, Ms. Desjarden gives the girls a week's detention for their bullying of Carrie. If any of them plans on skipping detention, they will be suspended and therefore banned from the prom. Chris is the only one who refuses to do so, so she is banned from prom. After Chris' father, John Hargensen, a lawyer, unsuccessfully attempts to rescind the ban, she enlists her boyfriend, Billy Nolan, to get revenge on Carrie. Meanwhile, Carrie discovers she has telekinesis, the ability to move objects with her mind. After a telekinetic episode in class, Carrie goes home and practices her talent. Sue, who feels sorry for tormenting Carrie, asks her boyfriend, Tommy Ross, to take Carrie to the prom. With some trepidation, Carrie agrees. When she tells her mother about the prom invitation, Margaret forbids her to go. At last, Carrie is provoked into using her powers to confront her mother and Margaret seemingly gives in.

On the day of the prom, Tina switches the prom ballots so that Carrie and Tommy are elected the Prom Queen and King. As Tommy and Carrie take their place onstage, Chris, who has been hiding in the rafters with Billy, pulls a rope, causing a bucket of pig blood to fall onto Carrie. Chris releases the rope and the bucket falls on Tommy's head, killing him.

Carrie goes into a shock-induced trance and locks everyone inside the gym to begin her revenge. In the trance, Carrie makes the whole room shake, causing lights to fall and spark, crushing and electrocuting people as they try to flee, whilst one light crashes and starts a fire. The sprinkler system gets activated, and when Carrie brings down an electronic scoreboard to hit the wet floor, it sends an electric shock to everyone else in the gymnasium, killing them all, except for a few students who escape through a vent with Ms. Desjarden.

Carrie then leaves the burning school to walk home, unleashing a wave of destruction throughout the town. When Chris and Billy see Carrie walking, Billy tries to run her down but Carrie tosses their truck into a pole, killing them.

When Carrie arrives home, she gets into a bathtub, where she finally snaps back to herself but with no recollection of what has just happened. Margaret comes into the bathroom and deems her daughter a witch for destroying the town and then attempts to drown her in the tub. With her last ounce of strength, Carrie stops her mother's heart. Sue finds Carrie and manages to revive her by administering two breaths. At Sue's suggestion, Carrie fakes her own death and Sue sneaks her out of town to Florida. As the two drive off, Carrie has a nightmarish vision of her mother. When she wakes up, she hallucinates Chris lunging at her. Noticing this, Sue asks her if she wants to stop for a moment, but Carrie tells her to keep driving.

Cast

Production

Bryan Fuller at 2016 Comic-Con International.jpg
Brian De Palma (Guadalajara 2008) 11.jpg
Bryan Fuller (left) wrote the screenplay for the 2002 Carrie adaptation, based on the 1976 film by Brian De Palma (right).

In May 2002, television network NBC commissioned a film adaptation of Stephen King's novel Carrie . [4] [5] Filming started the following month in Vancouver, British Columbia, Canada, [6] on June 12, [4] and took at least twenty days. [a] King had no involvement in this version after another film adaptation, The Rage: Carrie 2 (1999), disappointed him. [8] It was produced by MGM Television and Trilogy Entertainment Group based on a screenplay by Bryan Fuller. [4]

The network originally wanted a "movie-of-the-week", but the studio wanted to capitalize on the production so it was planned as a backdoor pilot for a potential television series. [5] Although the producers tried to be faithful to King's novel, [9] in order to allow for a continuation of the story, the ending was changed so that Carrie remained alive. [8] Fuller had earlier considered the idea of giving Carrie's abilities to Sue or the creation of "another Carrie", but he deemed killing a character "who is victimized her entire life" as "really cruel". [8] Another adaptation was developed with the intention of creating a sub-plot for the series, featuring Jasmine Guy as a paranormal investigator, but was ultimately scrapped. [5]

Envisaged as a remake of Brian De Palma's 1976 film, Fuller aimed to "give it [...] a little more of an epic feel" rather than the fairy tale-feeling Fuller ascribed to the original. [8] He also thought his version could add "a little more depth" with "some scope to the characters and the situation", which was not present in the original. [8] The writer said Bettis' portrayal of the role was meant to give Carrie a "more edgy" characterization instead of the "victim" feeling he believed Sissy Spacek gave to her in De Palma's film. [8] In his words:

[Carrie] is not a murderer, and, especially the way Angela portrays her, she is a sympathetic, sweet soul who is a bit more edgy than Sissy Spacek's Carrie. Sissy portrayed her as—I don't want to say pathetic, but just really as a victim. Angela give[s] the character such a strong core, and we felt that we couldn't turn this character who was so sweet into a murderer and then kill her. We wanted to give her another chance. We wanted to see her blossom and triumph over this instead of losing again. [8]

Fuller sought to update the film's 1970s setting to a contemporary one, aware that high-school violence, in particular, has changed since then. [8] Because Fuller felt the Columbine High School massacre was still on people's recent memory, he was careful in addressing the film's "teenage vigilante" theme. [10]

Release

Carrie was first broadcast in the United States on NBC at 8 pm EST on November 4, 2002. [6] [9] According to Nielsen Media Research, the film was viewed by an estimated 12.21 million people. [11] It had a 5.0/12 household rating among males aged 18–49, making it the third most-watched airing for this demographic. Among women aged 18–34, it was the most-watched program with a 6.3/16 rating.Carrie also obtained the best 18–49 score for a single-part made-for-TV broadcast since ABC's broadcast of Brian's Song in December 2001. [11]

The film was later released in VHS and DVD formats by MGM Home Entertainment on August 12, 2003. [2] [12] Scream Factory released it in Blu-ray format as double feature along with The Rage: Carrie 2 on April 14, 2015; [13] [14] a Region A disc, it featured English-only subtitles and contained a new audio commentary with director David Carson and cinematographer Victor Goss. [13] [14]

Reception

The film was poorly received by film critics; it currently has an approval rating of 20% on Rotten Tomatoes based on 10 reviews, with an average rating of 4.92 out of 10. The site's critics consensus reads: "This made-for-TV adaptation of Stephen King's classic fails to impress or bring anything new to the table, - or to the prom - paling even more in comparison to the 1970's memorable version". [15]

Several critics questioned the necessity of a new Carrie, considering a remake of the original classic to be unneeded. [b] People 's Tom Gliatto summarized it as a "pointless remake". [18] Some reviewers considered it to be excessively derivative of De Palma's film, [c] and others assessed it unfavorably in comparison to the 1976 film. [d] Steve Johnson from the Chicago Tribune disagreed, arguing that the flashback structure "make[s] it more than just a rehash of the first film". [17] It also elicited praise from Ron Wertheimer, who wrote for The New York Times that the flashbacks and the new ending were creative ideas. [9] John Levesque of Seattle Post-Intelligencer and Anthony Arrigo of Dread Central, however, felt the former alteration was not an improvement, calling the conclusion "so undramatic" and "undeniably weak", respectively. [19] [20]

While the film was generally poorly received by critics, Angela Bettis' performance was highly lauded. Bettis1.jpg
While the film was generally poorly received by critics, Angela Bettis' performance was highly lauded.

While Johnson considered the film "a respectable piece of work", owing to an intelligent script that developed all of King's themes, [17] Wertheimer classified it negatively within "the generic made-for-television standard". [9] Ian Jane of DVD Talk opined Carrie was "decent enough" for the limitations of a TV film, [13] and Arrigo said "the lack of cinematic quality" reflected the television standards of the 2000s. [19] Although Wertheimer claimed that the film's drawbacks were not simply caused by the medium, he did make the criticism that the prom scenes were sapped by the commercial breaks: the filmmakers, he argued, should have opted for a shorter sequence. [9] SF Gate 's Edward Guthmann also criticized the film's overall length, especially in regard to the prom scene, as he considered the "dramatic impact" was not enhanced. [1] Phil Gallo of Variety likewise felt some scenes were extended just to fit the time needed for the next break. [6] Randy Miller III of DVD Talk said that the home media release evidenced "gaps in the action" caused by the commercials. [2]

The film's special effects were heavily criticized. [e] Fuller himself called the effects "cheap". [5] Levesque and Gallo found their usage to be excessive, [20] and the former said the film suddenly "shifts into a special effects bonanza". [6] Another common complaint was that the film was not scary, [1] [16] which led Levesque to write that "the new 'Carrie' doesn't even fit the category [of scary-movie genre]". [20] Gallo found that it deviated from horror in favor of "prurient side routes", mentioning Sofer's acting, as well as locker-room and post-coital scenes. [6] Johnson made a similar remark on the sexual content. [17]

Most of the praise the film received was directed towards its cast, [f] although Wertheimer and Arrigo were critical about the acting. [9] [19] While Clarkson, McClure, and Keith were praised by more than one reviewer, [g] Bettis' performance was especially praised. [h] Linda Stasi of the New York Post was one of those who thought a remake was unnecessary, so she had low expectations for the film. Stasi, however, concluded she had been "completely mistaken"; she was positively surprised by the acting and went so far as to state that Bettis should win an Emmy for her performance. [16] Wertheimer remarked that Bettis expressed the character's emotions well, and lamented that the film "affords Ms. Bettis few opportunities for such genuine acting". [9]

At the 29th Saturn Awards, Carrie was nominated for Best Single Television Presentation, but the winner was Taken . [22] [23] It was also nominated for the 2003 American Society of Cinematographers Awards in the "Movie of the Week or Pilot (Network)" category; CSI: Miami 's "Cross Jurisdictions" won it. [24]

Aftermath

The production of the television series was subordinated to the film's audience ratings. [8] Although it obtained "strong numbers", according to Variety, [11] the series was never produced. [5] Fuller and Bettis were expected to reprise their roles, and the writer had a concept in mind: he hoped to create a series in which Carrie had to deal with the remorse and the responsibility for killing several people. [8] The series would also feature Carrie and Sue on a journey to help other people with telekinetic powers. [25] Fuller wrote the outline for a second episode, but NBC had no interest on it, so MGM ended their deal. [5] In Fuller's opinion, "the network [n]ever intended to do a series, they were just playing the studio". [5]

Another remake based on the Carrie novel and the 1976 film was released in 2013. Directed by Kimberly Peirce and starring Chloë Grace Moretz, it was created after producers felt the 2002 version did not capture modern bullying. [26] However, David Rooney of The Hollywood Reporter has described the 2002 film as a faithful adaptation of the novel. [27]

Notes

  1. No source informs when the filming was concluded or how much time it took. However, by July 2, 2002, Variety reported it was still underway. [7]
  2. Examples:
    • Stasi: "I could never figure out why anyone would bother to remake a great movie" [16]
    • Guthmann: "There's no good reason why 'Carrie' ... needed to be remade" [1]
    • Johnson: "There is, first of all, no reason ... to remake 'Carrie' " [17]
  3. Examples:
    • Guthmann: "'Carrie' often feels directly lifted from the DePalma film" [1]
    • Hanley: "the scripts ... are too slow and derivative of the original novel and film to really make an impact"; [14]
    • Arrigo: "there are still many aspects to this production that simply rehash what De Palma did before". [19]
  4. Guthmann labeled it as a "sorry impostor", [1] while Gliatto affirmed it "can't hold a Roman candle to Brian DePalma's 1976 film". [18]
  5. Gallo considered them to be "a fizzle"; [6] Wertheimer called them "passable", [9] and Jane declared, "some of the effects work is just plain bad to the point where it can be unintentionally funny". [13] Arrigo said about a specific scene that "the effect is not dissimilar to something an app on my smart phone can produce". [19]
  6. Examples:
    • Stasi: "Everything works – starting with the cast" [16]
    • Hanley: "Each film has their high points, with Carrie (2002) sporting a solid cast" [14]
    • Jane: "Where this version succeeds ... is ... in its performances" [13]
  7. Hanley considered "strong performances" were delivered by Keith, Clarkson and Bettis. [14] Stasi praised the "well-cast" Clarkson, while declared, "Even David Keith as the detective investigating the horror is perfect in the role". [16] Gallo considered Sue was "played smartly" McClure, [6] while Levesque said "McClure creates a Sue far more mysterious than Amy Irving's original". [20] Jane wrote, "Rena Sofer is decent as Miss Desjarden and Kandyse McClure plays the 'queen bitch' of the high school [ sic ] really well but it's Patricia Clarkson and Angela Bettis who do most of the heavy lifting here". [13]
  8. Examples:
    • Gallo: "Angela Bettis does an admirable job as Carrie" [6]
    • Wertheimer: "Better than passable is the performance of tonight's Carrie, Angela Bettis ... Ms. Bettis manages to breathe some life into Mr. King's allegorical character" [9]
    • Stasi: "Bettis ... does such a bang up job that if she doesn't win an Emmy for this role, she should spontaneously combust" [16]
    • Hanley: "Angela Bettis is incredibly spectacular" [14]
    • Johnson: "Bettis ... makes a very convincing Carrie White" [17]
    • The Telegraph 's Anne Billson retrospectively called it an "unremarkable save for a terrific central performance by Angela Bettis". [21]

Related Research Articles

<span class="mw-page-title-main">Sissy Spacek</span> American actress and singer (born 1949)

Mary Elizabeth "Sissy" Spacek is an American actress. She is the recipient of numerous accolades, including an Academy Award, three Golden Globe Awards, a Screen Actors Guild Award, and nominations for four BAFTA Awards, three Primetime Emmy Awards, and a Grammy Award. Spacek was honored with a star on the Hollywood Walk of Fame in 2011.

<i>Carrie</i> (novel) 1974 novel by Stephen King

Carrie is a 1974 horror novel, the first by American author Stephen King. Set in Chamberlain, Maine, the plot revolves around Carrie White, a friendless, bullied high-school girl from an abusive religious household who discovers she has telekinetic powers. Remorseful for picking on Carrie, Sue Snell insists that she go to prom with Sue's boyfriend Tommy Ross, though a revenge prank pulled by one of Carrie's bullies on prom night humiliates Carrie, leading her to destroy the town with her powers out of revenge. An eponymous epistolary novel, Carrie deals with themes of ostracization and revenge, with the opening shower scene and the destruction of Chamberlain being pivotal scenes.

<span class="mw-page-title-main">Candace Bushnell</span> American author, journalist, and producer

Candace Bushnell is an American author, journalist, and television producer. She wrote a column for The New York Observer (1994–96) that was adapted into the bestselling Sex and the City anthology. The book was the basis for the HBO hit series Sex and the City (1998–2004) and two subsequent movies.

<span class="mw-page-title-main">Patricia Clarkson</span> American actress

Patricia Davies Clarkson is an American actress. She has starred in numerous leading and supporting roles in a variety of films ranging from independent film features to major film studio productions. Her accolades include a Golden Globe Award and three Primetime Emmy Awards, in addition to nominations for an Academy Award and a Tony Award.

<i>Shes All That</i> 1999 film by Robert Iscove

She's All That is a 1999 American teen romantic comedy film directed by Robert Iscove. It stars Freddie Prinze Jr., Rachael Leigh Cook, Matthew Lillard, Paul Walker, Jodi Lyn O'Keefe, Kieran Culkin and Anna Paquin. After being dumped by his girlfriend, Zack Siler boasts he could make any girl at his high school popular. It is a modern adaptation of George Bernard Shaw's play Pygmalion and George Cukor's 1964 film My Fair Lady.

<span class="mw-page-title-main">Nancy Allen (actress)</span> American actress (born 1950)

Nancy Allen is a retired American actress. She came to prominence for her performances in several films directed by Brian De Palma in the 1970s and early 1980s. Her accolades include a Golden Globe Award nomination and three Saturn Award nominations.

<i>The Rage: Carrie 2</i> 1999 film by Katt Shea

The Rage: Carrie 2 is a 1999 American supernatural horror film directed by Katt Shea, and starring Emily Bergl, Jason London, Dylan Bruno, J. Smith-Cameron and Amy Irving. The film is a sequel to the 1976 horror film Carrie based on the 1974 novel of the same name by Stephen King, and serves as the second film in the Carrie franchise. The film was originally titled The Curse and did not have connections to the Carrie novel or film, but was eventually rewritten to be a direct sequel to the 1976 film. Its plot follows the younger half-sister of Carrie White (Bergl), also suffering with telekinesis, who finds that her best friend's suicide was spurred by a group of popular male classmates who exploited her for sexual gain.

<span class="mw-page-title-main">Angela Bettis</span> American actress (born 1973)

Angela Marie Bettis is an American actress, film producer, and director. Following her breakthrough role as Janet Webber in the drama film Girl, Interrupted (1999), she earned acclaim for her portrayals of Carrietta White in the television film Carrie (2002) and the titular character in the psychological horror film May (2002). For May, she won the Brussels International Festival Award for Best Actress, the Catalan International Film Festival Award for Best Actress and the Fangoria Chainsaw Award for Best Actress. She went on to play Belle Cleek in the horror film The Woman (2011) and Mandy in the black comedy film 12 Hour Shift (2020). For 12 Hour Shift, she earned a nomination for the Critics' Choice Award for Best Actress in a Horror Movie.

<span class="mw-page-title-main">P. J. Soles</span> American film and television actress

Pamela Jayne Soles is a retired American actress. She made her film debut in 1976 as Norma Watson in Brian De Palma's Carrie (1976) before portraying Lynda van der Klok in John Carpenter's Halloween (1978) and Riff Randell in Allan Arkush's Rock 'n' Roll High School (1979).

<i>Carrie</i> (1976 film) Film by Brian De Palma

Carrie is a 1976 American supernatural horror film directed by Brian De Palma from a screenplay written by Lawrence D. Cohen, adapted from Stephen King's 1974 epistolary novel of the same name. The film stars Sissy Spacek as Carrie White, a shy teenage girl who is constantly mocked and bullied at her school. She later develops the power of telekinesis and uses it to wreak vengeance on her tormentors. The film also features Piper Laurie, Amy Irving, Nancy Allen, William Katt, P. J. Soles, Betty Buckley, and John Travolta in supporting roles. It is the first film in the Carrie franchise.

<i>Hello Mary Lou: Prom Night II</i> 1987 film by Bruce Pittman

Hello Mary Lou: Prom Night II is a 1987 Canadian supernatural slasher film directed by Bruce Pittman, written by Ron Oliver, and starring Michael Ironside, Wendy Lyon, Louis Ferreira, and Lisa Schrage. It follows a high school student who becomes possessed by Mary Lou Maloney, a student who died at her high school prom in 1957. A sequel to the slasher film Prom Night (1980), it was originally intended to be a standalone film titled The Haunting of Hamilton High, but was retitled in order to capitalize on the success of the original Prom Night. The only story connection between the two films is that they are set at the same high school. However, both films were executive produced by Peter R. Simpson.

<i>Carrie</i> (musical) 1988 musical

Carrie is a musical with a book by Lawrence D. Cohen, lyrics by Dean Pitchford, and music by Michael Gore. It is based on Stephen King's horror novel of the same name, and integrates elements from the 1976 film adaptation.

<span class="mw-page-title-main">Carrie White</span> Main character from Stephen Kings Carrie

Carietta N. White is the title character and protagonist of American author Stephen King's first published 1974 horror novel, Carrie.

Margaret White (<i>Carrie</i>) Character in the 1974 novel Carrie by Stephen King (Carries mom)

Margaret White is a fictional character created by American author Stephen King in his first published horror novel, Carrie (1974), where she is the main antagonist.

<span class="mw-page-title-main">Sue Snell</span> Fictional character

Susan D. Snell is a fictional character created by American author Stephen King in his first published 1974 horror novel, Carrie.

<span class="mw-page-title-main">Rita Desjardin</span> Fictional character

Miss Rita L. Desjardin is a fictional character created by American author Stephen King in his first published 1974 horror novel Carrie. In the 1976 film adaptation, the character was renamed Miss Collins and portrayed by Betty Buckley. In the 2002 and 2013 versions, she was played by Rena Sofer and Judy Greer, respectively. She was renamed Miss Lynn Gardner in the 1988 musical, portrayed by Darlene Love and Carmen Cusack, amongst other productions.

<span class="mw-page-title-main">Portia Doubleday</span> American actress

Portia Doubleday is an American actress. She is best known for her roles as Sheeni Saunders in the film Youth in Revolt (2009), Chris Hargensen in the film Carrie (2013), and as Angela Moss in the USA Network television drama Mr. Robot (2015–2019).

The Random Years is an American sitcom created by Michael Lisbe and Nate Reger that aired for four episodes on the United Paramount Network (UPN) in March 2002. The series centers on childhood friends Alex Barnes, Wiseman, and Todd Mitchell and their lives after graduating college while living in Chinatown, Manhattan. Storylines focus on the characters' jobs and romantic relationships, often including their neighbor Casey Parker and their building superintendent Steve.

<i>Carrie</i> (2013 film) 2013 film by Kimberly Peirce

Carrie is a 2013 American supernatural horror film directed by Kimberly Peirce. It is the third film adaptation and a remake of the 1976 adaptation of Stephen King's 1974 novel of the same name and the fourth film in the Carrie franchise. The film was produced by Kevin Misher, with a screenplay by Lawrence D. Cohen and Roberto Aguirre-Sacasa. The film stars Chloë Grace Moretz as the titular character Carrie White, alongside Julianne Moore as Margaret White. The cast also features Judy Greer, Portia Doubleday, Gabriella Wilde, Ansel Elgort and Alex Russell. The film is a modern re-imagining of King's novel about a shy girl outcast by her peers and sheltered by her deeply religious mother, who uses her telekinetic powers with devastating effect after falling victim to a cruel prank at her senior prom.

Carrie is an American horror media franchise, based on the 1974 novel of the same name by author Stephen King. The series consists of four films, a Broadway musical and a television special.

References

  1. 1 2 3 4 5 6 Guthmann, Edward (November 2, 2002). "'Carried' away / Scariest thing about TV remake of DePalma classic is its length". SFGate. Archived from the original on January 10, 2018. Retrieved January 9, 2018.
  2. 1 2 3 Miller III, Randy (September 22, 2003). "Carrie (TV Film)". DVD Talk. Archived from the original on February 1, 2018. Retrieved January 31, 2018.
  3. "Carrie". letterboxd.com. Retrieved June 6, 2019.
  4. 1 2 3 Grego, Melissa (May 22, 2002). "Bettis has 'Carrie' in mind". Variety. Archived from the original on February 2, 2016. Retrieved January 7, 2016.
  5. 1 2 3 4 5 6 7 Taylor, Robert (October 26, 2006). "Reflections: Talking with Bryan Fuller". Comic Book Resources . Valnet Inc. Archived from the original on January 9, 2018. Retrieved January 8, 2018.
  6. 1 2 3 4 5 6 7 8 Gallo, Phil (November 3, 2002). "Carrie". Variety. Archived from the original on January 31, 2018. Retrieved January 8, 2018.
  7. Feiwell, Jill (July 2, 2002). "Emilie de Ravin". Variety. Archived from the original on January 10, 2018. Retrieved January 9, 2018.
  8. 1 2 3 4 5 6 7 8 9 10 Spelling, Ian (2002). "Carrie On". Fangoria . Archived from the original on November 16, 2004.
  9. 1 2 3 4 5 6 7 8 9 Wertheimer, Ron (November 4, 2002). "It's Not Nice to Make Fun of Carrie, Remember?". The New York Times. Archived from the original on January 9, 2018. Retrieved January 8, 2018.
  10. Friedlander, Whitney (January 23, 2015). "'Hannibal' Creator Talks 'Star Trek' and Balancing Projects". Variety. Archived from the original on January 31, 2018. Retrieved January 8, 2018.
  11. 1 2 3 Kissell, Rick (November 5, 2002). "ABC scores demo win". Variety. Archived from the original on January 9, 2018. Retrieved January 8, 2018.
  12. Zad, Martie (August 10, 2003). "'Little House on the Prairie' Returns". The Washington Post. Archived from the original on February 1, 2018. Retrieved January 31, 2018.
  13. 1 2 3 4 5 6 Jane, Ian (April 7, 2015). "Carrie / The Rage: Carrie 2 (Blu-ray)". DVD Talk. Archived from the original on January 10, 2018. Retrieved January 9, 2018.
  14. 1 2 3 4 5 6 Hanley, Ken W. (April 14, 2015). ""Carrie" (2002) / "The Rage: Carrie 2" (Blu-ray Review)". Fangoria. Archived from the original on January 10, 2018.
  15. "Carrie (2002)". Rotten Tomatoes . Fandango. 12 August 2003. Retrieved May 14, 2020.
  16. 1 2 3 4 5 6 Stasi, Linda (November 4, 2002). "Slash and 'Carrie': 3 ½ stars for remake of killer classic". New York Post. Archived from the original on January 10, 2018. Retrieved January 9, 2018.
  17. 1 2 3 4 5 Johnson, Steve (November 4, 2002). "Carrie' remake faithful to original". Chicago Tribune. Archived from the original on January 10, 2018. Retrieved January 9, 2018.
  18. 1 2 Gliatto, Tom (November 4, 2002). "Picks and Pans Review: Carrie". People. Archived from the original on January 10, 2018. Retrieved January 9, 2018.
  19. 1 2 3 4 5 Arrigo, Anthony (April 15, 2015). "Carrie / The Rage: Carrie 2 (Blu-ray)". Dread Central. Archived from the original on July 3, 2017. Retrieved January 11, 2018.
  20. 1 2 3 4 Levesque, John (October 31, 2002). "New 'Carrie' offers nothing to fear but the lack of fear itself". Seattle Post-Intelligencer. Archived from the original on January 10, 2018. Retrieved January 9, 2018.
  21. Billson, Anne (October 24, 2013). "Carrie: how does the remake compare with the original?". The Telegraph. Archived from the original on March 14, 2017. Retrieved February 16, 2018.
  22. "The 29th Annual Saturn Awards nominations". saturnawards.org. Academy of Science Fiction, Fantasy and Horror Films. Archived from the original on April 11, 2003.
  23. "A Look at the 29th Annual Saturn Awards" (PDF). The Saturn Rings. Academy of Science Fiction, Fantasy and Horror Films. Winter 2004. Archived from the original (PDF) on April 2, 2012.
  24. "The ASC Awards for Outstanding Achievement in Cinematography". American Society of Cinematographers. Archived from the original on March 7, 2010.
  25. Squires, John (July 21, 2015). "8 Horror Movie TV Series Adaptations That Didn't Quite Work Out". Dread Central. Archived from the original on January 11, 2018. Retrieved January 11, 2018.
  26. Russo, Tom (October 12, 2013). "Why remake 'Carrie'?". Boston Globe. Archived from the original on February 24, 2014. Retrieved February 15, 2018.
  27. Rooney, David (October 17, 2013). "Carrie: Film Review". The Hollywood Reporter. Archived from the original on January 29, 2018. Retrieved February 15, 2018.