Census Designated

Last updated

Census Designated
Jane remover census designated new.png
Studio album by
Jane Remover
ReleasedOctober 20, 2023 (2023-10-20)
RecordedFebruary 4, 2022 – July 22, 2023
Studio
Genre
Length61:30
Label DeadAir
Producer Jane Remover
Jane Remover chronology
Frailty
(2021)		Census Designated
(2023)		 Revengeseekerz
(2025)
Singles from Census Designated
  1. "Cage Girl"
    Released: June 27, 2022
  2. "Contingency Song"
    Released: November 16, 2022
  3. "Lips"
    Released: August 23, 2023
  4. "Census Designated"
    Released: September 20, 2023

Census Designated is the second studio album by the American musician Jane Remover. It was released by DeadAir Records on October 20, 2023, as the follow up to her debut album Frailty in 2021. The following year, she came out as a trans woman and changed her stage name as she worked on Census Designated. The material on the album was inspired by an incident where she almost died while on a road trip through a blizzard, horror movies, and the music of the singer-songwriter Ethel Cain. It was written in a variety of locations, including her house, at school, and on the road while touring with Brakence. Going through numerous revisions, the tracks were recorded in both Remover's house in New Jersey and at Studio North in Philadelphia; the album was entirely produced by Remover herself.

Contents

Census Designated is a concept album in the shoegaze and post-rock genres; its story takes place over the course of one night, from sunset to dusk. It presents Auto-Tuned vocals that address themes of desperation, isolation, and rejection. She wanted to distance herself from the labels that were given to her previous work; specifically the term "Internet music". Its artwork was photographed by Brendon Burton, and was chosen as the cover art to represent CensusDesignated's overarching coming-of-age theme. It was promoted with four singles and a tour across North America with Quannnic. It received positive reviews from publications; Paste and Pitchfork included the single "Census Designated" in their best songs of the year lists. The album charted on the North American College and Community Radio Chart (NACC).

Background

Jane Remover released her debut studio album Frailty in November 2021, to positive reviews from Pitchfork, [1] Paste, [2] and Anthony Fantano. [3] It was generally described as being digicore, [1] hyperpop, emo, and EDM, [2] as well as a variety of other genres. [1] [2] [4] Ever since she started releasing music, she had always wanted to change her sound and "work towards the goal of being a jack-of-all-trades". [5] During June 2022, she released the singles "Royal Blue Walls" and "Cage Girl" and came out as a trans woman, changing her stage name to Jane Remover; [6] Census Designated is her first album released under the name. [7] During 2022, she toured the United States with Brakence in support of his Hypochondriac Tour. [6] [7] [8]

Development

Writing

Due to Remover recording Frailty in her childhood bedroom in New Jersey, the state inspired a lot of material that was on the album. [9] [10] Alternatively, Census Designated was inspired by a self-described "near-death experience" Remover went through while on a cross-country road trip through a blizzard. [11] [12] She was travelling to Seattle late at night, but the snow became unbearable and she had to make a pit stop in John Day, Oregon. [7] She said it felt like a "reality check" that made her "want to stop ruining things for [herself]". [12] She wrote some of the songs at her house, at school, and while being on the road as she was on tour. [13] Speaking about the album's visuals, she commented: "I kind of just had this idea of an empty plane, and dilapidated houses and just like decay and nothing." The ideas for the album's imagery came to her when she first started working on the album musically. [7]

The songs on Census Designated went through numerous revisions. They were written about things Remover was afraid of happening instead of things that actually occurred in real life. [6] Remover shared that while work on the album progressed, she felt the need "to make something else, […] to make something better" with each successive track that was recorded. [6] The track "Lips" served as "a skeleton key for the rest of the album in both mood and sound", as Remover became obsessed with the climax of the song, and thought: "I can find a way to build a whole universe out of this." She wanted the listener to interpret the lyrics differently, as she thought with the use of body horror imagery, she could keep the lyrics vague and abstract. She was also interested in watching horror movies while creating the album; such as 1997's Cutting Moments while writing "Lips". [5] When she wrote "Backseat Girl", she had not cried in a while and thought of a memory "of standing next to someone who was crying during a show", leading her to feel inconvenienced, which inspired the song. [10]

Production

Census Designated was recorded in both Remover's house in New Jersey and at Studio North in Philadelphia, from February 4, 2022, to July 22, 2023. [14] It was entirely produced by Remover. [14] Following the release of Frailty, Remover felt conflicted over the vocal performances included on the album; criticism directed at the album's recording quality prompted her to "[try] and clean ... up in all aspects" while working on Census Designated. In an interview with Stereogum , Remover shared that she re-recorded the track "Lips" roughly 100 times because she was unsatisfied with each vocal take, and this desire to continually re-record the song persisted into the album's mixing stage. During the mixing process, Remover oversaw this aspect of the production in-person to ensure that it was "as perfect as it [could] be" before the album was released. After hearing her music being played at a venue, it gave insight into how to make and mix her music in the future. [6]

On Census Designated, Remover wanted to distance herself from the labels that were given to her previous work, specifically the term "Internet music". [6] [7] With the album, she said that she "kind of found the lane that [she] [wants] to stay in", commenting on her production style. When speaking about genre, she believed that there is not a lane. [7] Remover cited the music of the American singer-songwriter Ethel Cain, namely her album Preacher's Daughter (2022), as another source of inspiration for material included on Census Designated. The song "Cage Girl", which Remover revealed was originally "a demo that [she] made in an hour" for a creative writing class in 2022, is a favorite of Cain's. [6]

Composition

Overview

Census Designated is primarily a shoegaze [15] [16] [17] [18] [19] [20] and post-rock [15] [18] [19] album that has also been described as bedroom pop, [16] experimental rock, [7] and noise rock. [17] It is over an hour long and all of the tracks run for more than four and a half minutes, with most lasting up to six minutes. [7] [21] The second half of the album is largely based on nightmares Remover feared would materialize in her own life; the tracks "Census Designated", "Video", and "Contingency Song" are told from the perspective of being in a relationship. [6] It presents Auto-Tuned vocals that address themes of desperation, isolation, and rejection. [15] [22] Emma Madden of Them described the lyrics as "rich with half-vague, half-precise poetry" and thought Remover's guitar tone "holds both a sense of terror and beauty". [13] Spencer Nafekh-Blanchette from Exclaim! called Census Designated "a new chapter in Remover's experimental production" and commented on how Remover delivers droning sounds that, though are noisy, are more calm compared to her previous music. [21] For Pitchfork, Kieran Press-Reynolds commented that moments on the album shift abruptly from calm to intense bursts of sounds. He further questioned, because Remover has experimented with drum and bass, ambient, glitch rap, and Jersey club in the past, "why would she choose fiery avant-rock as a primary vehicle?". [16]

Census Designated is a concept album that takes place over the course of one night. Its story begins at sunset and is "guided by Jane Remover's streams of consciousness", ending at dusk. [7] [11] According to Paste's Madelyn Dawson, "its 10 tracks span over an hour of deliberate buildups, frenetic breakdowns and visceral, wry lyricism". [7] It incorporates organic and live instrumentation. [6] Ian Cohen from Stereogum said the album explores the darker edges of rock music. [6] The Guardian 's Ben Beaumont-Thomas compared her vocals to that of K-pop and Europop singers, and mentioned how she reinvigorates guitar sounds by layering them with static and subtle noise elements. [20] Madden proposed that the album should be listened to "just past sundown, when there's a brief and lonely pause in space and time and it feels like you are the only person experiencing reality". [13] Press-Reynolds also mentioned how after each loud noise, there is a calm moment that follows. [16]

Songs

Census Designated's opening track is "Cage Girl / Camgirl", a bedroom pop and drone track that begins with a buzzing and throaty croaking sound that expands into a backing guitar, building into a crescendo. [23] [7] [15] The guitars are "detuned to a death metal gurgle" and the track feels cinematic and fictional, according to Cohen. [6] It is followed by four post-rock tracks; "Lips" is also an indie ballad [16] that begins with gentle vocals discussing the unpredictability of young love, [5] and being someone's "nervous wreck". [16] Its looping guitar strumming fizzles out until the track becomes distorted with drums that reach a climax of purging noise. [5] [16] [24] Press-Reynolds perceived it as a combination between My Bloody Valentine and Fatal Attraction (2023). [16] "Fling" starts out with rough static that transitions into a gentler soundscape. [21] Fantano described it as having "super righteous riffs" and "screaming walls of distorted chords laced with some glossy vocal harmonies" and "stuttering noise". [25] "Holding a Leech" is also a shoegaze track that increasingly intensifies as it picks up in pace. [15] [21] "Backseat Girl" is about how Remover felt like she ignored others people's feelings, even when she was aware of her own. [10]

With "Idling Somewhere", its loud moments and "destructive" feedback were described as "more punishing than harsh noise albums" by Fantano. [26] Ondarock's Michele Corrado wrote that the track "breaks out with lacerating screamo". [a] [15] The shoegaze "Always Have Always Will" begins with an "ahhh" sound that was likened to an extending infinity mirror by Press-Reynolds. It is a softer and more apologetic track that climaxes with a rush of static; according to Press-Reynolds, it feels more joyful than sorrowful compared to the album's other songs. [16] "Census Designated" discusses struggling with the present and being anxious about what is next in her life. [27] The track was written about the fear of being deceived and exploited because of her age; it also mentions numerous mental states and different geographic locations. [16] She also sings about liking the idea of being "young blood, fresh meat", and the track sonically ends with chaos and noise. [16] [27] Writing for Pitchfork, Hattie Lindert felt it had a more minimalist sound when compared to Frailty. [27] Fantano called it "one of the most multifaceted songs" on the album, and that it "hits some epic and noisy highs". [28] The penultimate track "Video" tells the story of a woman who becomes infatuated with a man she watched touch himself online, before he exploits her when the two eventually meet outside of the Internet. [6] Its guitar strums for six minutes until the track bursts with a powerful scream. [16] The final track, "Contingency Song", contains dissonant drones, and Press-Reynolds described it as containing a "sparse winter horizon" and that "you can almost feel the chill of its malign fog". [16]

Artwork

The album's artwork was shot by the American photographer Brendon Burton, [14] and depicts Remover standing alone in a field with her back towards the camera as she faces the remnants of a dilapidated house. [13] Speaking with Them, Remover commented that she chose this photograph to serve as the artwork because it represents Census Designated's overarching coming-of-age theme. When Madden proposed that the empty house featured prominently in the image might embody emotions related to "feeling further away from home", Remover welcomed the idea. Though she commented that the suggestion "wasn't what [she] was going for" personally, she also expressed her intention for the album's material to be open for interpretation. [13]

Promotion and release

In preparation of Census Designated's release, Remover posted images to her social media that consisted of her standing in places such as empty wheat fields, in front of bare buildings, and outside a window in a deserted landscape. [7] "Cage Girl", which serves as the first half of the album's opening track, was initially released as a demo on SoundCloud in April 2022 [6] before being officially released alongside the non-album single "Royal Blue Walls" [b] on June 27, 2022. [29] "Contingency Song" was released as the album's second single on November 16; [24] the album features an alternate version of the song. [12] "Lips" was announced alongside the album itself and released as the third single on August 23, 2023. [11] The album's title track, "Census Designated", was released as the fourth and final single on September 20. [27] [30] It was accompanied by the first-ever music video from Remover, directed by Quadeca. [30] Census Designated was released by DeadAir Records on October 20, 2023, through digital, CD, and LP formats. [12] [31] It was leaked in Japan days before its release; in response, Remover shared that she has become accustomed to her music leaking prematurely after experiencing her previous projects, Teen Week and Frailty (both 2021), being spread online before their respective release dates. [6] On October 31, 2023, Remover announced that she would be co-headlining the Designated Dreams Tour with Quannnic throughout February 2024. The tour saw the two artists travel across the United States to perform a total of 12 shows. [32] Census Designated peaked at number 27 on the North American College and Community Radio Chart dated November 14. [33]

Critical reception

Professional ratings
Review scores
SourceRating
Exclaim! 7/10 [21]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [20]
The Needle Drop 6/10 [c]
Ondarock  [ it ]7/10 [15]
Pitchfork 7.8/10 [16]

Census Designated received mostly positive reviews from publications. Beaumont-Thomas thought Remover's guitar-playing sounds "like no one else", due to her history in genres such as digicore and hyperpop. He called Remover a "superb arranger" and that she is able to revitalize "these staple guitar sounds". He concluded by writing that there "isn't a single weak song" on the album and called the title track the "greatest [realization] of her visionary approach". [20] Press-Reynolds described it as "a feverish mutation of shoegaze and bedroom pop", saying the album offers an immersive experience, and called it her "most poignant and piercing music" yet. [16] Nafekh-Blanchette thought the album to be her "most cohesive work yet", and that it trades the "contagious energy" of her previous works for "retrospection and tranquility". [21] Corrado said the sounds heard on Frailty are "completely overturned" [d] and called Remover's guitar "a guide to [her] long compositions". [e] He concluded his review with stating: "We can say that the underground-oriented Generation Z has found an important champion." [f] [15] Fantano thought the album was ambitious and its artistic intentions were pure. [35]

Some reviewers were critical of the album's length. Press-Reynolds believed that some of the songs run on for too long, [16] and Corrado commented on how the length of the album is not entirely useful. [15] Nafekh-Blanchette thought that the album's "one truly divisive element" is its length; he stated that the plentiful amount of similar sounds was a contributing factor. [21] Reviewers also opined that the album is a downgrade when compared to her previous work. Press-Reynolds thought the album to not be as sonically pleasing as Frailty, [16] while Nafekh-Blanchette wrote that the album lacks the "unpredictability" of Remover's album Dariacore (2021), released under the alias Leroy. [21] Fantano overall believed that it was a downgrade when compared to Frailty. [35]

Census Designated's title track was named one of the best tracks of the year by Pitchfork and Paste. The former website considered it the 73rd best song of the year; Daniel Bromfield wrote that Remover is "acutely aware of how dangerous show business can be for those who find early success", calling its lyrics "no less alarming than the hair-raising music behind it". [36] The latter website ranked it the 97th best song of the year; Dawson described it as a "a portrait of an artist so comfortably entrenched in the discomfort of her own sonic world". She concluded by mentioning how Remover is succeeding at knowing her music "sounds like absolutely no one else". [37]

Track listing

All tracks are written and produced by Jane Remover.

Census Designated track listing
No.TitleLength
1."Cage Girl / Camgirl"5:43
2."Lips"5:11
3."Fling"4:54
4."Holding a Leech"4:36
5."Backseat Girl"6:00
6."Idling Somewhere"7:23
7."Always Have Always Will"6:30
8."Census Designated"6:01
9."Video"8:42
10."Contingency Song" (album version)6:26
Total length:61:30
Vinyl release
No.TitleLength
11."Royal Blue Walls"6:02
12."John Doe Song"4:13
Total length:71:45

Personnel

Credits are adapted from Census Designated's liner notes. [14]

Musicians

Technical

Artwork

Charts

Chart performance for Census Designated
Chart (2023)Peak
position
US & Canadian College Radio Top 200 (NACC) [33] 27

Notes

  1. ↑ This quote is a translation of the original text: "sbrocca in laceranti screamo"
  2. ↑ "Royal Blue Walls" is included as a bonus track on Census Designated's vinyl release. [14]
  3. ↑ Specifically, Fantano rated the album a "strong 6". [34]
  4. ↑ This quote is a translation of the original text: "completamente ribaltate"
  5. ↑ This quote is a translation of the original text: "da guida alle lunghe composizioni della cantautrice"
  6. ↑ This quote is a translation of the original text: "possiamo affermare che la Z Generation più incline all'underground abbia trovato un'importante paladina"

Related Research Articles

Shoegaze is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts.

Dream pop is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably.

<span class="mw-page-title-main">Slowdive</span> British shoegaze band

Slowdive are an English rock band that formed in Reading, Berkshire, in 1989. The band consists of Rachel Goswell, Neil Halstead, Christian Savill (guitars), Nick Chaplin (bass), and Simon Scott, all of whom played on the band's early records. Halstead is the band's primary songwriter.

<i>Quique</i> (album) 1993 studio album by Seefeel

Quique is the debut album by British music group Seefeel. It was released through Too Pure in October 1993. A predominantly instrumental record which utilises elements of both rock and electronic music, it blends styles including techno, dream pop, ambient, and dub. Guitarist Mark Clifford worked continually on tracks while other members either completed them or provided component ideas.

Hyperpop is a loosely defined electronic music movement and microgenre that predominantly originated in the United Kingdom during the early 2010s. It is characterised by an exaggerated or maximalist take on popular music, and typically integrates pop and avant-garde sensibilities while drawing on elements commonly found in electronic, hip hop, and dance music.

<i>To See the Next Part of the Dream</i> 2021 studio album by Parannoul

To See the Next Part of the Dream is the second studio album by the South Korean musician Parannoul, released independently on 23 February 2021, and later that same year through Longinus Recordings and Poclanos. Parannoul, an anonymous artist of whom little information is known, recorded the album over several years in his bedroom using very limited equipment. To See the Next Part of the Dream has been variously characterized as a shoegaze, lo-fi, emo, and indie rock record. All instruments are virtual and the volume of most songs usually reaches clipping levels. The lyrics relate to Parannoul's depression and struggles, and the record contains references to 2000s culture, especially Japanese media. Following its release, the album gained popularity on the Internet and garnered a cult following. To See the Next Part of the Dream was critically acclaimed and was considered to be one of the best albums of 2021.

<span class="mw-page-title-main">Jane Remover</span> American musician and producer (born 2003)

Jane Remover is an American musician. She released her debut studio album, Frailty, in 2021, which was followed by Census Designated in 2023, and Revengeseekerz in 2025. She pioneered the "dariacore" microgenre on SoundCloud with her album of the same name, released under the pseudonym Leroy. She has also released music under the alias Venturing, and her first album under this alias, Ghostholding, is set to release in 2025.

<i>Frailty</i> (Jane Remover album) 2021 studio album by Jane Remover

Frailty is the debut studio album by the American musician Jane Remover. It was released by DeadAir Records on November 12, 2021, under her former stage name Dltzk. The album was supported by the release of three singles: "How to Lie", "Pretender", and "Search Party". A hyperpop, EDM, and emo record, Frailty was recorded within six to seven months in Remover's childhood bedroom using FL Studio and an acoustic guitar. Many of the experiences brought up in the album reference Remover's issues with her mental and physical health. The album was positively received by critics.

<i>Blue Rev</i> 2022 studio album by Alvvays

Blue Rev is the third studio album by Canadian indie pop band Alvvays, released on October 7, 2022, via Polyvinyl, Transgressive, and Celsius Girls. The album expands on the shoegaze influences from their previous albums, and received universal acclaim from critics.

<i>Spiderr</i> 2022 studio album by Bladee

Spiderr is the sixth solo studio album by the Swedish rapper Bladee. It was released by Year0001 on 30 September 2022. Amidst touring North America and Europe with Drain Gang, Bladee released the collaborative album Crest with Ecco2K during March 2022, to critical praise. He then announced Spiderr on Instagram during September 2022, alongside the release of its lead single "Drain Story". It was produced by Whitearmor with contributions from Gud and Joakim Benon, and contains guest appearances from Ecco2K and Wondha Mountain. Spiderr is a pop and hip-hop album that builds upon his previous albums while using new sounds. It received positive reviews from multiple publications; it was considered one of the best albums of the year by The Line of Best Fit and one of the best hip-hop albums of the year by Slant Magazine.

"Easy on Your Own?" is a single by Canadian indie pop band Alvvays, released on August 10, 2022 via Polyvinyl. The song is the second single and second track from Blue Rev (2022).

<i>Dariacore</i> (album) 2021 album by Jane Remover as Leroy

Dariacore is the debut studio album by the American musician Jane Remover under the pseudonym Leroy. It was self-released on May 14, 2021. Described as a mashup album, Remover was inspired by the musician Vektroid and SoundClown music. Its name is taken from the Daria TV series. Dariacore was responsible for the creation of a genre of the same name, which inspired a wave of SoundCloud artists, and was considered one of the best albums of 2021 by The Fader. It received two sequels.

<span class="mw-page-title-main">They Are Gutting a Body of Water</span> American rock band

They Are Gutting a Body of Water is an American shoegaze band from Philadelphia, Pennsylvania. The band was initially the solo project of songwriter and guitarist Douglas Dulgarian, but has expanded to a full lineup including bassist Emily Lofing, guitarist PJ Carroll, and drummer Ben Opatut.

<i>Wallsocket</i> 2023 studio album by Underscores

Wallsocket is the second studio album by the American musician Underscores. It was released by Mom + Pop Music on September 22, 2023. After rising to prominence with her debut album Fishmonger in March 2021, Underscores began recording Wallsocket in January 2022. A higher budget allowed her to focus on immersion. The album's fictional Wallsocket, Michigan, setting was inspired by the Idaho home of her grandparents, social commentary on the upper middle class in slasher films, and rural American horror films. Across the album's characters, she eventually convinced herself to discuss transgender identity and the horseshoe theory. The songs were written acoustically first and inspired by country and blues sonics, as well as 2010s pop. The album features appearances from Gabby Start, Henhouse!, and Jane Remover.

<i>Cartwheel</i> (album) 2023 studio album by Hotline TNT

Cartwheel is the second album by American shoegaze project Hotline TNT, fronted by Will Anderson. It was released on November 3, 2023, through Third Man Records and received acclaim from critics.

<i>Cold Visions</i> 2024 studio album by Bladee

Cold Visions is the seventh solo studio album by the Swedish rapper Bladee. A surprise album, it was self-released under the Trash Island label on 23 April 2024. As his 30th birthday was approaching, Bladee became anxious about ageing and the mixed reception toward his previous solo studio album Spiderr (2022). He recorded Cold Visions at his house in Stockholm across a two-week period. It is his first studio album not to be released by his longtime record label Year0001 because he wanted to make music that was true to himself. The album was executively produced by Bladee and Gabriel Schuman, and was mainly produced by F1lthy, with contributions from a variety of record producers including Skrillex, Whitearmor, and James Ferraro.

Quannnic is an American musician. Initially presenting a digicore sound, they began releasing music as Quannnic in 2020 and released their debut studio album, Kenopsia, in February the following year. A track from the album, "Life Imitates Life", unexpectedly went viral on TikTok and charted on Billboard's Hot Hard Rock Songs. Quannnic's second studio album, Stepdream, was released in November 2023, and they later co-headlined an American tour with Jane Remover. On Quannnic's musical style, sources mostly described it as shoegaze, with Kenopsia mixing glitch elements and Stepdream emo.

<span class="mw-page-title-main">Magic I Want U</span> 2024 single by Jane Remover

"Magic I Want U" is a song by the American musician Jane Remover. It was released by DeadAir Records on September 4, 2024, along with its B-side "How to Teleport". It was written, performed, and mixed by Remover. Following two tracks released in July 2024, it was released while she was touring with JPEGMafia. It is a pop, emo, and R&B track that draws from a variety of other genres. It is characterized by a mixture of instruments and sounds including fuzzy guitars, skittering breakbeats, synthesizers, drums, trap chants, and air horns. Its lyrics discuss a crush that she has on another musician, as well as sexual desire. "How to Teleport" is a hyperpop song that is also reminiscent of footwork, and is about feeling lost and hopeless. "Magic I Want U" was met with positive reviews from critics; it was considered one of the best songs of the year by Pitchfork and Anthony Fantano, while Paste included it in their mid-decade list.

Revengeseekerz is the upcoming third studio album by the American musician Jane Remover. It is scheduled to be released by DeadAir Records during 2025.

References

  1. 1 2 3 Sundaresan, Mano (November 23, 2021). "Jane Remover: Frailty Album Review". Pitchfork . Archived from the original on June 1, 2023. Retrieved December 18, 2024.
  2. 1 2 3 Sharples, Grant (December 8, 2021). "No Album Left Behind: Jane Remover's Frailty Is an Electrifying Work of Unpredictability". Paste . Archived from the original on December 18, 2022. Retrieved December 16, 2021.
  3. ↑ Fantano, Anthony (November 25, 2021). Jane Remover – Frailty ALBUM REVIEW. The Needle Drop . Archived from the original on May 26, 2024. Retrieved December 18, 2024.
  4. ↑ Press-Reynolds, Kieran (November 24, 2021). "An 18-year-old invented a new genre of meme-heavy music called 'dariacore' that's like 'pop music on steroids'". Insider . Archived from the original on July 21, 2023. Retrieved December 18, 2024.
  5. 1 2 3 4 Kelly, Chris (February 14, 2024). "For pop musician Jane Remover, experimentation is everything" . The Washington Post . Retrieved December 18, 2024.
  6. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Cohen, Ian (October 16, 2023). "Jane Remover Can't Stop Transforming". Stereogum . Archived from the original on October 21, 2023. Retrieved October 20, 2023.
  7. 1 2 3 4 5 6 7 8 9 10 11 12 Dawson, Madelyn (October 26, 2023). "Jane Remover Reconstructs Herself Through Trust". Paste . Archived from the original on November 13, 2023. Retrieved December 18, 2024.
  8. ↑ Brickner-Wood, Brady (February 22, 2023). "Jane Remover's outer space". The Fader . Archived from the original on February 22, 2023. Retrieved December 18, 2024.
  9. ↑ Zhang, Cat (January 25, 2022). "Digicore Hero dltzk Is So Online It Hurts". Pitchfork . Archived from the original on January 25, 2022. Retrieved December 18, 2024.
  10. 1 2 3 Jacob, Lola (November 10, 2023). "Introducing: Jane Remover on her sophomore album 'Census Designated'". Coup de Main. Archived from the original on November 12, 2023. Retrieved December 18, 2024.
  11. 1 2 3 LeJarde, Arielle (August 23, 2023). "Jane Remover announces new album Census Designated, shares "Lips"". The Fader . Archived from the original on August 26, 2023. Retrieved August 23, 2023.
  12. 1 2 3 4 Lindert, Hattie (August 23, 2023). "Jane Remover Announces Album, Shares New Song "Lips": Listen". Pitchfork . Archived from the original on September 25, 2023. Retrieved August 23, 2023.
  13. 1 2 3 4 5 Madden, Emma (October 20, 2023). "On Census Designated, Jane Remover's Guitar Feels Like a Fever Dream". Them . Archived from the original on October 21, 2023. Retrieved October 21, 2023.
  14. 1 2 3 4 5 DeadAir (2023). Census Designated (Vinyl liner notes). Jane Remover. DeadAir. dA-006.
  15. 1 2 3 4 5 6 7 8 9 Corrado, Michele (October 23, 2023). "Jane Remover - Census Designed". Ondarock  [ it ]. Retrieved October 23, 2023.
  16. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Press-Reynolds, Kieran (October 20, 2023). "Jane Remover: Census Designated Album Review". Pitchfork . Archived from the original on October 20, 2023. Retrieved October 20, 2023.
  17. 1 2 Lipshutz, Jason (October 20, 2023). "Friday Music Guide: New Music From Blink-182, Charli XCX & Sam Smith, The Rolling Stones and More". Billboard . Archived from the original on October 21, 2023. Retrieved October 20, 2023.
  18. 1 2 Feigelson, David (February 9, 2024). "The Emergence of Hyper-Rock". Paste . Archived from the original on February 9, 2024. Retrieved December 18, 2024.
  19. 1 2 Enis, Eli (December 18, 2023). "TikTok Has Made Shoegaze Bigger Than Ever". Stereogum . Archived from the original on December 18, 2023. Retrieved December 18, 2024.
  20. 1 2 3 4 "The five-star albums we missed in 2023 – from Jane Remover to Jalen Ngonda". The Guardian . December 25, 2023. Archived from the original on May 26, 2024. Retrieved December 25, 2023.
  21. 1 2 3 4 5 6 7 8 Nafekh-Blanchette, Spencer (October 20, 2023). "Jane Remover's Census Designated Balances Calamity and Quietude". Exclaim! . Archived from the original on October 20, 2023. Retrieved October 20, 2023.
  22. ↑ Sherburne, Philip (December 14, 2023). "The Shoegaze Revival Hit Its Stride in 2023". Pitchfork . Archived from the original on December 14, 2023. Retrieved December 18, 2024.
  23. ↑ Fantano 2023, 2:07.
  24. 1 2 DeVille, Chris (November 16, 2022). "Jane Remover Shares New Single "Contingency Song": Listen". Stereogum . Archived from the original on September 19, 2023. Retrieved September 18, 2023.
  25. ↑ Fantano 2023, 2:33.
  26. ↑ Fantano 2023, 4:09.
  27. 1 2 3 4 Lindert, Hattie (September 21, 2023). "Jane Remover: "Census Designated" Track Review". Pitchfork . Archived from the original on September 29, 2023. Retrieved December 18, 2024.
  28. ↑ Fantano 2023, 4:57.
  29. ↑ Pappis, Konstantinos (June 27, 2022). "Jane Remover Shares New Songs "Royal Blue Walls" and "Cage Girl"". Our Culture Mag . Archived from the original on September 19, 2023. Retrieved September 18, 2023.
  30. 1 2 Minsker, Evan (September 20, 2023). "Jane Remover Shares Video for New Song "Census Designated": Watch". Pitchfork . Archived from the original on September 29, 2023. Retrieved September 20, 2023.
  31. ↑ "Census Designated / Jane Remover". Bandcamp. Archived from the original on October 19, 2023. Retrieved December 23, 2024.
  32. ↑ Minsker, Evan (October 31, 2023). "Jane Remover Announces 2024 U.S. Tour". Pitchfork . Archived from the original on October 31, 2023. Retrieved October 31, 2023.
  33. 1 2 "NACC Chart - Top 200 Summary Chart". North American College and Community Radio Chart . November 14, 2023. Archived from the original on November 16, 2023. Retrieved November 16, 2023.
  34. ↑ Fantano 2023, 6:12.
  35. 1 2 Fantano 2023, 5:51.
  36. ↑ Pitchfork (December 4, 2023). "The 100 Best Songs of 2023". Pitchfork . Archived from the original on December 4, 2023. Retrieved February 20, 2024.
  37. ↑ Paste Staff (December 4, 2023). "The 100 Best Songs of 2023". Paste . Archived from the original on January 22, 2024. Retrieved February 20, 2024.

Video sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.