Charmaine Nelson | |
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Born | Charmaine Andrea Nelson 1971 (age 51–52) |
Occupation | Art history professor |
Years active | 2001–present |
Academic background | |
Education | Art History |
Alma mater | University of Manchester (PhD) Concordia University (BFA & MFA) |
Academic work | |
Discipline | Art History |
Institutions | University of Massachusetts Amherst (2022–present) NSCAD University (2020–2022) McGill University (2003–2020) University of Western Ontario |
Main interests |
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Charmaine Andrea Nelson (born 1971) is a Canadian art historian, educator, author, and independent curator. Nelson was a full professor of art history at McGill University until June 2020 when she joined NSCAD University to develop the Institute for the Study of Canadian Slavery. [1] [2] She is the first tenured Black professor of art history in Canada. [3] [4] Nelson's research interests include the visual culture of slavery, race and representation, Black Canadian studies and African Canadian history as well as critical theory, post-colonial studies, Black feminist scholarship, Transatlantic Slavery Studies, and Black Diaspora Studies. [2] [5] [6] [7] [8] In addition to teaching and publishing in these research areas, Nelson has curated exhibitions, including at the Robert McLaughlin Gallery [9] in Oshawa, Ontario, and the Leonard and Bina Ellen Art Gallery at Concordia University in Montreal, Quebec. [10]
After completing her BFA and MFA degrees at Concordia University, Nelson worked at the Canadian War Museum in Ottawa, Ontario. She then began her PhD at Queen's University which she completed at the University of Manchester (UK) in 2001. Before obtaining her position at McGill University, Nelson was an assistant professor at University of Western Ontario.
Throughout her career, Nelson has held several fellowships and research chairs including a Caird Senior Research Fellowship, National Maritime Museum, Greenwich, UK (2007), a Fulbright Visiting Research Chair, [11] [12] University of California – Santa Barbara (2010) as well as a visiting professorship in the Department of Africology at the University of Wisconsin, Milwaukee (2011). [13]
In 2015, she was an Associate Member of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University. [14] From 2015 to 2017, Nelson was a Faculty Fellow at McGill's Institute for Public Life of the Arts and Ideas. [15] In 2016, she was named as a Fellow of the Royal Society of Canada, College of New Scholars, Artists, and Scientists. [16] [17] From 2017 to 2018, Nelson was the William Lyon Mackenzie King Visiting Professor of Canadian Studies at Harvard University. [2] [8] [15] [18]
In June 2020, Nelson was named as NSCAD University's Tier 1 Canada Research Chair, a funded, seven-year (renewable) position where she will continue her research on Transatlantic Black Diasporic Art and Community Engagement. [19] In addition, Nelson will use the seven-year position to work with NSCAD to develop the Institute for the Study of Canadian Slavery. [20] [21] [22]
As of October, 2022, Nelson has left NSCAD, citing experiences of racism where she felt "undermined and as though she was being questioned about her ability to run an institute." [23] She has re-developed the Institute for the Study of Canadian Slavery into the Slavery North Initiative, a project that she currently leads at the University of Massachusetts Amherst. [24]
Nelson regularly offers public presentations of her research. Some of these include:
Nelson has published articles in academic journals and popular sources, including the Journal of Transatlantic Studies, [34] The Walrus Magazine, [35] Frieze, [36] [37] RACAR: revue d'art canadienne / Canadian Art Review, [38] [39] American Art, [40] Topia: Canadian Journal of Cultural Studies, [41] and HuffPost. [42] She is author and editor of several books and has contributed chapters to numerous scholarly publications.
Charmaine Nelson has received a Woman of Distinction Award from the Montreal's Women's YWCA in 2012 (Arts and Culture Category) as well as a Teaching Award from The Arts Undergraduate Society of McGill University (2016), and McGill's Faculty Award for Equity and Community Building (2016). [2]
The Underground Railroad was a network of secret routes and safe houses established in the United States during the early to mid-19th century. It was used by enslaved African Americans primarily to escape into free states and from there to Canada. The network, primarily the work of free African Americans, was assisted by abolitionists and others sympathetic to the cause of the escapees. The slaves who risked capture and those who aided them are also collectively referred to as the passengers and conductors of the "Underground Railroad". Various other routes led to Mexico, where slavery had been abolished, and to islands in the Caribbean that were not part of the slave trade. An earlier escape route running south toward Florida, then a Spanish possession, existed from the late 17th century until approximately 1790. However, the network now generally known as the Underground Railroad began in the late 18th century. It ran north and grew steadily until the Emancipation Proclamation was signed by President Abraham Lincoln. One estimate suggests that, by 1850, approximately 100,000 slaves had escaped to freedom via the network.
Mary Ann Camberton Shadd Cary was an American-Canadian anti-slavery activist, journalist, publisher, teacher, and lawyer. She was the first black woman publisher in North America and the first woman publisher in Canada. She was also the second black woman to attend law school in the US. Mary Shadd edited The Provincial Freeman, established in 1853. Published weekly in southern Ontario, it advocated equality, integration and self-education for black people in Canada and the United States.
The Fugitive Slave Act or Fugitive Slave Law was a law passed by the 31st United States Congress on September 18, 1850, as part of the Compromise of 1850 between Southern interests in slavery and Northern Free-Soilers.
Slavery in Canada includes historical practices of enslavement practiced by both the First Nations during the pre-Columbian era, and by colonists during the period of European colonization.
Arthur Lismer, LL. D. was an English-Canadian painter, member of the Group of Seven and educator. He is known primarily as a landscape painter and for his paintings of ships in dazzle camouflage.
NSCAD University is a public art university in Halifax, Nova Scotia, Canada. The university is a co-educational institution that offers bachelor's and master's degrees. The university also provides continuing education services through its School of Extended Studies.
In the United States, fugitive slaves or runaway slaves were terms used in the 18th and 19th centuries to describe people who fled slavery. The term also refers to the federal Fugitive Slave Acts of 1793 and 1850. Such people are also called freedom seekers to avoid implying that the enslaved person had committed a crime and that the slaveholder was the injured party.
Prudence Heward was a Canadian figure painter, known for using acidic colour, a sculptural treatment, and giving an intense brooding quality to her subjects. She was a charter member of the Canadian Group of Painters, the Contemporary Arts Society and the Federation of Canadian Artists. Although she did not show her work with the Beaver Hall Group, she was allied with many of its artists in her aesthetic aims and through friendships.
Sylviane Anna Diouf is a historian and curator of the African diaspora. She is a visiting scholar at the Center for the Study of Slavery and Justice, Brown University and a member of the Scientific Committee of the International Coalition of Sites of Conscience. Her contribution as a social historian, she stressed, "may be the uncovering of essential stories and topics that were overlooked or negated, but which actually offer new insights into the experience of the African Diaspora. A scholar said my work re-shapes and re-directs our understanding of this history; it shifts our attention, corrects the historical record, and reveals hidden and forgotten voices."
Jan Peacock is a Canadian interdisciplinary artist, curator and writer.
Joanne Tod (R.C.A.) is a Canadian contemporary artist and lecturer whose paintings are included in the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario in Toronto and the Musée des beaux-arts de Montréal.
Alice Ming Wai Jim is an art historian, curator and Professor at Concordia University in Montreal, Quebec, Canada, as well as an Adjunct Professor in Graduate Studies at OCAD University in Toronto, Ontario, Canada. She focuses her research on diasporic art in Canada, contemporary Asian art and contemporary Asian Canadian art, particularly on the relationships between remix culture and place identity. She currently holds the Concordia University Research Chair in Ethnocultural Art History (2017–2022).
Heather L. Igloliorte is an Inuk scholar, independent curator and art historian from Nunatsiavut.
Andrea Fatona is a Canadian independent curator and scholar. She is an associate professor at OCAD University, where her areas of expertise includes black, contemporary art and curatorial studies.
Pamela Edmonds is a Canadian visual and media arts curator focused on themes of decolonization and the politics of representation. She is considered an influential figure in the Black Canadian arts scene. Since 2019, Edmonds has been the senior curator of the McMaster Museum of Art.
Charmaine Lurch is a Toronto-based painter, sculptor, installation artist and arts educator known for her interdisciplinary work and exploration of themes including Black studies and environmental issues.
First Baptist Church is a Baptist in Toronto, Ontario, affiliated with Canadian Baptists of Ontario and Quebec. It is both the first Baptist congregation in Toronto and the oldest black institution in the city. Formed by fugitive enslaved persons, the church played a large role in the abolitionist movement, including hosting lectures against slavery and offering aid to fugitives.
Black Wimmin: When and Where We Enter, organized by the Diasporic African Women’s Art Collective (DAWA), was a travelling exhibition that circulated in Canada in 1989. It is considered to be the first Canadian exhibition to feature only the work of Black women artists, and it was the first to be organized and curated by Black women curators.
The Chatham Vigilance Committee was formulated before the American Civil War by black abolitionists in the Chatham, Ontario area to save people from being sold into slavery. Some of the members of the group were graduates of Oberlin College in Ohio. It is most well known for its rescue of Sylvanus Demarest, but the Committee rescued other people.
Martin A. Klein is an Africanist and an emeritus professor in the History Department at the University of Toronto specialising in the Atlantic slave trade, and francophone West Africa: Senegal, Guinea, and Mali. He obtained a Bachelor of Arts degree in journalism at Northwestern University (1951-1955) and a Master of Arts and Doctor of Philosophy in history at the University of Chicago (1957-1964). Klein worked as an assistant professor at the University of California Berkeley from 1965 till 1970, later teaching African history at the University of Toronto as an associate professor and later full professor from 1970 until his retirement in 1999. As a Fulbright Fellow, Klein taught for a year at Lovanium University in Kinshasa.