A chuckmuck is a belt-hung leather and metal decorated tinder pouch with an attached thin long striking plate, found across North Asia and China to Japan from at least the 17th century. Chuckmucks form a well-marked group within flint-and-steel types of fire-lighting kit, still used as jewellery amongst Tibetans (mechag) and Mongolians (kete). This large distinctive style of a worldwide daily utensil was noted in Victorian British India and the 1880s Anglo-Indian word chuckmuck (derived from chakmak) was adopted into specialist English by the early 20th century.
The chuckmuck is constructed from a stiff leather purse with a thick curved steel striker attached by rivets to its base. The sides and flap of the purse are either sewn or fixed by ornamental metal plates or small plaques. Inside are kept a piece of flint and a little tinder (pulped woody material such as plant roots). On the top fold a thin metal plate with 1 - 3 small hooks allow the pouch to be hung from the belt with a chuckmuck strap: a chain, leather thong or embroidered cloth.
Chuckmucks vary in size and decoration, with the circular boss in the centre of the flap, which operates as a hook to keep the purse closed, sometimes being decorated by a semi-precious stone such as coral or turquoise. Other decorations on the mounts are in silver, brass or iron with geometric patterns, floral designs, Tibetan motifs, or in the animal style. [1] [2] The steel striker is occasionally engraved: with two dragons [3] or Chinese characters. The University of Washington database contains a collection of fire steels, including early chuckmucks on plates 45-48 from several countries. [4]
The chuckmuck is hung from the belt in both Mongolian and Tibetan traditional dress for men and women. For this reason, it is sometimes described as a Chatelaine (chain) with strap ornaments, as in the British Museum exhibit. [5] It is sometimes accompanied by a 'chuckmuck purse' as a jewellery set [6] in exactly the same style, only lacking the curved steel striker.
The container for a flint-and-steel kit can come in two main forms: the tinderbox [7] and the tinder pouch. [8] A fire lighting kit for 'striking a light' was essential until the gradual introduction of the match in the mid 19th century. The form of the chuckmuck is so different from other tinder pouches worldwide that they were separately catalogued by Bryant and May in the 1920s.[ original research? ] The decorated stiff leather purse of the chuckmuck with its attached curved striker make it a design classic among flint and steel kits.[ peacock prose ]
The chuckmuck design appears in many cultures from the 17th century [4] or earlier, stretching from the Silk Road to the Himalaya [9] and China [10] [11] to Japan [12] [13]
It is not known where or when the design originated, but it was manufactured locally in several countries in Central Asia.[ citation needed ] One known, still active, hub of metalwork was the area between Lanzhou, Xining and Labrang, the NE part of Amdo which incorporates the Amdo Tibetans, some Mongol regions, the Salar, the Hui and Han Chinese. In Tibet, apart from Lhasa and a very few other towns, only Derge [14] was renowned for the quality of its metalwork.
The 19th-century growth in museums and world expositions in several countries led to many exhibits on the theme of man making fire and several of these included examples of chuckmucks. As a result, many museums and old collections contain chuckmucks; they occasionally appear in antique auctions. [15] [16] [17]
In 1926 a British museum of Fire-Making Appliances catalogued 52 of these chuckmucks and illustrated 11. "Of all tinder-pouches, by far the handsomest and most interesting are those commonly known by this name, which form an exceeding well-marked group. All come from one part of the world covering Tibet, the Himalayan region, Mongolia and Northern China." [18] The whole museum collection was transferred to the Science Museum in 1937 [19] [20]
Museums worldwide today classify them in a variety of different ways: "pouch (tinder flint)" [5] "tinder pouch ('mecha')" [4] fire-striker, flint-steel set, and rarely mention the chuckmuck design to distinguish it from other pouches.
Chuckmuck is derived via the British Indian word chakmak [21] from the Turkish word for flint, çakmaktaşı. [22] This word of Turkic origin was simplified and incorporated as slang in many languages of Central Asia. When encountered in British India during contact with Himalayan Tibetan tribes, it became identified as a particular form of fire-steel - the chuckmuck. Since this coincided with the introduction of the friction match, the function of the tinderbox and tinder pouch gradually became unnecessary, and by the end of the 19th century, only its use as ethnic jewellery by Mongolians and Tibetans kept the chuckmuck in daily use.
For a few decades in mid 19th century, chuckmuck and chakmak were used almost interchangeably as the ‘Indian’ word for any type of fire-steel.
The first known use of the word chuckmuck comes from 1843 from British India: “the coolness of the British soldier is shewn by his sitting down and lighting his chuckmuck and enjoying the solace of his pipe while the arrows of death were bustling around his ears”. [23]
In central India, north west of Mumbai, a British officer [24] describes a local guide: “Round his waist was a broad leather belt, hung round with numerous pouches… and a chuckmuck, or leather bag, with flint, steel and tinder.” This would best be described as a tinder pouch, and, that of the pipe smoking soldiers a simple metal tube with striker. [25]
A camping book in 1871 details "a very convenient and portable means of carrying fire, sold under the name of "strike-a-light" or "chuckmuck"; it is formed of a brass tube of 1in. caliber and 3in. in length, which has a cap and a sliding bottom to it : it is filled of tinder….it contains also a gun flint or bit of agate, and its chain passes through an oval of steel or case-hardened iron” costing around a shilling [26] - clearly one of the plethora of short-lived metal tinderbox designs.
However, after the 1889 publication of Hindu-koh [27] by Donald Macintyre (VC), a prominent British Gurkha officer, containing the first known illustration and description of a chuckmuck, the word became more strictly defined in academic circles. Macintyre actually made his hunting trip, on which the book is based, in the Himalaya in 1853-4, and was a prominent fellow of the Royal Geographical Society and other Indian societies. [28]
The museum categorisation of chuckmuck dates from this time. After that, all academic descriptions, where they were catalogued in English, used the word to refer to the classic design of the chuckmuck. Chakmak does not appear to have been used as a descriptive term outside India. [29]
Chuckmuck was defined as an Anglo-Indian word. [30] It continues to be used in books in English about the history of fire-lighting. [31]
Catholic missionaries had a presence in Western Tibet from 1624 to 1640. The initial reports of the Jesuit António de Andrade, including dictionaries, were supplemented by many others in the 19th century on the eastern fringes of the Tibetan plateau, leading to an 1899 dictionary [32] citing lcags ma and lcags mag, pronounced as chagmag, [33] as vulgar slang for me lcags, itself often transliterated as mechag. [34]
In Nepal, a traditional kukri features two little knives attached at the back of the sheath. One is called a chakmak. It is blunt on both sides and it works like a knife sharpener or when struck on a limestone creates sparks to start fire. [35]
Chakmak, as an Indian word, was widely used in reports and books in British India. “In Ladakh both men and women wore in their waste-clothes or girdles a chakmak (or leather case ornamented with brass, containing a flint, steel and tinder)”. [36]
William Moorcroft, extensively catalogued the Himalayan regions around Ladakh in the 1820s, noting “Every man carries a knife hanging from his girdle, and a chakmak,or steel for striking a light”. As he was describing Tibetan dress, these were of the classic chuckmuck design. [37]
In 1891 William Woodville Rockhill recorded some of Salar language, an archaic Turkic dialect spoken near Lanzhou between the Tibetan plateau and Mongolia. He derived the Salar word cha’-ma from Ottoman Turkish chakmak. [38] Similarly, in Uyghur language, a Turkic language spoken in western China, the word for flint is chaqmaq teshi. [39]
In Persian and Arabic, chakmak means "flint" or "fire-striker". [40] An early example dated 1716 is from Persia, where the Islamic inscription reads “The fire steel (chakmak) of his heart is so filled with sparks that his charged sight intensifies the burning” [41]
In the Kyrgyz language, as noted by an 1899 Danish expedition, the "apparatus for striking fire is called Chakmak. It is possible that flint is found by this lake of Chakmaktinkul and that the name may arise therefrom in relation to the striking of fire from flint". [42]
Flint, occasionally flintstone, is a sedimentary cryptocrystalline form of the mineral quartz, categorized as the variety of chert that occurs in chalk or marly limestone. Historically, flint was widely used to make stone tools and start fires.
The kukri or khukuri is a type of short sword with a distinct recurve in its blade that originated in the Indian subcontinent. It serves multiple purposes as a melee weapon and also as a regular cutting tool throughout most of South Asia. The kukri, khukri, and kukkri spellings are of Indian English origin.
A pocket is a bag- or envelope-like receptacle either fastened to or inserted in an article of clothing to hold small items. Pockets are also attached to luggage, backpacks, and similar items. In older usage, a pocket was a separate small bag or pouch.
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the phurba or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter.
The flintlock mechanism is a type of lock used on muskets, rifles, and pistols from the early 17th to the mid-19th century. It is commonly referred to as a "flintlock". The term is also used for the weapons themselves as a whole, and not just the lock mechanism.
A tinderbox, or patch box, is a container made of wood or metal containing flint, firesteel, and tinder, used together to help kindle a fire. A tinderbox may also contain sulfur-tipped matches.
A wallet is a flat case or pouch, often used to carry small personal items such as physical currency, debit cards, and credit cards; identification documents such as driving licence, identification card, club card; photographs, transit pass, business cards and other paper or laminated cards. Wallets are generally made of fabric or leather, and they are usually pocket-sized and foldable.
A handbag, commonly known as a purse in North American English, is a handled medium-to-large bag used to carry personal items. It has also been called a pocketbook in parts of the U.S.
Amadou is a spongy material derived from Fomes fomentarius and similar fungi that grow on the bark of coniferous and angiosperm trees, and have the appearance of a horse's hoof. It is also known as the "tinder fungus" and is useful for starting slow-burning fires. The fungus must be removed from the tree, the hard outer layer scraped off, and then thin strips of the inner spongy layer cut for use as tinder.
Fire making, fire lighting or fire craft is the process of artificially starting a fire. It requires completing the fire triangle, usually by heating tinder above its autoignition temperature.
A fire striker is a piece of carbon steel from which sparks are struck by the sharp edge of flint, chert or similar rock. It is a specific tool used in fire making.
Char cloth, also called char paper, is a material with low ignition temperature, used as tinder when lighting a fire. It is the main component in a tinderbox. It is a small swatch of fabric made from a natural fibre that has been converted through pyrolysis.
A damaru is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Lord Shiva, associated with Tantric traditions. It is said to be created by Lord Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices.
Tibet was a de facto independent state in East Asia that lasted from the collapse of the Qing dynasty in 1912 until its annexation by the People's Republic of China in 1951.
Thokcha are Tibetan amulets which are said to have fallen from the sky in traditional tibetan folklore. These are traditionally believed to contain a magical, protective power comparable to Tibetan dzi beads. Most thokcha are made of a copper alloy.
The Sutton Hoo purse-lid is one of the major objects excavated from the Anglo-Saxon royal burial-ground at Sutton Hoo in Suffolk, England. The site contains a collection of burial mounds, of which much the most significant is the undisturbed ship burial in Mound 1 containing very rich grave goods including the purse-lid. The person buried in Mound 1 is usually thought to have been Rædwald, King of East Anglia, who died around 624. The purse-lid is considered to be "one of the most remarkable creations of the early medieval period." About seven and a half inches long, it is decorated with beautiful ornament in gold and garnet cloisonné enamel, and was undoubtedly a symbol of great wealth and status. In 2017 the purse-lid was on display at the British Museum.
William Woodville Rockhill was a United States diplomat, best known as the author of the U.S.'s Open Door Policy for China, the first American to learn to speak Tibetan, and one of the West's leading experts on the modern political history of China.
Yak butter is butter made from the milk of the domestic yak. Many herder communities in China, India, Mongolia, Nepal, Gilgit-Baltistan Pakistan and Tibet produce and consume dairy products made from yak's milk, including butter. Whole yak's milk has about twice the fat content of whole cow's milk, producing a butter with a texture closer to cheese. It is a staple food product and trade item for herder communities in south Central Asia and the Tibetan Plateau.
This is an alphabetized glossary of terms pertaining to lighting fires, along with their definitions. Firelighting is the process of starting a fire artificially. Fire was an essential tool in early human cultural development. The ignition of any fire, whether natural or artificial, requires completing the fire triangle, usually by initiating the combustion of a suitably flammable material.
Helmet of eight plates in the Korean style is a helmet produced between 14th and 16th centuries in either Korean peninsula or Mongolia. This helmet consists of eight plates made of iron. It is speculated that this helmet style was spread to Korean peninsula from the Tibetan regions. Helmets with similar structure can be seen in Tibet, while both versions of the helmet are made of iron and leather. But Korean-style eight plated helmets are distinguished from those of Tibetan style by its relatively smaller size. Usually a Tibetan-style eight plated helmet measures 21–22 cm in height. But this Korean style helmet measures only 13 cm in height. Currently displayed at the Metropolitan Museum of Art, New York, the Korean style helmet measures 24.3 cm in length and 21 cm in width and 1065.9 g in weight.