In letterpress printing and typesetting, a composing stick is a tray-like tool used to assemble pieces of metal type into words and lines, which are then transferred to a galley before being locked into a forme and printed. Many composing sticks have one adjustable end, allowing the length of the lines and consequent width of the page or column to be set, with spaces and quadrats of different sizes being used to make up the exact width. Early composing sticks often had a fixed measure, as did many used in setting type for newspapers, which were fixed to the width of a standard column, when newspapers were still composed by hand.
The compositor takes the pieces of type from the boxes (compartments) of the type case and places them in the composing stick, working from left to right and placing the letters upside-down with the nick to the top.
Early composing sticks were made of wood, but later iron, brass, steel, aluminium, pewter and other metals were used. Wooden composing sticks continued to be made in large sizes into the nineteenth century, for setting wood letter and other large sizes of type for display. In the industrial age, composing sticks were manufactured by many companies, but notably in America by the H. B. Rouse company, which made composing sticks that were adjustable to the half pica, as well as a stick containing a micrometer that was infinitely adjustable. Some sticks were marked in agates as well, to aid in newspaper and advertisement composition.
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing (leading), and letter-spacing (tracking), as well as adjusting the space between pairs of letters (kerning). The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Typesetting is the composition of text by means of arranging physical type in mechanical systems or glyphs in digital systems representing characters. Stored types are retrieved and ordered according to a language's orthography for visual display. Typesetting requires one or more fonts. One significant effect of typesetting was that authorship of works could be spotted more easily, making it difficult for copiers who have not gained permission.
The Linotype machine is a "line casting" machine used in printing, manufactured and sold by the former Mergenthaler Linotype Company and related companies. It was a hot metal typesetting system that cast lines of metal type for individual uses. Linotype became one of the mainstay methods to set type, especially small-size body text, for newspapers, magazines, and posters from the late 19th century to the 1970s and 1980s, when it was largely replaced by phototypesetting and digital typesetting. The name of the machine comes from the fact that it produces an entire line of metal type at once, hence a line-o'-type. It was a significant improvement over the previous industry standard of manual, letter-by-letter typesetting using a composing stick and shallow subdivided trays, called "cases".
A burr puzzle is an interlocking puzzle consisting of notched sticks, combined to make one three-dimensional, usually symmetrical unit. These puzzles are traditionally made of wood, but versions made of plastic or metal can also be found. Quality burr puzzles are usually precision-made for easy sliding and accurate fitting of the pieces. In recent years the definition of "burr" is expanding, as puzzle designers use this name for puzzles not necessarily of stick-based pieces.
In typography, leading is the space between adjacent lines of type; the exact definition varies.
A percussion mallet or beater is an object used to strike or beat a percussion instrument in order to produce its sound.
Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper.
Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing.
In the manufacture of metal type used in letterpress printing, a matrix is the mould used to cast a letter, known as a sort. Matrices for printing types were made of copper.
In printing and typography, hot metal typesetting is a technology for typesetting text in letterpress printing. This method injects molten type metal into a mold that has the shape of one or more glyphs. The resulting sorts or slugs are later used to press ink onto paper. Normally the typecasting machine would be controlled by a keyboard or by a paper tape.
News design is the process of arranging material on a newspaper page, according to editorial and graphical guidelines and goals. Main editorial goals include the ordering of news stories by order of importance, while graphical considerations include readability and balanced, unobtrusive incorporation of advertising.
In typography, letter spacing, character spacing or tracking is an optically consistent adjustment to the space between letters to change the visual density of a line or block of text. Letter spacing is distinct from kerning, which adjusts the spacing of particular pairs of adjacent characters such as "7." which would appear to be badly spaced if left unadjusted.
In graphic design, page layout is the arrangement of visual elements on a page. It generally involves organizational principles of composition to achieve specific communication objectives.
In typesetting and page layout, alignment or range is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab.
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.
In printing and publishing, proofs are the preliminary versions of publications meant for review by authors, editors, and proofreaders, often with extra-wide margins. Galley proofs may be uncut and unbound, or in some cases electronically transmitted. They are created for proofreading and copyediting purposes, but may also be used for promotional and review purposes.
A Ludlow Typograph is a hot metal typesetting system used in letterpress printing. The device casts bars, or slugs of type, out of type metal primarily consisting of lead. These slugs are used for the actual printing, and then are melted down and recycled on the spot. It was used to print large-type material such as newspaper headlines or posters.
A California job case is a kind of type case: a compartmentalized wooden box used to store movable type used in letterpress printing. It was the most popular and accepted of the job case designs in America. The California job case took its name from the Pacific Coast location of the foundries that made the case popular.
The Monotype system is a system for printing by hot-metal typesetting from a keyboard. The two most significant differences from the competing Linotype machine are: