Palace of Fontainebleau, located 55 kilometers southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. It served as a hunting lodge and summer residence for many of the French monarchs, including Louis VII, Francis I, Henry II, Louis-Philippe, Napoleon Bonaparte and Napoleon III. Though the monarchs only resided there for a few months of the year, they gradually transformed it into a genuine palace, filled with art and decoration. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance.
Peleș Castle is a Neo-Renaissance palace in the Royal Domain of Sinaia in the Carpathian Mountains, near Sinaia, in Prahova County, Romania, on an existing medieval route linking Transylvania and Wallachia, built between 1873 and 1914. Its inauguration was held in 1883. It was constructed for King Carol I of Romania.
Mogoșoaia Palace is situated about 10 kilometres (6.2 mi) from Bucharest, Romania. It was built between 1698 and 1702 by Constantin Brâncoveanu in what is called the Romanian Renaissance style or Brâncovenesc style. The palace bears the name of the widow of the Romanian boyar Mogoș, who owned the land it was built on.
Marie was the last queen of Romania as the wife of King Ferdinand I.
Prince Mircea of Romania was the third son and youngest child of King Ferdinand of Romania and Marie of Edinburgh and the great-grandson of Queen Victoria through his mother. He died aged 3 in November 1916.
The National Museum of Art of Romania is located in the Royal Palace in Revolution Square, central Bucharest. It features collections of medieval and modern Romanian art, as well as the international collection assembled by the Romanian royal family.
The Royal Palace of Aranjuez is one of the official residences of the Spanish royal family. It is located in the town of Aranjuez (Madrid), Spain. Established in the 16th century as a royal hunting lodge, the palace was built by order of Philip II. Under his reign it became one of four seasonal seats of the court along Rascafría, El Escorial and the Royal Alcázar of Madrid. The royal estate comprises a set of landscaped and ornate gardens and woodlands that house an extensive botanical collection.
The Palace of Culture is an edifice located in Iași, Romania. The building served as Administrative and Justice Palace until 1955, when its destination was changed, being assigned to the four museums nowadays united under the name of Moldavia National Museum Complex. Also, the building houses the Cultural Heritage Conservation-Restoration Centre, and hosts various exhibitions and other events.
The Pelișor Castle is a castle in Sinaia, Romania, part of the same complex as the larger castle of Peleș.
The Royal Palace of Bucharest, known as Palace of the Republic between 1948 and 1990, is a monumental building situated in the capital of Romania, on Calea Victoriei. The palace in its various incarnations served as official residence for the kings of Romania until 1947, when the communist regime was installed after Michael I of Romania's forced abdication. Since 1950, the palace hosts the National Museum of Art of Romania. The Romanian royal family currently uses Elisabeta Palace as its official residence in Bucharest. In addition, the Romanian government allows the royal family to use the Royal Palace different occasions.
Calea Victoriei is a major avenue in central Bucharest. Situated in Sector 1, and having a length of 2.7 kilometres (1.7 mi), it leads from Splaiul Independenței to the north and then northwest up to Piața Victoriei, where Șoseaua Kiseleff continues north.
Princess Maria of Romania was the only child of Prince Carol I of Romania and his wife, Elisabeth of Wied.
The Royal Palace of Naples is a historic building located in Piazza del Plebiscito, in the historic center of Naples, Italy. Although the main entrance is located in this square, there are other accesses to the complex, which also includes the gardens and the Teatro di San Carlo, from the Piazza Trieste e Trento, Piazza del Municipio and Via Acton.
The Palace of the Chamber of Deputies is a building in Bucharest, Romania located on the plateau of Dealul Mitropoliei. The building served as the seat of successive Romanian legislatures: of the Assembly of Deputies during the Kingdom of Romania, then of the Communist-era Great National Assembly, and after the Romanian Revolution of 1989, of the Chamber of Deputies. Parliamentarians vacated the building in 1997, when it passed to the Patriarchate of the Romanian Orthodox Church.
Romanian architecture is very diverse, including medieval, pre-World War I, interwar, postwar, and contemporary 21st century architecture. In Romania, there are also regional differences with regard to architectural styles. Architecture, as the rest of the arts, was highly influenced by the socio-economic context and by the historical situation. For example, during the reign of King Carol I (1866–1914), Romania was in a continuous state of reorganization and modernization. In consequence, most of the architecture was designed by architects trained in Western European academies, particularly the École des Beaux-Arts, and a big part of the downtowns of the Romanian Old Kingdom were built during this period.
Brâncovenesc art or Brâncovenesc style, also known as the Wallachian Renaissance or the Romanian Renaissance, is an artistic style that evolved during the administration of Prince Constantin Brâncoveanu in the late 17th and early 18th centuries. Brâncoveanu was the domn and voivode of the Principality of Wallachia, an extremely wealthy aristocrat, and a builder of fine palaces and churches. Brâncovenesc art was mostly focused on architecture, but also manifested through painting and sculpture.
Cantacuzino Palace is located on Calea Victoriei no. 141, Bucharest, Romania. It was built by architect Ion D. Berindey in the Beaux Arts style, having a few Rococo Revival rooms. Today it houses the George Enescu museum.
Cristofi Cerchez was a Romanian engineer and architect. He built approximately 50 buildings in various cities of Romania over his nearly 50-year career. His architecture covers a wide range of styles from traditional to eclectic to modern, as well as private, civic and religious edifices. Among the buildings he worked on were the Bucharest Palace of Justice, the State Archives wing of the Mihai Vodă Monastery, the monastery of Vălenii de Munte, and the Nicolae Minovici Folk Art Museum.
Alexandru Săvulescu (1847–1902) was a Romanian architect, one of his country's first prominent practitioners of modern architecture. He combined elements of traditional Byzantine architecture and Romanian architecture with French Art Nouveau in an eclectic style. He served as the chief architect for the Ministry of Public Education and Religious Affairs and the president of the Romanian Society of Architects. He helped found both the latter organization and the Romanian National School of Architecture. Some of his most renowned buildings are the Communal Palace of Buzău, the Noblesse Palace and the Post and Telegraph Palace, which now houses the National Museum of Romanian History.
Romanian Revival architecture is an architectural style that has appeared in the late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez, Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870:
"Study the remains – no matter how small – of the artistic production of the past and make them the source of a great art (...) do not miss any opportunity to use the artistic elements presented by the Romanian monuments left over from old times; but transform them, change them, develop them ..."
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