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Criminal Minded | ||||
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Studio album by | ||||
Released | March 3, 1987 | |||
Genre | ||||
Length | 51:43 | |||
Label | B-Boy BB 4787 | |||
Producer | ||||
Boogie Down Productions chronology | ||||
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Singles from Criminal Minded | ||||
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Criminal Minded is the debut studio album by hip-hop group Boogie Down Productions, released on March 3, 1987, by B-Boy Records. It is considered a highly influential hip hop album [1] and one of the first in the gangsta rap genre. [2]
Since its release, the album has been sampled, interpolated and paraphrased. Its samples and direct influences were unusual at the time, ranging from liberal use of dancehall reggae (as well as the more commonly used James Brown) to rock music artists such as AC/DC, the Beatles and Billy Joel. The album was eventually certified Gold by the RIAA. [3] The songs "South Bronx" and "The Bridge Is Over" ignited the rivalry with the Brooklyn-bred but Queens resident emcee MC Shan and the Juice Crew. Throughout the album, KRS-One gives honor and praise to Scott La Rock for producing the album and he mostly goes on about the importance of originality and being "real" instead of a "Sucker MC".
In 2003, the album was ranked number 444 on Rolling Stone 's list of "The 500 Greatest Albums of All Time", and was later ranked number 239 in the 2020 edition. [4]
Production on the LP is credited to Blastmaster' KRS-One (Lawrence Krisna Parker) and DJ Scott La Rock (Scott Sterling), with a special thanks to Ced-Gee (Cedric Miller) of The Ultramagnetic MCs on the back cover.
The cover, which showcases Parker and Sterling surrounded by an arsenal of weapons, was hip-hop's first major release to feature members brandishing firearms. The album also contained several seminal hardcore songs such as "9mm Goes Bang", one of the first hip-hop songs to be based around a first-person crime narrative, and "P Is Free", which details an encounter with a drug-abusing prostitute.
The liner notes of Criminal Minded read, "Peace to Ron Nelson and the Toronto posse." This statement is evidence of BDP's involvement with Toronto's hip hop scene in the 1980s, which produced artists such as Michie Mee, Dream Warriors, and Maestro Fresh Wes. [5]
Initially, the album sold at least several hundred thousand copies; however, the relationship between the group and B-Boy Records quickly deteriorated when the label, headed by Jack Allen and Bill Kamarra, was allegedly slow to pay royalties. [6] A lawsuit was launched, which was eventually settled out-of-court. Having left B-Boy Records, new friend Ice-T introduced BDP to Warner Bros. Records' Benny Medina, head of the label's Black-music division, who promptly agreed to sign the duo in principle to a new record deal. However, the Warner Brothers deal was later rescinded after Scott La Rock's murder.
By this time, Sterling had befriended a neighborhood teenager named Derrick "D-Nice" Jones, who did a human beatboxing routine for the group. One evening, Jones was assaulted by some local hoodlums and he later called Sterling to run interference. The next day, Sterling and a group of others came to the stoop where the offending parties lived. Sterling's intention was to try and mediate things, but one of the hoods pulled out a gun and began shooting at random. In the ensuing confusion, Sterling was hit in the neck. Critically wounded, he died an hour later in hospital, leaving behind an infant son.
Warner Bros. reneged on the new deal in the aftermath of Sterling's death. Parker, however, decided that the group should continue. A handful of friends were brought into the collective, including Parker's new wife Ms. Melodie and brother Kenny Parker, with whom he had just recently reunited. Original member and Criminal Minded co-producer Lee Smith was dropped by Parker in pursuit of a deal. Signing with Jive/RCA Records, Parker recorded eight albums for that label in a 10-year period, eventually dropping the Boogie Down Productions moniker and billing himself as a solo performer. R.E.M. and others recruited him for collaborations, and he was among the few hip-hop acts at the Beastie Boys' Tibetan Freedom Concerts.
Meanwhile, Criminal Minded became notoriously hard to find, falling in and out of print every few years, surfacing with a different distributor every time. Eventually, the Boston-based independent label LandSpeed Records purchased the rights of the B-Boy Records catalogue, hence a re-release in 2002. An expanded re-release titled The Best of B-Boy Records: Boogie Down Productions includes longer versions of the album's tracks and several 12-inch singles that didn't make Criminal Minded's original pressing. On Spotify this bumper pack is simply known as Criminal Minded (Deluxe). [7] The album was re-released again in 2006—original art intact—when LandSpeed became Traffic Entertainment Group.
Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B+ [8] |
The Encyclopedia of Popular Music | [9] |
The Great Rock Discography | 8/10 [10] |
Music Story | [ citation needed ] |
MusicHound R&B | [11] |
The Rolling Stone Album Guide | [12] |
The Source | 5/5 [13] |
Spin Alternative Record Guide | 10/10 [14] |
Criminal Minded has been well received by critics. In 1988, for The Village Voice , Robert Christgau wrote in his "Consumer Guide" column:
Though one's moralistic quibbles do recede as history demonstrates how much worse things can get and how little music has to do with it, KRS-One's talk of fucking virgins and blowing brains out will never make him my B-boy of the first resort. I could do without the turf war, too—from the Lower East Side, not to mention Kingston or Kinshasa (or Podunk), Queens and the South Bronx are both def enough. But his mind is complex and exemplary—he's sharp and articulate, his idealism more than a gang-code and his confusion profound. And Scott LaRock was a genius. Sampling blues metal as well as James Brown, spinning grooves to toast by, blind-siding the beat with grunts and telephones and dim backtalk, he was spare and rich simultaneously. Music will miss him more than Jaco Pastorius and Will Shatter put together. [15]
In 1998, Criminal Minded was selected by The Source as one of the 100 Best Rap Albums. [16] Vibe included it in its list of the 100 Essential Albums of the 20th Century in 1999, [17] and in 2002, the magazine placed it at number three on its list of the Top 10 Rap Albums. [18] In 2003, the album was ranked number 444 on Rolling Stone magazine's list of the 500 greatest albums of all time, and was later ranked 239 in the 2020 edition.
Complex named the song "South Bronx" as the ninth-best hip hop dis song of all-time. [19]
In 2017, rapper MC Ren named Criminal Minded as his all-time favorite hip hop album. [20] MC Ren also heavily sampled "The Bridge Is Over" on his 1992 single "Final Frontier".
"This album was so important to me. I'd never seen so many weapons on a cover before. It didn't look like a photoshoot: it looked like they really were in the street, doing shit they shouldn't have been. It was the first record where blatant disrespect to an area was thoroughly embraced – even by the guys in Queensbridge, the neighbourhood that KRS-One was attacking!" – Busta Rhymes [21]
# | Title | Songwriters | Producer(s) | Performer (s) | Length |
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1 | "Poetry" | L. Parker, S. LaRock | Ced Gee, DJ Scott La Rock, KRS-One | KRS-One | 5:01 |
2 | "South Bronx" | L. Parker, S. LaRock | DJ Scott La Rock, KRS-One, Partner Lee Smith | D-Nice, DJ Scott La Rock, KRS-One | 5:10 |
3 | "9mm Goes Bang" | L. Parker, S. LaRock | DJ Scott La Rock, KRS-One, Partner Lee Smith | KRS-One | 4:18 |
4 | "Word from Our Sponsor" | L. Parker, S. LaRock | Ced Gee, DJ Scott La Rock, KRS-One, Partner Lee Smith | KRS-One | 3:52 |
5 | "Elementary" | L. Parker, S. LaRock | DJ Scott La Rock, KRS-One | DJ Scott La Rock, KRS-One | 4:07 |
6 | "Dope Beat" | L. Parker, S. LaRock | Ced Gee, DJ Scott La Rock, KRS-One, Partner Lee Smith | KRS-One, DJ Scott La Rock | 5:12 |
7 | "Remix for P Is Free" | L. Parker, S. LaRock | Ced Gee, DJ Scott La Rock, KRS-One | KRS-One | 4:20 |
8 | "The Bridge Is Over" | L. Parker, S. LaRock | Ced Gee, DJ Scott La Rock, KRS-One, Partner Lee Smith | KRS-One | 3:25 |
9 | "Super-Hoe" | L. Parker, S. LaRock | Ced Gee, DJ Scott La Rock, KRS-One | DJ Scott La Rock, KRS-One | 5:30 |
10 | "Criminal Minded" | L. Parker, S. LaRock | DJ Scott La Rock, KRS-One | KRS-One | 5:17 |
11 | "Scott LaRock Mega-Mix"* | S. LaRock | DJ Scott La Rock | DJ Scott La Rock | 6:49 |
[*] Bonus track found on later pressings.
"Poetry" contains samples from James Brown's "Soul Power Pt. 1", "The Boss", and "Don't Tell It" (scratches by TR Love).
"South Bronx" contains samples from James Brown's "Get Up Offa That Thing" and "Get Up, Get Into It, Get Involved".
"Word from Our Sponsor" contains samples from First Choice's "Love Thang".
"Dope Beat" contains a sample from AC/DC's "Back in Black".
"Remix for P Is Free" contains a sample from Yellowman's "Zungguzungguguzungguzeng".
"The Bridge Is Over" contains the kick and snare drum of the Honey Drippers' "Impeach the President", an interpolation of a bassline from Super Cat's "Boops" (played on the studio piano by KRS-One), and a short melodic and lyrical interpolation of Billy Joel's "It's Still Rock and Roll to Me".
"Super Hoe" contains samples from Captain Sky's "Super Sporm" and Esther Williams' "Last Night Changed It All (I Really Had a Ball)".
"Criminal Minded" contains samples from Syl Johnson's "Different Strokes" and Trouble Funk's "Let's Get Small", and begins with a melodic and lyrical interpolation of the Beatles' "Hey Jude".
Chart (1987) | Peak position |
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US Top R&B/Hip-Hop Albums (Billboard) [22] | 73 |
Boogie Down Productions (BDP) was an American hip hop group originally composed of KRS-One, D-Nice, and DJ Scott La Rock. DJ Scott La Rock was murdered on August 27, 1987, five months after the release of BDP's debut album, Criminal Minded. The name of the group, Boogie Down, derives from a nickname for the South Bronx section of New York City. The group pioneered the fusion of dancehall reggae and hip hop music and their debut LP Criminal Minded contained frank descriptions of life in the South Bronx during the late 1980s, thus setting the stage for what would eventually become gangsta rap.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
Scott Monroe Sterling, known by the stage name DJ Scott La Rock, was an American hip-hop disc jockey and music producer from the Bronx, New York. He was a founding member of the East Coast hip hop group Boogie Down Productions. He was also known for his association with the rapper KRS-One who was a member of Boogie Down Productions.
The Bridge Wars was a hip-hop music rivalry during the mid-to-late 1980s and early 1990s, that arose from a dispute over the true birthplace of hip-hop music and retaliation over the rejecting of a record for airplay. The Bridge Wars originally involved the South Bronx's Boogie Down Productions, led by KRS-One, and Marley Marl's Juice Crew, hailing from Queensbridge. KRS-One and Marley Marl have since officially retired the feud, with the release of their collaborative 2007 album hip-hop Lives.
Golden age hip hop refers to hip hop music created from the mid or mid-late 1980s to the early or early-mid 1990s, particularly by artists and musicians originating from the New York metropolitan area. A precursor to the new-school hip hop movement, it is characterized by its diversity, quality, innovation and influence on overall hip hop after the genre's emergence and establishment in the old-school era, and is associated with the development and eventual mainstream success of hip hop. There were various types of subject matter, while the music was experimental and the sampling from old records was eclectic.
By All Means Necessary is the second album from American hip hop group Boogie Down Productions, released in April 12, 1988 on Jive Records. After the 1987 murder of DJ-producer Scott La Rock, MC KRS-One moved away from the violent themes that dominated Boogie Down Productions' debut, Criminal Minded, and began writing socially conscious songs using the moniker the Teacher.
Ghetto Music: The Blueprint of Hip Hop is the third studio album by American hip hop group Boogie Down Productions. It was released on July 4, 1989, via Jive Records. Recording sessions took place at Power Play Studios in New York. Production was handled by member KRS-One with co-production from fellow member D-Nice, D-Square, Rebekah Foster, Sidney Mills and Spaceman Patterson.
Live Hardcore Worldwide is a live album released by Boogie Down Productions. It is a career-spanning collection that was recorded in the US, Paris and London. The release features KRS-One prominently.
Sex and Violence is the fifth and final album released by hip hop group Boogie Down Productions. The next year, 1993, the group's lead member, KRS-One, would begin recording under his own name.
Best of B-Boy Records is a compilation album by Boogie Down Productions consisting of recordings for its first label, B-Boy Records. It is the final release to date by KRS-One under the Boogie Down Productions name. Best of B-Boy Records is essentially a repackaging of BDP's debut album, Criminal Minded, with several b-sides and singles added.
Return of the Boom Bap is the debut solo studio album by American rapper KRS-One, released on September 28, 1993, by Jive Records. The recording sessions took place at D&D Studios and at Battery Studios, in New York. The album was produced by DJ Premier, Kid Capri, Norty Cotto, Showbiz, and KRS-One. It features guest appearances from Ill Will and Kid Capri. The album peaked at number 37 on the Billboard 200 and number 5 on the Top R&B/Hip-Hop Albums in the United States.
KRS One is the second solo studio album by American rapper KRS-One. It was released on October 10, 1995, via Jive Records. Production was handled by DJ Premier, Diamond D, Big French Productions, Norty Cotto, Showbiz and KRS-One himself. It features guest appearances from Busta Rhymes, Channel Live, Das EFX, Dexter Thibou, Fat Joe and Mad Lion.
A Retrospective is a compilation album by American rapper and record producer KRS-One. It was released on August 22, 2000, via Jive Records, and composed of previously released songs from the rapper's previous studio albums as part of Boogie Down Productions, as well as his solo studio albums. The track "Essays on BDP-Ism" was the last track ever featured DJ Scott La Rock.
This is the discography of American rapper KRS-One.
"The Bridge Is Over" is a 1987 song by Boogie Down Productions from their debut album Criminal Minded, performed by rapper KRS-One and produced by DJ Scott LaRock and KRS-One. The song's intro samples "The Bridge" by MC Shan.
B-Boy Records was an American independent hip hop record label formed by Jack Allen and William Kamarra in 1986, and situated at 132nd Street and Cypress Avenue in the Bronx, New York City. Its most notable signing was Boogie Down Productions, and it released Boogie Down Productions' first singles, "South Bronx" (1986) and "The Bridge is Over" (1987), and the group's landmark debut album, Criminal Minded (1987). Other acts that recorded for the label included JVC Force, Cold Crush Brothers, Levi 167 and Jewel T.
"South Bronx" is a song by American hip hop group Boogie Down Productions, released as the lead single from their debut studio album Criminal Minded (1987). The song's title references New York City’s South Bronx area and is the representative anthem of the titular inner-city.
CB4 (Original Motion Picture Soundtrack) is the official soundtrack to the 1993 comedy film of the same name. It was released on March 2, 1993, through MCA Records. The album has peaked at #41 on the Billboard 200 and #13 on the Top R&B/Hip-Hop Albums. The album is composed of twelve R&B and hip hop tracks from various artists and producers. It spawned a Blackstreet-performed single "Baby Be Mine", which peaked at #17 on the Hot R&B/Hip-Hop Songs. Three songs on the album were credited to the fictional CB4 group from the movie, the trio consisted of Chris Rock and rappers Daddy-O & Hi-C.
Lawrence "Kris" Parker, better known by his stage names KRS-One and Teacha, is an American rapper from The Bronx. He rose to prominence as part of the hip hop group Boogie Down Productions, which he formed with DJ Scott La Rock in the mid-1980s. KRS-One is known for his songs "Sound of da Police", "Love's Gonna Get'cha ", and "My Philosophy". Boogie Down Productions received numerous awards and critical acclaim in their early years. Following the release of the group's debut album, Criminal Minded, fellow artist Scott La Rock was shot and killed, but KRS-One continued the group, effectively as a solo project. He began releasing records under his own name in 1993. He is politically active, having started the Stop the Violence Movement after La Rock's death. He is also a vegan activist, expressed in songs such as "Beef". He is widely considered an influence on many hip-hop artists.
The discography of Boogie Down Productions consists of five studio albums, one live album and five compilation albums.
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