Tour by Crosby, Stills, Nash & Young | |
Start date | 16 August 1969 |
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End date | 9 July 1970 |
No. of shows | 42 |
Crosby, Stills, Nash & Young concert chronology |
Crosby, Stills, Nash and Young, 1969 and 1970 concert tours were two separate tours that covered North America, and Europe, before the band broke up for the first time.
The first tour starting in 1969 and finishing with three dates in Europe in January 1970, was the first Crosby, Stills, Nash & Young tour. The tour was notable for performing at many of the era's major festivals including their second ever gig, a one-hour show at the Woodstock Festival in the early morning of August 18, 1969, which was a baptism by fire for the group. The crowd of industry friends looking on from offstage was intimidating and prompted Stills to say, "This is the second time we've ever played in front of people, man. We're scared shitless." Their appearance at the festival and in the subsequent movie Woodstock, boosted the visibility of the quartet tremendously. Footage from two performances from the Big Sur Folk Festival (held on the grounds of the Esalen Institute on September 13–14, 1969) appears in the movie Celebration at Big Sur . They also appeared at the violence-plagued Altamont Free Concert on December 6, 1969 alongside Santana, Jefferson Airplane, The Flying Burrito Brothers and the headlining Rolling Stones. At the band's request, their performance was not included in the subsequent film Gimme Shelter (1970). During this tour they also appeared on the television show This Is Tom Jones, performing "You Don't Have To Cry" and with Tom Jones, "Long Time Gone". They also appeared on the television show The Music Scene performing "Down By The River". [1]
After a break for christmas they finished this tour with three dates in Europe, attending the Royal Albert Hall, was a who's who of British rock musicians including Jimmy Page and Robert Plant of Led Zeppelin.
During time off in the first tour and in between the two tours, the band recorded and released their second studio album and their first as the quartet with Neil Young on board, Déjà Vu .
The 1970 tour got of to a rocky start, in consultation with other band members, Stills fired Reeves from the group shortly before the beginning of their second American tour in April 1970 "because [he] suddenly decided he was an Apache witch doctor." He further opined that "[Reeves] freaked too much on the bass and no one could keep up because [he] did not play one rhythm the same… he could play bass imaginatively, but he has to be predictable as well," while "Greg also wanted to sing some of his songs on the CSN&Y show, which I thought was ludicrous, only because the songs weren't great. We'll sing any song if it's great, but not just because it happens to be written by our bass player." He was replaced by Calvin "Fuzzy" Samuels, a homeless Jamaican musician recently discovered by Stills at Island Records' London studios. Shortly thereafter, Taylor (who frequently clashed with Young over the band's tempos during the first tour and Déjà Vu sessions) was also dismissed when Young threatened to leave the group following the first performance of the tour at the Denver Coliseum on May 12, 1970. Notwithstanding these previous tensions, Taylor would later assert that his dismissal stemmed from a flirtation with Young's first wife (Topanga Canyon restauranteur Susan Acevedo) amid renewed conflict between Stills and Young in the aftermath of Reeves' firing. Shortly thereafter, drummer John Barbata (formerly of The Turtles) was hired for the remainder of the tour and associated recordings. [2]
As the 23-show tour progressed, the tenuous nature of the partnership was strained by Stills' alcohol and cocaine abuse and perceived megalomania, culminating in an extended solo set not countenanced by the other band members at the Fillmore East when he was informed that Bob Dylan was in the audience. In this turbulent atmosphere, Crosby, Nash and Young decided to fire Stills during a two-night stint at Chicago's Auditorium Theatre in July 1970. Following his reinstatement, the tour ended as scheduled in Bloomington, Minnesota on July 9, 1970; however, the group broke up immediately thereafter. Concert recordings from dates at the Fillmore East, and The Forum in June 1970 and at the Auditorium Theater in July 1970 were assembled by Nash, and produced the 1971 double album 4 Way Street , which topped the charts during a 42-week stay. Although they would continue to collaborate in various and largely ephemeral permutations, the four members would not come back together in earnest until their 1974 reunion tour. [3] [4]
A typical set list for the first tour included the following, although there were substitutions, variations and order switches throughout the tour.
A typical set list for the second included the following, although there were substitutions, variations and order switches throughout the tour. The tour always started off with an acoustic set, with "Suite Judy Blue" Eyes opening, then solo/duo sets from Crosby, Nash, Young, then Stills, the songs in the solo spots were continually changing. A ten minute interval section was taken before the electric set began, opening with "Pre-Road Dawns", and generally finishing with "Carry On". They would then return for "Woodstock" and/or an acoustic "Find The Cost Of Freedom" for the encore.
Tour [7] [8] | |||
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Dates | City | Country | Venue |
12 May 1970 | Denver | United States | Denver Coliseum |
29 May 1970 | Boston | Boston Garden | |
30 May 1970 | Baltimore | Civic Center | |
2 June 1970 | New York City | Fillmore East | |
3 June 1970 | |||
4 June 1970 | |||
5 June 1970 | |||
6 June 1970 | |||
7 June 1970 | |||
9 June 1970 | Providence | Rhode Island Auditorium | |
10 June 1970 | Philadelphia | The Spectrum | |
12 June 1970 | Detroit | Olympia Stadium | |
16 June 1970 | Portland | Memorial Coliseum | |
17 June 1970 | Seattle | Seattle Center Coliseum | |
19 June 1970 | Oakland | Oakland Coliseum Arena | |
26 June 1970 | Inglewood | The Forum | |
28 June 1970 | |||
1 July 1970 | St. Louis | Kiel Municipal Auditorium | |
3 July 1970 | Cleveland | Public Hall | |
5 July 1970 | Chicago | Auditorium Theatre | |
6 July 1970 | |||
7 July 1970 | Madison | Dane County Veterans Memorial Coliseum | |
9 July 1970 | Bloomington | Metropolitan Sports Center |
Buffalo Springfield was a North American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The group released three albums and several singles during its brief existence, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock.
Crosby, Stills & Nash (CSN) were a folk rock supergroup made up of American singer-songwriters David Crosby and Stephen Stills, and English singer-songwriter Graham Nash. When joined by Canadian singer-songwriter Neil Young as a fourth member, they are called Crosby, Stills, Nash & Young (CSNY). They are noted for their intricate vocal harmonies, often tumultuous interpersonal relationships, political activism, and lasting influence on American music and culture.
Stephen Arthur Stills is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stone's 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius."
"Woodstock" is a popular song written by Joni Mitchell. Three versions of the song were released in the same year, 1970. The first, Mitchell's own, was included on her 1970 album Ladies of the Canyon and served as the B-side to her single "Big Yellow Taxi". The second release that year was by Crosby, Stills, Nash & Young; their version has become a staple of classic rock radio and is the best-known version in the United States. The third version, by the British band Matthews Southern Comfort became the best known version in the United Kingdom, and was the highest charting version of the song, reaching the top of the UK pop charts in 1970.
Déjà Vu is the second album by Crosby, Stills & Nash, and their first as a quartet with Neil Young. It was released in March 1970 by Atlantic Records. It topped the pop album chart for one week and generated three Top 40 singles: "Woodstock", "Teach Your Children", and "Our House". It was re-released in 1977 as SD-19188 and the cover was changed from black to brown. In 2003, the album was ranked No. 148 on Rolling Stone magazine's list of the 500 greatest albums of all time. Certified septuple platinum by RIAA, the album's sales currently sit at over 8 million copies. It remains the highest-selling album of each member's career to date.
Time Fades Away is a 1973 live album by Canadian / American musician Neil Young. Consisting of previously unreleased material, it was recorded with The Stray Gators on the support tour following 1972's highly successful Harvest. Due to Young's dissatisfaction with the tour, it was omitted from his catalogue and not released on CD until 2017.
"Suite: Judy Blue Eyes" is a song written by Stephen Stills and performed by Crosby, Stills & Nash (CSN). It appeared on the group's self-titled debut album in 1969 and was released as a single, reaching #21 on the Billboard Hot 100 pop singles chart. In Canada, "Suite: Judy Blue Eyes" peaked at number 11. The song imitates the actual classical music suite as an ordered set of musical pieces.
Crosby, Stills & Nash is the first album by Crosby, Stills & Nash, released in 1969 on the Atlantic Records label. It spawned two Top 40 hit singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at #28 the week of August 23, 1969, and at #21 the week of December 6, 1969, on the Billboard Hot 100 singles chart. The album itself peaked at No. 6 on the Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales of 4,000,000.
"Marrakesh Express" is a song written by Graham Nash and performed by the band Crosby, Stills and Nash (CSN). It was first released in May 1969 on the self-titled album, Crosby, Stills and Nash, and released on a 45-RPM single in July of the same year, with another CSN song, "Helplessly Hoping," as its backing side. The single reached No. 28 on the Billboard Hot 100 on August 23, 1969. It reached the same position on the Easy Listening chart.
So Far is the fourth album by Crosby, Stills & Nash, their third as Crosby, Stills, Nash & Young, and the first compilation album released by the group. Shipping as a gold record and peaking at No. 1 on the Billboard Top Pop Albums chart, it was the band's third chart-topping album in a row. It has been certified six times platinum by the RIAA, and is the second best-selling album by any configuration of the quartet in tandem after their 1970 studio album, Déjà Vu.
Manassas was an American rock band formed by Stephen Stills in 1971. Predominantly a vehicle for Stills' music, the band released two albums: 1972's Manassas and 1973's Down the Road. The band dissolved in October 1973.
Graham Nash David Crosby is the first album by the partnership of David Crosby and Graham Nash, released on Atlantic Records in 1972, catalog SD 7220. It peaked at No. 4 on the Billboard Top Pop Albums chart, and a single taken from the album, "Immigration Man", peaked at No. 36 on the Billboard Hot 100 on June 17 and 24, 1972. It was certified gold by the RIAA, and it was dedicated to Joni Mitchell, as "to Miss Mitchell".
Greatest Hits is the fifteenth Crosby, Stills & Nash album, and their fifth compilation, released by Rhino Records in 2005. It peaked at No. 24 on the Billboard 200, debuting at that position on April 2, 2005 with first week sales of 33,000 copies, and spending eight weeks on the chart. Its current sales sit at over 640,000. The album was dedicated to Cass Elliot with great thanks to Neil Young.
CSN is the eleventh album by Crosby, Stills & Nash, issued on Atlantic Records in 1991, not to be confused with the album of the same name released in 1977. A box set on four compact discs, it features material spanning 1968 through 1990 from their catalogue of recordings as a group in addition to selections from Crosby & Nash, Manassas, and their individual solo albums. It peaked at No. 109 on the Billboard 200, and has been certified platinum by the RIAA. The set is "dedicated to the loving memory of Cass Elliot, without whom most of this music may not have been made."
The Archives Vol. 1 1963–1972 is a 10-disc (8-CD) box set by Canadian / American musician Neil Young, released on June 2, 2009 and designed by Gary Burden.
4 Way Street is the third album by Crosby, Stills & Nash, their second as Crosby, Stills, Nash & Young, and their first live album. It was originally released as Atlantic Records SD-2-902, shipping as a gold record and peaking at No. 1 on the Billboard 200. A document of their tour from the previous year, the live recordings presented were taken from shows at the Fillmore East on June 2 through June 7, 1970; The Forum on June 26 through June 28, 1970; and the Auditorium Theatre on July 5, 1970.
Greg Reeves is an American bass guitarist. He is best known for playing bass on Crosby, Stills, Nash & Young's Déjà Vu (1970).
"Ohio" is a protest song and counterculture anthem written and composed by Neil Young in reaction to the Kent State shootings of May 4, 1970, and performed by Crosby, Stills, Nash & Young. It was released as a single, backed with Stephen Stills's "Find the Cost of Freedom", peaking at number 14 on the US Billboard Hot 100 and number 16 in Canada. Although a live version of "Ohio" was included on the group's 1971 double album 4 Way Street, the studio versions of both songs did not appear on an LP until the group's compilation So Far was released in 1974. The song also appeared on the Neil Young compilation albums Decade, released in 1977, and Greatest Hits, released in 2004.
CSNY 1974 is the nineteenth album by Crosby, Stills, & Nash, their seventh in the CSNY quartet configuration, and their fifth live album, the third as a foursome. Issued on Rhino Records in 2014, it consists of concert material recorded in 1974 on the band's tour during the summer of that year. It was issued in several formats: a standard compact disc box set consisting of three audio discs and a standard DVD; as one pure audio Blu-ray disc and a Blu-ray DVD; and a more expensively packaged limited deluxe edition consisting of the material on six vinyl records along with the Blu-ray discs and a coffee table book. Two single disc samplers were also issued, one of the acoustic material exclusively available at Starbucks in the United States and Canada, and another at normal retail outlets. Each of the non-sampler sets also contained a 188-page booklet, and all formats were released the same day. The three-disc and DVD package peaked at No. 17 on the Billboard 200, while the Starbucks sampler peaked at No. 37 and the selections sampler at #81.