Tour by Crosby, Stills, Nash & Young | |
Start date | August 16, 1969 |
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End date | July 9, 1970 |
Legs | 2 |
No. of shows | 42 |
Crosby, Stills, Nash & Young concert chronology |
The Crosby, Stills, Nash & Young 1969 and 1970 concert tours were two separate tours that covered North America, and Europe, before the band broke up for the first time.
The first tour starting in 1969 and finishing with three dates in Europe in January 1970, was the first Crosby, Stills, Nash & Young tour. The tour was notable for performing at many of the era's major festivals including their second ever gig, a one-hour show at the Woodstock Festival in the early morning of August 18, 1969, which was a baptism by fire for the group. The crowd of industry friends looking on from offstage was intimidating and prompted Stills to say, "This is the second time we've ever played in front of people, man. We're scared shitless." Their appearance at the festival and in the subsequent movie Woodstock, boosted the visibility of the quartet tremendously. Footage from two performances from the Big Sur Folk Festival (held on the grounds of the Esalen Institute on September 13–14, 1969) appears in the movie Celebration at Big Sur . They also appeared at the violence-plagued Altamont Free Concert on December 6, 1969, alongside Santana, Jefferson Airplane, The Flying Burrito Brothers and the headlining Rolling Stones. At the band's request, their performance was not included in the subsequent film Gimme Shelter (1970). During this tour they also appeared on the television show This Is Tom Jones, performing "You Don't Have To Cry" and with Tom Jones, "Long Time Gone". They also appeared on the television show The Music Scene performing "Down By The River". [1]
After a break for christmas they finished this tour with three dates in Europe, attending the Royal Albert Hall, was a who's who of British rock musicians including Paul McCartney, Donovan and Led Zeppelin's Jimmy Page and Robert Plant. [2]
During time off in the first tour and in between the two tours, the band recorded and released their second studio album and their first as the quartet with Neil Young on board, Déjà Vu .
The 1970 tour got off to a rocky start, in consultation with other band members, Stills fired Reeves from the group shortly before the beginning of their second American tour in April 1970 "because [he] suddenly decided he was an Apache witch doctor." He further opined that "[Reeves] freaked too much on the bass and no one could keep up because [he] did not play one rhythm the same… he could play bass imaginatively, but he has to be predictable as well," while "Greg also wanted to sing some of his songs on the CSN&Y show, which I thought was ludicrous, only because the songs weren't great. We'll sing any song if it's great, but not just because it happens to be written by our bass player." He was replaced by Calvin "Fuzzy" Samuels, a homeless Jamaican musician recently discovered by Stills at Island Records' London studios. Shortly thereafter, Taylor (who frequently clashed with Young over the band's tempos during the first tour and Déjà Vu sessions) was also dismissed when Young threatened to leave the group following the first performance of the tour at the Denver Coliseum on May 12, 1970. Notwithstanding these previous tensions, Taylor would later assert that his dismissal stemmed from a flirtation with Young's first wife (Topanga Canyon restaurateur Susan Acevedo) amid renewed conflict between Stills and Young in the aftermath of Reeves' firing. Shortly thereafter, drummer John Barbata (formerly of The Turtles) was hired for the remainder of the tour and associated recordings. [3]
As the 23-show tour progressed, the tenuous nature of the partnership was strained by Stills' alcohol and cocaine abuse and perceived megalomania, culminating in an extended solo set not countenanced by the other band members at the Fillmore East when he was informed that Bob Dylan was in the audience. In this turbulent atmosphere, Crosby, Nash and Young decided to fire Stills during a two-night stint at Chicago's Auditorium Theatre in July 1970. Following his reinstatement, the tour ended as scheduled in Bloomington, Minnesota on July 9, 1970; however, the group broke up immediately thereafter. Concert recordings from dates at the Fillmore East, and The Forum in June 1970 and at the Auditorium Theater in July 1970 were assembled by Nash, and produced the 1971 double album 4 Way Street , which topped the charts during a 42-week stay. Although they would continue to collaborate in various and largely ephemeral permutations, the four members would not come back together in earnest until their 1974 reunion tour. [4] [5]
A typical set list for the first tour included the following, although there were substitutions, variations and order switches throughout the tour.
A typical set list for the second included the following, although there were substitutions, variations and order switches throughout the tour. The tour always started off with an acoustic set, with "Suite Judy Blue" Eyes opening, then solo/duo sets from Crosby, Nash, Young, then Stills, the songs in the solo spots were continually changing. A ten-minute interval section was taken before the electric set began, opening with "Pre-Road Downs", and generally finishing with "Carry On". They would then return for "Woodstock" and/or an acoustic "Find The Cost Of Freedom" for the encore.
Tour [6] [7] | |||
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Date | City | Country | Venue |
August 16, 1969 (2 shows) | Chicago | United States | Auditorium Theatre |
August 18, 1969 | Bethel | Woodstock festival | |
August 25, 1969 | Los Angeles | Greek Theatre | |
August 26, 1969 | |||
August 27, 1969 | |||
August 28, 1969 | |||
August 29, 1969 | |||
August 30, 1969 | |||
August 31, 1969 | |||
September 5, 1969 | ABC Studios The Music Scene | ||
September 6, 1969 | ABC Studios This Is Tom Jones | ||
September 13, 1969 | Big Sur | Big Sur Folk Festival Esalen Institute | |
September 14, 1969 | |||
September 19, 1969 | New York City | Fillmore East (4 Shows) | |
September 20, 1969 | |||
October 11, 1969 | New Haven | New Haven Arena | |
November 9, 1969 | Santa Barbara | Campus Stadium | |
November 13, 1969 | San Francisco | Winterland Ballroom | |
November 14, 1969 | |||
November 15, 1969 | |||
November 16, 1969 | |||
November 22, 1969 | Honolulu | HIC Arena | |
November 26, 1969 | Denver | Denver Coliseum | |
November 27, 1969 | Salt Lake City | Salt Palace | |
November 28, 1969 | Dallas | Memorial Auditorium | |
November 29, 1969 | Phoenix | Arizona Veterans Memorial Coliseum | |
December 5, 1969 | Sacramento | Counties Building – Cal Expo | |
December 6, 1969 | Livermore | Altamont Speedway | |
Westwood | Pauley Pavilion | ||
December 11, 1969 | Pittsburgh | Civic Arena | |
December 12, 1969 | Cleveland | Public Hall | |
December 13, 1969 | Chicago | Auditorium Theatre | |
December 14, 1969 | Detroit | Masonic Temple Theater | |
December 17, 1969 | Albuquerque | Tingley Coliseum | |
December 18, 1969 | Houston | Hofheinz Pavilion | |
December 21, 1969 | San Diego | Balboa Stadium | |
Europe | |||
January 6, 1970 | London | United Kingdom | Royal Albert Hall |
January 9, 1970 | Stockholm | Sweden | Konserthuset |
January 11, 1970 | Copenhagen | Denmark | Falkonercentret |
Tour [8] [9] | |||
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Dates | City | Country | Venue |
May 12, 1970 | Denver | United States | Denver Coliseum |
May 29, 1970 | Boston | Boston Garden | |
May 30, 1970 | Baltimore | Civic Center | |
June 2, 1970 | New York City | Fillmore East | |
June 3, 1970 | |||
June 4, 1970 | |||
June 5, 1970 | |||
June 6, 1970 | |||
June 7, 1970 | |||
June 9, 1970 | Providence | Rhode Island Auditorium | |
June 10, 1970 | Philadelphia | The Spectrum | |
June 12, 1970 | Detroit | Olympia Stadium | |
June 16, 1970 | Portland | Memorial Coliseum | |
June 17, 1970 | Seattle | Seattle Center Coliseum | |
June 19, 1970 | Oakland | Oakland Coliseum Arena | |
June 26, 1970 | Inglewood | The Forum | |
June 28, 1970 | |||
July 1, 1970 | St. Louis | Kiel Municipal Auditorium | |
July 3, 1970 | Cleveland | Public Hall | |
July 5, 1970 | Chicago | Auditorium Theatre | |
July 6, 1970 | |||
July 7, 1970 | Madison | Dane County Veterans Memorial Coliseum | |
July 9, 1970 | Bloomington | Metropolitan Sports Center |
These were extra dates, not part of the main tours, but before the 1974 reunion tour.
Dates | City | Country | Venue | Notes |
---|---|---|---|---|
September 30, 1971 | New York City | United States | Carnegie Hall | Stephen Stills and Neil Young drop by a Crosby & Nash show |
October 3, 1971 | Boston | Boston Music Hall | ||
October 4, 1971 | New York City | Carnegie Hall | ||
October 4, 1973 | San Francisco | Winterland Arena | Crosby, Nash & Young drop by a Stephen Stills Manassas show | |
October 7, 1973 | Crosby & Nash drop by a Stephen Stills Manassas show |
Buffalo Springfield was a rock band formed in Los Angeles by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966 to 1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house.
Crosby, Stills & Nash (CSN) was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills and English singer-songwriter Graham Nash. When joined by Canadian singer-songwriter Neil Young as a fourth member, they were called Crosby, Stills, Nash & Young (CSNY). They are noted for their intricate vocal harmonies and lasting influence on American music and culture, as well as their political activism and often tumultuous interpersonal relationships.
Stephen Arthur Stills is an American musician, singer, and songwriter best known for his work with Buffalo Springfield, Crosby, Stills & Nash, and Manassas. As both a solo act and member of three successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stone's 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice with his groups on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius."
"Woodstock" is a song written by Joni Mitchell. At least four notable versions of the song were released in the same year, 1970. Mitchell's own version was first performed live in 1969 and appeared in April 1970 on her album Ladies of the Canyon and as the B-side to her single "Big Yellow Taxi". This publication was preceded by Crosby, Stills, Nash & Young's cover version, which appeared on their March 1970 album Déjà Vu and became a staple of classic rock radio and the best-known version in the United States. A third version, by the British band Matthews Southern Comfort became the best known version in the United Kingdom, and was the highest charting version of the song, reaching the top of the UK singles chart in 1970. A fourth version by studio project The Assembled Multitude also became a chart hit.
Déjà Vu is the second studio album by the American folk rock group Crosby, Stills & Nash, and their first as a quartet with the addition of Neil Young. It was released in March 1970 by Atlantic Records. It topped the pop album chart for one week and generated three Top 40 singles: "Woodstock", "Teach Your Children", and "Our House". It was re-released in 1977 and an expanded edition was released in 2021 to mark its fiftieth anniversary.
Time Fades Away is a 1973 live album by Canadian-American musician Neil Young. Consisting of previously unreleased material, it was recorded with the Stray Gators on the support tour following 1972's highly successful album Harvest. Due to Young's dissatisfaction with the tour, it was omitted from his catalogue and not released on compact disc until 2017. The album is the first of the so-called "Ditch Trilogy" of albums that Young recorded following the major success of Harvest, whereupon the scope of his success and acclaim became so apparent that Young subsequently experienced alienation from his music and career.
Long May You Run is a studio album credited to the Stills–Young Band, a collaboration between Stephen Stills and Neil Young, released in 1976 on Reprise Records. It peaked at #26 on the Billboard 200 and was certified gold in the United States by the RIAA. The album is the sole studio release by Stills and Young as a duo.
Crosby, Stills & Nash is the debut studio album by the folk rock supergroup Crosby, Stills & Nash (CSN), released in 1969 by Atlantic Records. It is the only release by the band prior to adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes", which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the US Billboard Hot 100. The album itself peaked at No. 6 on the US Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales of 4,000,000.
"Helpless" is a song written by Canadian singer-songwriter Neil Young, recorded by Crosby, Stills, Nash & Young (CSNY) on their 1970 album Déjà Vu. Young played the song with The Band in the group's final concert with its original lineup, on American Thanksgiving Day 1976 at San Francisco's Winterland Ballroom, with Joni Mitchell providing backing vocals offstage.
So Far is the fourth album by Crosby, Stills & Nash, their third as Crosby, Stills, Nash & Young, and the first compilation album released by the group. Shipping as a gold record and peaking at No. 1 on the Billboard Top Pop Albums chart, it was the band's third chart-topping album in a row. It has been certified six times platinum by the RIAA, and is the second best-selling album by any configuration of the quartet in tandem after their 1970 studio album, Déjà Vu.
Manassas was an American rock supergroup formed by Stephen Stills in 1971. It was used primarily for Stills' music, the band releasing two studio albums before disbanding in October 1973. They released a 1972 self titled debut and a second album titled Down the Road in 1973.
Graham Nash David Crosby is the first album by the partnership of David Crosby and Graham Nash, released on Atlantic Records in 1972, catalog SD 7220. It peaked at No. 4 on the Billboard 200 albums chart, and a single taken from the album, "Immigration Man", peaked at No. 36 on the Billboard Hot 100 on June 17 and 24, 1972. It was certified gold by the RIAA, and it was dedicated to Joni Mitchell, as "to Miss Mitchell".
Replay is the sixth album by Crosby, Stills & Nash and their second retrospective, appearing in 1980 on the Atlantic Records label. It contains no material with Neil Young, but does include CSN solo projects. It peaked at No. 122 on the Billboard 200, their first album not to chart in the top ten.
Crosby & Nash were a musical duo that maintained a separate career in addition to the solo endeavors of David Crosby and Graham Nash, and separate from the larger aggregate of Crosby, Stills, Nash & Young. Crosby and Nash performed and recorded regularly during the 1970s, issuing five albums including three of original studio material. After the more or less permanent reformation of Crosby, Stills & Nash in 1976, the duo continued to play sporadic concerts from the 1980s through the second decade of the 21st century, issuing another studio album in 2004 and going on an extended concert tour in 2011.
Down the Road is the second and last studio album by Stephen Stills' band Manassas. It was released in April 1973, and peaked at number 26 in the US charts, to mixed reviews. "Isn't It About Time", a protest song, was released as the lead single and reached number 56 on the charts.
CSN is the eleventh album by Crosby, Stills & Nash, issued on Atlantic Records in 1991, not to be confused with the album of the same name released in 1977. A box set on four compact discs, it features material spanning 1968 through 1990 from their catalogue of recordings as a group in addition to selections from Crosby & Nash, Manassas, and their individual solo albums. It peaked at No. 109 on the Billboard 200, and has been certified platinum by the RIAA. The set is "dedicated to the loving memory of Cass Elliot, without whom most of this music may not have been made." A two-disc distillation of the box was released for other markets later in the year.
Neil Young Archives Vol. 1: 1963–1972 is the first in a planned series of box sets of archival material by Canadian-American musician Neil Young. It was released on June 2, 2009, in three different formats - a set of 10 Blu-ray discs in order to present high resolution audio as well as accompanying visual documentation, a set of 10 DVDs and a more basic 8-CD set. Covering Young's early years with The Squires and Buffalo Springfield, it also includes various demos, outtakes and alternate versions of songs from his albums Neil Young, Everybody Knows This Is Nowhere, After the Gold Rush, and Harvest, as well as tracks he recorded with Crazy Horse and Crosby, Stills, Nash & Young during this time. Also included in the set are several live discs, as well as a copy of the long out-of-print film Journey Through the Past, directed by Young in the early 1970s.
Gregory Allen Reeves is an American bass guitarist. He is best known for playing bass on Crosby, Stills, Nash & Young's album Déjà Vu (1970).
CSNY 1974 is the nineteenth album by Crosby, Stills, & Nash, their seventh in the CSNY quartet configuration, and their fifth live album, the third as a foursome. Issued on Rhino Records in 2014, it consists of concert material recorded in 1974 on the band's tour during the summer of that year. It was issued in several formats: a standard compact disc box set consisting of three audio discs and a standard DVD; as one pure audio Blu-ray disc and a Blu-ray DVD; and a more expensively packaged limited deluxe edition consisting of the material on six vinyl records along with the Blu-ray discs and a coffee table book. Three single disc samplers were also issued: one of the acoustic material exclusively available at Starbucks in the United States and Canada; a second at normal retail outlets; and a third included as a covermount disc to the 250th anniversary issue of the UK music magazine Mojo issued as "an exclusive audio-visual sampler of the new CSNY 1974 box set." Each of the non-sampler sets also contained a 188-page booklet, and all formats were released the same day, with the Mojo sampler arriving with the September 2014 publication of that edition. The three-disc and DVD package peaked at No. 17 on the Billboard 200, while the Starbucks sampler peaked at No. 37 and the selections sampler at No. 81.
These tours were the third tours as the trio of Crosby, Stills & Nash, without Neil Young. They were in support of the 1982 album Daylight Again, and the 1983 live album Allies.