Cynthia Harvey | |
---|---|
Born | San Rafael, California, U.S. | May 17, 1957
Occupations |
|
Children | 1 |
Career | |
Former groups | American Ballet Theatre The Royal Ballet Jacqueline Kennedy Onassis School |
Cynthia Harvey (born May 17, 1957) is an American former ballet dancer, ballet mistress and educator. She joined the American Ballet Theatre (ABT) in 1974 and was promoted to principal dancer in 1982. In 1986, she joined The Royal Ballet, becoming the company's first American principal dancer. She returned to ABT two years later, and retired in 1996. She then started teaching and staging ballets across the world. Between 2016 and 2022, she was the artistic director of the Jacqueline Kennedy Onassis School, the affiliated school of ABT.
Harvey was born on May 17, 1957, in San Rafael, California, [1] and raised in Novato. [2] Her parents are divorced. Her mother, who is of Mexican descent, was an office manager. [3] When she was ten, she attended a summer ballet class at a local YMCA. Recognising her talents, the teacher suggested Harvey's mother to have her train for ballet seriously. Harvey then trained with a local teacher, while spending summers at the San Francisco Ballet School and School of American Ballet on scholarship, and performed with both local and visiting ballet companies. [4] She also attended San Marin High School. [3] When she was fifteen, she auditioned for the American Ballet Theatre's school when the company was touring in California. She was accepted, and unusually, she was given a scholarship that covered both ballet and academics. She moved to New York by herself, and trained for nine months before becoming an apprentice with the company. [4]
In 1974, at sixteen, Harvey joined the American Ballet Theatre. [2] [3] She made her company debut as a page in a one-act version of The Sleeping Beauty , and was often cast by choreographers Twyla Tharp and Glen Tetley. [4] In 1977, she volunteered to assist Mikhail Baryshnikov, the artistic director of the company, to choreograph his version of Don Quixote . Baryshnikov choreographed his first ideas on Harvey and a few other volunteers. He also cast her as a flower girl in the ballet. [3] [4] The following year, she substituted principal dancers Martine van Hamel and Cynthia Gregory in Don Quixote as Kitri, to positive reviews, and was promoted to soloist. [3] [4] In 1979, she made her debut as Myrta in Giselle . [5] In 1980, when Natalia Makarova staged her version of La Bayadère , Harvey was chosen to dance the role of Gamzatti at the premiere. [4] [6]
Harvey was named principal dancer in 1982. [2] The following year, she created a role in McFall's Interludes. [1] The lead roles she had danced with the company include Odette-Odile in Swan Lake , [7] [8] the title role in Giselle, [9] Nikiya in La Bayadère, [10] Juliet in MacMillan's Romeo and Juliet , [11] the title role in Baryshnikov's Cinderella , [12] as well as in Paquita [13] and Les Sylphides . [14]
In 1986, Harvey left the American Ballet Theatre to join The Royal Ballet in London, and became the company's first American principal dancer. [15] The invitation came from Anthony Dowell, the director of the Royal Ballet who had danced with Harvey at ABT. Though she was initially hesitant with the invitation, she accepted it after Baryshnikov told her she would regret rejecting the offer. [2] At the Royal Ballet, she performed various classical ballets, works choreographed by Frederick Ashton, and originated a role in Bintley's Still Life at the Penguin Café. [1] Though she was originally set to spend a year in London, [2] she did not return to ABT until 1988. However, she made guest appearances with the Royal Ballet after her departure. [1]
Throughout her career, she also performed with other companies as a guest artist, including Baryshnikov and Company, Nureyev and Friends, Northern Ballet Theatre and Sadler's Wells Royal Ballet. [1] In 1996, Harvey retired from ABT. [15] However, her last performance was with the San Francisco Opera, in a gala performance of Johann Strauss II's operetta Die Fledermaus . [1]
After her retirement from dancing, Harvey started working as a guest ballet mistress and teacher. In 2008, she assisted in a restaging of The Sleeping Beauty for the Norwegian National Ballet, then returned to the company the following year to make her production of Giselle . In 2010, she created her version of The Sleeping Beauty for Hong Kong Ballet. [16] In 2015, she staged the "Kingdom of the Shades" scene from La Bayadère for the Royal Ballet of Flanders, as well as a production of Don Quixote for Singapore Dance Theatre. [17] She also assisted Natalia Makarova in staging La Bayadère. [1]
Harvey has taught at companies such as ABT, The Australian Ballet, La Scala Ballet, Royal Swedish Ballet, Dresden Semperoper Ballett and Royal Ballet of Flanders, and schools including Royal Ballet School and English National Ballet School. [16] She founded the London-based ballet nonprofit, En Avant Foundation. [15] She was also a standard assessor for The Council for Dance Education and Training before she stepped down in 2010, and a coach at Prix de Lausanne. [18] [16] She co-wrote the book Physics of Dance & the Pas de Deux. [16]
In 2016, Harvey was appointed artistic director of the Jacqueline Kennedy Onassis School, the affiliated school of ABT, succeeding Franco De Vita. [15] She stepped down from the Jacqueline Kennedy Onassis School in May 2022. [17] She continues to teach, coach and stage ballets, and became a consultant for To the Pointe, a British arts management company. [17] In 2023, Harvey was named associate guest répétiteur at the English National Ballet. [19]
Harvey has a child. She moved to England after she retired from performing. [20] Prior to her joining the Jacqueline Kennedy Onassis School, she was based in Norwich. [18]
American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant, it is recognized as one of the world's leading classical ballet companies. Through 2019, it had an annual eight-week season at the Metropolitan Opera House in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.
Ethan Stiefel is an American dancer, choreographer, and director. He was a principal dancer with American Ballet Theatre (ABT) from 1997 until July 2012. He was the artistic director of the Royal New Zealand Ballet from 2011 to 2014. His wife is Gillian Murphy, also a principal dancer with ABT.
Angel Corella López is a Spanish former principal dancer with the American Ballet Theatre and guest artist with The Royal Ballet, Kirov Ballet, New York City Ballet, La Scala and the Australian Ballet among many others. Since the 2014/2015 season, he has been the Artistic Director of Philadelphia Ballet.
Julie Kent is an American ballet dancer; she was a principal dancer with the American Ballet Theatre from 1993 to June 2015. In 2016, she was named the artistic director of The Washington Ballet. She became co-artistic director at the Houston Ballet in July 2023.
Vladimir Malakhov is a Ukrainian ballet dancer who was the artistic director of the Staatsballett Berlin from its founding in 2004 until 2014. He is a former principal dancer with American Ballet Theatre and Vienna State Opera Ballet.
Natalia Romanovna Makarova is a Russian prima ballerina and choreographer. The History of Dance, published in 1981, notes that "her performances set standards of artistry and aristocracy of dance which mark her as the finest ballerina of her generation in the West."
Marianela Núñez is an Argentine-British ballet dancer. She is a principal dancer with The Royal Ballet, London.
Xiomara Reyes is a former principal dancer with American Ballet Theatre. After retiring from performing she was appointed the Head of School of The Washington Ballet School.
Yuriko Kajiya is a Japanese ballet dancer who currently performs as a principal dancer with Houston Ballet. Prior to joining Houston Ballet, she danced as a soloist with American Ballet Theatre for seven years.
Kevin McKenzie is an American ballet dancer, choreographer, and director. A former principal dancer with American Ballet Theatre, he then served as the company's artistic director from 1992 to 2022.
Walter Patrick Bissell was an American ballet dancer. He was a leading principal dancer with the American Ballet Theatre. On his death at age 30 from a drug overdose, he was described by the artistic director of the American Ballet Theatre and personal ballet eminence Mikhail Baryshnikov as "without a doubt one of the brightest lights in American Ballet Theater's history, or, for that matter, in the entire ballet world". Bissell was noted for his height and athleticism. His most famous role was as Solor in La Bayadère. His death prompted investigations into the alleged widespread drug use within the American Ballet Theatre.
Hildur Isabella Boylston is an American ballet dancer who is currently a principal dancer with the American Ballet Theatre (ABT).
Susan Jaffe is an American ballet dancer and arts administrator. She is currently the artistic director of the American Ballet Theatre, where she had danced for 22 years and held the rank of principal dancer. She previously served as the dean of the School of Dance at the University of North Carolina School of the Arts and the artistic director of Pittsburgh Ballet Theatre.
The Jacqueline Kennedy Onassis School at American Ballet Theatre is the associate school of American Ballet Theatre located at 890 Broadway, within the Flatiron District of Manhattan, New York City. The school comprises a children's division for ages 4 to 12, a pre-professional division for ages 12 to 18, and the preparatory program "Studio Company" for ages 16 to 20. It was established in 2004 and named in honor of Jacqueline Kennedy Onassis who served on ABT's Board of Trustees as honorary chairman emerita for many years prior to her death. Besides its parent company, graduates of JKO have found employment in various companies, such as National Ballet of Canada, The Royal Ballet, Joffrey Ballet and Dutch National Ballet. Stella Abrera became the school's interim artistic director for a year, starting in August 2022, following Cynthia Harvey's departure in May.
Martine van Hamel is a Dutch choreographer, director, teacher, retired ballerina and former Principal dancer at the National Ballet of Canada and American Ballet Theatre (ABT). She was a gold medalist at the biennial Varna International Ballet Competition, the most prestigious ballet competition in the world, held in Varna, Bulgaria. She is also a recipient of the Prix de Varna, a recognition rarely awarded, for best artistic interpretation in all categories. She was one of the leading classical ballerinas in America.
Stella Abrera is a Filipina-American ballet dancer. She danced as a principal dancer with American Ballet Theatre until her retirement in 2020, and is the company's first Filipina principal ballerina. She then became the artistic director of the dance cultural park Kaatsbaan, and in September 2022 took up the role of artistic director of the ABT JKO School. following Cynthia Harvey's departure in May.
Anna-Marie Holmes is a Canadian-born ballet dancer, educator and choreographer. Holmes received an Emmy Award in 2000 for her staging of Le Corsaire for PBS. She was the founder and co-artistic director for the International Academy of Dance Costa do Sol in Portugal.
Skylar Paley Brandt is an American ballet dancer who is currently a principal dancer with the American Ballet Theatre.
Catherine Hurlin is an American ballet dancer. She joined the American Ballet Theatre (ABT) in 2014 and was promoted to principal dancer in 2022.
Guadalupe Martínez Desfassiaux Serrano, known professionally as Lupe Serrano, was a Chilean-born, Mexican-trained American ballet dancer and teacher. She spent most of her dance career at the American Ballet Theatre (ABT), where she was the troupe's first Hispanic American principal dancer.