Martine van Hamel

Last updated

Queen Beatrix of the Netherlands, Martine van Hamel, and Kevin McKenzie in 1982 Martine Hamel and Kevin McKenzie 1982.jpg
Queen Beatrix of the Netherlands, Martine van Hamel, and Kevin McKenzie in 1982

Martine van Hamel (born 16 November 1945) is a Dutch choreographer, director, teacher, retired ballerina and former Principal dancer at the National Ballet of Canada and American Ballet Theatre (ABT). She was a gold medalist at the biennial Varna International Ballet Competition, the most prestigious ballet competition in the world, held in Varna, Bulgaria. She is also a recipient of the Prix de Varna, a recognition rarely awarded, for best artistic interpretation in all categories. She was one of the leading classical ballerinas in America.

Contents

Van Hamel studied classical ballet in Denmark, the Netherlands, Indonesia, and Venezuela. She eventually went on to train at Canada's National Ballet School before joining the professional dance company, the National Ballet of Canada, as a soloist in 1963. She danced briefly with the Joffrey Ballet, then known as the City Center Joffrey Ballet, before joining ABT in 1970, one of the three leading classical ballet companies in the United States. She co-founded the New Amsterdam Ballet with Kevin McKenzie which toured and performed during the ABT off-season. Van Hamel left ABT in 1992 to dance with the Nederlands Dans Theater III until 1997.

Van Hamel was the recipient of the Cue Magazine award for outstanding dancer in 1976, the Dance Magazine Award in 1983, the Dance Educators of America's award in July 1989, and the Award for Excellence from Washington College in 1992. She has taught at the Juilliard School, the Jacqueline Kennedy Onassis School, and co-founded the Kaatsbaan International Dance Center.

Early life and training

Born on 16 November 1945 [1] in Brussels, van Hamel was the youngest of three siblings of Dutch parents. [2] Her father, Diederik (Dick) Alfred van Hamel, was a diplomat stationed in Copenhagen. [2] [3] [4] Her mother, Manette van Hamel (née Cramer), born in 1913 in Deventer, was a music teacher and violinist who played in a string quartet. [3] [5] Martine van Hamel began ballet lessons at the age of four in Copenhagen where it was common for children to study ballet. [5] As a diplomat, her father was routinely stationed in different countries such as Denmark, the Netherlands, and Indonesia. [1] It was difficult for her to find teachers but she took lessons when possible. While her father was stationed in Caracas, Venezuela, van Hamel, then age ten, took classes with Henry Danton from The Royal Ballet. Danton frequently guest taught at the National Ballet of Venezuela. [5] In 1958, she moved to Canada to study at Canada's National Ballet School with Betty Oliphant. [1] [6]

Career

Martine van Hamel, American Ballet Theatre, Sleeping Beauty, 6 July 2013 Martine van Hamel.jpg
Martine van Hamel, American Ballet Theatre, Sleeping Beauty, 6 July 2013

Van Hamel graduated from the school and was promoted straight into the National Ballet of Canada as a soloist in 1963. [1] [7] She has credited Celia Franca, the Artistic Director, as being an important influence and coach during her development as a ballet dancer. [5] She was promoted to the rank of principal dancer in 1965. [1] Early in her career, she struggled with her weight. [8] In an interview with Rose Eichenbaum, Van Hamel said, "I think there is a small window in your career when you have some control." [8] She explained she was "about three pounds too heavy" and used weight as "a way of rebelling against all the forces that controlled my life." [8]

At the third biennial 1966 Varna International Ballet Competition, the most prestigious dance competition in the world, Martine van Hamel won a gold medal. [8] [9] [10] She danced variations from Marius Petipa's La Bayadère , Kenneth MacMillan's Solitaire , Antony Tudor's Dark Elegies, and the pas de deux from Le Corsaire with Earl Kraul. [9] Van Hamel was also the recipient of the seldom awarded Prix de Varna for best artistic interpretation in all categories. [8] [11] She was welcomed back to Canada with a ticker-tape parade. [8] She left the National Ballet of Canada in 1969 to dance for one year as soloist with the City Center Joffrey Ballet, now known as the Joffrey Ballet. [1] [11] [12]

In 1970, van Hamel was offered a position in the corps de ballet at American Ballet Theatre, one of the three leading classical ballet companies in the United States. [1] [13] She was quickly promoted to soloist in 1971 and then to principal dancer in 1973. [1] [11] "She became established as one of the leading classical ballerinas in America," according to The Oxford Dictionary of Dance, which further described her as "a tall, strong dancer with a technique that embraced both a muscular power and a delicate expressiveness." [1] Clive Barnes of The New York Times wrote "her persona is shy, but she is exceedingly womanly, and she bounces happily on the modest but confident trampoline of her personality." [14] Diane Burns, the dance critic for the Orlando Sentinel , has called van Hamel the "American Ballet Theatre prima ballerina and one of the most formidable female dancers to emerge from the dance boom of the 1970s and early '80s." [15] At 5 feet 7 inches (1.7 m) tall, van Hamel is difficult to partner because on pointe she is taller than many of her leading male counterparts. [15] The Los Angeles Times noted that "she has lost coveted roles due to her height" despite "all the celebrated majesty of her dancing." [16]

Van Hamel was the recipient of the 1976 Cue Magazine award for outstanding dancer. [17] On 21 March 1983, she was the recipient of the Dance Magazine award alongside fellow recipients John Neumeier, director of the Hamburg Ballet; Michael Smuin, a director of the San Francisco Ballet; and Jeannot Cerrone, general manager of the Houston Ballet. [18] The awards were presented by Francis Ford Coppola, Erik Bruhn, Leonard Bernstein and Jerome Robbins. [18]

In the late 70s, van Hamel alongside ABT partner Kevin McKenzie, co-founded the New Amsterdam Ballet which was officially incorporated on 24 August 1982. [15] [19] Van Hamel served as the Artistic Director and McKenzie as the Associate Artistic Director and choreographer. [20] [21] During the ABT off-season, van Hamel, McKenzie, and other ABT dancers toured and performed with the New Amsterdam Ballet all over the world. [15] The "semipermanent chamber group" focused on contemporary ballet works by new choreographers. [15] [22] The company continued to operate before closing in September 2013. [23] In July 1989, van Hamel, Terry Orr, and Savion Glover received awards from Dance Educators of America for their work as dance teachers. [24] Van Hamel has been a guest choreographer for companies such as The Washington Ballet, Milwaukee Ballet and the Royal Winnipeg Ballet. [11] [25]

After twenty years, she left ABT in 1991 and joined the Nederlands Dans Theater III. [1] The same year, van Hamel, McKenzie, Gregory Cary, and Bentley Roton founded the Kaatsbaan International Dance Center as a facility to host national and international artists. [26] There van Hamel has been the Program Director of Extreme Ballet, a three-week intensive training program, since its inception in 1991. [27] In 1992, Washington College presented her with the Award for Excellence for her contributions in the arts. [28] Van Hamel left Nederlands Dans Theater III in 1997 and worked as choreographer and director. [1] She returned to ABT in 2004 to teach at the Jacqueline Kennedy Onassis School and to occasionally perform character roles with the professional dance company. [11] She joined the faculty at the Juilliard School in the same year. [29]

Personal life

In 1972, van Hamel's father, Diederik, retired after serving as Consul General to the Netherlands in New York City. [3] [30] Along with Manette, his wife, they moved to Woodstock, New York. [2] Diederik built and played the viola. [3] Manette founded the Woodstock Chamber Orchestra and played the violin and piano. [3] Her father died on 31 August 1997, and her mother, on 12 June 2012. [3] [30] Martine van Hamel has two siblings, Alfred and Jan-Willem. [3]

Van Hamel married McKenzie, who is the Artistic Director of ABT. [31] [32] Since 1999, she has sung with the New York Choral Society. [33]

Related Research Articles

The National Ballet of Canada is a Canadian ballet company that was founded in 1951 in Toronto, Ontario, with Celia Franca, the first artistic director. A company of 70 dancers with its own orchestra, the National Ballet has been led since 2022 by artistic director Hope Muir. Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets, as well as the development of Canadian dancers and choreographers.

<span class="mw-page-title-main">American Ballet Theatre</span> Ballet company

American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant, it is recognized as one of the world's leading classical ballet companies. Through 2019, it had an annual eight-week season at the Metropolitan Opera House in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.

Gelsey Kirkland is an American prima ballerina. She received early ballet training at the School of American Ballet. Kirkland joined the New York City Ballet in 1968 at age 15, at the invitation of George Balanchine. She was promoted to soloist in 1969, and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor, including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading.

<span class="mw-page-title-main">Julie Kent (dancer)</span> American ballet dancer

Julie Kent is an American ballet dancer; she was a principal dancer with the American Ballet Theatre from 1993 to June 2015. In 2016, she was named the artistic director of The Washington Ballet. She became co-artistic director at the Houston Ballet in July 2023.

Ben Stevenson OBE, is a former ballet dancer with Britain's Royal Ballet and English National Ballet, co-director of National Ballet of Washington, D.C. (1971–1974), artistic director of Chicago Ballet (1974-1975), artistic director of Houston Ballet (1976–2003), and artistic director of Texas Ballet Theater (2003–2022).

Lawrence Pech is a dancer, choreographer and teacher currently living and working in the San Francisco Bay Area.

John Taras was an American ballet master, repetiteur, and choreographer.

<span class="mw-page-title-main">Kevin McKenzie (dancer)</span> American ballet dancer, choreographer, and director

Kevin McKenzie is an American ballet dancer, choreographer, and director. A former principal dancer with American Ballet Theatre, he then served as the company's artistic director from 1992 to 2022.

John Meehan is an Australian ballet director, choreographer, professor, and retired ballet dancer. He was educated at the Anglican Church Grammar School in Brisbane and studied at the Australian Ballet School. Meehan joined the Australian Ballet in 1970 and was promoted to principal dancer in 1974, creating roles in new works by Glen Tetley, John Butler, Garth Welch, Sir Robert Helpmann and Gillian Lynne as well as the role of Count Danilo in Ronald Hynd's The Merry Widow. In 1977 he performed as Guest Artist with American Ballet Theatre (ABT) joining the company as Principal Dancer in the fall of that year. He also danced as guest artist with The Boston Ballet, The National Ballet of Canada and the New York City Ballet.

<span class="mw-page-title-main">Misty Copeland</span> American ballet dancer (born 1982)

Misty Danielle Copeland is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to a principal dancer in ABT's 75-year history.

Magali Messac, a French-American ballet dancer, was born and raised in the south of France, where she received her early training from Olga and Henry Taneeff.

Margo Sappington is an American choreographer and dancer. She was nominated in 1975 for both a Tony Award as Best Choreographer and a Drama Desk Award for Outstanding Choreography for her work on the play Where's Charley?. In 1988, her ballet Virgin Forest was the subject of an award-winning documentary by PBS. In 2005 she received a Lifetime Achievement Award for choreography from the Joffrey Ballet.

<span class="mw-page-title-main">Hee Seo</span> South Korean ballet dancer

Hee Seo is a South Korean ballet dancer who is a principal dancer at the American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. She became the company's first Korean ballerina to be promoted to principal dancer in ABT's 75-year history. She is also one of the youngest dancers in ABT history to be promoted to principal at the age of twenty-six. The New York Times has described her style and dancing to "exude an unhurried purity that sums up all that is lovely about ballet" and by Vogue as "unspeakably lissome". Several critics have noted her style as "lyrical and open" and she has been critically acclaimed for her "humility" and "unique feminine strength".

<span class="mw-page-title-main">Ann Marie DeAngelo</span> American dancer

Ann Marie DeAngelo is an American choreographer, director, producer, teacher, consultant and former dancer - an expert in all areas of dance. She was leading ballerina with the Joffrey Ballet, where early on she was pegged by Time magazine as "one of America's most outstanding ballerinas" and where she later served as associate director at the time of the company's move to Chicago in 1995.

Cynthia Harvey is an American former ballet dancer, ballet mistress and educator. She joined the American Ballet Theatre (ABT) in 1974 and was promoted to principal dancer in 1982. In 1986, she joined The Royal Ballet, becoming the company's first American principal dancer. She returned to ABT two years later, and retired in 1996. She then started teaching and staging ballets across the world. Between 2016 and 2022, she was the artistic director of the Jacqueline Kennedy Onassis School, the affiliated school of ABT.

Youth America Grand Prix (YAGP) is a non-profit international youth ballet and contemporary dance competition and scholarship program established in 1999.

The New York International Ballet Competition (NYIBC), was a program providing dance education and employment opportunities for young dancers ages 17 to 24. In 1983 Ilona Copen founded NYIBC, with Igor Youskevitch as first artistic director, in order to fill a void and satisfy a need in the global dance ecosystem. Other international ballet competitions existed, but New York City, considered a dance capital of the world, did not have its own.

The Jacqueline Kennedy Onassis School at American Ballet Theatre is the associate school of American Ballet Theatre located at 890 Broadway, within the Flatiron District of Manhattan, New York City. The school comprises a children's division for ages 4 to 12, a pre-professional division for ages 12 to 18, and the preparatory program "Studio Company" for ages 16 to 20. It was established in 2004 and named in honor of Jacqueline Kennedy Onassis who served on ABT's Board of Trustees as honorary chairman emerita for many years prior to her death. Besides its parent company, graduates of JKO have found employment in various companies, such as National Ballet of Canada, The Royal Ballet, Joffrey Ballet and Dutch National Ballet. Stella Abrera became the school's interim artistic director for a year, starting in August 2022, following Cynthia Harvey's departure in May.

<span class="mw-page-title-main">Stella Abrera</span> Filipina-American ballet dancer

Stella Abrera is a Filipina-American ballet dancer. She danced as a principal dancer with American Ballet Theatre until her retirement in 2020, and is the company's first Filipina principal ballerina. She then became the artistic director of the dance cultural park Kaatsbaan, and in September 2022 took up the role of artistic director of the ABT JKO School. following Cynthia Harvey's departure in May.

Anna-Marie Holmes is a Canadian-born ballet dancer, educator and choreographer. Holmes received an Emmy Award in 2000 for her staging of Le Corsaire for PBS. She was the founder and co-artistic director for the International Academy of Dance Costa do Sol in Portugal.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 Debra Craine, Judith Mackrell (2010). The Oxford Dictionary of Dance . Oxford University Press. p.  206. ISBN   9780199563449. hamel.
  2. 1 2 3 Barbara Rowes (18 February 1980). "In His American Debut, Aleksandr Godunov Will Have His Hands Full with Sturdy Ballerina Martine Van Hamel". People . Retrieved 20 September 2016.
  3. 1 2 3 4 5 6 7 "Manette van Hamel dies at 98". Hudson Valley One. Ulster Publishing. 28 June 2012. Retrieved 20 September 2016.
  4. ↑ "OFFICIAL STAFFS OF THE MEMBERS OF THE GOVERNMENT" (PDF). The London Gazette . 10 December 1943. Retrieved 21 September 2016.
  5. 1 2 3 4 "Inspiration #03: Interview with Martine van Hamel". Dance.net. 11 January 2009. Archived from the original on 17 September 2016. Retrieved 16 September 2016.
  6. ↑ Michael Crabb, Katherine Cornell (4 March 2015). "National Ballet School of Canada". The Canadian Encyclopedia . Retrieved 16 September 2016.
  7. ↑ Anna Kisselgoff (2 January 1976). "Ballet Spotlight on Martine van Hamel". The New York Times . Retrieved 18 September 2016.
  8. 1 2 3 4 5 6 Rose Eichenbaum (2013). The Dancer Within: Intimate Conversations with Great Dancers. Wesleyan University Press. ISBN   9780819574886.
  9. 1 2 James Neufeld (23 October 2011). Passion to Dance: The National Ballet of Canada. Dundurn Press. ISBN   9781459701229.
  10. ↑ Other sources:
  11. 1 2 3 4 5 "Martine van Hamel". American Ballet Theatre. Archived from the original on 24 March 2012. Retrieved 16 September 2016.
  12. ↑ "Don Quixote". National Ballet of Canada. Archived from the original on 24 September 2020. Retrieved 16 September 2016.
  13. ↑ Jennings, Luke (18 February 2007). "One step closer to perfection: The best of Balanchine lights up London – but Stravinsky in Birmingham must not be missed". The Observer . Retrieved 14 October 2016.
  14. ↑ Clive Barnes (21 July 1975). "The Dance: Martine van Hamel & co". The New York Times . Retrieved 20 September 2016.
  15. 1 2 3 4 5 Diane Burns (25 July 1993). "Dancer Answers Age With Artistry". Orlando Sentinel . Retrieved 20 September 2016.
  16. ↑ Lewis Segal (5 July 1985). "It's Transition Time For Martine Van Hamel". LA Times . Retrieved 20 September 2016.
  17. ↑ "'The Nutcracker' At Kingston Dec 21". The Evening News. 15 December 1976. Retrieved 20 September 2016.
  18. 1 2 "Dance Award Winners". The New York Times . 26 January 1983. Retrieved 20 September 2016.
  19. ↑ Jennifer Dunning (13 May 1984). "A Ballerina Ventures Into Choreography". The New York Times . Retrieved 20 September 2016.
  20. ↑ Nancy Capace (1 January 2000). Encyclopedia of Vermont. Somerset Publishers. ISBN   9780403096022.
  21. ↑ "NEW AMSTERDAM BALLET, INC". Company-detail.com. Retrieved 20 September 2016.
  22. ↑ Wendy Liberatore (24 October 1993). "New Amsterdam Ballet Distinct, cohesive". The Daily Gazette . Retrieved 20 September 2016.
  23. ↑ Lesley Sotolongo (28 March 2014). "Muses in Bankruptcy Court: a look at US arts and cultural institutions finding themselves in bankruptcy and out". Center for Art Law. Retrieved 20 September 2016.
  24. ↑ "Judy Jamison is new artistic director of the Alvin Ailey Dance Company". Deseret News . 24 December 1989. Retrieved 20 September 2016.
  25. ↑ Selma Jeanne Cohen (1998). The International Encyclopedia of Dance . Oxford University Press. ISBN   9780195173697 – via HighBeam Research.
  26. ↑ Stefanie Schappert (29 August 2014). "BalletNext to perform at Kaatsbaan on Saturday". Poughkeepsie Journal . Retrieved 20 September 2016.
  27. ↑ Amy Brandt (18 November 2010). "The August Advantage". Pointe . Retrieved 14 October 2016.
  28. ↑ "Martine van Hamel Makes A Stunning Response" (pdf). Washington College. August 1992. Retrieved 20 September 2016.
  29. ↑ Karen Hildebrand (1 December 2004). "Juilliard". Dance Magazine . Archived from the original on 10 February 2018. Retrieved 20 September 2016– via HighBeam Research.
  30. 1 2 "Paid Notice: Deaths VAN HAMEL, DIEDERIK A." The New York Times . 3 September 1997. Retrieved 5 June 2017.
  31. ↑ John Rockwell (21 May 2006). "Kevin McKenzie Keeps American Ballet Theater in a State of Permanent Renewal". The New York Times . Retrieved 15 September 2016.
  32. ↑ Paula Routly (7 November 2012). "Kevin McKenzie, Burlington's Billy Elliot, Comes Home to Take a Bow". Seven Days . Retrieved 16 September 2016.
  33. ↑ Jennifer Dunning (19 May 2003). "Ballet Theatre Review; Memories As Detours En Route To Death". The New York Times . Retrieved 14 October 2016.

Further reading

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.