d.b.s. | |
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Origin | North Vancouver, British Columbia, Canada |
Genres | Punk rock Pop punk Melodic hardcore Skate punk Hardcore punk |
Years active | 1992–2001 |
Labels | Nefer Records Sudden Death Records New Disorder Records Crap Records Ache Records |
Past members | Andy Dixon Jesse Gander Paul Patko Ryan "Nordburg" Angus Dhani Borges |
Website | Official website (defunct) |
D.B.S. (Dirty Black Summer, stylized as d.b.s.) were a punk rock band from North Vancouver, British Columbia, Canada. From their beginnings in 1992 to their eventual breakup in 2001, they gained popularity in the Canadian punk rock scene, and to a lesser extent, the U.S. punk rock scene.
During their decade-long career, they released five studio albums, and toured with many well-established punk rock bands such as Rancid, Anti-Flag, D.O.A., Bouncing Souls, Youth Brigade, and many more. [1] Their music drew comparisons to Jawbreaker, Lifetime, and The Promise Ring, among others. [2] [3] [4] [5] [6]
The band formed in 1992, when they were only in grade 8, consisting at the time of Andy Dixon, Jesse Gander, Paul Patko, and Dhani Borges. [7] The first songs they played together were covers of The Ramones ("I Believe in Miracles") and Stevie Wonder ("Higher Ground"). [7] They were in grade 11 when they released their first full-length, Tales from the Crib—a pun of Tales from the Crypt , in reference to the band's youth. They went on their first tour that same year, traveling to California with fellow Vancouver punk band Gob. [7]
Their musical career concluded with their final release, Forget Everything You Know . After the release of this EP, they disbanded, and went on to other projects.
Rancid is an American punk rock band formed in Berkeley, California in 1991. Founded by Tim Armstrong and Matt Freeman, former members of the band Operation Ivy, Rancid is often credited as being among the wave of bands that revived mainstream interest in punk rock in the United States during the mid-1990s. Over its 33-year career, Rancid has retained much of its original fan-base, most of which was connected to its underground musical roots.
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
Let's Go is the second studio album by the American punk rock band Rancid. It was released on June 21, 1994, through Epitaph Records and was the band's first album to feature Lars Frederiksen on guitar and vocals. The album initially achieved little mainstream success, though it appealed to the band's fanbase. However, the surprise success of punk rock bands such as The Offspring, Green Day and Bad Religion in the mid-1990s brought forth more mainstream interest in Let's Go, and it peaked at number 97 on the Billboard 200. "Salvation" was released to alternative radio on February 3, 1995.
Timothy Ross Armstrong is an American musician, songwriter and record producer. Known for his distinctive voice, he is the singer/guitarist for the punk rock band Rancid and hip hop/punk rock supergroup Transplants. Prior to forming Rancid, Armstrong was in the ska punk band Operation Ivy.
D.O.A. is a Canadian punk rock band from Vancouver. They are often referred to as being among the "founders" of hardcore punk, along with Black Flag, Dead Kennedys, Bad Brains, Angry Samoans, Germs, and Middle Class. Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore.
MDC is an American punk rock band formed in 1979 in Austin, Texas, subsequently based in San Francisco, and currently Portland, Oregon. Among the first wave of bands to define the sound and style of American hardcore punk, MDC originally formed as The Stains; they have periodically changed the meaning of "MDC", the most frequent being Millions of Dead Cops. The band's lyrical content expresses radical left political views and has proven influential within the punk subculture.
Jawbreaker is an American punk rock band that was active from 1986 to 1996, and again since 2017. The band is considered to be extremely influential to the 1990s emo and punk genre with their "poetic take on hardcore." Their influence on the punk scene has led some critics to label Jawbreaker as the best punk rock band of the 1990s.
Crimpshrine was an American punk rock band from Berkeley, California. The group was formed in 1982 by Aaron Cometbus, founder of the seminal punk rock zine Cometbus, and future Operation Ivy vocalist Jesse Michaels. They grew out of the East Bay scene, centered on 924 Gilman Street, and had an important influence on later East Bay bands such as Operation Ivy, Green Day and punk rock in general.
Nausea was an American crust punk band from New York City, active from 1985 to 1992. They are cited as a notable band in the first wave of crust punk.
This Is Berkeley Not West Bay is an extended play released on June 1, 1994 by Zafio Records. It features AFI, Black Fork, Dead and Gone and Screw 32. There were 2 identical pressings in 1994 and 1995, both on black vinyl. The first was 2,000, the 2nd was 1,000.
Brad Logan, sometimes called Brad Minus, is an American punk rock guitarist from Los Angeles, California, who also owns and operates Blacknoise Recordings, and has collaborated on projects with Alternative Tentacles. Logan was the frontman and guitarist for hardcore punk band F-Minus but is most famous for his work in the group Leftöver Crack. In 2018, Logan joined Adolescents following the death their founding bassist Steve Soto.
Andy Dixon is a Canadian artist and musician, who gained notoriety as a member of the North Vancouver punk rock band d.b.s. He founded the record label Ache Records, and later played in The Red Light Sting. Beginning in 2003, during the final months of The Red Light Sting, he began to cut up audio recordings he made himself and compose glitch/IDM music under the alias Secret Mommy, though he used The Epidemic for his first solo release.
Hardcore '81 is an album by the Canadian hardcore punk band D.O.A. It is considered by some to be the first time that a certain style of punk rock was labeled hardcore.
Lynn Perko-Truell is an American musician, best known as the drummer, bass guitarist, and co-singer for the San Francisco indie rock band Imperial Teen. She is also known as the drummer for the San Francisco-based blues grunge band Sister Double Happiness, and the San Francisco version of the hardcore punk band The Dicks. Perko-Truell was an iconic figure and a pioneering female in the American hardcore punk and alternative rock movements of the 1980s and 1990s and remains active.
Forget Everything You Know is the final album released by the North Vancouver punk band d.b.s. It was released by Ache Records on April 1, 2001. Only 1,000 copies were pressed.
If the Music's Loud Enough... is the second studio album released by the North Vancouver punk band d.b.s. It was released by Nefer Records in 1996. In the week of 16 January to 23 January 1997, the album appeared at #24 on the Canadian Top 50 music chart.
I Is for Insignificant is the third album released by the North Vancouver punk band d.b.s. It was released by Sudden Death Records in 1998. This was the last studio album to have Dhani Borges on bass guitar; he was replaced by Ryan Angus. In the week of 25 June to 2 July 1998, the album appeared at #46 on the Canadian Top 50 music chart, Chart Attack. It later reappeared in the week of 30 July to 6 August at #27, and again in the week of 1 October to 8 October, this time at #48.
Some Boys Got It, Most Men Don't is the fourth album released by the North Vancouver punk band d.b.s. It was released by New Disorder Records in June 1999. This is the first d.b.s. recording to feature new bassist Ryan Angus, who replaced Dhani Borges.
If Life Were a Result, We'd All Be Dead is the fifth and final full-length album released by the North Vancouver punk band d.b.s. It was released by Crap Records in February 2000. Although their final full-length, the songs on this album were actually recorded in 1997, before their previous album. The songs were intended to be released on various singles, but this plan never came to fruition.
Mama is the debut album by Victoria, British Columbia punk rock band Nomeansno. Featuring the band's original incarnation comprising brothers John and Rob Wright, the album was released independently on LP in 1982. Nomeansno reissued a remastered version the album in 1992 on their own Wrong Records imprint, coupled with the tracks from their Betrayal, Fear, Anger, Hatred EP of 1981.
In their 5 years they toured with such bands as Rancid, Falling Sickness, Anti-Flag, Digger, Slacker, I-farm, No Fraud, DOA, Gob, Bouncing Souls, AFT, Youth Brigade and many more…
The music shifts easily from Promise Ring-style melody ("And Then I Awoke"), to emo hardcore ("A Foundation for Positive Change") in the blink of an eye. On "Past Friendships" they slide into a Jawbreaker-style ballad complete with melancholy lyrics.
On this album, they have clearly been influenced by a lot of the emo and hardcore bands on Jade Tree Records, such as Lifetime, Kid Dynamite, and The Promise Ring.
The lyrics are very well written, comparisons to Jawbreaker can easily be made while not coming off as the least bit...ridiculous.
Musically, this album shows the band wearing its Lifetime and Jawbreaker influences on its sleeve[ dead link ]
With a sound that can be likened to the Promise Ring, these final five songs exemplify the introspective inspiration they wove into their music so well.