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Citizen Kane is a 1941 American drama film directed by, produced by, and starring Orson Welles. Welles and Herman J. Mankiewicz wrote the screenplay. The picture was Welles's first feature film.
Joseph Cheshire Cotten Jr. was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of The Philadelphia Story (1939) and Sabrina Fair (1953). He then gained worldwide fame for his collaborations with Orson Welles on three films, Citizen Kane (1941), The Magnificent Ambersons (1942), and Journey into Fear (1943), which Cotten starred in and for which he was also credited with the screenplay.
George Orson Welles was an American director, actor, writer, producer, and magician who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time.
The Third Man is a 1949 film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotten, Alida Valli, Orson Welles and Trevor Howard, set in post-war Vienna. The film centres on an American, Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Martins decides to stay in Vienna and investigate his death.
John Houseman was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his collaboration, as producer of The Blue Dahlia, with writer Raymond Chandler on the screenplay. He won the Academy Award for Best Supporting Actor for his portrayal of Professor Charles W. Kingsfield in the 1973 film The Paper Chase. He reprised the role of Kingsfield in the 1978 television series adaptation.
Frank A. Langella Jr. is an American actor known for his roles on stage and screen. He eschewed the career of a traditional film star by making the stage the focal point of his career, appearing frequently on Broadway. He has received numerous accolades including four Tony Awards, a Drama Desk Award and a Screen Actors Guild Award as well as nominations for an Academy Award, a BAFTA Award, an Emmy Award, and two Golden Globe Awards.
The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury also released promptbooks and phonographic recordings of four Shakespeare works for use in schools.
Robert Edward Stevenson was a British-American screenwriter and film director.
Richard Samuel Benjamin is an American actor and film director. He has starred in a number of well-known films, including Goodbye, Columbus (1969), Catch-22 (1970), Portnoy's Complaint (1972), Westworld (1973), The Last of Sheila (1973), and The Sunshine Boys (1975), for which he won a Golden Globe Award for Best Supporting Actor – Motion Picture. Benjamin was nominated for an Emmy Award for Best Actor in a Comedy Series for his performances in He & She (1968), opposite his wife Paula Prentiss.
Too Much Johnson is a 1938 American silent comedy film written and directed by Orson Welles. An unfinished film component of a stage production, it was made three years before Welles directed Citizen Kane, but it was never publicly screened. It was shot to be integrated into Welles's Mercury Theatre stage presentation of William Gillette's 1894 comedy, but the film sequences could not be shown due to the absence of projection facilities at the venue, the Stony Creek Theatre in Connecticut. The resulting plot confusion reportedly contributed to the stage production's failure.
Norman Nathan Lloyd was an American actor, producer, director, and centenarian with a career in entertainment spanning nearly a century. He worked in every major facet of the industry, including theatre, radio, television, and film, with a career that started in 1923. Lloyd's final film, Trainwreck, was released in 2015, after he turned 100. Lloyd remains the longest-lived male actor from Classic Hollywood.
Peter Julian Robin Morgan, is a British screenwriter and playwright. He has written for theatre, films and television, often writing about historical events or figures such as Queen Elizabeth II, whom he has covered extensively in all major media. He has received a number of accolades including five BAFTA Awards, two Primetime Emmy Awards, and four Golden Globe Awards as well as nominations for two Academy Awards, a Tony Award and a Laurence Olivier Award. In February 2017, Morgan was awarded a British Film Institute Fellowship.
Julian Schlossberg is an American motion pictures, theatre and television producer. He has been a college lecturer and television host regarding films, as well.
Stephen Belber is an American playwright, screenwriter and film director. His plays have been produced on Broadway and in over 50 countries. He directed the film adaptation of his Broadway play, Match, starring Patrick Stewart,. He also wrote and directed the film Management, starring Jennifer Aniston, Steve Zahn and Woody Harrelson and wrote the HBO film O.G., starring Jeffrey Wright, Theothus Carter, and William Fichtner. Belber was an actor and associate writer on The Laramie Project,, as well as a co-writer of The Laramie Project, Ten Years Later.
Three Men on a Horse is a three-act farce co-authored by John Cecil Holm and George Abbott. The comedy focuses on a man who discovers he has a talent for choosing the winning horse in a race as long as he never places a bet himself. Originally titled Hobby Horse by John Cecil Holm, Three Men On A Horse was a property controlled and produced by Alex Yokel, who reached out to Warner Bros. for financial assistance; Warners agreed to provide financing on the condition Yokel find someone to doctor the script and direct the Broadway production. George Abbott, the director, who had since 1932 directed and produced each of his Broadway productions, immediately saw the potential and rewrote the script and agreed to direct if he received co-author credit and split the author's royalties with Holm. Abbott wrote a third act, resulting in a new three-act play titled Three Men on a Horse.
Journey into Fear is a 1943 American spy film noir directed by Norman Foster, based on the 1940 Eric Ambler novel of the same name. The film broadly follows the plot of the book, but the protagonist was changed to an American engineer, and the destination of his journey changed from France to the Soviet Union—reflecting the changes in the war situation since the original Ambler book was written. The RKO Pictures release stars Joseph Cotten, who also wrote the screenplay with Orson Welles. The Mercury Production was also produced by Welles, again uncredited.
The Mercury Wonder Show for Service Men was a 1943 magic-and-variety stage show by the Mercury Theatre, produced by Orson Welles and Joseph Cotten as a morale-boosting entertainment for US soldiers in World War II. Directed by Welles, the show starred Welles, Cotten, Agnes Moorehead and Rita Hayworth, whose part was later filled by Marlene Dietrich. Jean Gabin also worked on the show backstage, as a propman. The show ran to 150 minutes.
Horse Eats Hat is a 1936 farce play co-written and directed by Orson Welles and presented under the auspices of the Federal Theatre Project. It was Welles's second WPA production, after his highly successful Voodoo Macbeth. The script, by Edwin Denby and Welles, was an adaptation of the classic French farce The Italian Straw Hat by Eugène Marin Labiche and Marc-Michel.
This is a comprehensive listing of the radio programs made by Orson Welles. Welles was often uncredited for his work, particularly in the years 1934–1937, and he apparently kept no record of his broadcasts.
Radio is what I love most of all. The wonderful excitement of what could happen in live radio, when everything that could go wrong did go wrong. I was making a couple of thousand a week, scampering in ambulances from studio to studio, and committing much of what I made to support the Mercury. I wouldn't want to return to those frenetic 20-hour working day years, but I miss them because they are so irredeemably gone.
This is a comprehensive listing of the theatre work of Orson Welles.
There isn't one person, I suppose, in a million, who knows that I was ever in the theatre.
References
- ↑ Levens, R.G.C., ed. (1964). Merton College Register 1900-1964. Oxford: Basil Blackwell. p. 539.
