Dead Can Dance discography | |
---|---|
Studio albums | 9 |
Live albums | 2 |
Compilation albums | 4 |
Video albums | 1 |
EPs | 2 |
Singles | 9 |
Dead Can Dance is an ambient, world music band which has released nine studio albums so far, two live albums, four compilation albums, one video album, one extended play and nine singles. [1] The band formed in Melbourne, Australia in 1981 but relocated to London, United Kingdom in 1982 and signed with 4AD Records where they disbanded in 1998. [2]
Their catalogue was remastered by Mobile Fidelity Sound Lab and released in June 2008 by 4AD, initially on hybrid stereo SACDs, with a regular CD release of each album following in November 2008. This reissue series includes eight albums and the Garden of the Arcane Delights EP.
Year | Title | Chart peak positions | Certifications (sales thresholds) | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
AUT | BEL (Fl) | BEL (Wa) [3] | FRA [4] | GER [5] | NLD [6] | UK [7] | US [8] | US World [8] | POL [9] | |||
1984 | Dead Can Dance
| — | — | — | — | — | — | — | — | — | — | |
1985 | Spleen and Ideal
| — | — | — | — | — | — | — | — | — | — | |
1987 | Within the Realm of a Dying Sun
| — | — | — | — | — | — | — | — | — | — | |
1988 | The Serpent's Egg
| — | — | — | — | — | — | — | — | — | — | |
1990 | Aion
| — | — | — | — | — | 64 | — | — | — | — | |
1993 | Into the Labyrinth
| — | — | — | — | — | 70 | 47 | 122 | — | — | |
1996 | Spiritchaser
| — | — | 25 | 15 | — | 48 | 43 | 75 | 1 | — | |
2012 | Anastasis
| 24 | 11 | 5 | 13 | 7 | 6 | 68 | 46 | 1 | 1 | |
2018 | Dionysus
| 55 | 44 | 25 | — | 8 | 40 | 59 | — | — | 7 | |
"—" denotes releases that did not chart or were not released in that country. |
Year | Title | Chart peak positions | Certifications (sales thresholds) | |||||
---|---|---|---|---|---|---|---|---|
BEL (Vl) | BEL (Wa) [3] | FRA [4] | NLD [6] | US [8] | ||||
1994 | Toward the Within
| — | — | — | 76 | 131 | ||
2012 | Live Happening 1–5
| — | — | — | — | — | ||
2013 | In Concert
| 61 | 60 | 68 | 78 | — | ||
"—" denotes releases that did not chart or were not released in that country. |
Year | Title | Chart peak positions | Sales |
---|---|---|---|
FRA [4] | |||
1991 | A Passage in Time [nb 1]
| — |
|
2001 | Dead Can Dance (1981–1998) | — | |
2003 | Wake – The Best of Dead Can Dance
| 160 | |
2005 | Memento – The Very Best of Dead Can Dance
| — | |
"—" denotes releases that did not chart or were not released in that country. |
Live performances
Contributions
Year | Title | Peak chart positions | Album | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
US Alt [12] | ||||||||||||||
1992 | "The Carnival Is Over" [A] | — | Into the Labyrinth | |||||||||||
1993 | "The Host of Seraphim" | — | The Serpent's Egg | |||||||||||
"The Ubiquitous Mr. Lovegrove" | 8 | Into the Labyrinth | ||||||||||||
"Yulunga (Spirit Dance)" | — | |||||||||||||
1994 | "American Dreaming" [B] | 79 | Toward the Within | |||||||||||
"Sanvean" | — | |||||||||||||
1996 | "Nierika" | — | Spiritchaser | |||||||||||
"The Snake and the Moon" [A] | — | |||||||||||||
"Sambatiki" [A] | — | Non-album single | ||||||||||||
"—" denotes a recording that did not chart or was not released in that territory. |
Dead Can Dance material has been used in films and on TV.
The Breeders are an American alternative rock band based in Dayton, Ohio, consisting of members Kim Deal, her twin sister Kelley Deal, Josephine Wiggs and Jim Macpherson (drums).
Orbital are an English electronic music duo from Otford, Kent, England, consisting of brothers Phil and Paul Hartnoll. The band's name is taken from Greater London's orbital motorway, the M25, which was central to the early rave scene during the early days of acid house. Additionally, the cover art on three of their albums showcase stylised atomic orbitals. Orbital have been critically and commercially successful, known particularly for their live improvisation during shows. They were initially influenced by early electro and punk rock.
Dead Can Dance are an Australian neoclassical darkwave band from Melbourne. Currently composed of Lisa Gerrard and Brendan Perry, the group formed in 1981. They relocated to London the following year. Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern music, mantras, and art rock."
Samuel Ervin Beam, better known by his stage name Iron & Wine, is an American singer-songwriter. He has released six studio albums, several EPs and singles, as well as a few download-only releases, which include a live album. He occasionally tours with a full band.
Clan of Xymox, also known as simply Xymox, are a Dutch rock band formed in 1981 best known as pioneers of darkwave music. Clan of Xymox featured a trio of singer-songwriters – Ronny Moorings, Anka Wolbert, and Pieter Nooten – and gained success in the 1980s, releasing their first two albums on 4AD, before releasing their third and fourth albums on Wing Records and scoring a hit single in the United States. The band is still active, continuing to tour and release records with Moorings as the sole remaining original member.
Colourbox were an English electronic musical group on the 4AD label, releasing a number of records between 1982 and 1987. The band was formed by brothers Martyn and Steve Young, Ian Robbins, and vocalist Debbion Currie. Currie and Robbins left the band in 1983, and Lorita Grahame joined as singer.
Wake is a compilation album by Dead Can Dance, released in 2003. It contains 26 tracks over two discs. It includes the song "The Lotus Eaters", recorded in 1998 as the last work by the band before their initial breakup.
Within the Realm of a Dying Sun is the third studio album by Australian band Dead Can Dance. It was released on 27 July 1987 by 4AD.
The Serpent's Egg is the fourth studio album by the Australian band Dead Can Dance, released on 24 October 1988 by record label 4AD.
Brendan Michael Perry is a British singer and multi-instrumentalist best known for his work as half of the duo Dead Can Dance with Lisa Gerrard.
Toward the Within is the first live album by Australian band Dead Can Dance, released on 24 October 1994 by 4AD. It contains 15 songs, of which only four appeared on their previous albums, and two of which were later re-recorded and included on Lisa Gerrard's first solo album, The Mirror Pool. The others previously existed only in live performances and unofficial bootlegs, but were not officially released until Toward the Within. Along with Perry and Gerrard were a number of musicians who had performed with them on other occasions.
Death to the Pixies was the first Pixies best-of compilation, released by 4AD in the UK on October 6, 1997, and 4AD/Elektra the following day in the United States to commemorate the 10th anniversary of the band's debut. It covered the years 1987 to 1991. It is now out of print, having been replaced by the 2004 compilation Wave of Mutilation: Best of Pixies. A limited edition of the compilation also included a second CD with a live performance taken from Vredenburg, Utrecht, Netherlands on September 25, 1990.
"Lovesong" is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on the Billboard Hot 100. In the United Kingdom, the single charted at number 18, and it peaked within the top 20 in Canada and Ireland.
Into the Labyrinth is the sixth studio album by Australian band Dead Can Dance, released on 13 September 1993, by 4AD. It marked a strong shift from their previous albums, putting ethnic music influences at the forefront, as would be the case in the later albums. It was their first album completed on their own without the aid of guest musicians, and their first album to have a major-label release in the US, thanks to a distribution deal that 4AD had with Warner Bros. Records. It featured the single "The Ubiquitous Mr Lovegrove". Into the Labyrinth was a major success, selling more than 500,000 copies worldwide.
"Tequila" is a 1958 Latin-inspired surf instrumental song written by Chuck Rio and recorded by American Rock and roll band The Champs. "Tequila" became a No. 1 hit on both the pop and R&B charts at the time of its release and continues to be strongly referenced in pop culture to this day.
"Sex Type Thing" is the debut single of American rock band Stone Temple Pilots, released from their debut studio album, Core, in March 1993. "Sex Type Thing" also appears on the greatest hits compilation album Thank You. The song spawned a music video which received moderate rotation on MTV. The single peaked at number 23 on the US Album Rock Tracks chart.
"At the Hop" is a 1950s pop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors. The song was released in the fall of 1957 and reached number one on the US charts on January 6, 1958, becoming one of the top-selling singles of 1958. "At the Hop" also hit number one on the R&B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included a number 3 placing on the UK charts.
Memento, subtitled The Very Best of Dead Can Dance, is a compilation album by Dead Can Dance, released 25 October 2005, shortly after their US tour. Designed for the American market, this compilation focused on the second half of the band's musical career, when the duo were at their most successful in that country.
"No More Mr. Nice Guy" is a song by American rock band Alice Cooper, released in 1973 as a single off their sixth studio album Billion Dollar Babies (1973). The single reached No. 25 on the US charts and No. 10 on the UK charts, and helped Billion Dollar Babies to reach No. 1 in both the UK and the US. The song was written by Michael Bruce and Alice Cooper.
"I Just Want to Celebrate" is a song recorded by American rock band Rare Earth. It was the lead single on their 1971 album One World and was the band's fifth single overall.