Let's Go is the second studio album by the American punk rock band Rancid. It was released on June 21, 1994, through Epitaph Records and was the band's first album to feature Lars Frederiksen on guitar and vocals. The album initially achieved little mainstream success, though it appealed to the band's fanbase. However, the surprise success of punk rock bands such as The Offspring, Green Day and Bad Religion in the mid-1990s brought forth more mainstream interest in Let's Go, and it peaked at number 97 on the Billboard 200. "Salvation" was released to alternative radio on February 3, 1995.
Generator is the sixth studio album by the punk rock band Bad Religion. Although the album was completed in the spring of 1991, it was not released until 1992; the band was not happy with the artwork and packaging, and went through several ideas that were eventually scrapped. Generator was the band's first release with drummer Bobby Schayer, who replaced Pete Finestone during the Against the Grain tour.
Timothy Ross Armstrong is an American musician, songwriter and record producer. Known for his distinctive voice, he is the singer/guitarist for the punk rock band Rancid and hip hop/punk rock supergroup Transplants. Prior to forming Rancid, Armstrong was in the ska punk band Operation Ivy.
Life Won't Wait is the fourth studio album by the American punk rock band Rancid. It was released on June 30, 1998, through Epitaph Records. It was released as the follow-up to ...And Out Come the Wolves (1995).
Rancid is the debut studio album by the American punk rock band Rancid. It was released on May 10, 1993, through Epitaph Records.
The Matches are an American rock band from Oakland, California, active from 1997 to 2009. Formed as the Locals, the group changed their name after five years to avoid conflict with a Chicago band of the same name. As the Matches, they self-released their debut album E. Von Dahl Killed the Locals in 2003, then signed to Epitaph Records who re-released it the following year. Decomposer followed in 2006, seeing the band move from their pop punk roots in a more idiosyncratic direction with contributions from nine different record producers; it reached no. 18 on Billboard's Independent Albums chart. With their third album, A Band in Hope (2008), their sound became even more heavily layered and experimental; it was their only release to chart on the Billboard 200, reaching no. 179.
Haunted Cities is the second studio album by the American punk rock/hip hop band Transplants. It was released on June 21, 2005 via LaSalle Records/Atlantic Records, and sold close to 34,000 copies in its first week and came in at #28 on the US Billboard 200, #72 on the UK Albums Chart, #140 on the Top 200 Albums France.
E. Von Dahl Killed the Locals is the debut studio album by pop punk group The Matches. It was originally self-released in February 7, 2003 and later re-released on May 11, 2004 via Epitaph Records.
Viking is the second and final studio album by the American punk rock band Lars Frederiksen and the Bastards. It was released on July 13, 2004 via Hellcat Records. The album peaked at #17 on the Independent Albums and #18 on the Heatseekers Albums.
A Band in Hope is the third studio album by The Matches and was released in Australia and Europe on March 15, 2008, and in the US on March 18, 2008. Audio production was handled by Tim Armstrong, Mike Green, John Feldmann, Nick Hexum, Miles Hurwitz, John Paulsen and Paul Ruxton.
One Nine Nine Four is a documentary film written and directed by Jai Al-Attas, "exploring the birth, growth and eventual tipping point of punk rock during the 90s" and produced by the independent Australian company Robot Academy Films. The bulk of the film's content consists of band interviews and archive footage. The film was screened once at the Calgary International Film Festival on September, 29th.
Let the Dominoes Fall is the seventh studio album by the American punk rock band Rancid, released in June 2009 by Hellcat/Epitaph. It is their first album of new material in nearly six years, following 2003's Indestructible, and their first with drummer Branden Steineckert, who joined the band in 2006 after the departure of founding drummer Brett Reed.
...Honor Is All We Know is the eighth studio album by the American punk rock band Rancid, released on October 27, 2014. It is the band's first studio album since Let the Dominoes Fall (2009), and their second one to be recorded under its current incarnation. Work on ...Honor Is All We Know began in 2011 and it was originally planned for a 2012 release, but was repeatedly delayed while the band continued touring and writing new material, and its members were busy with their own projects. After three years of writing and recording, the album was finished in 2014.
"Home Is Such a Lonely Place" is a ballad recorded by American rock band Blink-182 for the group's seventh studio album, California (2016). The song was released as the third and final single from California on April 18, 2017, and the band's last to be released through BMG. Lyrically, the song revolves around the idea of letting go of loved ones. Bassist Mark Hoppus and producer John Feldmann first began developing the song while discussing their families, and how tough it might be when their children grow up and leave home. The song was written by Hoppus, Feldmann, drummer Travis Barker, guitarist Matt Skiba, and songwriter David Hodges.
Mosaic is the twelfth studio album by the American rock band 311. Released on June 23, 2017, it is the band's first album to be released by the label BMG, their first to be produced by John Feldmann, and their fourth to be produced by Scotch Ralston. The track listing was revealed by Pledge Music on April 10, 2017.
Trouble Maker is the ninth studio album by the American punk rock band Rancid, released on June 9, 2017. Like many of Rancid's albums, Trouble Maker was produced by Epitaph founder and Bad Religion guitarist Brett Gurewitz, and marks the band's first album since their 1993 self-titled debut to feature the original Rancid logo on the cover. The band recorded the album between December 2015 and January 2017 at Big Bad Sound, Sunset Sound, and Red Star.
"Generational Divide" is a song by American rock band, Blink-182. The song was released on June 21, 2019 through Columbia Records, as the second single from the band's eighth studio album, Nine. It was written by bassist Mark Hoppus, drummer Travis Barker, and guitarist Matt Skiba, as well as producer John Feldmann, and songwriters Benjamin Berger, Ryan McMahon, and Ryan Rabin.
Nine is the eighth studio album by American rock band Blink-182, released on September 20, 2019, through Columbia Records, as the band's first album on the label. The band began developing the album after fulfilling touring obligations for their previous release, California (2016). While Nine builds upon their collaboration with producer John Feldmann, who also produced California, it also utilizes additional outside producers and songwriters including Captain Cuts, the Futuristics, and Tim Pagnotta. Nine is the band's second and final album to feature both Feldmann and guitarist/vocalist Matt Skiba.
"I Really Wish I Hated You" is a song recorded by American rock band Blink-182. The song was released on September 6, 2019 through Columbia Records, as the fifth and final single from the band's eighth studio album Nine. It was released as a single two weeks before the album was released. It was written by bassist Mark Hoppus, drummer Travis Barker, and guitarist Matt Skiba, as well as producers Andrew Watt and John Feldmann, and songwriters Ali Tamposi and Nathan Perez.
"Parking Lot" is a song recorded by American rock band Blink-182. The song was released on March 16, 2017 through BMG Rights Management, as a promotional single for the deluxe edition of the band's seventh studio album California. It was written by bassist Mark Hoppus, drummer Travis Barker, guitarist Matt Skiba, and producer John Feldmann.
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