Predecessor | The Delfina Studio Trust |
---|---|
Formation | 2007 |
Founder | Delfina Entrecanales CBE |
Type | Non-profit foundation |
Location |
|
Director | Aaron Cezar |
Website | delfinafoundation |
The Delfina Foundation is an independent, non-profit foundation dedicated to facilitating artistic exchange and developing creative practice through residencies, partnerships and public programming. [1]
Delfina Foundation was founded in 2007 by Delfina Entrecanales CBE, as the successor to Delfina Studio Trust, initially with an intention to nurture artists from Africa, South Asia and the Middle East. [2] The foundation now works internationally with thematic (rather than geographic) programmes, which have explored a range of topics including, the politics of food, the public domain, performance, science and technology, and collecting. [3]
Residencies for artists, writers and curators [4] form the core of Delfina Foundation's work as it seeks to support and facilitate the professional development of cultural practitioners, from emerging to established art professionals. The foundation is London's largest provider of international residencies. [5]
The foundation began working around seasonal thematic programmes in 2014, when it reopened following an expansion of its Edwardian townhouse premises in Victoria, London. These themes are explored through residencies and public programming, including exhibitions, talks, performances, screenings and commissions.
Since its founding, Delfina Foundation has been located in Catherine Place, in Victoria, London. Initially the foundation occupied the Edwardian house at number 29, but in 2009 the foundation's patron Delfina Entrecanales bought the adjoining property allowing the foundation to expand and span the two houses. The expansion and renovation of the facility at 29-31 Catherine Place in 2014 was undertaken by London-based architects Studio Octopi and Egypt-based Shahira Fahmy Architects, the winners of a competition that promoted design collaboration between architects based in the UK and the greater Middle East. The £1.4m project doubled the residency capacity (from 4 to 8) and created 1,650 square feet of additional exhibition and event space, giving it a combined total area of 4,564 square feet, and making it London's largest artist residency provider. [6]
In addition to the 8 bedrooms and exhibition space the property includes a communal kitchen area, an outdoor terrace and courtyard, the foundation's offices, and a library/resource room, which includes reference books, magazines, and other archives. [7]
Residencies for art practitioners - including artists, writers, curators and collectors - form the core of Delfina Foundation's work. The residency programme brings together practitioners, at various stages in their career, from around the world, who are exploring common ideas and practices. The programme seeks to give practitioners time and space to incubate their ideas as well as opportunities to showcase them. [8] To date the foundation has supported over 400 residencies. [9]
Since its physical expansion in 2014, the foundation is able to host 6 to 8 residents at a time in its premises in Catherine Place. Practitioners are selected for residencies that last up to three-months through solicited proposals or nominations, or through targeted open calls. Since the foundation's shift to thematic programmes in 2014, this guides the open call and selection process and the foundation no longer has an overarching geographical remit that informs its residencies. [10]
In addition to residencies at 29/31 Catherine Place, London, in the past the foundation has also provided residencies in a number of other locations in collaboration with various partner institutions, including in Beirut (2009), Bethlehem (2010), Damascus (2009 and 2010), Dubai (2011, 2012, 2013, 2014, 2016), Granada (2008), Halabja (2009), Muscat (2012), Ramallah (2012), and São Paulo (2012). [11]
In 2017, as part of its thematic programme Collecting as Practice , the foundation supported a series of residencies for collectors. The collectors who undertook residencies, living alongside the artists in residence, were Alain Servais, Pedro Barbosa, Dorith Galuz, Lu Xun, Luba Michailova, Daisuke Miyatsu and Rudy Tseng. [12]
Following its re-opening after the transformation of its building in 2014, Delfina Foundation initiated its new thematic programme structure. These themes inform the selection of residents, the hosting of exhibitions, and a public programme of events.
Programmes have included:
Delfina Foundation is the successor to the Delfina Studio Trust which opened in 1988 to provide free studios and related facilities for artists at a crucial time in the development of the British art scene. [13] Initially these studios were located in an empty space above a jeans factory in East Stratford. The trust's founder Delfina Entrecanales CBE paid the rent and with the Royal College Arts invited a number of British artists to have a studio there for two years and foreign artists to have a studio and living accommodation for one year, all free of charge. For the first ten years the trust organised an annual exhibition by resident artists. In 1992 the trust moved to a converted chocolate factory at 50 Bermondsey Street. [14] The new premises provided an exhibition space and 34 studios. Twelve studios were normally awarded as a prize with all related facilities provided free of charge for one or two years, and the remaining studios were rented at a heavily subsidised rate. [15] The studios were notable for including a restaurant in the building, at which a communal table was designated for the resident artists who could eat lunch there for £1. [16]
Following a trip to Syria in 2005, Delfina Entrecanales realised that artists there were also struggling to find work space. In 2007 the Delfina Studio Trust was reinvented as the Delfina Foundation, opening in its current location in Victoria with a renewed focus on artists from North Africa and the Middle East. [17] Over its 20 years the trust supported over 400 artists and counts among its alumni artists a dozen Turner Prize winners and nominees such as including Shirazeh Houshiary, Jane & Louise Wilson, Mark Wallinger, Anya Gallacio, Tacita Dean, Glenn Brown, Mark Titchner, Martin Creed, Goshka Macuga, and Tomoko Takahashi. [18]
Delfina Foundation works extensively through international partnerships. Current and past partnerships include:
Year | Month | Exhibition Title | Artists | Curator | Location |
---|---|---|---|---|---|
2019 | Jul-Aug | Amma Baad | Nasser Al Salem | Maya El Khalil | Delfina Foundation |
2019 | Apr-Jun | Accumulation by Dispossession | Asunción Molinos Gordo | - | Delfina Foundation |
2019 | Jan-Mar | Power Play | Jungju An, Fayçal Baghriche, Jungki Beak, Soyoung Chung, Zuza Golinska, Jeremy Hutchison, Jaebum Kim, Bona Park, Oscar Santillan, Jasmijn Visser, and Lantian Xie | - | Delfina Foundation and Korean Cultural Centre UK (KCCUK) |
2018 | Sep-Dec | The Scar | Noor Afshan Mirza and Brad Butler | - | Delfina Foundation |
2018 | Apr-Jun | Between Too Soon and Too Late | Alex Mirutziu | - | Delfina Foundation |
2018 | Feb-Jun | Plan for Feminist Greater Baghdad | Ala Younis | - | Delfina Foundation |
2018 | Jan | ArteVue ArtePrize | Zuza Golińska, Sahil Naik, Kiah Reading, and Lukas Zerbst. | - | Delfina Foundation |
2017 | Sep-Nov | Private Collection: Unperformed Objects | Geumhyung Jeong | - | Delfina Foundation |
2016 | Sep-Nov | That Ends that Matter | Jean-Paul Kelly | - | Delfina Foundation |
2016 | Mar-Apr | Of Dice and Men | Didem Pekün | - | Delfina Foundation |
2015 | Oct-Nov | Then For Now | Anna Barriball, Simon Bill, Ian Dawson, Tacita Dean, Ceal Floyer, Anya Gallaccio, Lucy Gunning, Chantal Joffe, Margherita Manzelli, Ishbel Myerscough, Danny Rolph, Eva Rothschild, Mark Titchner, Mark Wallinger, Martin Westwood, Jane & Louise Wilson, and Richard Woods | Chantal Joffe and Sacha Craddock | Delfina Foundation |
2015 | Jun-Aug | Echoes & Reverberations | Jumana Emil Abboud, Basma Alsharif, Anas Al-Shaikh, Samah Hijawi, Magdi Mostafa, and Joe Namy | Aaron Cezar and Cliff Lauson - with Jane Scarth, Eimear Martin, and Dominik Czechowski | Hayward Gallery Project Space |
2015 | Jul-Aug | A Prologue to the Past and Present State of Things | Doa Aly, Marwa Arsanios, Coco Fusco, Emily Jacir, Mona Hatoum, Sharon Hayes, Mohammed Kazem, Xiao Lu, Hassan Sharif, Wael Shawky, Sharif Waked, Lin Yilin, and The Yes Men with Steve Lambert | Aaron Cezar - with Barrak Alzaid, Ala Younis, and Jane Scarth | Delfina Foundation |
2015 | May-Jun | Stirring the Pot of Story: Food, History, Memory | Cooking Sections, Leone Contini, Mella Jaarsma, Christine Mackey, Mounira Al Solh, and Raul Ortega Ayala | Nat Muller | Delfina Foundation |
2014 | Nov-Dec | Tales of an Imagined City | Hou Chien Cheng, Roy Dib, Virgínia de Medeiros, Jurandir Müller and Kiko Goifman, and Luiz Roque | João Laia | Delfina Foundation |
2014 | Oct-Nov | In the Year of the Quiet Sun | The Otolith Group | - | Delfina Foundation |
2014 | Feb-Mar | Let it not be said they were naively, fearfully, simply, just making art | Ayreen Anastas and Rene Gabri | - | The Showroom |
2014 | Jan-Feb | The Politics of Food | Abbas Akhavan, Gayle Chong Kwan, Leone Contini, Candice Lin, Asunción Molinos Gordo, Senam Okudzeto, Jae Yong Rhee, Zineb Sedira, Tadasu Takamine, and Raed Yassin | - | Delfina Foundation |
2013 | Oct-Nov | Bodies that Matter | Basel Abbas and Ruanne Abou-Rahme, Bashar Alhroub, Mustafa al Hallaj, Jeremy Hutchison, Jawad Al Malhi, and Olivia Plender | Rebecca Heald | Galeri Manâ |
2013 | Jun-Jul | Points of Departure | Bashar Alhroub, Bisan Abu Eiseh, Jeremy Hutchison, and Olivia Plender | Rebecca Heald with Mirna Bamieh | Institute of Contemporary Arts |
2013 | Apr-May | Seep | Nasrin Tabatabai and Babak Afrassiabi | - | Chisenhale Gallery |
2013 | Mar | A.I.R. Dubai 2013 | Ebtisam Abdulaziz, Ammar al Attar, Dina Danish, Reem Falaknaz, Joe Namy, and Yudi Noor | Bérénice Saliou | House 11, Al Fahidi Historic Neighbourhood, Dubai |
2012 | Jun-Jul | Or Whistle Spontaneously Archived 23 October 2017 at the Wayback Machine | Ahmet Ögüt | - | Delfina Foundation |
2012 | Mar-May | Social States | Baptist Coelho and Nadia Kaabi-Linke | - | Pump House Gallery |
2012 | Mar | A.I.R. Dubai 2012 | Zeinab Alhashemi, Hadeyeh Badri, Fayçal Baghriche, Magdi Mostafa, Nasir Nasrallah, and Deniz Üster | Alexandra MacGilp | House 11, Al Bastakiya, Bur Dubai, Dubai |
2011 | Jun-Jul | The Knowledge - Stop 3: Alexandria | Wael Shawky | - | Delfina Foundation |
2011 | Mar | House 44 | Basel Abbas and Ruanne Abou-Rahme, Shamma Al Amri, Shaikha Al Mazrou, Abbas Akhavan, Rana Begum, Hind Bin Demaithan, Nisrine Boukhari, Tobias Collier, and Nathaniel Rackowe | - | House 44, Al Bastakiya, Bur Dubai, Dubai |
2011 | Jan-Feb | The Best of Sammy Clark | Raed Yassin | - | Delfina Foundation |
2010 | Nov-Dec | Studio Osep | Tayfun Serttaş | - | Delfina Foundation |
2010 | Oct | The Knowledge - Stop 2: Tehran | Mahmoud Bakhshi | - | Delfina Foundation |
2010 | Jul-Aug | The Spacemakers | Jawad al Malhi, Taysir Batniji, Nikolaj Bendix Skyum Larsen, decolonizing.ps (Alessandro Petti, Sandi Hilal, Eyal Weizman), Hala Elkoussy, Mounir Fatmi, Bouchra Khalili, Judy Price, Solmaz Shahbazi, and Basma Sharif | Eva Langret | Edinburgh College of Art |
2010 | Jun-Jul | New Works | Jawad Al Malhi | - | Delfina Foundation and The Mosaic Rooms |
2010 | Mar-Apr | New Works | Nathaniel Rackowe | - | Delfina Foundation |
2010 | Mar | Workspaces | Doa Aly, Delta Arts, Volkan Aslan, Ali Cherri, Robin Deacon, Iz Oztat, and the Western Alliance | - | Delfina Foundation |
2010 | Feb-Mar | New Works | Rana Begum | - | Delfina Foundation |
2010 | Jan | Nefertiti | Ala Younis | - | Delfina Foundation |
2009 | Oct-Nov | Morphospace | Tobias Collier | - | Delfina Foundation |
2008 | Sep-Oct | Wallscreen/Dreamland | Ismael Iglesias | - | Delfina Foundation |
2008 | Apr | Margins | Yazan Al-Khalili | - | Delfina Foundation |
2007 | Dec | KHRP | Olivia Arthur, Tom Carrigan, Olivia Heussler, Ed Kashi, Zbigniew Kosc, Kevin McKiernan, Susan Meiselas, Patrick Robert, and Eddy van Wessel | - | Delfina Foundation |
Chaim "Poju" Zabludowicz is a Finnish-British-Israeli billionaire businessman, art collector and philanthropist.
Michelle Grabner is an artist, curator, and critic based in Wisconsin. She is the Crown Family Professor of Art at the School of the Art Institute of Chicago where she has taught since 1996. She has curated several important exhibitions, including the 2014 Whitney Biennial at the Whitney Museum of American Art along with Anthony Elms and Stuart Comer, and FRONT International, the 2016 Portland Biennial at the Oregon Contemporary, a triennial exhibition in Cleveland, Ohio in 2018. In 2014, Grabner was named one of the 100 most powerful women in art and in 2019, she was named a 2019 National Academy of Design's Academician, a lifetime honor. In 2021, Grabner was named a Guggenheim Fellow by The John Simon Guggenheim Memorial Foundation.
Thelma Golden is an American art curator, who is the Director and Chief Curator of The Studio Museum in Harlem, New York City, United States. She is noted as one of the originators of the term post-blackness. From 2017 to 2020, ArtReview chose her annually as one of the 10 most influential people in the contemporary art world.
The Impakt Festival is a yearly manifestation on media art, founded in 1988 in the city of Utrecht, Netherlands.
Rajeeb Samdani is a Bangladeshi industrialist and art collector. As of 2021, he is the managing director of Golden Harvest Group, a Bangladeshi conglomerate, and the founder and trustee of Samdani Art Foundation which produces the Dhaka Art Summit.
Space Studios, founded by Bridget Riley and Peter Sedgley in 1968, is the oldest continuously operating artists' studio organisation in London. In addition to providing studios to artists across the city, Space operates a recognised exhibition programme, international residencies and a community-facing learning and participation platform.
Dhaka Art Summit is an art summit held in Dhaka, Bangladesh and is organised by Samdani Art Foundation, a non- profit art infrastructure development organisation founded by Nadia Samdani. and Rajeeb Samdani in 2011.
The Samdani Art Foundation is a private art foundation founded in 2011 in Dhaka, Bangladesh that aims to increase artistic engagement between the art and architecture of Bangladesh and the rest of the world. It is best known for producing the bi-annual Dhaka Art Summit, which is the highest daily visited contemporary art exhibition in the world, welcoming over 477,000 visitors in its fifth edition in February 2020. It completed its sixth edition in 2023. The foundation produces education programmes and exhibitions across the year in collaboration with Bangladeshi and international institutions and is one of the most active art institutions in South Asia.
International Studio & Curatorial Program (ISCP) is a contemporary art institution that runs an international residency program and related exhibitions and events based in Brooklyn, New York. ISCP's exhibitions, talks, screenings and lectures generally focus on introducing New York audiences to work produced by international artists. The residency program has hosted more than 1,800 artists and curators from 90 countries, including the United States.
Tashkeel is an art facility in the United Arab Emirates. Established in Dubai, United Arab Emirates in 2008 by Lateefa bint Maktoum, Tashkeel seeks to provide a nurturing environment for the growth of contemporary art and design practice rooted in the UAE. Through multi-disciplinary studios, work spaces and galleries located in both Nad Al Sheba and Al Fahidi, it enables creative practice, experimentation and dialogue among practitioners and the wider community.
Beirut Art Residency is a non-profit artist-run interdisciplinary residency based in Beirut, Lebanon.
Nadia Kaabi-Linke is a Tunis-born, Berlin-based visual artist best known for her conceptual art and 2011 sculpture Flying Carpets. Her work has explored themes of geopolitics, immigration, and transnational identities. Raised between Tunis, Kyiv, Dubai and Paris, she studied at the Tunis Institute of Fine Arts and received a Ph.D. in philosophy of art from the Sorbonne. Kaabi-Linke won the 2011 Abraaj Group Art Prize, which commissioned Flying Carpets, a hanging cage-like sculpture that casts geometric shadows onto the floor akin to the carpets of Venetian street vendors. The piece was acquired by the New York Guggenheim in 2016 as part of their Guggenheim UBS MAP Global Art Initiative. Kaabi-Linke also won the Discoveries Prize for emerging art at the 2014 Art Basel Hong Kong. Her works have been collected by the Museum of Modern Art, Dallas Museum of Art, Burger Collection, and Samdani Art Foundation, and exhibited in multiple solo and group shows.
Maryam Eisler is an Iranian-born, London-based artist and former marketer. She is known as a photographer, writer, book editor, art collector, and she serves on many boards.
Anne Barlow is a curator and director in the field of international contemporary art, and is currently Director of Tate St Ives, Art Fund Museum of the Year 2018. There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including: Outi Pieski (2024); Hera Büyüktaşcıyan (2023); Burçak Bingöl (2022); Prabhakar Pachpute (2022); Thảo Nguyên Phan (2022); Petrit Halilaj (2021); Haegue Yang (2020); Otobong Nkanga (2019); Huguette Caland (2019); Amie Siegel (2018) and Rana Begum (2018). She was also co-curator of "Naum Gabo: Constructions for Real Life" (2020) and collaborating curator with Castello di Rivoli, Turin for Anna Boghiguian at Tate St Ives (2019).
Diana Campbell Betancourt is an American curator working in South and Southeast Asia, primarily Bangladesh and the Philippines. Currently she is the artistic director of Dhaka-based Samdani Art Foundation and chief curator of the Dhaka Art Summit. Formerly based in Mumbai for six years, she facilitated inter-regional South Asia dialog through her exhibitions and public programmes.
Concrete is a multi-disciplinary space located on Alserkal Avenue in the Al Quoz district of Dubai. It is the first building in the United Arab Emirates to be completed by the Office for Metropolitan Architecture (OMA). With multiple configurations, the 600-square-metre Concrete has double-height ceilings, movable walls and a translucent facade that can be positioned to create indoor-outdoor experiences.
Anita Ruth Zabludowicz is a British contemporary art collector and philanthropist. She is married to Poju Zabludowicz.
Maayan Sheleff is an independent art curator and researcher based in Tel Aviv, Israel. Her projects explore social and political issues through participatory practices, at the intersection of art and technology. Sheleff holds a Ph.D. in Practice in Curating in a joint program of the Department of Art at the University of Reading and the postgraduate program in Curating at the Zurich University of the Arts.
María Delfina Entrecanales de Azcárate CBE was a Spanish-British arts patron and philanthropist, established in England since 1946.
Maess Anand is a Polish visual artist who works with drawing.