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Macbeth is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
Romeo and Juliet is a tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed. Today, the title characters are regarded as archetypal young lovers.
William Shakespeare was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642.
King Lear is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between his daughters Goneril and Regan. The King’s third daughter, Cordelia, is offered a third of his kingdom also. She refuses and is disowned by Lear. He becomes destitute and insane and a proscribed crux of political machinations. The first known performance of any version of Shakespeare's play was on Saint Stephen's Day in 1606. Modern editors derive their texts from three extant publications: the 1608 quarto (Q1), the 1619 quarto, and the 1623 First Folio. The quarto versions differ significantly from the folio version.
Antony and Cleopatra is a tragedy by William Shakespeare. The play was first performed around 1607, by the King's Men at either the Blackfriars Theatre or the Globe Theatre. Its first appearance in print was in the First Folio published in 1623, under the title The Tragedie of Anthonie, and Cleopatra.
In theatre, a monologue is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media, as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices.
The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 at Southwark, close to the south bank of the Thames, by Shakespeare's playing company, the Lord Chamberlain's Men. It was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the London theatre closures of 1642. As well as plays by Shakespeare, early works by Ben Jonson, Thomas Dekker and John Fletcher were first performed here.
Harley Granville-Barker was an English actor, director, playwright, manager, critic, and theorist. After early success as an actor in the plays of George Bernard Shaw, he increasingly turned to directing and was a major figure in British theatre in the Edwardian and inter-war periods. As a writer his plays, which tackled difficult and controversial subject matter, met with a mixed reception during his lifetime but have continued to receive attention.
The Theatre of Cruelty is a form of theatre conceptualised by Antonin Artaud. Artaud, who was briefly a member of the surrealist movement, outlined his theories in a series of essays and letters, which were collected as The Theatre and Its Double. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Artaud's works have been highly influential on artists including Jean Genet, Jerzy Grotowski, Peter Brook, and Romeo Castellucci.
Shakespeare's Globe is a realistic true-to-history reconstruction of the Globe Theatre, an Elizabethan playhouse first built in 1599 for which William Shakespeare wrote his plays. It is located on the south bank of the River Thames, in the London Borough of Southwark and hosts theatrical productions.
A revolving stage is a mechanically controlled platform within a theatre that can be rotated in order to speed up the changing of a scene within a show. A fully revolving set was an innovation constructed by the hydraulics engineer Tommaso Francini for an elaborately produced pageant, Le ballet de la délivrance de Renaud, which was presented for Marie de Medici in January 1617 at the Palais du Louvre and noted with admiration by contemporaries. Such a stage is also commonly referred to as a turntable.
Early Morning is a surrealist farce by the English dramatist Edward Bond. It was first produced in 1968, opening on 31 March at the Royal Court Theatre, directed by William Gaskill. The play takes place in a contorted version of the court of Queen Victoria who is portrayed as a lesbian. Her two sons are made conjoined twins. This made the play extremely scandalous, as did a scene in which the character Len eats another person standing in a queue in front of him. Like Bond's earlier play Saved (1965), it was initially condemned but later came to be viewed positively.
William Shakespeare's style of writing was borrowed from the conventions of the day and adapted to his needs.
Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language.
Felicia Hardison Londré is Curators’ Professor of Theatre at the University of Missouri-Kansas City (UMKC). She specializes in 19th and 20th-century American, French, and Russian theatre history, as well as in Shakespearean dramaturgy.
Douglas Bruster is an American literary critic and Shakespeare scholar. He is the Mody C. Boatright Regents Professor of American and English Literature and Distinguished Teaching Professor at The University of Texas at Austin where he researches the works of William Shakespeare and his contemporaries.
Beatrice is a fictional character in William Shakespeare's play Much Ado About Nothing. In the play, she is the niece of Leonato and the cousin of Hero. Atypically for romantic heroines of the sixteenth century, she is feisty and sharp-witted; these characteristics have led some scholars to label Beatrice a protofeminist character. During the play, she is tricked into falling in love with Benedick, a soldier with whom she has a "merry war", after rumours are spread that they are in love with each other.
References
- ↑ Auslander, Philip (2010). "The Spectator and the Spectacle: Audiences in Modernity and Postmodernity (review)". Modern Drama. 53 (3): 421–423. doi:10.1353/mdr.2010.0004. S2CID 194092039. Project MUSE 394602.
- ↑ Seamon, Mark (April 2012). "The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. By Dennis Kennedy. Cambridge: Cambridge University Press, 2009; pp. x + 249. $98 cloth, $35.99 paper". Theatre Survey. 53 (1): 146–148. doi:10.1017/S0040557411000834. S2CID 162764325.
- ↑ Nibbelink, Liesbeth Groot (March 2010). "The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. By Dennis Kennedy. Cambridge: Cambridge University Press, 2009. Pp. x + 250 + 11 illus. £50/$99 Hb. - Modes of Spectating. Edited by Alison Oddey and Christine White. Bristol: Intellect, 2009. Pp. 266 + 40 illus. £19.95/$40 Pb". Theatre Research International. 35 (1): 88–90. doi:10.1017/S0307883309990514.
- 1 2 "Trinity College Dublin biography". People.tcd.ie. Retrieved 30 November 2012.
- ↑ "TLA | George Freedley Memorial Award - Winners". Tla-online.org. 19 August 2012. Archived from the original on 14 December 2012. Retrieved 30 November 2012.
- ↑ "Royal Irish Academy | About | Membership | Members List". Ria.ie. Archived from the original on 1 January 2013. Retrieved 30 November 2012.
- ↑ "Academy of Europe: Kennedy Dennis". Ae-info.org. Retrieved 30 November 2012.
- ↑ "The Culture of the Spectator - a lecture by Dennis Kennedy". Gw Memsi. 11 September 2012. Retrieved 30 November 2012.
- ↑ "International Research Center "Interweaving Performance Cultures": Dennis Kennedy". Geisteswissenschaften.fu-berlin.de. Archived from the original on 5 January 2013. Retrieved 30 November 2012.
- ↑ "Kennedy Drunken Boat story". Archived from the original on 12 November 2014. Retrieved 15 January 2015.
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