Dusk... and Her Embrace | ||||
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Studio album by | ||||
Released | 28 August 1996 | |||
Recorded | September–November 1995 | |||
Studio | DEP International Studios, Birmingham, England | |||
Genre | Extreme metal | |||
Length | 53:13 | |||
Label | Music for Nations | |||
Producer |
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Cradle of Filth chronology | ||||
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Alternate covers | ||||
Alternative cover | ||||
Review scores | |
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Source | Rating |
AllMusic | [1] |
Chronicles of Chaos | 8/10 [2] |
CMJ New Music Monthly | unfavourable [3] |
Collector's Guide to Heavy Metal | 8/10 [4] |
Exclaim! | favourable [5] |
Dusk... and Her Embrace is the second studio album by English extreme metal band Cradle of Filth. It was released on 28 August 1996. [6] and is their first release on the label Music for Nations.
Much of the material for the album was written while the band were still under Cacophonous Records' contract. [7] Speaking to Ryan Bird of Kerrang! in 2008, Dani Filth remembered:
This was a bit of a weird one. We actually recorded it as our second release, but we then had to take our label to court which meant that most of it was temporarily lost for legal reasons. The next thing I know the band had split into two-halves, and after releasing the V Empire EP my half was able to re-record and finally release the album. In a way it actually worked in our favour, because after nearly two years of legal battles and non-stop hassle I think the troubles of the times actually came through on the recording. We actually worked with Kit Woolven on that one, who most people knew from working with Thin Lizzy, so it had a very lush edge as well as this distinctive, dark vibe. To this day this is the album that a lot of our fans seem to be really drawn to. And it catapulted us into a whole new world. [8]
Filth later told Kerrang! that the tone and content of the record was also partly the result of Cradle's isolation from the European black metal scene:
Being segregated from mainland Europe really divided us [from that scene], and over time we felt more and more alienated from it. The result was that Dusk and Her Embrace was a quintessentially British album. It was just what felt right. I grew up on Hammer Horror... and we were very much also immersed in the history of witchcraft in Suffolk. There's a lot of spiritual mythology and hauntings in that area, and we channelled that into the album, which is why it has that sort of vampiric feel to it. [9]
The album climaxes with a guest speech from Venom's Cronos on the final track, "Haunted Shores".
Dusk and Her Embrace was released on 28 August 1996 by record label Music for Nations. It charted just outside of the UK top 100, at 107. [10]
Critical reception of this album has been generally positive. AllMusic wrote: "Dusk and Her Embrace may be [Cradle of Filth's] finest moment." [1] In 2021, it was elected by Metal Hammer as the 4th best symphonic metal album of all time. [11]
All lyrics are written by Dani Filth
No. | Title | Length |
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1. | "Humana Inspired to Nightmare" (instrumental) | 1:23 |
2. | "Heaven Torn Asunder" | 7:06 |
3. | "Funeral in Carpathia" | 8:24 |
4. | "A Gothic Romance (Red Roses for the Devil's Whore)" | 8:35 |
5. | "Malice Through the Looking Glass" | 5:30 |
6. | "Dusk and Her Embrace" | 6:09 |
7. | "The Graveyard by Moonlight" (instrumental) | 2:28 |
8. | "Beauty Slept in Sodom" | 6:32 |
9. | "Haunted Shores" (feat. Cronos of Venom) | 7:04 |
Total length: | 53:13 |
No. | Title | Length |
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10. | "Hell Awaits" (Slayer cover) | 5:41 |
11. | "Carmilla's Masque" (instrumental) | 2:54 |
No. | Title | Length |
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5. | "Nocturnal Supremacy '96" | 5:59 |
All information from the album booklet. [12]
Cradle of Filth
Additional musicians
Production
Chart (1996) | Peak position |
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Finnish Albums Chart [14] | 24 |
UK Albums Chart [10] | 107 |
Dusk... and Her Embrace: The Original Sin | ||||
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Studio album by | ||||
Released | 8 July 2016 | |||
Recorded | Spring 1995 | |||
Studio | Zella Studios, Birmingham | |||
Genre | Extreme metal | |||
Length | 69:23 | |||
Label | Cacophonous | |||
Producer |
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Cradle of Filth chronology | ||||
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Dusk... and Her Embrace exists in two versions. It was initially recorded as the band's second album for Cacophonous records following The Principle of Evil Made Flesh . Cradle's relationship with Cacophonous subsequently collapsed, however, with the band accusing the label of contractual and financial mismanagement. Acrimonious legal proceedings took up most of 1995, [15] and the original version of Dusk was shelved and later re-worked and re-recorded as the eventual 1996 Music for Nations release. Writing in The Gospel of Filth in 2009, Dani indicated that these early recordings were merely demos, rather than a finished album:
We reached a deal with Cacophonous whereby they got another recording from us [ V Empire ], and in return they agreed to cease the dispute we'd become entangled in with them. The material that we'd demoed for Dusk and Her Embrace needed the space and attention of a full album, so we saved it. [16]
Dani Filth revealed plans for a 20th anniversary release of the original 1995 Cacophonous recordings in 2015, and a release date was officially announced in 2016. Filth told Team Rock:
The original recordings of Dusk – which were literally just sat gathering dust on someone's shelf – are actually going to see the light of day. It's going to be a really cool part of Cradle history, and obviously they've never been heard before by anyone. [17]
The title for the new release was Dusk... and Her Embrace: The Original Sin. It was released on CD and digital on 8 July 2016. [18] A vinyl version, limited to 666 copies, followed on 10 October 2016. [19] The liner notes confirm that the lineup for this version was almost the same as for The Principle of Evil Made Flesh , including Paul Allender, Paul Ryan and Benjamin Ryan, but excluding Robin Graves, who was shortly replaced by Jon Kennedy. Allender, the Ryan brothers and Kennedy all left the band before the 1996 version of Dusk... was recorded.
No. | Title | Length |
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1. | "Macabre, This Banquet" (instrumental) | 1:33 |
2. | "Nocturnal Supremacy" | 6:04 |
3. | "Heaven Torn Asunder" | 6:56 |
4. | "Dusk and Her Embrace" | 6:14 |
5. | "A Gothic Romance" | 8:46 |
6. | "The Graveyard by Moonlight" (instrumental) | 2:02 |
7. | "Funeral in Carpathia" | 8:21 |
8. | "Beauty Slept in Sodom" | 6:36 |
9. | "The Haunted Shores of Avalon" | 7:12 |
10. | "Carmilla's Masque" (instrumental) | 2:59 |
11. | "A Gothic Romance (Demo Version)" | 8:25 |
12. | "Nocturnal Supremacy (Demo Version)" | 6:15 |
Total length: | 69:23 |
Cradle of Filth are an English extreme metal band formed in Suffolk in 1991. The band's musical style evolved originally from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic metal and other metal genres. Their lyrical themes and imagery are heavily influenced by Gothic literature, poetry, mythology and horror films. The band consists of its founding member, vocalist Dani Filth, drummer Martin "Marthus" Škaroupka, bassist Daniel Firth, guitarists Marek "Ashok" Šmerda and Donny Burbage, and keyboardist Zoe Marie Federoff.
Damnation and a Day is the fifth studio album by English extreme metal band Cradle of Filth. It was released on 10 March 2003 and is Cradle of Filth's only album on a major label, Sony Records, after which they transferred to Roadrunner. It features the one hundred and one-piece Budapest Film Orchestra including the forty-piece Budapest Film Choir. The album is partly based on John Milton's epic poem Paradise Lost.
The Principle of Evil Made Flesh is the debut studio album by English extreme metal band Cradle of Filth. It was released on 24 February 1994 through Cacophonous Records, following three demos released between 1991 and 1993. The album's sound is significantly more raw than on subsequent releases, and frontman Dani Filth's vocals differ from his later style and technique. The album is a then-unusual hybrid of gothic metal and black metal. This would be the only album featuring guitarist Paul Ryan and keyboardist Benjamin Ryan; guitarist Paul Allender also left the band at this point, but returned five years later for Midian.
Cruelty and the Beast is the third studio album by English extreme metal band Cradle of Filth, released on 5 May 1998 by Music for Nations. It is a concept album based on the legend of the Hungarian "blood countess" Elizabeth Báthory and features guest narration by actress Ingrid Pitt in-character as Báthory, a role she first played in the Hammer Horror film Countess Dracula in 1971.
Midian is the fourth studio album by English extreme metal band Cradle of Filth. It was released on 30 October 2000 through Music for Nations. The album marks the return of guitarist Paul Allender to the band, as well as the introduction of drummer Adrian Erlandsson and keyboard player Martin Powell. It also features Doug Bradley as the narrator for various songs.
Sarah Jane, better known by her stage name Sarah Jezebel Deva, is an English heavy metal singer. She was the female soprano vocalist for Cradle of Filth for 14 years and the frontwoman of the band Angtoria for 10 years. In 2009, Deva started her self-titled solo project, releasing two studio albums and one EP from 2010 to 2012, and in 2020 announced she would be working with former Angtoria bandmate Chris Rehn on a new project entitled Torn Between Two Worlds.
Paul James Allender is an English guitarist, best known for his work with the English extreme metal band Cradle of Filth. He was a longtime member with stints in the band from 1992 to 1995 and then again from 1999 to 2014.
From the Cradle to Enslave is the second EP by English extreme metal band Cradle of Filth, released on 30 October 1999 by Music for Nations (Europe) and Metal Blade (US).
Conrad Thomas Lant, also known by his stage name Cronos, is an English musician. He is the founder, vocalist and bassist of heavy metal band Venom.
Bitter Suites to Succubi is the third EP by English extreme metal band Cradle of Filth. It was released on 22 May 2001, through the band's own Abracadaver label.
Thornography is the seventh studio album by English extreme metal band Cradle of Filth. It was released on 17 October 2006, by record label Roadrunner. It was produced by former Anthrax guitarist Rob Caggiano, engineered by Dan Turner and mixed by Andy Sneap, and once again features narration by Doug Bradley. It is Cradle of Filth's second album as a five-piece, as keyboardist Martin Powell left the band in 2005. This would also be the band's final album to feature drummer Adrian Erlandsson, and the only full-length to feature guitarist Charles Hedger.
V Empire or Dark Faerytales in Phallustein is the first EP by English extreme metal band Cradle of Filth, and the first release following their 1994 debut studio album The Principle of Evil Made Flesh. It was released on 22 April 1996, and was the band's final release for Cacophonous Records.
Cradle of Filth was formed in Suffolk, England, in 1991. The band's original members consisted of vocalist Dani Filth, guitarist Paul Ryan, keyboardist Ben Ryan, bassist John Pritchard and drummer Darren Gardner. With this line-up, Cradle of Filth recorded a demo in 1992, titled Invoking the Unclean. Soon after, they recorded their second demo, Orgiastic Pleasures Foul with new guitarist Robin Eaglestone and new drummer Was Sarginson. Robin left the band shortly afterwards, but following the departure of John Pritchard, Eaglestone returned to take his place as bassist. Guitarist Paul Allender joined the band at the same time. Following these changes, another demo was recorded, titled Total Fucking Darkness. Sarginson left the band soon after, paving the way for the entry of drummer Nick Barker.
Godspeed on the Devil's Thunder is the eighth studio album by English extreme metal band Cradle of Filth. It was released on 28 October 2008, through record label Roadrunner. It is the band's fourth concept album, after Cruelty and the Beast (1998), Midian (2000), and Damnation and a Day (2003), dealing with the life of the 15th-century French baron Gilles de Rais.
Total Fucking Darkness is the third demo by English extreme metal band Cradle of Filth, recorded in 1992 and released commercially in remastered form in 2014. The remastered release includes "Spattered in Faeces", the only surviving track from the band's abandoned first album Goetia, along with four tracks recorded at a rehearsal session in October 1992.
Midnight in the Labyrinth is an orchestral compilation album by English extreme metal band Cradle of Filth. The re-recorded songs selected are from the band's first four releases. The title comes from the lyrics of "Mistress from the Sucking Pit", a bonus track on some editions of Darkly, Darkly, Venus Aversa.
Evermore Darkly... is the fourth EP by English extreme metal band Cradle of Filth, released in October 2011. A companion piece to the 2010 album Darkly, Darkly, Venus Aversa, it contains two new tracks in "Transmission from Hell" and "Thank Your Lucky Scars", plus demo versions of some Venus Aversa tracks. An orchestral version of "Summer Dying Fast" is also included as a taster for the subsequent Midnight in the Labyrinth collection. The CD was originally packaged with a DVD containing a documentary, a live show from 25 June 2011's Graspop festival, and the promo video for "Lilith Immaculate".
The Manticore and Other Horrors is the tenth studio album by English extreme metal band Cradle of Filth. It was released on 29 October 2012 in Europe and on 30 October in USA. It is the band's only album as a three-man group rather than its six-man staple. It was also the last release with Paul Allender on guitar, who departed the band for a second time in April 2014.
Hammer of the Witches is the eleventh studio album by English extreme metal band Cradle of Filth. It was released on 10 July 2015 and is their first release under record label Nuclear Blast. Hammer of the Witches features the band's new line-up following the departure of Paul Allender and James McIlroy, which includes new guitarists Marek 'Ashok' Šmerda and Richard Shaw and new keyboardist and female vocalist Lindsay Schoolcraft.