Eaten Alive | |
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Directed by | Tobe Hooper |
Written by | Kim Henkel Alvin L. Fast Mardi Rustam |
Produced by | Alvin L. Fast Larry Huly Robert Kantor Mardi Rustam Mohammed Rustam Samir Rustam |
Starring | Neville Brand Mel Ferrer Carolyn Jones Marilyn Burns |
Cinematography | Robert Caramico |
Edited by | Michael Brown |
Music by | Wayne Bell Tobe Hooper |
Production company | Mars Productions Corporation |
Release date |
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Running time | 91 minutes |
Country | United States |
Language | English |
Eaten Alive (known under various alternate titles, including Death Trap, Horror Hotel, and Starlight Slaughter, and stylized on the poster as Eaten Alive!) is a 1976 American horror film directed by Tobe Hooper, [2] and written by Kim Henkel, Alvin L. Fast, and Mardi Rustam.
The film stars Carolyn Jones, Neville Brand, Roberta Collins, Robert Englund, William Finley, Marilyn Burns, Janus Blythe, and Kyle Richards. Brand plays a psychotic hotel proprietor in a Southern bayou, [lower-alpha 1] who feeds those who upset him to a large crocodile that lives in a swamp beside the hotel.
Although the film did not receive a warm reception when it was released, it has gained a cult following in its time, and with The Texas Chain Saw Massacre from 1974, Eaten Alive helped Hooper advance in his career, allowing him to direct his first major studio film, The Funhouse , in 1981. [8]
After refusing a demand for anal sex from a customer named Buck, naïve prostitute Clara Wood is evicted from the town brothel by the madame, Miss Hattie. Clara makes her way to the decrepit Starlight Hotel, located deep in the remote swampland of rural Texas, where she encounters the hotel's mentally disturbed proprietor, Judd. Judd attacks Clara with a pitchfork, then chases her outside, where she is eaten by his pet Nile crocodile that lives in the swamp beside the hotel.
Some days later, a fractious couple, the well-dressed, pill-popping Faye and her disturbed husband Roy arrive at the hotel, along with their young daughter and apparent polio victim, Angie. Shortly after their arrival, the family dog, Snoopy, is brutally attacked by the resident crocodile, which shocks little Angie. In retaliation, Roy goes out to kill the carnivorous swamp creature but is stabbed and killed by Judd, who is wielding a large scythe. Judd then violently beats and straps Faye onto her bed and attempts to grab Angie, but she escapes and hides under the hotel's porch.
Later, Harvey Wood and his daughter Libby also arrive at the Starlight Hotel, seeking information on the now-deceased Clara, who is Harvey's runaway daughter, but they leave when Judd denies having seen her. Accompanied by Sheriff Martin, Harvey and Libby question Miss Hattie, who also denies ever seeing Clara. Harvey returns to the creepy swamp hotel alone, while Libby goes for dinner and drinks with the sheriff. After Harvey discovers a captive Faye in her hotel room, Judd murders him, once again utilizing his large scythe.
Meanwhile, after being kicked out of a bar by the sheriff, scummy Buck and his underaged girlfriend Lynette venture to the Starlight, much to the annoyance of Judd. When Buck hears screams coming from Faye and Angie crying under the porch, he gets pushed into the swamp by Judd and devoured by the crocodile. Lynette runs outside and is spotted by Judd. She runs into the woods screaming, and he pursues her. However, the fog causes Judd to lose sight of her, and Lynette is saved by a man in a passing car.
Later, Libby arrives back at the hotel and manages to untie Faye from her bed and retrieve Angie from under the porch. Consumed with madness, Judd chases the three survivors into the swamp, where he is finally attacked and killed by his pet reptile. Sheriff Martin then arrives at the hotel and rescues Libby, Faye, and Angie. Before the credits roll, Judd's false leg comes up from the water.
Working under the title Death Trap, Eaten Alive was filmed entirely on the sound stages of Raleigh Studios in Hollywood, California, which had a large-scale pool that could double as a swamp. [9] Shooting on a sound stage instead of a practical location contributed to the atmosphere of the film, which director Tobe Hooper described as a "surrealistic, twilight world." [10] The film eventually proved to be problematic for the director, though, who left the set shortly before production ended, due to a dispute with the producers. [11] Hooper's good relationship with his actors remained intact, though. The director later recalled how he worked with actor Neville Brand to fully develop the character of Judd, declaring, "He understood what he was doing exactly.” [12]
Adapted for the screen by The Texas Chain Saw Massacre co-writer Kim Henkel, the plot was very loosely based on the story of Joe Ball (also known as the Bluebeard from South Texas or the Alligator Man) who owned a bar with a live alligator attraction during the 1930s in Elmendorf, Texas. During this time, Ball murdered several women. Legend has it that he disposed of his victims' bodies by feeding them to his pet alligators, but this was never proven. [13]
Although passed with cuts for its theatrical release in Britain in 1978, when Eaten Alive was released on home video by VIPCO under the title Death Trap in 1982, the film became one of the first of the so-called "video nasties" to be prosecuted under the Obscene Publications Act 1959. [14] [10] Its gratuitous violence became the focal point of many social critics in the UK, including vocal conservative activist Mary Whitehouse, and consequently all video copies were removed from retail stores. When the film was finally re-released on VHS in 1992, the BBFC edited out about 25 seconds from the original cut. [15] The film was eventually released in its uncut version on DVD in 2000. [16]
On Rotten Tomatoes, the film holds an approval rating of 33% based on 18 reviews, with a weighted average rating of 4.6/10. [17]
Dennis Schwartz from Ozus' World Movie Reviews gave the film a grade C+, writing, "This is so much the opposite of a Hollywood film, as Hooper could [not] care less that he has shot such a disturbing film that makes for an uncomfortable watch. That Hooper takes us down a different road than the usual trashy, macabre, and grisly horror flick, doesn't make it a special film worth seeking out. Just something that those with a morbid curiosity for the unusual in sleaze might not be able to pass on." [18] TV Guide awarded the film two out of five stars, stating, "Although Eaten Alive is not so unusual or terrifying as Texas Chainsaw , Hooper does a fine job of building up the Southern-gothic atmosphere and continues his brilliant use of sound to enhance the sense of unease and suspense." [19] Keith Phipps from The A.V. Club was critical of the film, stating that it lacked the eerie plausibility and stylishness of Hooper's Chainsaw. [20]
Not all reviews of the film, though, were negative. Ken Hanke in The Official Splatter Movie Guide reappraised the film as a misunderstood masterpiece that captured "the other-worldly madness of the death of the amateur-night-in-Dixie brand of the American Dream." [21] Bill Gibron of PopMatters rated the film 6/10 stars, noting the film's sloppy script, poor lighting, and lack of narrative sense, but stated that the film was "so undeniably inept, so horrendously hobbled, so gosh-darn god awful that it’s friggin’ great!" [22]
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The owner of a run-down Louisiana motel kills whoever wanders into his corner of the swamp, with the aid of a large, hungry alligator.
Hooper followed Chain Saw with the crude, similarly nightmarish Eaten Alive (1977), in which Judd (Neville Brand), the scythe-wielding propietor of a Louisiana bayou hotel, fed his guests to his pet crocodile.
Deep in the Louisiana bayou sits the ramshackle Starlight Hotel, destination of choice for those who like to check in but not check out!
To wit: [Eaten Alive] was set in a sleazy, dirtbag hotel in Florida. Hooper had grown up in the hotel business, even spending some of his youth in neighboring Louisiana, so one has to wonder if he was remembering a particularly unpleasant period from his youth, or merely turning his experience with regional hotels to his cinematic advantage.
Released two years after The Texas Chain Saw Massacre (1974), Eaten Alive centers on a war veteran named Judd who manages a rundown Florida hotel called the Starlight.