"Eighties" | ||||
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Single by Killing Joke | ||||
from the album Night Time | ||||
B-side | "The Coming Mix" | |||
Released | April 1984 | |||
Genre | Post-punk | |||
Length | 3:51 | |||
Label | E.G. | |||
Songwriter(s) | ||||
Producer(s) |
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Killing Joke singles chronology | ||||
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Music video | ||||
"Eighties" on YouTube |
"Eighties" is the lead single from English post-punk band Killing Joke's fifth studio album, Night Time (1985), produced by Chris Kimsey. The song had been premiered during a three track live performance for UK TV show The Tube in December 1983. [1] Upon its release, the single reached No. 60 in the UK Singles Chart.
A short snippet of "Eighties" was the opening theme to the 2002 sitcom That '80s Show . It was used for a party scene in the 1985 movie Weird Science . It is also used as the theme song for the Investigation Discovery series The 1980s: The Deadliest Decade. It was also used as the music at the closing credits of Season 1, Episode 6, "Bent", of The Lincoln Lawyer .
A retrospective review of AllMusic said: "Guitarist Geordie Walker shines on "Eighties," playing cyclical and repetitive riffs, each one a variation or inversion of the song's main theme, and each one a hook unto itself". [2]
The studio version was released in April 1984 by E.G. Records as a 12-inch and 7-inch single. The 12-inch single A-side featured the track "Eighties (Serious Dance Mix)" with "Eighties" and "Eighties (The Coming Mix)" as B-sides. The 7-inch single exempted the "Serious Dance Mix" and instead, featured "Eighties" as the A-side. Also, the 7-inch single was sold with a bonus 7-inch single of "Let's All Go (to the Fire Dances)".
The official 1984 music video to "Eighties" was directed by Anthony Van Den Ende, [3] and shows the band performing the song while frontman Jaz Coleman stands in front of a microphone stand which has the U.S. flag draped over it. Behind him the flag of the Soviet Union can be seen. Their performance is intercut with stock footage of Margaret Thatcher, Ronald Reagan, Leonid Brezhnev (with the footage deliberately skipping), Anwar Sadat, Pope John Paul II, Ruhollah Khomeini, Konstantin Chernenko and John DeLorean. Other footage shows a space shuttle being launched, nuclear bomb explosion, a female bodybuilding contest, a group of punks at a concert in Hammersmith, book burnings, Beatles albums being burned after the "bigger than Jesus" comment and a dog wedding. [3]
The song "Come as You Are", by American grunge band Nirvana, featured a riff similar to "Eighties". Nirvana and their management company, Gold Mountain, were unsure about releasing the song as a single from their 1991 studio album, Nevermind . Danny Goldberg, head of Gold Mountain, later revealed that "we couldn't decide between 'Come as You Are' and 'In Bloom.' Kurt [Cobain] was nervous about 'Come as You Are' because it was too similar to a Killing Joke song but we all thought it was still the better song to go with. And, he was right, Killing Joke later did complain about it". [4] Nirvana biographer Everett True wrote that "Come as You Are" was eventually chosen for release as a single because "Goldberg favoured the more obviously commercial song".
After Nirvana released the single in 1992, members of Killing Joke claimed the main guitar riff of "Come as You Are" plagiarized the riff of "Eighties", but according to Rolling Stone magazine, they did not file a copyright infringement lawsuit because of "personal and financial reasons". [4] However, conflicting reports, such as Kerrang! , have stated differently.
Cobain's death in 1994 effectively dissolved Nirvana and the conflict with Killing Joke. [5] If there was a lawsuit filed as Kerrang! claimed, it was either thrown out of court, [6] or it was dropped to take the burden off the remaining members of Nirvana and their management. However, the court that supposedly took the case was not named and many doubted that Killing Joke ever filed a lawsuit against Nirvana. [7]
An interview with Killing Joke guitarist Geordie Walker that same year [8] confirmed the possibility of a lawsuit along these lines, thus proving that the claim by Kerrang! was not fabricated. Walker stated:
We were very pissed off about that, but it's obvious to everyone. We had two separate musicologists' reports saying it was. Our publisher sent their publisher a letter saying it was and they went 'Boo, never heard of ya!', but the hysterical thing about Nirvana saying they'd never heard of us was that they'd already sent us a Christmas card!
Nine years later, in 2003, Nirvana drummer Dave Grohl took a leave of absence from his current band, the Foo Fighters, to record drums for Killing Joke's second self-titled album. The move surprised some Nirvana fans, given Nirvana's past conflict with Killing Joke. However, Foo Fighters had previously recorded a cover of another Killing Joke song, "Requiem", as a B-side to their 1997 single "Everlong."
AllMusic writer Bill Janovitz reviewed "Eighties", comparing and contrasting "Come as You Are" and "Eighties": [2]
While 'Eighties' unflinchingly displays the band's aggressive punk rock roots—cold and hard to mirror the socio-political message—it also embraces dance-music grooves and a certain sort of melodic sensibility. One main, perhaps, crucial difference between the bands is that while Kurt Cobain practiced whisper-to-a-scream vocal dynamics, Killing Joke's Jaz Coleman was almost always full-on in his approach, with a terrifying growl of a voice that is similar to that of Motörhead's Lemmy.
However, The Big Takeover magazine's Jack Rabid reported that Captain Sensible's "Life Goes On", recorded by The Damned for their 1982 album, Strawberries , "features the exact same, extremely unique riff as both 'Eighties' and 'Come as You Are'". [9] Coleman and Paul Ferguson separately claimed to have no knowledge of this. [10] [9]
Side A
Side B
Side A
Side B
Chart (1984) | Peak Position |
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UK Singles (OCC) [11] | 60 |
Killing Joke are an English rock band formed in Notting Hill, London, in 1979 by Jaz Coleman, Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass).
"Come as You Are" is a song by American rock band Nirvana, written by frontman and guitarist Kurt Cobain. It is the third track and the second single from the band's second studio album Nevermind, the single released in March 1992. It was the band's second and final American top 40 hit, reaching number 32 on the Billboard Hot 100, and second UK top 10 hit, reaching number nine on the UK Singles Chart. The single reached the top 10 in eight countries and the top 40 in eleven further countries.
"Rape Me" is a song by the American grunge band Nirvana, written by vocalist and guitarist Kurt Cobain. It is the fourth song on the band's third and final studio album, In Utero, released in September 1993.
Killing Joke is the debut studio album by English post-punk band Killing Joke, released in October 1980 by E.G. via Polydor Records. It debuted at number 41 on the UK Albums Chart on 25 October 1980 and later peaked at number 39.
Night Time is the fifth studio album by the English post-punk band Killing Joke, released in February 1985 by E.G. through Polydor Records and produced by Chris Kimsey.
What's THIS For...! is the second studio album by English post-punk band Killing Joke, released in June 1981 by E.G. via Polydor Records.
Killing Joke is the eleventh studio album by English rock band Killing Joke, released on 28 July 2003 through Zuma Recordings. It was their first album in seven years, following Democracy in 1996, and their second self-titled album, following their debut in 1980. The album was produced by Andy Gill and all drums were performed by guest Dave Grohl, a long-time Killing Joke fan.
Pandemonium is the ninth studio album by English post-punk band Killing Joke, released on 2 August 1994 by Butterfly Records. The album marked Killing Joke's return after a four-year hiatus, the longest the band had taken since it was founded. It also featured the return of founding member Youth, who replaced Paul Raven on bass.
Jeremy "Jaz" Coleman is an English singer and musician. He came to prominence in the early 1980s as the lead vocalist and keyboardist of post-punk group Killing Joke.
Fire Dances is the fourth studio album by English post-punk band Killing Joke, released on 15 July 1983 by E.G. via Polydor Records. It was the band's first album to feature new bass player Paul Raven, recorded at Basing Street Studios in London between February and March 1983. According to Paul Ferguson the band's drug use contributed to the original mix of the album being "tinny".
Brighter Than a Thousand Suns is the sixth studio album by English post-punk band Killing Joke, released in November 1986 by E.G. Records. It was their first album to be distributed through Virgin Records. It entered the UK Albums Chart at number 54 on 22 November 1986, staying for one week. It was produced by Chris Kimsey, who had produced the band's 1985 album, Night Time.
Outside the Gate is the seventh studio album by English post-punk band Killing Joke, released in June 1988 by E.G. via Virgin Records worldwide. It was a significant stylistic departure for the band, with complex synthesised arrangements and less prominent guitar. Tensions within the band surfaced during pre-production. Drummer Paul Ferguson was dismissed at the beginning of the sessions and replaced by a studio musician while bassist Paul Raven took part to the recording but ultimately asked his name to be withdrawn from the credits for major disagreement over artistic content. The lead single was "America".
Extremities, Dirt and Various Repressed Emotions is the eighth studio album by English post-punk band Killing Joke, released in November 1990 by Noise Records. After the commercial failure of their previous album Outside the Gate in 1988, singer Jaz Coleman and guitarist Geordie Walker were the last remaining members of the group. In December 1988, they recruited new musicians to perform a one-off concert in Porchester and premiered new songs, including early versions of "Extremities" and "The Beautiful Dead". The band didn't have any support of a record company anymore: Virgin had fired them and their label E.G. sued them. Coleman stated that it was a very stressful period of time for him and Walker. The new material was more intense, the band performed it live during a US tour in 1989. Extremities, Dirt and Various Repressed Emotions was recorded in 1990 for a German independent label: bassist Paul Raven was called back before entering into the studio. Drummer Martin Atkins, formerly of Public Image Ltd and Ministry, had joined the band in 1988 and co-composed the songs with Coleman and Walker.
Democracy is the tenth studio album by English post-punk band Killing Joke, released on 1 April 1996 by Butterfly Records and Big Life.
Hosannas from the Basements of Hell is the twelfth studio album by English post-punk band Killing Joke, released on 3 April 2006 by Cooking Vinyl.
"Requiem" is a song by the English post-punk band Killing Joke. It was released in September 1980 by E.G. Records as the second single from their first studio album, Killing Joke.
Turn to Red is an EP and the debut release by English post-punk band Killing Joke. It was released as a 10-inch EP on 26 October 1979 by Malicious Damage and re-released as a 12-inch EP on 14 December by Island Records.
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MMXII is the fourteenth studio album by English post-punk band Killing Joke, released on 2 April 2012, by Spinefarm Records, which was distributed worldwide by Universal Music Group.
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