Elopement | |
---|---|
Directed by | Henry Koster |
Written by | Bess Taffel [1] |
Produced by | Fred Kohlmar |
Starring | Clifton Webb Anne Francis |
Cinematography | Joseph LaShelle |
Edited by | William B. Murphy |
Music by | Cyril Mockridge Alfred Newman (uncredited) |
Distributed by | Twentieth Century Fox |
Release date |
|
Running time | 82 minutes |
Country | United States |
Language | English |
Box office | $2 million (US rentals) [2] [3] |
Elopement is a 1951 American comedy film directed by Henry Koster and starring Clifton Webb, Anne Francis, Charles Bickford and William Lundigan. [1] [4] [5]
Jacqueline "Jake" Osborne is sent to college to follow in the footsteps of her successful father Howard, but she falls in love with professor Matt Reagan. They impulsively decide to elope.
Howard and his wife are furious, but when they confront the young professor's parents, they find them equally irate. The parents hit the road together, hoping to prevent the marriage, while Jake and Matt begin to bicker and wonder if their decision was made in haste.
Webb Parmelee Hollenbeck, known professionally as Clifton Webb, was an American actor, singer, and dancer. He worked extensively and was known for his stage appearances in the plays of Noël Coward, including Blithe Spirit, as well as appearances on Broadway in a number of successful musical revues. As a film actor, he was nominated for three Academy Awards - Best Supporting Actor for Laura (1944) and The Razor's Edge (1946), and Best Actor in a Leading Role for Sitting Pretty (1948).
Bedtime for Bonzo is a 1951 American comedy film directed by Fred de Cordova and starring Ronald Reagan, Diana Lynn, and a chimpanzee named Peggy as Bonzo. Its central character, psychology professor Peter Boyd (Reagan), tries to teach human morals to a chimpanzee, hoping to solve the "nature versus nurture" question. Boyd hires Jane Linden (Lynn) to pose as the chimpanzee's mother while he plays father to it and uses 1950s-era child-rearing techniques.
William B. Murphy was an American film editor who, in the course of a twenty-year career, served as president of American Cinema Editors (ACE) from 1952 to 1955 and was distinguished in 1966 with ACE's Eddie Award for his work on the science fiction film, Fantastic Voyage, which also earned him an Academy Award nomination for Best Editing.
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