Emei School | |||||||||||||
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Chinese | 峨嵋派 | ||||||||||||
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The Emei School is a fictional martial arts school mentioned in several works of wuxia fiction. It is commonly featured as one of the leading orthodox schools in the jianghu (martial artists' community). It is named after the place where it is based,Mount Emei.
In Jin Yong's The Heaven Sword and Dragon Saber ,the Emei School is founded during the early Yuan dynasty by Guo Xiang around the same time as when the Wudang School is established. [1] Guo Xiang is the sole surviving member of the Guo family from The Return of the Condor Heroes . She escapes during the Battle of Xiangyang with the Heaven Reliant Sword (倚天劍),becomes a powerful martial artist and roams the jianghu as a youxia . At the age of 40,she becomes a Buddhist nun and establishes the Emei School on Mount Emei. Her apprentice,Abbess Fengling,succeeds her as the leader of the Emei School. Fengling is later,in turn,succeeded by Abbess Miejue. [1]
In Jin Yong's works,the school's members are predominantly women and its leaders are Buddhist or Taoist nuns. In wuxia stories by other writers,the Emei School has members of both sexes,who play equally important roles in the school.[ citation needed ]
In Sword Stained with Royal Blood ,set in the late Ming dynasty,the Emei School is briefly mentioned as one of the Four Great Sword Schools and has male members in its ranks. [2] In Gu Long's The Kingdom of the Golden Bird of the Lu Xiaofeng Series,the Emei School is led by Dugu Yihe,who is slain by Ximen Chuixue. [3]
In Jin Yong's novels,Emei's martial arts are the best among those suited for women. The origins of Emei's martial arts come from its founder,Guo Xiang. [1] Guo Xiang's martial arts were mostly inherited from her family,including her maternal grandfather Huang Yaoshi. [4] She also learnt part of the Nine Yang Manual from Jueyuan in her younger days. [1] However,it does have some elements of "unorthodoxy",as exhibited by Zhou Zhiruo when she uses the "Nine Yin White Bone Claw" (九陰白骨爪) after finding the Nine Yin Manual . [1]
Emei's martial arts range from powerful inner energy cultivation techniques to the use of weapons and unarmed combat. They encompass the Twelve Movements (動功十二桩) and the Six Specially Mastered Skills (靜功六大專修功). Emei's members primarily use the sword. They also use needles and hairpins,called the "Prick of Emei" (峨嵋刺) or "Jade Maiden Hairpin" (玉女簪),as projectile weapons to be thrown at enemies. The most powerful of Emei's skills are the Emei Swordplay and the 36 styles of dianxue (三十六式天罡指穴法).
Like Wudang,Emei's skills have two sides to them,encompassing elements of "softness" and "roughness" and "long range" and "short range" attacks,all in the same style of fighting. They rotate between deceptive and direct attacks and can be used effectively by women to overcome opponents who are physically stronger than them. Some movements in Emei's swordplays are feminine in nature and are named after beauties in Chinese history and Chinese idioms used to describe feminine beauty.
Louis Cha Leung-yung, better known by his pen name Jin Yong, pronounced "Gum Yoong" in Cantonese, was a Chinese wuxia novelist and essayist who co-founded the Hong Kong daily newspaper Ming Pao in 1959 and served as its first editor-in-chief. He was Hong Kong's most famous writer, and is named along with Gu Long and Liang Yusheng as the "Three Legs of the Tripod of Wuxia".
The Return of the Condor Heroes, also called The Giant Eagle and Its Companion, is a wuxia novel by Jin Yong. It is the second part of the Condor Trilogy and was preceded by The Legend of the Condor Heroes and followed by The Heaven Sword and Dragon Saber. It was first serialised between 20 May 1959 and 5 July 1961 in the Hong Kong newspaper Ming Pao.
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The Jiuyang Zhenjing, also known as the Nine Yang Manual, is a fictional martial arts manual in Jin Yong's Condor Trilogy. It was first introduced briefly at the end of the second novel The Return of the Condor Heroes. It plays a significant role in the third novel The Heaven Sword and Dragon Saber after Zhang Wuji discovers it and masters the skills in the book.
The Beggars' Gang is a fictional martial arts organisation featured prominently in works of wuxia fiction by writers such as Jin Yong, Gu Long and Wolong Sheng. The gang has also found its way into martial arts films such as King of Beggars and video games such as Age of Wushu. The gang's members are mostly beggars as its name suggests, but some of them are from other walks of life. They are noticeable in public for their dress code and behaviour. The members adhere to a strict code of conduct and maintain the utmost respect for rank and hierarchy. They uphold justice and help those in need through acts of chivalry. The Beggars' Gang is also one of the supporting pillars in the defence of Han Chinese society from foreign invaders. The gang has a wide network of communications and the members are reputed for their excellent information gathering skills. This is due to the gang's large size and the nature of its members, which allows them to easily blend into different segments of society.
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