Empire Theatre (41st Street)

Last updated
Empire Theatre
Empire Theatre 41st Street.jpg
Empire Theatre (41st Street)
Address1430 Broadway (40th & 41st)
New York City
United States
Owner Charles Frohman, Al Hayman
Capacity About 1,100
Construction
Opened1893
Demolished1953
ArchitectJ.B. McElfatrick

The Empire Theatre in New York City was a prominent Broadway theatre in the first half of the twentieth century.

Contents

History

The Empire Theatre opened in 1893 with a performance of The Girl I Left Behind Me by David Belasco. In February 1927 actress Gail Kane and others were arrested following a performance of The Captive , which was considered indecent and a violation of Section 1140A of the New York City Criminal Code.

The Empire continued to present both original plays and revivals, including the English premiere of The Threepenny Opera in 1933, until 1953. Its final show, The Time of the Cuckoo , closed May 30, 1953 after 263 performances. In the same month, the theatre hosted a benefit celebrating the sixty-year history of the Empire. [1]

After the theatre's closure and before its demolition, Robert Porterfield salvaged many of its interior furnishings for use at the Barter Theatre in Abingdon, Virginia. Items removed by Porterfield included seats, paintings, lighting fixtures, and a lighting control system. Some of the decorations and seating that Porterfield transported are still in use at the Barter today. [2]

Ownership and management

Office of Charles Frohman at the Empire Theatre 1911 office of CharlesFrohman EmpireTheatre NYC.png
Office of Charles Frohman at the Empire Theatre

Frank Sanger and Al Hayman were the owners and developers of the uptown vacant lot that became the Empire Theatre. Hayman suggested that theatre producer Charles Frohman have the Empire Theatre built there, believing everything theatrical was moving uptown at the time.

The original lessees were listed as Charles Frohman and his partner William Harris of the firm Rich & Harris who were set to take possession of the building on January 23, 1893 which was also set to be the theatre's opening night.

The Empire Theatre's business manager was Thomas F. Shea for over 20 years from its opening till the death of Charles Frohman. After Frohman died on the RMS Lusitania in 1915, Al Hayman took over ownership of the Empire Theatre.

The theatre was sold in 1948 to the Astor estate; in 1953 it was announced that the building would be torn down to make way for an office tower. [3]

Building

Charles Frohman hired architect J. B. McElfatrick to design the Empire Theatre. Advertised as thoroughly fireproof, the building was the only stock theatre at that time to be on the ground floor and to have no steps entering from the street.

On December 2, 1892, it was reported in The New York Times that the building had been completed and was in the hands of the plasterers and decorators.

Notable productions

Related Research Articles

<span class="mw-page-title-main">Ethel Barrymore</span> American actress (1879–1959)

Ethel Barrymore was an American actress and a member of the Barrymore family of actors. Barrymore was a stage, screen and radio actress whose career spanned six decades, and was regarded as "The First Lady of the American Theatre". She received four nominations for the Academy Award for Best Supporting Actress, winning for None but the Lonely Heart (1944).

<span class="mw-page-title-main">Maude Adams</span> American actress and stage designer (1872–1953)

Maude Ewing Adams Kiskadden, known professionally as Maude Adams, was an American actress and stage designer who achieved her greatest success as the character Peter Pan, first playing the role in the 1905 Broadway production of Peter Pan; or, The Boy Who Wouldn't Grow Up. Adams' personality appealed to a large audience and helped her become the most successful and highest-paid performer of her day, with a yearly income of more than $1 million during her peak.

<span class="mw-page-title-main">Charles Frohman</span> American theater manager and producer (1856–1915)

Charles Frohman was an American theater manager and producer, who discovered and promoted many stars of the American stage. Frohman produced over 700 shows, and among his biggest hits was Peter Pan, both in London and the US.

<span class="mw-page-title-main">Henry Miller (actor)</span> American actor

Henry Miller was an English-born American actor, director, theatrical producer and manager.

<span class="mw-page-title-main">Barter Theatre</span> Theater in Abingdon, Virginia, United States

Barter Theatre, in Abingdon, Virginia, opened on June 10, 1933. It is the longest-running professional Equity theatre in the United States.

<span class="mw-page-title-main">Lyceum Theatre (Broadway)</span> Broadway theater in Manhattan, New York

The Lyceum Theatre is a Broadway theater at 149 West 45th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City. Opened in 1903, the Lyceum Theatre is one of the oldest surviving Broadway venues, as well as the oldest continuously operating legitimate theater in New York City. The theater was designed by Herts & Tallant in the Beaux-Arts style and was built for impresario Daniel Frohman. It has 922 seats across three levels and is operated by The Shubert Organization. The facade became a New York City designated landmark in 1974, and the lobby and auditorium interiors were similarly designated in 1987.

Al Hayman, also known as Raphael Hayman, was the business partner of the better-known Charles Frohman who together with others established the Theatrical Syndicate. In addition to the financial backing, ownership and construction of new theaters and the early monopolisation of the booking networks, the Syndicate also produced a number of Broadway shows.

<span class="mw-page-title-main">Blanche Whiffen</span> American actress

Blanche Galton Whiffen, known on stage as Mrs. Thomas Whiffen, (1845–1936) was an American actress born in London. She was educated in France; made her stage début at the Royalty Theatre, London, in 1865; came to America in 1868; and toured the United States under John Templeton's management.

The Time of the Cuckoo is a play by Arthur Laurents. It focuses on the bittersweet romance between Leona Samish, a single American executive secretary vacationing in Europe and Renato Di Rossi, a shopkeeper she meets in Venice. Di Rossi, trapped in a loveless marriage, relentlessly pursues Leona, who initially is shocked by the thought of an illicit affair but eventually succumbs to the Italian's charms.

<i>What Every Woman Knows</i> (play) 1908 play by J. M. Barrie

What Every Woman Knows is a four-act play written by J. M. Barrie. It was first presented by impresario Charles Frohman at the Duke of York's Theatre in London on 3 September 1908. It ran for 384 performances, transferring to the Hicks Theatre between 21 December 1908 and 15 February 1909.

<i>The Legend of Leonora</i>

The Legend of Leonora is a play by J. M. Barrie. It was featured on Broadway at the Empire Theatre in January 1914 and starred Maude Adams, running for 136 performances. The play first appeared briefly in London in September 1913 under the title The Adored One.

<i>The Barretts of Wimpole Street</i> 1930 play written by Rudolf Besier

The Barretts of Wimpole Street is a 1930 play by the Dutch/English dramatist Rudolf Besier, based on the romance between Robert Browning and Elizabeth Barrett, and her domineering father's unwillingness to allow them to marry. Presented first at the Malvern Festival in August 1930, the play transferred to the West End, where it ran for 528 performances. An American production, produced by and starring Katharine Cornell, opened in 1931 and ran on Broadway for 370 performances. The play has subsequently been revived onstage and adapted for television and the cinema.

<i>Richard Carvel</i> Novel by Winston Churchill (novelist)

Richard Carvel is a historical novel by the American novelist Winston Churchill. It was first published in 1899 and was exceptionally successful, selling around two million copies and making the author a rich man. The novel takes the form of the memoirs of an eighteenth-century gentleman, the Richard Carvel of the title, and runs to eight volumes. It is set partly in Maryland and partly in London, England, during the American revolutionary era

The Garden Theatre was a major theater on Madison Avenue and 27th Street in Manhattan, New York City. The theatre opened on September 27, 1890, and closed in 1925. Part of the second Madison Square Garden complex, the theatre presented Broadway plays for two decades and then, as high-end theatres moved uptown to the Times Square area, became a facility for German and Yiddish theatre, motion pictures, lectures, and meetings of trade and political groups.

<span class="mw-page-title-main">Lyceum Theatre (Park Avenue South)</span> Former theatre in Manhattan, New York

The Lyceum Theatre was a theatre in New York City located on Fourth Avenue between 23rd and 24th Streets in Manhattan. It was built in 1885 and operated until 1902, when it was torn down to make way for the Metropolitan Life Insurance Company Tower. It was replaced by a new Lyceum Theatre on 45th Street. For all but its first two seasons, the theatre was home to Daniel Frohman's Lyceum Theatre Stock Company, which presented many important plays and actors of the day.

George H. Kondolf was an American theatrical and radio producer. He was an associate of George Cukor and was, for two turbulent years, director of the Federal Theatre Project in New York City.

<i>The City Directory</i> Musical comedy play

The City Directory is an 1889 American musical comedy play with a book by Paul M. Potter and music by W.S. Mullaly.

<span class="mw-page-title-main">39th Street Theatre</span> Former theatre in Manhattan, New York

The 39th Street Theatre was a playhouse in New York City located at the corner of 39th Street and Broadway. Originally called Nazimova's 39th Street Theatre after the actress Alla Nazimova, it was in operation from 1910 to 1925 when it was demolished to make way for an office building. Throughout its existence, it was owned by the Shubert family. Its architect was William Albert Swasey, who had designed or remodelled several other Broadway theatres for the family.

<span class="mw-page-title-main">Savoy Theatre (New York City)</span>

The Savoy Theatre was a Broadway theatre at 112 West 34th Street in Midtown Manhattan, New York City. It opened in 1900. It was converted to a cinema around 1910, until it was closed in early 1952 and then demolished.

Diplomacy is an 1878 English play which is a translation and adaptation by B. C. Stephenson and Clement Scott of the 1877 French play Dora by Victorien Sardou. It saw frequent revivals and was a popular play for over fifty years.

References

  1. History of the Empire Theatre
  2. O'Brien, Carolyn (February 25, 2016). "Barter Theatre". Encyclopedia Virginia .
  3. (17 April 1953). New Owners Seen in Empire May 31, The New York Times
  4. (March 1916). The Life of Charles Frohman, Cosmopolitan
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 Hischak, Thomas S. Broadway Plays and Musicals (2007), p.9 (Age of Innocence, 207 perf.), p.35 (The Barretts of Wimpole Street, 370 perf.), p. 66 (Call the Doctor, 127 perf), p. 70 (The Captive, 160 perf.), p.104 (Dangerous Corner, 206 perf.), p. 109 Declassee, 257 perf.), p. 181 (Grounds for Divorce, 127 perf.), p. 196 (Her Cardboard Lover, 152 perf.), p. 211 (I Am a Camera, 214 perf.), p. 257 (Life With Mother, 265 perf.), p. 262 (The Little Minister, 300 perf.) p. 294 (The Member of the Wedding, 501 perf.), p. 368 (Richard Carvel, 128 perf.), p. 333 (O Mistress Mine, 452 perf.), p. 437 (The Star-Wagon, 223 perf.), p. 469 (The Time of the Cuckoo, 263 perf.), p. 527 (Peter Pan, 223 perf; What Every Woman Knows, 198 perf.; A Kiss for Cinderella, 152 perf.), p. 529 (Mary Rose, 127 perf.), p. 530 (The Czarina, 136 perf.), p. 534 (Easy Virtue, 147 perf.), p. 536 (Interference, 224 perf.), p. 543 (The Old Maid, 305 perf.)
  6. Lachman, Marvin. The Villainous Stage: Crime Plays on Broadway and in the West End (2014), p. 99-100 (The Legend of Leonora, 136 perf.)