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Formation | 1972 |
---|---|
Type | European Umbrella Organisation |
Headquarters | Bonn, Germany |
Membership | 74 active members |
Sec. Gen. | Simone Dudt, Ruth Jakobi |
Website | www.emc-imc.org |
The European Music Council (EMC) is a regional group of the International Music Council (IMC) representing Europe. It was established in 1972 as the 'European regional group of the IMC' and was renamed the European Music Council in 1992. The IMC was founded by UNESCO in 1949, and is, today, a non-governmental organisation (NGO), which still retains formal relations with UNESCO. [1] Until 2000 the secretariat was based in Aarau, Switzerland, and is now in Bonn, Germany.
The EMC functions as a non-governmental advisory body on musical matters. The membership includes National Music Councils from 15 European countries (including countries outside the European Union such as Azerbaijan, Israel, Russia, and Switzerland); 17 European music organisations; 17 international music organisations and 25 national music organisations or organisations that specialise in specific areas of music.
In 2018, the EMC signed a petition in support of Article 13 in the EU's Copyright Directive, designed to provide attribution and copyright to creators on platforms such as YouTube. [2]
As of August 2021, The European Music Council has 74 members based in 28 countries.
National music councils represented are Austria, Azerbaijan, Czech Republic, Estonia, Finland, Germany, Hungary, Israel, Italy, Latvia, Norway, Poland, Russia, Switzerland, and Ukraine.
The EMC has 17 members that carry out work on an international level (defined as an organisation that has members or carries out activities in a minimum of ten countries outside of Europe). [3]
There are 18 organisations in the 'European Music Organisations' category of the EMC (defined as operating in a minimum of 20% of Europe).
There are 23 National and Specialised Organisations in the European Music Council's membership (defined as any legal constituted organisation, association, society, company, foundation, corporation or NGO working in the field of arts and culture, which does not fulfil the requirements of an international or regional musical organisation or National Music Council)
The Board of the European Music Council consists of seven members and they are elected every two years at the EMC's Annual Meeting.
The seven current board members, elected at the EMC's online Annual Meeting in June 2021 are:
The European Music Council hosts an annual meeting to discuss the work of the council. From 2010, the Annual Meeting was combined with a new European Forum on Music, based on the model set by the International Music Council's World Forum on Music.
Year | Place | Theme |
---|---|---|
2004 | The Hague, the Netherlands | Conference on 'Improvisation in Music' |
2005 | Budapest, Hungary | Forum 'Many Musics in Europe' |
2006 | Malmö, Sweden | 'Turning Points: Music, Youth Diversity' |
2007 | Barcelona, Spain | 'Chances and Challenges: Music and the Future' |
2008 | Brno, Czech Republic | Forum 'Access to Music: New Perspectives in Distribution, Education and Politics' |
2009 | Athens, Greece | 'ExTra Final Event: Immigration and Multiculturalism. The Musical Dimension' |
2010 | Vienna, Austria | 1st European Forum on Music:'Music Diversity: Looking Back, Looking Forward' |
2011 | Tallinn, Estonia | 4th World Forum on Music: 'Music and Social Change' - in cooperation with the IMC |
2012 | Istanbul, Turkey | 2nd European Forum on Music:'Transcending Boundaries – Building Bridges' |
2013 | Glasgow, Scotland | 3rd European Forum on Music:'Re>>generating Europe through Music' |
2014 | Bern, Switzerland | 4th European Forum on Music:'Music and Politics: a shared responsibility' |
2015 | Riga, Latvia | 5th European Forum on Music:'Access to Music is digital?' |
2016 | Wrocław, Poland | 6th European Forum on Music:'Musical Homelands: New Territories' |
2017 | Paphos, Cyprus | 7th European Forum on Music:'Music and Cultural Diplomacy: Linking Continents – Bridging Cultures' |
2018 | Oslo, Norway | 8th European Forum on Music: 'Looking Back – Looking Forward. The Future of Europe’s Musical Roots' |
2019 | Paris, France | 6th World Forum on Music: 'Give me Five: The Five Music Rights in Action!' - in cooperation with the IMC |
2020 | Online | European Forum on Music Online Series: 'Climate Action: Music as a Driver for Change' |
2021 | Online | European Forum on Music: 'Claiming a front row seat. The place of music in society' |
The European Forum for Music Education and Training (EFMET), was formed in 2003 with the aim of bringing organisations that deal with formal and non-formal music education together. It ways supported by the European Commission through its Culture programme. It aimed to improve the collaboration and communication between the facilitators on formal and non-formal music education, map current trends, and formulate recommendations for future use.
The aim of the ExTra! project was to stimulate the exchange of different musical traditions in Europe. Its main focus was on the integration of the musical traditions of immigrants and cultural minorities together with those already existing in Europe.
The European Music Council, as coordinator, usually collaborates with some of its member organisations, as well as other interested parties, for projects. In ExTra!, they were:
Music on Troubled Soils was a conference held in Jerusalem in 2008 which discussed the role of music in troubled regions such as Israel, Cyprus and South Africa.
Speakers included: Marco Abbondanza, founder and director of 7 Sois 7 luas International Festival; Alenka Barber-Kersovan, lecturer at the Institute for Musicology of the University of Hamburg; Nenad Bogdanovic is a Serbian born Cypriot musician, organizer and youth-cultural worker; Veronika Cohen, Chairperson of the Department of Music Education at the Jerusalem Academy of Music and Dance; Danny Felsteiner, director of the Silwan Music School in East Jerusalem; Marion Haak; Rahib Haddad, conductor; Laura Hassler, director of Musicians without Borders; Timo Klemettinen, Secretary General of the Finnish Music Council and Chairman of the EMC Board; Dubi Lenz, artistic director in Israel; Melisse Lewine-Boskovich, founder of the Arab-Jewish Adamai Ensemble; Myrna Lewis; Dochy Lichtensztajn, musicologist; Eva de Mayo, conductor and music teacher; Henrik Melius, founder of Spiritus Mundi; David Sanders, director of the National Music Council of the United States; Edwin Seroussi, Professor of Musicology and Director of the Jewish Music Research Center of the Hebrew University of Jerusalem; Maya Shavit, founder of the Efroni girls' choir; Hania Souda Sabbara, director of the Magnificat Institute; Wouter Turkenburg, the founder of the International Association of Schools of Jazz; Merlijn Twaalfhoven, composer; Frans Wolfkamp, managing director of Music in ME.
The European Agenda for Music aims to converge the European music sector’s many voices in order to establish an ongoing dialogue between policy makers and music sector stakeholders and was successfully launched on 21 March 2018.
The European Agenda for Music contributes to a musically thriving Europe by setting out priorities for the music sector in Europe for the years to come. The European Agenda for Music took into account the specific advocacy papers the EMC formulated in 2010 and 2011, which are the “Manifesto for Youth and Music in Europe” and the “Bonn Declaration” that gives recommendation for the music education sector in Europe and for national and European legislation.
STAMP responds to a need voiced by professionals in the music sector for greater professional training and the related process of lifelong learning and will aim at:
The project SHIFT will provide training initiatives for cultural leaders, working together and creating paths to face such global challenges. The partners will produce online manuals and guidelines during these two next years (December 2019-December 2021) on the following themes:
The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history, and has trained some of the most important figures in international music life. The RCM also undertakes research, with particular strengths in performance practice and performance science.
Marie-Juliette Olga "Lili" Boulanger was a French composer and the first female winner of the Prix de Rome composition prize. Her older sister was the noted composer and composition teacher Nadia Boulanger.
The Royal Northern College of Music (RNCM) is a conservatoire located in Manchester, England. It is one of four conservatoires associated with the Associated Board of the Royal Schools of Music. In addition to being a centre of music education, RNCM is one of the UK's busiest and most diverse public performance venues.
European Union culture policies aim to address and promote the cultural dimension of European integration through relevant legislation and government funding. These policies support the development of cultural activity, education or research conducted by private companies, NGO's and individual initiatives based in the EU working in the fields of cinema and audiovisual, publishing, music and crafts.
Jacques Hétu was a Canadian composer and music educator. He is the most frequently performed of Canadian classical composers, both within Canada and internationally.
The International Music Council (IMC) was created in 1949 as UNESCO's advisory body on matters of music. It is based at UNESCO's headquarters in Paris, France, where it functions as an independent international non-governmental organization. Its primary aim is to facilitate the development and promotion of international music-making.
The Israel Music Institute (IMI) is a non-profit organization supported by the Israel Ministry of Education and Culture. The institute was established in 1961 by the Public Committee for Arts and Culture, with the aim of publishing and promoting Israeli art music at home and abroad. IMI also serves as the Israel Music Information Center- a member of the International Association of Music Information Centers (IAMIC), maintaining reciprocal ties with some 40 member countries.
The Royal Birmingham Conservatoire is a music school, drama school and concert venue in Birmingham, England. It provides education in music, acting, and related disciplines up to postgraduate level. It is a centre for scholarly research and doctorate-level study in areas such as performance practice, composition, musicology and music history. It is the only one of the nine conservatoires in the United Kingdom that is also part of a faculty of a university, in this case Arts, Design and Media at Birmingham City University. It is a member of the Federation of Drama Schools, and a founder member of Conservatoires UK.
Jeunesses Musicales International (JMI) is the largest non-governmental youth music organisation in the world, created in Brussels, Belgium in 1945, with the mission to "enable young people to develop through music across all boundaries". JMI has established four priority activity fields: Young Musicians, Young Audiences, Youth Empowerment and Youth Orchestras & Ensembles.
Cultural policy is the government actions, laws and programs that regulate, protect, encourage and financially support activities related to the arts and creative sectors, such as painting, sculpture, music, dance, literature, and filmmaking, among others and culture, which may involve activities related to language, heritage and diversity. The idea of cultural policy was developed at UNESCO in the 1960s. Generally, this involves governments setting in place processes, legal classifications, regulations, legislation and institutions which promote and facilitate cultural diversity and creative expressions in a range of art forms and creative activities. Cultural policies vary from one country to another, but generally they aim to improve the accessibility of arts and creative activities to citizens and promote the artistic, musical, ethnic, sociolinguistic, literary and other expressions of all people in a country. In some countries, especially since the 1970s, there is an emphasis on supporting the culture of Indigenous peoples and marginalized communities and ensuring that cultural industries are representative of a country's diverse cultural heritage and ethnic and linguistic demographics.
Maria Guinand is an internationally renowned choral conductor.
International Federation for Choral Music (IFCM) is an international association founded in 1982 to facilitate communication and exchange between choral musicians throughout the world.
The European Union of Music Competitions for Youth (EMCY) is a European umbrella organisation for about fifty national and international music competitions for young people. Founded in the 1960s in order to develop the musical education of young Europeans, EMCY arranges concerts, broadcasts, tours, award ceremonies, master classes and courses for competition prize winners throughout Europe.
Ana María Raga is a Venezuelan musician, choir and orchestra director, pianist, arranger, composer and teacher. She has won national and international prizes in the field of choral singing. She is the founder and president of the Aequalis Foundation.
Richard Albert Letts is an music advocate and administrator.
Making Music is a UK membership organisation for leisure-time music groups of all musical genres, representing over 200,000 musicians and promoters of all levels and experience. Making Music provides them with practical services, guidance, artistic development opportunities and a collective voice for advocacy.
The Creative Industries Federation (2014-2021) was a national organisation for all the UK's creative industries, cultural education and arts. It advocated for the sector, aiming to ensure that the creative industries were central to political, economic and social decision-making.
The European Association for the Education of Adults (EAEA) is a European NGO whose purpose is to link and represent European organisations directly involved in adult learning. The main focus is to promote adult learning and access to and participation in non-formal adult education for all, particularly for groups currently under-represented. EAEA aims at influencing EU policies on non-formal adult education and lifelong learning and cooperates with the institutions of the European Union and with international organisations as the Council of Europe, the International Council for Adult Education (ICAE) and UNESCO.
The European Composer and Songwriter Alliance (ECSA) is an international, non-profit organization based in Brussels and composed by more than 55 associations of composers and songwriters in more than 25 different European countries. It represents around 30,000 music creators and was founded in 2007. ECSA is co-financed by the Creative Europe Programme of the European Union.